Tickets were produced to enable first-class travel from Middle Brighton Railways station to Sandringham and then by Electric Tramway from Sandringham Railway Station to the corner of Bluff Road and Royal Ave. The ticket colours indicated to station staff, Inspectors, and conductors the nature of the ticket and its availability These tickets were purchased by the donor in 1970 long after the tramway had closed and travel classes were abolished on the suburban railways. They were available for use on the replacement bus service. Yields information about the type of ticket that was issued to enable rail/tram travel on the Victorian Railways and their tramways.Set of two Edmondson style card or pasteboard Victorian Railways return tickets for travel between Middle Brighton and Bluff Road and Royal Ave. Both date stamped 15 June 1970. .1 - Adult - 1st class - No. 1365 .2 - Child - 1st class - No. 00143Both date stamped on rear "!5 June 1970"tramways, trams, tickets, victorian railways, sandringham, black rock tramway, bluff road

DCPU (Disruptive Pattern Camouflage Uniform) Work dress trousers. Colours - light to dark green through to mid to dark brown. Gore-Tex (Polyester/laminate) type fabric for wet weather. Worn as overpants. Drawstring cotton cord at waistband, with plastic look clip. Two side pockets, at ankles loop and hoop adjustable strap. White colour polyester fabric manufacturers label, inside back waist band.Manufacturers information on label - black ink print. " REFLECTIVE/ IMAGES/ O/N G5.202857/ N/S/N 8405/66/145/7099/ AUG 2003/ BATCH: 912726/0004/ SIZE: XL- 82 CM/ NAME:/ SERVICE/ CARE INSTRUCTIONS/ DRY CLEANABLE/ MACHINE WASHABLE 40dc/ DO NOT BLEACH/ DO NOT SPIN DRY/ DO NOT WRING/ HANG TO DRY/ LIGHT/ COOL IRON".uniform, army, work dress, dpcu, trousers

See Cat 7003.2 GreenwoodThese are cloth arm badges sewn onto white material. 1. Parachute badge - blue canopy with wings, set onto maroon background. Royal Crown of QE2 IE WO2 Badge Rank. 2. Gold Rising Sun, with words "The Australian Army" set on a white background. Crossed rifles - set onto a white square background. Royal Crown of QE2, numerous colours set on a white square background.aust army, rank and skills badges

1. Jacket, light green. Wool/polyester two hip pockets in front. Jacket fastened with 5 brass buttons. Colours are broad. Short sleeves with small cuffs. 2. Trousers - light green, zip fly. No cuffs at bottom of legs, no pockets. 3. Hat, two tone green with RACT Badge - peaked brim. 4. Belt - light green. No buckle, has a press stud arrangement at one end.3. Hat - written inside is "Browne F3207657." 4. Number 360 written inside belt.wraac, uniforms, passchendaele barracks trust

The 1914–15 Star was authorised in 1918 and was awarded for service in specified theatres of war between 5 August 1914 and 31 December 1915. A recipient of the 1914 Star could not also be awarded the 1914–15 Star. The medal is accompanied by its original box. The Holgate medals were the first war medals held by BCC archives. They have historical and social significance for the College.The 1914-15 Star is a four pointed star of bright bronze, ensigned with a crown. The obverse has crossed gladius, overlaid with an oak wreath that is ensigned with the cypher of King George V. A scroll bearing the legend 1914-15 is centrally placed across the crossed blades. The 1914-15 Star ribbon has the red white and blue colours of the Empire, in shaded and watered stripes. The medal is accompanied by its original box.Engraved on a scroll in the centre of the medal front: '1914-15' The oak wreath is ensigned with the cypher of King George V. The back of the medal is engraved: '3193 / Pte E. S. HOLGATE / 6/F AMB. A.I.F. The box lid is inscribed: 'AMC/13 / 3193 / Pte. E. S. Holgate / 6/F.Amb,A.I.F. / 9350/Decd.'world war one, medal, 1914, the 1914 15 star, w w 1, private e s holgate, holgate, a i f, australian imperial force, holgate medal

.1) Basic webbing. .2) Torch. .3) Backpack, Australian issue. Sniper bag, camouflage colours. .4) Alice back pack. .5) Water bottle, khaki colour plastic with screw lid, aluminium holder inside pouch. .6) Water bottle, khaki colour plastic with screw lid. .7) Millbank filter, khaki canvas, 2 metal eyelets. .8) Multi tool. Dole K.3) Auscam NSN No. 8465-66-135-0685. Written in red circle on back lower left corner: DOL 312 . Blue and white patch painted on back lower right corner. .7) 7 Aug 1991 ↑ NSC-8465-99-873-6663. .8) Victorinox.military equipment, containers - drink consumption

The handmade earthenware jar was one of a group of artefacts in the McCulloch Collection that were recovered from the shipwreck Loch Ard. The jar could have been from the ship's cargo or personal effects. There are other jars in our collection that were recovered from the Loch Ard. The object is now one of the shipwreck artefacts in Flagstaff Hill’s Mc Culloch Collection, which includes items recovered from the wrecks of the Victoria Tower (wrecked in 1869) and Loch Ard (wrecked in 1878). They were salvaged by a diver in the early 1970s from the southwest coast of Victoria. Advanced marine technology had enabled divers to explore the depths of the ocean and gather its treasures before protective legislation was introduced by the Government. The artefacts were donated to Queensland’s Department of Environment and Heritage Protection (EHP) by a passionate shipwreck lover and their locations were verified by Bruce McCulloch. In 2017 the Department repatriated them to Flagstaff Hill where they joined our vast collection of artefacts from Victoria’s Shipwreck Coast. The Loch Ard: - The three-masted, square-rigged iron ship Loch Ard belonged to the famous Loch Line which sailed many ships from England to Australia. The ship was built in Glasgow in 1873. The Loch Ard made three trips to Australia and one trip to Calcutta before its final voyage. The Loch Ard left England on March 2, 1878, under the command of Captain Gibbs, bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo included straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that were intended for display in the 1880 Melbourne International Exhibition, including the famous Loch Ard Peacock. On June 1, 1878, Captain Gibbs was expecting to see land but visibility was reduced by fog. As it lifted, the sheer cliffs of Victoria's west coast came much closer than expected. The captain was unable to steer away and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck was loosened from the hull, the masts and rigging came down and knocked passengers and crew overboard, and even the lifeboat crashed into the side of the ship and capsized. Of the 54 people on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael. The well-packed Minton porcelain peacock also survived, safe inside its crate. Much of the cargo was washed up, smashed and broken, and some was salvaged. Other cargo is still with the wreck at the base of Mutton Bird Island, now protected by Government law. The artefact is an example of cargo or personal items on board a ship in 1878. It provides a reference point for classifying and dating similar items. This artefact is significant for its association with the sailing ship Loch Ard, one of the best-known, and one of the worst, shipwrecks in Victoria’s history. Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. It is historically significant for representing aspects of Victoria’s shipping history. Container, round brown earthenware jar with a wide mouth, thick lip, a wide neck that tapers slightly inwards towards the shoulder, and a body that tapers slightly inward towards the base. The glazed surface is rough. The variegated colours of the clay also has small dark speckles. There are several chips and dents on the jar. The inscription is stamped into the lower edge. Made by Bailey & Co., England. Recovered from the wreck of the Loch Ard.Inscription “Bailey [&] Co / ENGLAND” flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, white star line, victorian heritage register, sailing ship loch ard, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, migrant ship 1878, cargo ship 1878, stoneware jar, domestic container, kitchenware, kitchen storage, bailey & co england, shipwreck artefact, wreck dive, mcculloch collection, bruce mcculloch, 1878, sailing ship, earthenware, stoneware, domestic jar

The helmet was used by Sgt Cane A. E.Royal Australian Air Force Pith Helmet WW2.Khaki pith helmet with khaki puggaree which has 5 pleats. One the pugaree is an oblong colour patch blue white red colours. The Pith Helmet has a cloth khaki band around the brim and 4 ventilation holes on each side of the helmet. This helmet has chin straps that also have ear protection when done up. On the back band of the helmet is a leather loop with a press stud.Inside the helmet handwritten numbers R18098 and 13745 name Cane A. E.khaki pith helmet field sgt a.e.cane

This is a paper back book with a plasticized cove which has an image of Flagstaff Hill Maritime Village (reproduction of Daniel Clarke’s Studio) in the background in muted colours, photographs and paintings of Thomas and Susan Lawson in colour on the front cover and a photograph of and information on the author on the back. It has 37 pages, a Lawson family tree at the back and an introduction by Helen Jones. The book included printed material, black and white photographs and illustrative material.non-fictionFamily history of Thomas Lawson (1831-1907) and his descendants lawson family, warrnambool, cobden, camperdown

A pink programme with black print. On the front are the words ' KINEMACOLOR (urban patents) The World's Events in their Natural Colours. The Great War Picture: With the Fighting Forces of Europe. Direct from the Scale Theatre, London. The Sole Rights for KINEMACOLOR for Australia and New Zealand were secured in England by the Proprietor, Wm. J. Shephard, to whom all communications should be addressed. Mitchell & Casey, General Printers, 25 Tattersall's Lane Melbourne.program, theatre, war, lydia chancellor, collection, w.w. i, event, program, theatre, the great war, war

Nutha Cup Tea . Sheet with the four side labels for a packet of tea. Printed in dark green and light green on a white background. The first side has dark green printing with a dark green border and a light green background and refers to the tea. The second and fourth are the same with the colours reversed. The third is the same as the first but has Product of Eastern Tea Co., Melbourne and the weight. It also has instructions to make the cup of tea.business, printers, cambridge press, cambridge press collection, nutha cup tea, eastern tea co melbourne

Hand-stitched tapestry by M. Baker in 2001. Tapestry represents part of the family history of working in the wool industry as owners of a sheep property for five generations. The family has run Corriedale sheep in Lismore, Victoria.Brown timber framed woollen tapestry with cream mounting board. Tapestry is handstitched and features various colours. Scene depicts four men and a woman in a shearing shed. Two of the men are handling sheep, one man is weighing a fleece while the last man and woman look on. Back of frame has a horizontal hanging wire, a framers stamp at the bottom centre and a handwritten creators name and date at the top right corner.lismore, sheep breeding, tapestry

Piece of partly worn trolley wire taken from North bound wire between poles 9 and 17 (Loop & St Aidans Drive) on 4/3/97, during replacement operations. Is slightly curved, and only partly worn, both grooves are still good. Has been cut from other wire. See sketch on original worksheet for colours of wire. Images added 3-12-2016ballarat, overhead, fittings, trolley wire

Yields information about the method of promotion of the sales of briquettes amongst SEC employees and the sale of gas heaters.Printed - two colours - pamphlet, with black border top and bottom of the sheets, advertising free briquettes to SEC employees and relatives on the installation of a hot water heater or space heater. Late 1960's - has a 7 digit telephone contact number. In top left hand corner has the name "Everett" On rear has various calculations in pencil. Was loose with the group of track diaries - eg around Reg Item 3703.trams, tramways, sec, briquettes, personnel

Set of two lists from Ron Scholton of Malvern Tram Depot to Keith Stodden regarding tramcars and another list - all handwritten. .1 - on ruled paper, 24/3 (1986?) listing trams in MTA colours, defective or out of service. .2 - ditto - includes references to B1 class trams and depot movements. Received 13/3 (86?) .3 - list dated 1-86 of Glenhuntly trams.trams, tramways, tramcars, lists, malvern depot, b class, glenhuntly depot

Instruction document - A4 - four fold document printed on card paper, centre folded with foldouts - titled "Yarra Trams Visual Identity Standards Summary", giving the corporate graphic standards, how the logos or motifs appear, their use, colours how to use, alternative logos, what cannot be used, fonts or typography, pantone tear off colour samples. Has corporate locations and contact details. Two copies held.trams, tramways, yarra trams, stationery, logos

Pale green, five-page booklet, programme for the Linton St Patrick's Day Trotting Club annual meeting, held Saturday March 10th, 1923. Lists names of Trotting Club officials and judges. Compiled by W.E. Young, Hon. Secretary. A notice on the back of the programme advertises a dance to be held after the race meeting. Each page lists a separate event, gives names and details of horses and colours worn by jockeys.Text, front: " LINTON ST. PATRICK'S DAY TROTTING CLUB / ANNUAL MEETING / Saturday, MARCH 10th, 1923 / On the Recreation Reserve / OFFICIAL PROGRAMME, 1s.sporting clubs, st patrick's day trotting club, horse racing, dances

Clothing. Pure wool, dark navy blue blazer, as part of the Official uniform of Officials at the 1956 Melbourne Olympic Games. Revere collar with pointed lapels-one button hole on left lapel. Two large (20.5 cm X 20.0cm) pockets, with rounded lower corners - one on either side front. 14 cm X 13 cm breast pocket with rounded corners of the lower edge, and embroidered Olympic Rings and wording ''Olympic Games 1956 Official''. Fully lined - body in black satin, sleeves in cream satin. Double breasted, with four 2cm diameter flat silver metal buttons. Stitched button holes. 1.5 cm diameter flat silver metal buttons - one at each wrist. Padded shoulders.On inside right hand breast pocket, Wardrop ''My Tailor'' of melbourne and provincial Centres. For all Men's Wear All pure wool. On outside left breast pocket: Olympic Games 1956 Official.and five OlympicRings-in official colours, - Blue, Black, Red, Yellow, Green. Outside pocket markings are all embroidered. Logo of tailor also embroidered on inside pocket.costume, male, navy blue melbourne olympic blazer

Photo of 'City of Ballarat' tram No. 671 turning from Nicholson St. into Victoria Parade while running the City Circle service on 5.3.1996. See also item 463. Was used in the May 1996 issue of Trolley Wire, p24. 464.1 - additional two copies added 15.6.2009, from William F Scott. Larger prints of photograph (2) shifted to A4 AS Box 51.On rear, stamped on 'William F. Scott, 5.3.1996, 4', 'photo page 24, same size, with cropping markings and a green dot with '1' in top corner. 464.1 - both copies "Ballarat Tramway Museum / William F Scott Photo", "ex Melbourne W4 series car 671 on the Melbourne city circle 5.3.1996. The car carries the colours of the Ballarat City Council".city circle, 671, melbourne, victoria parade, nicholson st, tram 671

Morrison Kleeman Real Estate sales information material for the Alistair Knox designed house known as the Zull House. "Nestled into a private hill of more than an acre of established gardens, shady ornamental gardens, shady ornamental grapesvines and gumtrees, sounds of bellbirds engulf this Alistair Knox home of special ambience. This home features the textures and colours of nature, home made Hawthorn bricks, flooirng slate from the old St Kilda baths and recycled timbers..." The property was sold Feb 26, 2004 (Source: realestateview.com.au) Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.1 documents, 2 pages A4 gayle blackwood collection, houses, morrison kleeman real estate, metery road, eltham south, alistair knox, zull, st kilda baths

Invitation to two Anzac ceremonies at St Kilda in 1955: a talk by Lt Gen Sir Horace Robertson and the screening of two films ('The Queen's Colours' and 'Jungle Patrol') in St Kilda Town Hall on 24 April 1955; and a ceremony at the St Kilda Cenotaph on 25 April 1955. Lt Gen Sir Horace Robertson (29 October 1894 – 28 April 1960) had recently retired after a 43 year career in the Australian Army, during which he served in both World Wars and the Korean war.White card printed in black on one side, including City of St Kilda logoanzac day, lt gen sir horace robertson, film - the queen's colours, film - jungle patrol

Heather Leonard wore this outfit to a Brighton Primary School fundraiser in the late 1960s. She hand painted the white platform heels to match her yellow and orange dress, and her husband Paul wore similarly bright colours with a mustard yellow and purple shirt. Heather was born in the Bayside area, initially working as a nurse and later as a yoga teacher. She and Paul lived together in Male Street for forty years until his death in 2002. Paul worked in advertising and later became a painter, mainly of Australian icons.Floor length dress (.1) of printed cotton with yellow and orange pattern, with scoop neck, short flared sleeves and zip at the back. Platform shoes (.2) with block heel. White leather, hand painted yellow and orange.heather leonard, paul leonard, brighton primary school, 1960s

Dorothy Berry paints and draws with great energy, using vibrant colours and thick, gestural strokes of paint and pastel. Her work is usually a form of portraiture, often depicting women or birds. In this portrait, Berry has depicted the late American jazz singer Billie Holiday. Berry has been a regular studio artist at Arts Project Australia since 1985. Arts Project Australia supports artists with intellectual disabilities through their studio and gallery, promoting artists’ work and advocating for their inclusion in contemporary art practice.

Postcard - image of Flinders Street Railway Station, corner of Swanston Street with a green and yellow Z1 class tram and SW5 779 in the view. Based on photo of the Z class tram has been painted in The Met colours, photo mid 1980's. Tram 779 has a The Met sticker over the former MMTB logo. It was withdrawn during Oct. 1989 and sold during 1990. There are advertisements for Fish Paste and Canon typewriters. Produced by Australian Souvenirs and Marketing Pty Ltd of Moorabbin. Has an AMS logo.Demonstrates an iconic Melbourne image, Flinders Street Station with trams during the changeover from the MMTB to The Met.Postcard colour - Flinders St Station - Australian Souvenirs & Marketing Pty Ltd, card No. 40-03-1007trams, tramways, flinders street station, swanston street, z class tram, tram 779, sw5 class tram, the met

Mat making was an essential part of many workshops staffed by blind or vision impaired employees since the 19th century. In Australia, it was a skill taught in along the eastern seaboard until the supply of cheaper mats from Asian sources rendered it financially non-viable as a source of employment. These examples were made in the RVIB workshops and demonstrate the variety that could be made, with a plain mat, one printed 'RVIB' in black on one side and in in reverse in various colours on the other, and the other with 'Welcome' on the front and 'Made by the blind' on the reverse.3 coir mats made by RVIB workersRVIB Made by the blindemployment, royal victorian institute for the blind

1. & 2. DCPU (Disruptive Pattern Camouflage Uniform) Work dress, bush hat. colours - light to dark green through to mid to dark brown. Cotton/polyester fabric. Cotton/polyester cord chin strap with plastic lock clip. Hat with crown, fabric tape band of loops around crown, stiff brim and fabric neck protection flap. White colour cotton polyester fabric manufacturers label, inside on brim.Manufacturers information on label - black ink print. 1. "HARD YAKKA/ AUSTRALIA/ APRIL 2014/ PO NO: CC209P/ LAY NO: 8384/ ^/ NSN: 8415-66-151-8828/ SIZE: M 56CM/ NAME: PM KEYS NO:/ 75% COTTON/25% POLYESTER/ CARE INSTRUCTIONS/ HAND WASH IN COLD/ WATER WITH MILD/ DETERGENT RINSE/ WELL DO NOT WRING/ TUMBLE DRY OR DRY CLEAN/ DRIP DRY IN SHADE" 2. "HARD YAKKA/ AUSTRALIA/ AUGUST 2016/ PO NO: CC30WS/ LAY NO: 5020166/ ^/ NSN: 8415-66-151-8829/ SIZE: L 58CM/ NAME: PM KEYS NO:/ 75% COTTON/25% POLYESTER/ CARE INSTRUCTIONS/ HAND WASH IN COLD/ WATER WITH MILD/ DETERGENT RINSE/ WELL DO NOT WRING/ TUMBLE DRY OR DRY CLEAN/ DRIP DRY IN SHADE"uniform, army, work dress, headwear, dcpu

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - OIL PAINTING ON HARDBOARD. Depicts - an interpretation of the Gallipoli story of Private John 'Murphy' SIMPSON KIRKPATRICK and his donkey. Colours - vivid oranges with some white and brown. Visible in the painting - donkey, wounded soldier, rocky terrain, background figure of "Simpson" and cliff and gullies. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper."CLIFTON PUGH (1924 - 1990) Untitled IV (Simpson and His donkey) 1990". Clifton Pugh was appointed as the Australian War Memorial's official artist at the 75th Anniversary of the Gallipoli landing. He served in the Second World War in New Guinea and Japan.framed accessories, pprints, ww1, gallipoli, centenary

They are addressed from a George to his wife Louie. WW1. Item in the collection re George Bailey Jackson, refer cat No 3446P for his service details.This is a purchased buckram book. On front it shows gold line dropping down froma horizontal bar. The tips of the gold lines show a Fleur De Lys on each tip. The phrase "Postcard Album" is also printed in gold. Inside are numerous pages cut with various slots to hold postcards. The postcards are brilliant, beautiful and awe inspiring - their colours, cottons etc. Most are sewn, some are hand painted. Some have intricate lace work.A lot of postcards have "To Louie from George" (Louie possibly his wife), Louie was c/o address Nth Ryde, Isle of Wight, England. An early card is addressed to Miss Louie Hobbs, Southampton, England. A lot are about the Army Service Corps.postcards, ww1, passchendaele barracks trust

Refers to service of Harry Burrell "MM". See Cats 290, 297.2P, 298.4.Locally made Christmas Card. The front has the 38th Battalion NVR badge in the centre in silver ink. The card has two sections; The outer which is folded, made out of strong paper. The other inner section, is printed on glossy white paper. Printed in colour in the centre, are the colours of the 38th Bn, with Christmas Greetings printed in blue ink on the right. 38 Inf. Bn - Northern Victorian Regiment, Mollison Street Bendigo. The sheets are folded with one staple binding.38th battalion, greeting card