Program for the first opening of Parliament after Federation. Prince George Frederick Ernest Albert (1865–1936), Duke of Cornwall and York was the second son of Edward VII and Queen Alexandra. The visit was part of an Empire tour and a tribute to the response made throughout the Empire during the Boer War. On their return to Britain the couple were proclaimed Prince and Princess of Wales and, on the death of Edward VII in 1910, became George V and Queen Mary.White coloured folded program, printed in purpleFront page/cover: UK Coat of Arms In Celebration of the Opening of the Parliament of the Commonwealth of Australia. To meet their Royal Highnesses The Duke and Duchess of Cornwall and York. Reception by His Majesty's Ministers of State for Australia, at the Exhibition Building, Melbourne, on the 9th May, 1901. Middle pages: Programme (items listed) Back page/cover: Refreshments Will be Served all the Evening on the Ground Floor and in the Galleries 1901, opening of parliament, duke and duchess of cornwall and york, royal visits

The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of specific street works in Kew as well as providing examples of public works infrastructure being commissioned by local government in the 1970s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the Kew Historical Society.In addition to its historic importance as a record of a particular streetscape in Kew in 1970, the photograph also provides an historic record of public works by local government during the period.Public Works Street Maintenance, Gellibrand Street, Kew, Company supplied photograph of cable laying in Gellibrand Street. Inscribed above photo: "Boring through obstacles to pass cable. Cable extends from winch to cutting tool in both directions to permit a to and fro cutting motion. Gellibrand St. Drain 23.4.70." Company information: "General Descaling / Company / 1st Floor 66-68 Albert Road/ South Melbourne 3205 Victoria / Telephone 699 1455 / 699 1635."general descaling, drains, gellibrand street (kew)

The series from which the photograph is drawn provides a snapshot by a commercial photographic studio of specific street works in Kew as well as providing examples of public works infrastructure being commissioned by local government in the 1970s. The photos originally formed part of the Engineering Department's files in the City of Kew before being donated to the Kew Historical Society.In addition to its historic importance as a record of a particular streetscape in Kew in 1970, the photograph also provides an historic record of public works by local government during the period.Public Works Street Maintenance, Gellibrand Street, Kew. Company supplied photograph of cable laying in Gellibrand Street. Inscribed above photo: "Boring through obstacles to pass cable. Cable extends from winch to cutting tool in both directions to permit a to and fro cutting motion. Gellibrand St. Drain 23.4.70." Company information: "General Descaling / Company / 1st Floor 66-68 Albert Road/ South Melbourne 3205 Victoria / Telephone 699 1455 / 699 1635."general descaling, drains, gellibrand street (kew)

One of 11 similarly presented b/w half portrait photographs showing various councillors within Glen Eira City Council. Copyright for this image is unknown, although likely commissioned by Council. It has been digitised and published here for educational and research purposes. If you believe that you have copyright to this image and would like it removed from the site please contact us through the 'Leave a Comment' tab below. B/w portrait photograph of Cr Emil Braun wearing glassses, a light grey suit, white shirt and dark tie.Handwritten on verso in black ink pen: "Cr Emil Braun" and below written in black pen and crossed out with blue pen "Elected 23/6/84" Sticker with red ink print in lower corner, lhs: "VAN DER TOORREN / Block Arcade Studios / 4th Floor, Block Arcade, 282 Collins St. 03 - 8648 / DATE..............REF................."

This biscuit/tea caddy was probably targeting the "theatre going" family or those who liked looking at the colourful shakespearian scenes. This item however demonstrates that the rural (Kiewa Valley) appreciation of classic English plays was, in this time period (early 1900's), just as strong as in the larger towns and cities. This item also presents the period in which the "olde" Elizabethian phrases and words were taught in regional high schools. Although this speech pattern and phraseology was of a specific time period and going out of fashion when Australia was first settled it was an inherited form of communication(higher social/economical level). In the context of the rural Australia "scene" and in this time frame of the elite "boarding school" generation this item was a visual reinforcement of the education level and position of the family who owned this tin.This item is highly significant because it not only presents the social aspects of early life in the Kiewa Valley but also the variety of educational levels and economical variations of the rural population within the Kiewa Valley. The egalitarian perception of the inhabitants of the Kiewa Valley was still at the infancy of early Australian social interactions. This biscuit /tea container was however a leveling of the socio-economic playing field of the time.This biscuit or tea tin, has besides having an outer lid (hinged), it also has an internal lid(with a circular finger grip). Although the shape is rectangular it has a slight concave bulge at each side of the centre of each of its main frame. It is made of pressed light steel and has a raised floor. The corners are bevelled and the outer lid has a bevelled slope ridge in parallel to the extremities of the main tin frame. There are painted scenes from the following Shakespearian plays on each side of the tin; "As you like it", "Hamlet" and on each of the bevelled corners are the portraits of Shakespeare(in the middle), the caricature mask faces of "the theatre" above and on the bottom section the "Director's chair"food storage, kitchen table container, domestic educational storage, shakespeare illustrations

These theatre chairs had been used in the Mozart Hall in Warrnambool for many years but are now no longer required. They were about to be offered for anyone to take but just by chance Flagstaff Hill’s Manager heard about them from a friend in Melbourne. Our Manager thought it important to keep the chairs in Warrnambool as they were significant to our local history and could be incorporated in our Museum. He made arrangements to collect and install them in Flagstaff Hill’s Theatrette. Originally these theatre chairs belonged to Warrnambool Town Hall. When The Warrnambool Baths (or Swimming Pool) in Gillies Street closed, due to the Health Act of 1958, the changing rooms were taken over by the Mozart Group. The building was modified and set up for musical concerts with the name Mozart Hall. The seats were re-covered by Miss Eva Gaspar, Director of the Warrnambool Music Society, with assistance from group members. The material was order by W.C. James (Treasurer) in 1964, at a cost of 26 pound and 10 shillings (£26-10), and supplied by Jacka-Wortley Fabrics Pty Ltd, Upholstery and Furnishing Supplies, 157-163 Pelham Street, Carlton, Melbourne, Victoria. The supplier’s telephone was “JACKAFAB” (5222 2322). The fabric was delivered to J. Hulin of 116 Belmore Rd, Warrnambool. The manufacturer of the chairs, Riddell & Preece Pty Ltd of Melbourne, also supplied theatre chairs for other public buildings including (1) the Ozone Theatre in Enfield, South Australia, in 1929, (2) the Gallery of the Horsham Town Hall in Victoria (at 26/6 each, that is 26 shillings and sixpence, approximate conversion in 2014 to $100.00au), (3) in 1927 in the Gallery of the Kyenton Mechanics’ Institute (4) in 1926, Horsham Theatre. (In May 2018 a transfer of three banks of chairs was made from Flagstaff Hill to the Australian Centre for the Moving Image in Melbourne.) The chairs are of local historical and social significance. Theatre chairs. The sixteen sets (groups or banks) of complete chairs, four seats per chair, give a total of 64 seats. Each chair has timber framed seats, with arm rests, upholstered in red vinyl. The seats are set into decorative gilt iron frames which incorporate five legs, all set into two timber floor rails. The seats are hinged to fold upwards and rest against the backrests. On ironwork "PTY. LTD"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, theatre chairs, theatre seats 1939, warrnambool town hall seats, mozart hall warrnambool, theatre furniture, mechanics’ institute chairs, j hulin warrnambool, mozart hall choral group, eva gaspar, warrnambool music society, w.c. james, jacka-wortley fabrics pty ltd

The Junction Hotel was built before 1875. It was located on the corner of the Yarra Glen-Eltham and Steels Creek Roads opposite the cemetery. The building was burnt down in August 1935. Samuel Smith was the licensee from 1895 until 1905Black and white photograph of the Junction Hotel, Yarra Glen copied from newspaper. The words "YARRA GLEN 1892" appear above the building. Sign on building "S.SMITH JUNCTION HOTEL LICENSED VICTUALLER". A woman wearing an ankle-length dress and boots is standing near main entrance. Weatherboard and iron roof, picket fence. Two bentwood chairs on brick-floored verandah. A light pole is attached to the verandah post. picket fence, nineteenth century, 19th century, hotel, bentwood chair, public house, sam smith, samuel smith, weatherboard, iron roof, tin roof, woman, junction hotel

Black and white photograph. Male in evening wear standing next to grand piano. Pictures on wall. Mats on wooden floor. Inscriptions: on back - handwritten in pencil 'Anthony Strange at Lansdowne May 31, 1949'. Blue circular stamp : 'Royal Historical Society of Victoria, Bendigo Branch'. History of Object: Edith Lunn 5.11.1999 'Anthony Strange at Lansdowne House, home of Albert Bush, Williamson Street'. Previous Acc. No. P669.person, group, portrait

black and white copy: Bank of Australasia building, corner of Pall Mall and Williamson St., Photographer's handcart in picture. Two storey brick building, arched windows to ground floor, rectangular windows above. Above corner doorway is a coat of arms, similar in shape to present City of Melbourne coats of arms. In image on verandah ' J. Holdsworth./Chemist ' Bank of Australasia/ House, Assay office. On back in grey lead '10'Batchelderbuildings, bank, bank of australasia

Black and white photograph :2 storey and basement stone building with gable roof, 4 chimneys projecting . Second storey has a central windows with three windows to right and leftr. Ground floor has central porch, door with glass, fanlight above and glass panels on each side. Basement with 3 small windows on each side of door. Post and rail fence on left. 5 males near door.Batchelderbuildings, hospital, bendigo goldfields hospital

Part of a matching set of W class carriages.First Class railway carriage 35 AW red with a white clerestory roof. Six compartments each with six green possibly leather studded seats with arm and head rests. The floor is carpeted and there is a white metal drinking fountain with a tap in the corridor. Each compartment also has decorative pressed metal ceiling, overhead racks and a central light fixture. There is a mens' and ladies' seating area at each end with a toilet.The carriage has the 35AW mark on the outside.

Handwritten notes on ''Tower Memorial Stone'' - St Pauls Church, Bendigo, dated 27-7-1978. Author (difficult to read - ?? Stone?). Workmen re-laying floor of porch uncovered part of this stone. Article provides text of what was visible on the stone as well as quote from 'old records' about the same stone. Mention of McFinn, Monumental Mason; Duglad McDougall (Mayor). Also costs and description of the stone itself.document, names of bendigo pioneers, tower memorial stone, tower memorial stone. st pauls church. duglad mcdougall

Presbyterian Girls Fellowship, late 1930s.|Back row standing: Win Leckie; Jean Gibb; Wilga Ough; Marj Collins; Hilda Conley; Audrey Maxwell; Dorothy Layton.|Seated: Jean Duke; Mavis Dixon; Ruth Collins (school teacher); Mrs Shaw (Presbyterian Minister's wife); Isabel Maskell; Phyl Bunnett.|On floor: Val Ough; Joan Chalmers; Roma O'Brien. Four copies, held together.tatura, costume, female

Set of two colour photographs of the depot floor at the rear of No. 2 and 3 road after hotmixing and No. 2 road, between the rails on Friday March 13. Photographs by Warren Doubleday. On Kodak Paper. 848.1 - shows area at the rear of No. 2 and 3 road, with change room in the background. 848.2 - shows area between 1 and 3 roads, with 39, 26 and 38 in background. See March 1998 Fares Please!depot, floor surface

White Card, Silver slightly scalloped edges. Purple writing. Spastic Children's Society Turn of The Century Ball. Charlton Shire Hall. Friday, 5th September - 8 p.m. - 3 a.m. 'Old Timers' Orchestra. Good Floor Good Supper Waltzing Competition In Aid Miss Australia Entrant - Miss Margaret Johnston. Gentleman £1-5-0. Lady £1-5-0. -Dress: Semi-Formal.person, individual, peter ellis oam

Colour photograph. Shilling fund Christmas function. Ground floor northern foyer. Five women stadning in front of Christmas tree adorned wit various dollar amount notes. Vi Tennahill, second from left. Marion Lau, Trust member is second from right. Wife of Benjamin Liang, head of the Tiwanese Business Economic and Cultural Centre on Collins Street Shiri Liang. Lucille Chin in the middle of the group.fundraising events, official events, historic buildings, christmas

In this undated drawing, believed to have been done in 1925, an existing bluestone store was extended out into the courtyard area. The extensions were on the south and west elevations, and the drawing includes a floor plan of these areas. Noted on the plan is the removal of fireplaces that existed in this building, the location abutting the Alfred Hospital reserve and location of the motor room.1 architectural plan of extension to bulk storeStephenson & Meldrum, Architects 374 Little Collins Street Melbourne Phone: 6990 On the back: Widening of old bluestone store plans & specroyal victorian institute for the blind, plans

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 30 November 1940, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 30 November 1940.Title of the music is partially missing only '___etto' and 'HERINI.' are legiblechangi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 29 January 1940, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 29 January 1940.changi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 20 March 1941, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 20 March 1941.changi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 4 January 1941, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 4 January 1941.changi prison, pow, music

Cog spanner used for maintenance on a sheering hand piece. This particular spanner belong to Maurice Dalton who was the foreman of the show floor of the Dennys Lascelles building until his retirement after 34 years at the company. Maurice used the cog spanner in his work as a wool classer in rural Victoria and New South Wales.Three prong spanner, two prong look like spanners while the third has two small metal prongs extending from flat metal arm edge. Hole is present in the middle where the three prongs meetInscription. Lettering: LISTER

Isaac Jeeves arrived in 1857 to take up land. The photograph taken in 1917 shows his first home, which he left c1872. The small building in the right foreground was his first dwelling. On the left is a barn. Behind them is the roof of the house with the tree fern floor. The glass house came much later.Black and white photograph showing the first home of early settler Isaac Jeeves. Photo taken in 1917.isaac jeeves, isaac jeeves, jeeves, kalorama, pioneer

Souvenir brochure to mark the official opening of St Kilda Public Library on 14 May 1973 by Sir Rohan Delacombe, State Governor. Includes information about the the establishment of the library, its holdings and services; details about the construction and fitout of the building; a floor plan; and members of the Council, Library Sub-Committee and library staff.Eight-page brochure with a white card cover, discoloured with age, printed in blue.st kilda public library

Sweeney's, originally Culla Hill, a former homestead, located on a site bought from the crown in 1842 by Irishman Thomas Sweeney. The cottage is important in the history of Eltham and of architectural interest as an example of a Colonial Style dwelling. The Living room shows a wooden door and floor with rug. A window to the left, two seats and a book case. This was the home of V.C. Burston.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, sweeney's cottage, v.c. burston

The Todisco family (Ferdinand, Edvige and son, Joseph) lived in the former Prince Arthur Hotel from around 1958 to 1981. They bought the building in the early 1960s from Mrs SCHUMACHER and ran it as a rooming house with a milk bar on the ground floor. They closed the milk bar in the early 1970s and sold the property in 1981. The origin of the name Seppi is not known.Photo of former Prince Arthur Hotel corner Nott and Spring Street, operating as Seppi's Milk Bar c1970. The owner, Ferdinand TODISCO is standing out front. Shows rear of Town Hallbuilt environment - commercial, hotels, business and traders - milkbars, tony cannatelli, prince arthur hotel, port melbourne town hall, ferdinand todisco, edvige todisco, joseph todisco, seppi's milk bar

The Flying Dogtor trapped a so-called 'sea serpent' in a tunnel of the Snowy Mountains Scheme and it turned out to be none other than Crafty Carson Carpetbag in disguise. Crafty tricked the Dogtor into opening the bag in which he was caught, and then he knocked over the Dogtor, who hit his head and lay stunned on the floor of the tunnel.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesHandwritten pencil edits and additions.the flying dogtor, robin boyd, crawford productions, manuscript