Calling Card Cases were used by the aristocracy in 18th Century Europe as it was requirement in genteel society to leave a calling card when visiting a household. According to the Hallmarks on the case it was made in 1774 by the Adie Brothers Ltd. in Birmingham, England.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A silver rectangular case that features an angled hinged lid.LID: Lion symbol / B (Hallmarks) LIP: A BROS LTD/ Anchor symbol / Lion symbol / B (Hallmarks) CASE BACK: A157418th century, european

Calling Card Cases were used by the aristocracy in 18th Century Europe as it was requirement in genteel society to leave a calling card when visiting a household. According to the Hallmarks on the case it was made in 1904 by the Williams Birmingham Ltd. in Birmingham, England.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small rectangular silver calling card case that has an ornate pattern etched into its front.FRONT: WB LD/ Anchor symbol/ Lion symbol/ e (Hallmark)early 20th century

Coin cases were commonly used in the 19th and early 20th centuries as a way to easily organise and carry money. These coin cases were often given as gifts.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A silver-plated coin case that is embossed with a floral design. The top of the case features 5 spring-loaded compartments where coins are stored. Each compartment is denoted a particular coin value: Florin, Half Crown, Sixpence, Shilling, Threepence. 2/~ 2/6 6 D~. 1/~ 3 D~.coins, numismatics, 19th century, 20th century

Specific historical and contextual information pertaining to this object is unknown. There are no hallmarks or documentation to indicate provenance or historical significance. This coin purse appears to have a covering made of mother of pearl. Evidence of interest from over 20,000 years ago mark Aboriginal groups in Australia as some of the first people to value the power and beauty of pearlshell, while evidence of Australian pearlshell being taken across the sea to other countries dates back as early as the 1500s. The 1850s-60s saw the beginnings of the Australian pearling industry. Following the popularisation of plastic for items such as buttons the pearlshell market waned in the mid-twentieth century but was soon after began to re-forge in Australia with a new industry of cultured pearl farms. Most of Australian's pearling industry was initially located in Western Australia and off the Torres Strait Islands. The Australian War Memorial notes on their website that many tokens made from mother of pearl were sent home to loved ones throughout World Wars One and Two from the Middle East, England, the South West Pacific, Australia and elsewhere, but that unfortunately provenance such as the manufacture and sale of many of these items is not recorded.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small rectangular purse with silver edging and half clasp, covered in white and cream coloured shell (mother of pearl?)A01154burke museum, social history, accessories, mother of pearl, nacre, australian industry

The hallmarks on this silver cigarette case indicate that the object was made in Birmingham (anchor hallmark), is Stirling silver (lion hallmark), and was made 1900 (a hallmark) by the Alexander Clark Manufacturing Co. (makers mark hallmark). The Alexander Clark Manufacturing Co. was established in 1890-1891 at Fenchurch Street, London, forming an alliance with Sheffield cutler R F Mosley in 1900 before later moving to Birmingham. Dates of the exact move to Birmingham differ from site to site.The hallmarks on this object make it significant in the representation of silver wares made by the Alexander Clark Manufacturing Co. which, when added to the other pieces of information available about this manufacturer, add to the information and history available. As the Alexander Clark Manufacturing Co. was based in England, this is of international significance. The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small rectangular case silver in colour, with gold wash on the inside. The case has a clasp along one edge, a swirling floral design on its top, and two brown elastic straps on the inside.AC [over] MCo / Anchor symbol / Lion symbol / a [Hallmark inside case, lower LHS] Lion symbol / a [Hallmark inside case, upper RHSD]accessories, social history, burke museum, silver

The hallmarks on this vesta indicate that the vesta was made in Birmingham, England in 1901 by Minshull & Latimer. Vesta cases are small containers used to keep matches dry and prevent them from being ignited. There three types of vesta cases but the most popular design was the pocket vesta which could be hung from a chain and featured a ribbed bottom to strike a match.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small silver container with a hinged lid that has a ring attached to the top of it. There is an engraved pattern across the surface with a set of initials on the obverse of the case. The bottom of the case features a ribbed design.TD/ [initials engraved on obverse] M/ &/ L/ anchor symbol/ lion symbol/ b/ [hallmarks] A1194/vesta case, birmingham, 20th century, minshull & latimer, matchbox

Vesta cases, also known as match safes, are small boxes that are used to carry matches and keep them safe from the elements. In the early 1800's, it was common to carry matches, since some type of portable fire was needed to light lanterns and stoves. The matches of that day were crude compared to today's standards, and were known to light when making contact with each other, and sometimes even spontaneously. In order to alleviate this potentially hazardous situation, it made good sense to utilize a Vesta case or match safe. One of the more interesting features of the vesta case or match safes is that they almost always include some type of rough or ribbed surface, usually on the bottom of the case that is used for striking the matches. This vesta case is a portable pocket vesta. These cases take their name from the virgin Roman goddess of fire, home, hearth and family. Usually Vesta was depicted as the fire in her temple. Only Vestals (her priestesses) were allowed into her temple. Her association with fire made her name the natural choice for British companies that manufactured matches. The hallmarking of sterling silver is based on a combination of marks that makes possible the identification of origin and age. The town mark identifies the Assay Office where the item was verified. The town mark on this piece is an anchor, so it is from Birmingham, England. The lion passant certifies the silver quality, as at least 925. The maker's mark, identifying the silversmith presenting the piece to the assay office is D&LS for David and Lionel Spiers. The date letter identifies the year the piece was verified, this item was verified in 1885. Lionel Spiers was a significant figure in the Jewellery Quarter and in 1906 was chairman of the Jewellers and Silversmiths Association. The item also has NHILL 1928 engraved on the front, this is likely a recent addition to the piece. Nhill is a town in Victoria so it could be that the previous owner lived here or it was gifted in commemoration. The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.Silver vesta case with ribbed strike plate at the end and an etched design. D&LS/ lion symbol/ anchor symbol/ l/ Sovereign head/ [hallmarks] CHH/ NHILL 1928/ [obverse inscription] A01198/burke museum, silver, vesta, fire, silversmiths

Vesta cases, also known as match safes, are small boxes that are used to carry matches and keep them safe from the elements. In the early 1800's, it was common to carry matches, since some type of portable fire was needed to light lanterns and stoves. The matches of that day were crude compared to today's standards, and were known to light when making contact with each other, and sometimes even spontaneously. In order to alleviate this potentially hazardous situation, it made good sense to utilize a vesta case or match safe. One of the more interesting features of the vesta case or match safes is that they almost always include some type of rough or ribbed surface, usually on the bottom of the case that is used for striking the matches. This vesta case is the portable pocket vesta which also has a bale (ring) near the hinge so that they can be suspended from a chain. These cases take their name from the virgin Roman goddess of fire, home, hearth and family. Usually Vesta was depicted as the fire in her temple. Only Vestals (her priestesses) were allowed into her temple. Her association with fire made her name the natural choice for British companies that manufactured matches. The hallmarking of sterling silver is based on a combination of marks that makes possible the identification of origin and age. The town mark identifies the Assay Office where the item was verified. The town mark on this piece, three wheat sheaves and a sword identify Chester, in Cheshire, England as the town of creation. The lion passant guardant certifies the silver quality, as between 925 and 1000. The maker's mark, identifying the silversmith presenting the piece to the assay office is W.N. for William Neale. The date letter identifies the year the piece was verified, this case being verified in 1903. William Neale and Sons was a firm was established by William Neale in 1850 in Birmingham. His mark was entered at the Birmingham assay office in April 1862 and in the Chester assay office in September 1882. The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A silver vesta case with a ribbed strike plate at the end, a ring to attach the case to a chain and a cover that can be pushed up to open. W.N/ lion symbol/ Three Sheaves of Wheat and Sword/ C/ [hallmarks] A01169/silver, silversmith, burke museum, england, fire, vesta, william neale

While the date of when this box was made is unknown, there is an inscription on the lid that indicated that the item was owned by a J. E. Huderric in 1767. A snuffbox is a small decorative box used to store scented tobacco powder and were commonly used by men and women in the 17th and 18th century.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A decorated small black box. It is rectangular and opens up with a lid. The lid is decorated on the outside corners and a centre diamond shape using opal coloured flaked gems.J. E. Huderric 1767/ [inscribed on the lid] A01197/box, drugs, tobacco, 18th century

Vesta cases are small containers used to keep matches dry and prevent them from being ignited. There three types of vesta cases but the most popular design was the pocket vesta which could be hung from a chain and featured a ribbed bottom to strike a match. It is unknown when this vesta case was created but the lettering on the front of the case suggest that it was create in Boulogne-sur-Mer, France. Boulogne-sur-Mer is a costal city in Northern France and is known for its maritime and trade history.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small white rectangular box. There are 6 nails both on the top and bottom keeping it closed. There is a small inscription on top in cursive lettering. One end is covered in a material used for crating sparks.Boulogne smer/ A01148/matchbox

Scent bottles are vessels used to store perfume. Humans have used scent bottles throughout history with the oldest scent bottle dating back to 1000 BCE Egypt.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A square brass bottle with a spheric lid featuring a geometric embossed pattern.A01193perfume, scent

The markers hallmarks on this match case have become illegible, however the remaining hallmarks show that the case was made in Birmingham, England in 1901. Match cases are a decorative case that houses a cardboard matchbox.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A silver rectangular match case with an embossed top.[?]/ [?]/ anchor symbol/ lion symbol/ b/ [hallmarks] A01168/matchbox

This detailed example of a match holding Vesta was owned by someone with the initials GBW but is otherwise difficult to identify ownership. Vestas are the historical name for what are now known as matches. They were named for the Roman goddess Vesta whose domain was the hearth and home. The Swan company began production of short matches, mostly useful for lighting pipes and cigarettes due to their deliberately short length. Due to their small size it became convenient to carry these Vestas within a Vesta Case kept somewhere on the person, large enough to contain enough matches for a days use. The cases prevented their contents from becoming damaged and damp while also stopping them from accidentally striking if held loose in a pocket. This example of a Vesta case is particularly ornate.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A decorative silver coloured vesta or match book. It has detailed engraving across the obverse and reverse sides with delicate scrollwork and a monogram set in a circular setting in the centre. The vesta has a hinged top and side loop to allow for attachment.GBW/ A01171/burke museum, vesta case, vesta, matches, silver, social history, luxury

Vestas are the historical name for what are now known as matches. They were named for the Roman goddess Vesta whose domain was the hearth and home. The Swan company began production of short matches, mostly useful for lighting pipes and cigarettes due to their deliberately short length. Due to their small size it became convenient to carry these Vestas within a Vesta Case kept somewhere on the person, large enough to contain enough matches for a days use. The cases prevented their contents from becoming damaged and damp while also stopping them from accidentally striking if held loose in a pocket. This is a simple example of a Vesta Case.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A decorative silver coloured vesta or match book. It has a raised crosshatch pattern in a circular pattern on the obverse side. The vesta has a hinged top and side loop to allow for attachment.A01199/burke museum, vesta case, vesta, matches, silver, social history

A propelling pencil is a type of mechanical pencil.The lead is manually pushed down a tube of matching diameter, and is friction-fit. A small rod inside the pencil pushes the lead forward, as needed, usually with a twist an action mechanism.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small propelling pencil that features a stone handle.writing equipment, pencil, mechanical pencil

A propelling pencil is a type of mechanical pencil.The lead is manually pushed down a tube of matching diameter, and is friction-fit. A small rod inside the pencil pushes the lead forward, as needed, usually with a twist an action mechanism.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small silver propelling pencil with a diamond patterned handle.England/ V. S. Lead/mechanical pencil, writing equipment, pencil

This book was compiled by Margaret Smith a long time member of Orbost Historical Society and Slab Hut manager/volunteer.This book documents the education history of the Orbost district and is a useful research tool.The School Book - a display book containing the history and photographs of schools in the Orbost district from 1890 to 1959. The texts and photographs are in plastic sleeves.slab-hut orbost-education education schools

These photocopied documents were used in the Orbost Secondary College Library. In the latter half of 1913 working bees, concerts, balls, sports carnivals and collections were held to raise funds before The Hospital Movement felt they were ready to ask The Public Health Department for plans for a suitable building (2000 -2500 pounds) for use as a permanent hospital in Orbost. A Hospital Committee was formed and despite several a major setback (the president died in November 2013), continued to hold many public events in order to raise the funds necessary. Orbost Hospital was officially opened in 1930. ( Read Margaret Holland's "Orbost Hospital: History, Personalities and Stories.) These documents are a useful research tool on the history of Orbost Regional Health.A stapled collection of photo-copied minutes from the fund-raising committee for the Orbost Hospital.orbost-hospital health-fund-raising

This item was found in the collection with no information recorded. On the back is a short message wishing a happy Christmas to Bessie and Jack from M.W. The photograph shows miners at Club Terrace.This item is a pictorial record of the gold mining history of East Gippsland.A yellowed black / white photograph on grey buff card. It is of men panning for gold and digging trenches.on front - " Club Terrace" on back - " To Bessie, Jack from M.W."club-terrace gold-mining gold-panning gold

A new bridge over the Snowy River at Orbost was opened for traffic on June 20th 1922. It was designed for future joint use by road and railway traffic, but it was only used for road traffic. During the last few years the condition of an old suspension bridge [the 1893 bridge] which was the only vehicular crossing between the town of Orbost and the railway station, caused much concern. The structure was of timber, except for the wire suspension cables of its central span of about 100 feet. A design was prepared in 1914 for a permanent bridge with five spans of 85 feet composed of plate girders on concrete piers. With great increase in the price of steel work during the war, the cost of this design became prohibitive, and the need for a new structure becoming urgent, alternative proposals were investigated. As a result the present design was adopted as providing a sem-permanent bridge at moderate cost. The new bridge spans the river about 160 feet upstream from the old bridge on a slight skew, the piers being at an angle of 80 degrees with the centre line of the bridge. It has a camber of about 2 feet 5 inches in its total length of 527 feet. ( information from Newsletter March 2014 - Lois Crisp) The photograph shows Mrs James Cameron cutting the ribbon at the opening of the Orbost Pile Bridge in 1922. This second bridge, was built by the Victorian Railways and the Country Roads Board. Constructed at a cost of 35,000 pounds and used second-hand girders from the Flinders Street- Spencer Street viaduct. On July 4 1922 it was officially opened by Mrs James Cameron. Unfortunately, her husband, who had long championed the building of the bridge so that it would be ready for the railway to continue to the border, was too ill to attend the ceremony. In fact, James Cameron died on July 13 after a long and severe illness (ref. S.R.M. 20.7.1922). There is a section of this ribbon in the collection - Registration No. 366. This is a pictorial record of a significant event in Orbost's history.A black / white photograph of a pile bridge with a suspension bridge behind it. There are many people standing on the bridge.on back - "Opening of Pile Bridge - 1922"snowy-river-bridge ceremonies cameron-mrs

The photograph shows Mrs James Cameron cutting the ribbon at the opening of the Orbost Pile Bridge in 1922. The first bridge was officially opened in August, 1893 (ref. S.R.M. 12.8.1893) by Mrs W. Watt, the mother of Councillor Watt, who presided over the opening of the 1922 bridge. This bridge was extensively damaged when a herd of cattle allegedly stampeded over it causing the cable to snap. Even after repairs it became obvious that a new bridge was needed. This second bridge, was built by the Victorian Railways and the Country Roads Board. Constructed at a cost of 35,000 pounds and used second-hand girders from the Flinders Street- Spencer Street viaduct. On July 4 1922 it was officially opened by Mrs James Cameron. Unfortunately, her husband, who had long championed the building of the bridge so that it would be ready for the railway to continue to the border, was too ill to attend the ceremony. In fact, James Cameron died on July 13 after a long and severe illness (ref. S.R.M. 20.7.1922). There is a section of this ribbon in the collection - Registration No. 366.This item is a pictorial record of a significant event in Orbost's history.A black / white photograph of a lady standing up in a motor vehicle cutting a ceremonial ribbonsnowy-river-bridge-orbost cameron-mrs ceremonies

This is a scene of Cape Conran, East Gippsland. It appears to be a copy of a postcard which was one of a collection of commercial post cards available to tourists or East Gippsland residents to send to friends or relatives. Cameras in the early 20th century were not a common family possession and a postcard was a common souvenir and way of sending a short message. Postcards are a valuable research tool in the social and environmental history of a community.A black / white photograph of the ocean with rocks in the background. It appears to be a copy of a postcard and has been hand trimmed.cape-conran

2169.3 is from the Mary Gilbert Collection. Graham Dyce was a long-time member of Orbost & District Historical Society. His family came from the Combienbar / Club Terrace district.This is a local history written by a local author, Graham R. Dyce.Three copies of a book of 80 pp titled Combienbar The Valley of Contentment. It has a cream cover with a b/w photograph of a family standing outside a log house (probably late 19th century). The book was written by Graham Dyce, Orbost.combienbar-history-settlement

This book was researched and produced by Orbost Secondary College 9/10 Women in History Class. It is a collection of biographies of loacl Orbost women. The book was edited and collated by Heather Macalister. Students were tasked with gathering information and interviewing local Orbost women.This is a locally written history book which is a useful reference tool for researching the history of Orbost women.A 37 pp stapled book with a pale mauve cover titled The Curlip Issue No:3. Text is black : DATE ; JUNE 1996 CONTENTS; SPECIAL EDITION OF BIOGRAPHIES OF LOCAL ORBOST WOMEN. in the centre of the front cover in black is a sketch of a large paddle wheel with the P.S. Curlip in front. The book contains biographies and b/w photographs.On cover of 2189.2 : SLAB HUT COPY in red inkorbost-history-women biographies orbost-secondary-college

This was the official program for the 1963 Back To Orbost Celebrations. 2194.4 is part of the Mary Gilbert Collection.This is a locally produced book useful for reference.Four copies of a 16 pp page book with a white cover, black print, titled Back To Orbost Celebrations 1963. Friday 8 March 1963 Saturday 16 March 1963.Stamped on front cover - Orbost Historical Societyorbost-history celebrations reunions

These were used on a horse-drawn wagons, carriages, stagecoaches, and carts. A wheelwright would use this tool to make or repair the wheels. All sizes of buggy spanners, or wagon wrenches, were needed as wagon wheels were of many different sizes. Horse-drawn wagons are an important part of Australia’s agricultural history. Light buggies were popular with farmers for trips into town before the common use of motorised vehicles.A collection of thirteen iron wheel spanners on an iron hook. One spanner has a wooden handle and is an adjustable spanner.tool wagon-wrench-spanner transport

This pocket with the school badge was part of the girls' uniform at Orbost High School. The blazer pocket forms part of the Mary Gilbert collection. The Latin inscription, :acti labores lucundi" can be freely translated as "finished work is pleasant". The school badge with its stalk of maize was designed by Clarke Cowell who was in the first Senior Class of Orbost Higher Elementary School in 1912.Orbost High School / Orbost Secondary College has played a significant role in the education of senior students in Orbost as the sole facility in the distruct. This item represents the history of the institution.A navy coloured cloth pocket badge from Orbost High School. It has the school motto, "acti labores lucundi" around a yellow/gold stalk of maize.On back lining : PR in black marker 1922 badge school-uniform education orbost-high-school

Shells were collected by Edgar lavell and son, alan.The fossils paint a vivid picture of life below a sea that once covered parts of East Gippsland. They reflect the geological history of the area.Square shaped wooden display case with glass front. Holds a collection of fossil shells on cork. Shells are from the Middle Miocene Age.shells natural-history middle-miocene fossils

Quolls are small carnivorous marsupials native to Australia and New Guinea. Tjilpa is the name given to the quoll amongst the Northern Arrernte language group of Australian Aboriginal people. Quolls are primarily nocturnal and spend most of the day in a den. Of the six species of quoll, four are found in Australia and two in New Guinea. The six species vary in weight and size, from 300g to 7kg. They live in coastal heathlands, sub-alpine woodlands, temperate woodlands and forests, riparian forests and wet sclerophyll forests. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from either the Trustees of the Australian Museum or from the amateur anthropologist Reynell Eveleigh Johns between 1860-1880 and mounted by members of the Burke Museum Committee around the same time. When all taxidermy mounts were completed, they were quickly put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Small quoll with a small round head, long body, and long, thin tail perched on a branch attached to a wooden mount. The quoll has four skinny legs which have long, dark claws. The quoll's hair is a fawn colour with cream spots. There are two black eyes made of glass, two short pointed ears and black whiskers.On wooden mount: BMM5897 /taxidermy, quoll, animal, australia, burke museum, beechworth, reynell eveleigh johns, taxidermy mount, marsupial

A bettong is about the size of a rabbit, with body length ranging from 30cm to 38cm among species. All bettongs have long tails, roughly equal to body length. Body weight ranges from 1.2 kg in the smallest species (Northern Bettong) to 2.8kg in the Rufous Bettong, the largest of the group. Males tend to be slightly larger than females. Bettongs have furry coats, ranging in colour from grey to ginger and brown. The bettong is endemic to Australia, and is an important part of Australia's Indigenous biodiversity. There are five living species of bettong; Eastern Bettong, Burrowing Bettong, Brush-tailed Bettong, Northern Bettong, Rufous Bettong. The bettong is a member of the Potoroidae family along with the endangered Potoroos, and the extinct Desert Rat-Kangaroos. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from either the Trustees of the Australian Museum or from the amateur anthropologist Reynell Eveleigh Johns between 1860-1880 and mounted by members of the Burke Museum Committee around the same time. When all Taxidermy mounts were completed, they were quickly put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Average sized bettong with large clawed hind legs, small clawed fore legs, and a long tail that is roughly the length of its body and covered lightly in fur. The pelage of the bettong is fine and soft with the body fur cream and pale ochre in colouring with specks of brown while the underbelly is a solid cream colour. The head is small with a short muzzle and two small rounded ears, and features two round dark brown eyes made from clay.On mounting board: BMM5893/burke museum, taxidermy, taxidermy mount, bettong, rat kangaroo, bettongia, fauna, animal, animalia, potoroidae, reynell eveleigh johns