Front cover "While you were away/ A DIGEST/ OF/ HAPPENINGS/ IN AUSTRALIA/ 1940-1945" item in the collection of "William John SULLIVAN" VX57829. Review Cat No. 9523P for his service details.Soft cover. Cover - paper, with white and dark green colour print on front and back. Front background light green colour with small illustration of stars and map of Australia. Spine - metal staples. 95 pages - cut, plain, off white colour paper. Illustrated black and white colour photographs, sketches, maps and posters.books, army, ww2, william john sullivan

In the early 1900s, Mary Sweeney commissioned artist Charles Bertie to paint the main house at Culla Hill. He charged her 5 shillings for the picture and 18 pence for the frame She took this painting with her when she married Michael Carrucan in 1910 and it hung in the Dalton Street farmhouse for many years. At a later time (1960s), the Burstons (the then owners of Culla Hill) had a card printed from the painting. The original sketch was photographed in 1970 for reproduction in the Shire history publication Pioneers & Painters (1971). The very fragile original was kept in the Council stoungroom and suffered significant damage to its edges over the years, no doubt it has also yellowed. A comparison of the original as digitised (2022) with the negative taken 50 years earlier also reveals that the left 20% of the sketch has been cut off, probably due to damage. In June 1842 Thomas Sweeney applied to the Superintendent, C.J. La Trobe, asking permission to purchase a portion of the recently surveyed ‘Parish of Nillumbik'. His request was allowed and handed to the sub-treasurer and Land Board. He paid £110 for 110 acres and called the land 'Culla Hill'. He first built a temporary house, a slab hut 12 feet by 10 feet, in which he lived with his wife, an Irish girl whom he had married in 1838. (His first wife had been drowned at Port Jackson.) Some time later he built a permanent residence on the model of a Tipperary farmhouse. It was a rectangular building of hand-made bricks and stone quarried from the Western Hill with a recessed verandah in front, and bore a slate roof. The out-buildings consisted of a detached kitchen, stable and a barn. It was in this house that succeeding generations of Sweeneys were reared. The original slab hut became a washhouse and survived till recent years. 'Culla Hill' became a social centre for the district, church services being held there on various occasions. The first wheat crop in the district was planted by Sweeney who also supplied the first grain for a mill that later was built at Eltham. He took an active interest in the development of the district. At this time travelling people--many of them runaway sailors or convicts--often passed the settlement, and some of them stayed and worked with Sweeney. A tribe of aborigines living on the river below 'Culla Hill' were apparently on good terms with Sweeney, for it is said that they helped him with the building of his house. Very little is known about the aborigines who originally lived in the Eltham district. There must have been many of them; their stone axes, grinding stones, and anvil stones have been found in the gullies around Research and canoe trees and artifacts were found on the Kangaroo Ground hills. Early settlers remembered a tribe that camped on the site of the present railway bridge at Eltham. They held corroborees there and visited settlers for hand-outs of 'flour and bacca’. There was an aboriginal reserve on the Yarra, upstream from Eltham, but most of those who had collected there later went to live on the Pound Reserve at Warrandyte, where the last aborigines in the area finally ended their days. The Pound Reserve, of 1,103 acres, was established at Pound Bend in 1841. The chief protector, George Robinson, and his four assistants, were given instructions to care for the aged and sick, to provide blankets and rations for all who lived there, to train the able-bodied men in agriculture and other trades and to find them jobs. The Yarra blacks, who later came under the protection of William Thomas, have been described as a 'fine race, well made and above the average height'. Thomas Sweeney died on 6 September 1867 and was buried in the Eltham Cemetery. To his wife Margaret and his son John, he left the entire property of 'Culla Hill'. To his other son Patrick, he left 150 acres, including a small two-roomed wooden cottage. He had five daughters: Kate and Margaret (twins) who were born in 1842, Ellen 1846, Annie 1848 and Johanna 1851. John Sweeney farmed 'Culla Hill' until his death in 1909. He had ten children; one of them, Mary, became Mrs M. Carrucan whose son, Mr John Carrucan, still lives at Eltham. 'Culla Hill' passed out of the Sweeneys possession in 1939 and was renamed by its new owners, 'Sweeneys', in memory of its pioneers. - Pioneers & Painters: One Hundred Years of Eltham and its Shire, Alan Marshall 1971, pp10-12 Original colour sketch artwork 4 x 5 inch black and white negative of original colour sketchculla hill, art, charles bertie, drawing, mary carrucan (nee sweeney), sketches, sweeney's cottage

See Cats 2481.2 and 5556.2.Small booklet, brown cardboard cover, black ink printing. No 186058. Army form AAB87. inside are 26 plus pages of demob procedures, two pages are loose, some pages have the word "cancelled" stamped on them. They show trade skills, civvy education, qualifications etc. There is about 28 pages inside.Written in ink on front: VX79511 CFM McDonald John Alexander, 63 Green St, Windsor, Vic, signed by him. It has a rubber stamp dated 30 Dec (?) 1945.demobilisation, ww2

Geoffrey Kaye gave this jar of Essence of Limes to Dr John Paull in 1982 after describing the preparation of a drink he called "White Lightning" or "White Mule". The drink comprised absolute alcohol and a dash of the essence of limes and is mentioned in Marginson's account of the art treasures of Melbourne University as being shared with Geoffrey by him and Professor R. D. Wright when they were negotiating about the creation of a piece of sculpture for the University grounds. Small clear glass bottle with white metal screw top lid and white label with handwritten text. There is a small amount of yellow/brown liquid in the bottleHandwritten in blue ink on white label adhered to bottle: ESSENCE OF LIMES / G. TRUMPER, / 9 CURZON ST, / LONDON, W.1kaye, geoffrey, trumper, g, london, essence of limes

Certificate issued at completion of service on 29th July 191 after 3 years service for John HOWLETT, 59TH BATTALION.A.I.F Refer Cat 41 for full service details Single paper sheet, cream colour with heavy dark discolouration. Details on both sides. Some small tears on foldsForm includes requirements for name, regiment, address, where attested, why discharged, length of service, where and when discharged and description of individual. Details written in Form “Australian Imperial Expeditions Forces”certificate, discharge certificate, certificate howlett john

Nar Nar Goon, a town in Gippsland, Victoria, has a rich history dating back to the mid-19th century. Originally part of the Kulin nation, the area was home to the Boon Wurrung people. The name "Nar Nar Goon" is believed to come from a Boonwurrung word referring to either the koala or the rakali. European settlement began with the establishment of the Mount Ararat pastoral run in 1844, followed by land sales in the 1850s and 1860s. Many settlers came from Ireland, particularly from the Monteagle estate in Limerick. The arrival of the railway in 1881 was a turning point, facilitating timber and agricultural industries. Several sawmills operated in the area, transporting timber via wooden tramways to the railway station. By the early 20th century, Nar Nar Goon had developed into a thriving township with a general store, hotel, butcher, baker, and garage. The town had strong Catholic roots, with a church opening in 1905. Over time, timber milling declined, and dairy farming became the dominant industry. In 2021, part of Nar Nar Goon was annexed to form the new suburb of Pakenham East. Today, Nar Nar Goon is known for its murals, historical buildings, and community spirit. It remains a small but significant town in Victoria’s history. [AI generated text]Display book containing a table of contents and various newspaper clippings and other information pertaining to the Nar Nar Goon area.non-fictionnar nar goon (vic.), nar nar goon (vic.) -- history, bernie byrne, jack egan, mark & sylvia jones, daisy lia, bill doherty, michael o'brien, joan & frank lindsay, paddy henwood, bob rose, harry james, ray coombs, jack payroll, deb bramley, nar nar goon-maryknoll cricket club, john byrne, bernie dingle, jan van steensel, len & mary bramley, kylie shanks, bill bickerton, james dore, red gem potatoes, brydie cunningham

A badly damaged small brown leather hardcover Holy Bible from the mid 1800's with an embossed insignia on the front cover as well as Holy Bible and four gold lines on the spine. The front cover has stamped in the middle of it inside a circular insignia the words, 'Massachusetts Bible Society'. The title page and the page before it are badly torn at the bottom. There are illegible pen and ink inscriptions on the end papers at the front. The text is extremely miniscule, but readable. non-fictionThe Holy Bible containing the Old and New testaments: translated out of the original tongues and with the Former Translations Diligently Compared and Revised. 60th Edition - c.1840'sholy bible, religion, christianity

Representing Apollo, this statue embodies beauty, music, and prophecy. Its detailed design captures ancient Greek sculpture, transporting you to classical art's golden age. It would have been used for a decorative display. It belonged to Vera Therese Meredith nee Sebire, the daughter of John and Christine Sebire. She was the grandaughter of Henry and Martha Sebire of Mont De Lancey in Wandin, Victoria.Embrace Greek mythology with this small white resin or plaster Apollo Bust Statue which embodies beauty, music, and prophecy. Apollo is looking to his left. He has a robe draped around his shoulders attached to his right shoulder with a clasp. The bust stands on a round plinth.'4106' is stamped on the lower back of the statue.statues, human figures, busts