Donated by Mr Jim Blake on the occasion of his talk to the Society. Lieutenant Colonel Neil C. Smith, a military historian, stated in 2013 that the photo was of British service men of WW1 or pre WW1. Some colonels and captains. Possible dates late WW1, 1918 to early 1920s.Sepia photograph of 12 Navy, Airforce and Army officers with Edward, Prince of Wales and 2 civilians - two men and a woman - gathered outside Parliament House or Government House (unknown) naval and army officers wwii, jim blake

This edition prepared for and copyrighted in the Australian Commonwealth and New Zealand. The hymn book was located in an antique shop 'Granny's Chattels' by Alan G. Cleland of Portland while on holidays in Echuca, Vic. After purchase he discovered that it was believed to have been originally purchased in Portland - see label for Charles French, Bookseller, Portland, inside front cover.Navy blue cloth-covered board binding. Two horizontal panels of embossed decoration at top and bottom of covers and spine. Embossed title on front cover. Title pages missing.Front: Charles French Book Seller Portland (sticker, fly leaf verso)

Catherine Helen Spence (31 October 1825 – 3 April 1910) was a Scottish-born Australian author, teacher, journalist, politician and leading suffragette. Her family moved to South Australia in 1839. In 1897 she became Australia's first female political candidate after standing (unsuccessfully) for the Federal Convention held in Adelaide. Given the epitaph "Grand Old Woman of Australasia", Spence was commemorated on the Australian 5 dollar note issued for the Centenary of Federation of Australia. She was one of the prime movers, with C. Emily Clark (sister of John Howard Clark), of the "Boarding-out Society". This organization had as its aim the placing of destitute children, who would otherwise be sent to "Industrial School", into approved families. She was an advocate of Thomas Hare's scheme for proportional representation, at one stage considering this issue more pressing than that of woman suffrage.This doll is used as an educational toy to help visitors imagine life c1900An antique copy china doll representing Catherine Spence. The Doll has dark brown hair with a head scarf decorated with flowers and a navy blue dress with white cuffs and collar. dolls, spence catherine, suffragettes, politics, authors, orphanages, child care

Medals- Royal Navy - F.F. James 14-15 Str, War Medal, Victory Medal, King George silver Jubilee, Naval Long Service and Good Conduct Medalmedals, ww1, army

Member's Ticket for the Bendigo Agricultural and Horticultural Society 1917. Issued to J Guiney. Blue double sided ticket with punched hole. Piece of navy ribbon tied through hole.

Book. Photograph album with marbled effect cover containing stamps, photographs, newspaper cuttings, invitations & lock of hair. Held together with navy blue cord. Snapshot impressed on the front.book, bendigo, bendigo history & its people, gertrude perry collection, photograph album

Airforce Jacket, navy blue. Yellow buttons, insignia of airforce. Service ribbons, Vietnam & length of service. "Australia" on top of sleeves, Coat of Arms at bottom of sleeves. Label insideLabel - A.G.C.F. 1986clothing, raaf

The origin of this pennant is unknown. It is in excellent condition and is the only one of its kind in the heritage collection. Navy blue triangular felt pennant with a sewn on yellow fabric and tabs along the left edge. The school logo (yellow and white) and the words 'Williamstown Grammar' are stencilled in yellow on the front. strathmore grammar, school emblem

A Wilson 'Jack Kramer Autograph' racquet with navy blue net. Autographed by Don Budge in blue marker. Materials: Wood, Paint, Leather, String, Adhesive tape, Nylon, Plastictennis

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red wide ribbed pleated skirt with a plain yoke, navy blue band at bottom edge and elasticated waistband. A purple x is located inside to mark centre back of skirt.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

The box was used for storing long gloves post W.W.II. The box was possibly later used as a pencil case. A long rectangular pale yellow plastic glove box with faux wood grain and a piano hinge. Engraved on the top in navy blue cursive script is the word 'Gloves', with extensive flourishes. 'Gloves'glove boxes, gloves, boxes, clothing storage containers

Published by The Manchester School of Embroidery.Booklet in navy blue print containing illustrations for various needlecraft objects. Published by The Manchester School of Embroidery. " A practical journal description and illustration of dainty needlework novelties for gifts & bazaars"Needlecraft price 2dneedlework

.1) USA National Defense Medal. Navy. .2) USA Armed Forces Expeditionary Service Medal. .3) Korean Service Medal. .4) United Nations Medal Koreamedals, military, usa, ron mills collection

1. B & W postcard shows scene of foredeck taken from the bridge. One twin gun turret can be observed. The ship is tied up at a wharf. 2. Side view of HMAS AUSTRALIA. The photo shows one gun turret, two funnels and wireless mast.1. On front bottom is handwritten "View from bridge of HMAS AUSTRALIA". 2. On front bottom is written "HMAS AUSTRALIA during Navy days in the 1920's" .photographs, ran, hmas australia

Royal Australian Navy above the central RAN general badge with 1911 to its left and 2011 to its right with one dollar below the badge. (Two copies)

A red round coin with text "CR Thompson 64535 RC" tight with a small robe"CR Thompson 64535 RC" Identity Disc Royal Australian Navy c1968 An asbestos identity disc or 'dog tag', of the type issued only to Navy personnel who worked in such hot spaces as the ship's engine room, to prevent burning which could occur with metal dog tags. Donated by Christopher R Thompson HMAS Vampire (1966) and HMAS Parramatta (1968)ran, dog tags, hmas vampire, hmas parramatta

Australian Victory medal awarded to Navy personal and Army personal who actually saw service in navy and army theatres of war between 5th.August and November 1918. 2 and 3 medals British War Medal awarded to Navy and Army personal who saw service or lost their lives in active service between 1914 - 1918.three in total #1 gold in colour. on rainbow coloured ribbon. #2 bronze in colour on gold white and blue ribbon #3 bronze in colour on frayed ribbon.## 1.. Roman Goddess of Victory engraved on front, and THE GREAT WAR FOR CIVILISATION 1914 - 1919. on back # 2 and #3 St.George on horse back engraved on front. King George on back.1914 -1918.

HMAS Encounter was a Second Class Protected Cruiser Challenger Class operated by the Royal Navy and then the Royal Aust. Navy. Built in 1905 and Decommissioned in 1929. Scuttled 1932 at Sydney Heads.Colour photo of HMAS Encounter at sea. Photo stuck on white backing then stuck onto a brown foldout. Folder cover is cream on outside with Best Wishes on front in gold.Written on front: "With Best Wishes".photograph, ran, hmas encounter

John William HARKIN. No. 170317, Enlisted 27.06.44, Age 18. Discharged 6.12.48. Rank of LAC in 381 (B)SQD.1. Dress coat - navy blue colour wool fabric, black colour, cotton lining with beige colour cotton lining to sleeves. Buttons - black colour bakelite with metal shank, emblazoned with the King's Crown and a Wedgetailed eagle in flight WW2. On sleeves - Australia shoulder patch with wings and a propeller patch. Right sleeve - gold, blue and red colour "British Commonwealth Forces" patch. Makers label back below collar. 2, Trousers - navy blue colour wool fabric, owners label inside back, 5 button fly. 3. Trousers - navy blue colour wool fabric, makers size label inside back, 4 button fly.1. Maker's label - red embroidery on cotton fabric "M TX/ Size 18". Handwritten black ink "HARKIN'. 2. Owner's label - black ink on cotton "HARKIN/JW/ R.A.A.F." 3. Maker's label - blue ink print on cotton "N384/1942/ SIZE 24". Maker's label on back of trousers - dark blue print on paper - "AIRMEN'S/ TROUSERS'/ 18oz/ Size 24/ Waist 37../ Height 5'9"to 5'10". Black ink stamp "I/ E.C."uniforms, raaf, ww2

Post WW2 Navy CommodoreBlack Material Waist Coat. Satin inner lining. Four Gold Buttons. Two small pockets to front. Black cotton rear to waist coat. Adjustable strap to rear with metal Buckle. Clothing manufactures lable to left hand inside. Coller. C.G.C.F. And Made in Australia. And R.A.N.Manufactures Lables.uniform royal australian navy

Donated to Sir Reginald Ansett Transport Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. White vinyl crown. Black cotton exterior band supported by rigid internal rafia band. No interior lining. Has perforated leather sweat band. Rigid peak/visor made of green vinyl, covered by navy blue cotton fabric. Insignia features a golden bird in flight, with a depiction of Australia, in red, as background, beneath a golden royal crown, and surrounded by a golden wreath of feathers. Navy blue mounting.No inscriptions. No markings.

Donated to Sir Reginald Ansett Transport Museum. Formerly worn by Ansett Airlines pilot. Frank McClelland.Complements the collection of air flight crew attire.Pilot's peaked cap. White vinyl crown. Black cotton exterior band supported by rigid internal rafia band. Acrylic interior lining. Has perforated leather sweat band. Rigid visor made of green vinyl, covered by navy blue cotton fabric. Insignia features a golden bird in flight, with a depiction of Australia, in red, as background, beneath a golden royal crown, and surrounded by a golden wreath of feathers. Navy blue mounting.No inscriptions. No markings.