Showing 21585 items
matching no 12.
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Bendigo Historical Society Inc.
Slide - GARDEN (FLOWERS) 12 HOPE STREET, Dec 1968
Slide. Garden (Flowers) 12 Hope Street.Red flowered tree in the background.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street. -
Clunes Museum
Financial record - RECEIPT BOOK, VICTUALLER'S LICENCE
RECEIPT BOOKS, BLUE CARDBOARD COVER WITH LINEN SPINE. VICTUALLERS LICENCE 25 POUNDS. .1 Licence Numbers 4541 - 4550 dated 31/12/1890 - 24/12/1892 issued to: 4541 - 2 McCartney James, Club Hotel Fraser St Clunes 4543 Heffernan , James The Ristori Commercial Hotel, Allendale 4544 Gelbert Fred The Town Hall Hotel, 4545 Cocking Wm The Telegraph Hotel, Clunes 4546 Murray, David The Speculation Hotel, Clunes 4547 Rintel Janne The Club Hotel, Clunes 4548 Cocking Wm The Telegraph Hotel Clunes 4549 Heffernan, James The Ristori Commercial Hotel, Allendale 4550 Malley Wm The Club Hotel Clunes .2 Licence Numbers 4521 - 4530 dated 24/12/1886 to 27/12/1888 4521 Cocking William Telegraph Hotel Clunes 4522 Gelbert, Frank Town Hall Hotel, Clunes 4523 Bassett Christopher Nags Head Hotel, Clunes 4524 Burns Wm Burt Club Hotel, Clunes 4525 Cocking Wm Telegraph Hotel Clunes 4526 Gilbert Frederick Town Hall Hotel, Clunes 4527 Burns Wm Burt Club Hotel Clunes 4528 Bassett, Christopher Nags Head Hotel, Clunes 4529 Gilbert Frederick Town Hall Hotel, Clunes 4530 Cocking Wm Telegraph Hotel, Clunes .3 Licence Numbers 4531 - 4540 dated 1/1/1889 - 1/1/1891 4531 Wilson Geo. Sutherland Club Hotel Clunes 4532 Gilbert Frederick Town Hall Hotel, Clunes 4533 Heffernan James Ristori Commercial Hotel Allendale 4534 Cocking Wm Telegraph Hotel Clunes 4535 Murray David Speculation Hotel, Allendale 4536 McCartney James Club Hotel, Clunes 4537 Heffernan James Ristorii Commercial Hotel, Allendale 4538 Cocking, Wm Telegraph Hotel, Clunes 4539 Gilbert Fred. Town Hall Hotel Clunes 4540 Murray David Speculation Hotel, Allendale.1 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1890 - 1892 FOR CLUNES AND SURROUNDS HOTELS SERIES 4541 - 4550 INCLUSIVE .2 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1886 - 1888 FOR CLUNES AND SURROUNDS HOTELS SERIES 4521 - 4530 INCLUSIVE .3 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1888 - 1890 FOR CLUNES AND SURROUNDS HOTELS SERIES 4531 - 4540 INCLUSIVE .4 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1887 - 1892 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 50 INCLUSIVE .5 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1888 - 1890 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 50 INCLUSIVE .6 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1890 - 1891 FOR CLUNES AND SURROUNDS HOTELS SERIES 1- 50 INCLUSIVE .7 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1890 - 1892 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 25 INCLUSIVE .8 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1891 - 1892 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 25 INCLUSIVE .9 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1892 - 1893 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 25 INCLUSIVE .10 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1893 - 1893 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 25 INCLUSIVE .11 UNBOUND 15 CERTIFICATES DATED 1889 "CERTIFICATE TO AUTHORIZE THE ISSUE OF A VICTUALLER'S LICENCE" .12 UNBOUND 32 CERTIFICATES DATED 1887 "CERTIFICATE TO AUTHORIZE THE ISSUE OF A VICTUALLER'S LICENCE" .13 UNBOUND 26 CERTIFICATES DATED 1889 "CERTIFICATE TO AUTHORIZE THE ISSUE OF A VICTUALLER'S LICENCE" LABEL ON FRONT COVER: .1.2.3 VICTUALLER'S LICENCE 25 POUNDS, INITALIALED RG 5/8/1886 .4 VICTUALLER'S LICENCE 15 POUNDS .5 VICTUALLER'S LICENCE 15 POUNDS BOOK 228 .6 VICTUALLER'S LICENCE 15 POUNDS BOOK 263 ORANGE CRAYON HANDWRITING ON FRONT COVER "EXHAUSTED AFTER AUDIT 7-12-91" .7 VICTUALLER'S LICENCE 15 OUNDS BOOK 350 .8 VICTUALLER'S LICENCE 15 POUNDS BOOK 344 ORANGE CRAYON HANDWRITING ON FRONT COVER "EXHAUSTED AFTER AUDIT 7-12-91" .9 VICTUALLER'S LICENCE 15 POUNDS BOOK 398 .10 VICTUALLER'S LICENCE 15 POUNDS BOOK 399 (LABEL TORN IN HALF) RED INK HANDWRITING ON FRONT COVER "NO.1 EXHAUSTED AFTER AUDIT 24-8-93" local history, book, receipts, clunes hotels -
Marysville & District Historical Society
Postcard (item) - Colour photographs, Murray Views, Marysville 12 Views, 1950's
A fold out postcard of 12 colour photographs of scenes and landscapes in and around Marysville in Victoria.A fold out postcard 12 colour photographs of scenes and landscapes in and around Marysville in Victoria. These photographs were produced by Murray Views in Gympie, Queensland as a souvenir of Marysville.Marysville/ 12 VIEWS PRODUCED BY MURRAY VIEWS./ GYMPIE./ Q COPYRIGHT SAMUEL LEE & CO., PRINTERS. STEAVENSON'S FALLS, MARYSVILLE, VIC. TOURISTS AT MARYSVILLE, VIC. "FRUIT SALAD FARM", MARYSVILLE MAIN STREET, MARYSVILLE, VIC. ROAD SCENE, MARYSVILLE, VIC. THE CROSSWAYS, MARYSVILLE, VIC ROAD TO CUMBERLAND VALLEY, MARYSVILLE PANORAMA FROM BLACK SPUR, MARYSVILLE ROAD, MARYSVILLE, VIC. NICHOLL'S LOOKOUT, MARYSVILLE, VIC. TREE FERNS, MARYSVILLE, VIC. THE BRIDGE, MARYSVILLE, VIC.steavenson falls (image 1), tourists in marysville (image 2), taggerty river (image 3), fruit salad farm (image 4), main street marysville (image 5), road scene marysville (image 6), the crossways (image 7), cumberland valley (image 8), black spur (image 9), nicholl's lookout (image 10), tree ferns (image 11), bridge (image 12), marysville, victoria, postcard, souvenir, murray views -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, Pedestrianism, John May, Glen Stuart, 22 Jan 2001
Recording of PMHPS Meeting on 22.01.2001. Recording done by Glen Stuart at Port Town Hall. Speaker was John May on "Pedestrianism" the history of running, amateur and professional, in Australia. Recording duration 1:12:12sport - running, john may -
Southern Sherbrooke Historical Society Inc.
Cash book - Carlotta Tye Memorial Church, 1938-1952
Receipts and expenditure of the Selby Anglican Church (Carlotta Tye Memorial Church) from 1/4/1938 to 31/12/1944, and the Selby Parish Hall from June 1938 to 31/12/1952.carlotta tye, selby parish hall -
Wangaratta High School
WSC Mounted photo, 1997
Large colour photo of all Wangaratta Secondary College 1997 year 12 students, with a black board in front reading WANGARATTA SECONDARY COLLEGE YEAR 12 1997. Mounted on black painted wood. -
Wangaratta High School
WSC Mounted photo, 1996
Large colour photo of all Wangaratta Secondary College 1996 year 12 students, with a black board in front reading WANGARATTA SECONDARY COLLEGE YEAR 12 1996. Mounted on black painted wood. -
Wangaratta High School
WSC Mounted photo, 1991
Large colour photo of all Wangaratta Secondary College 1991 year 12 students, with a black board in front reading WANGARATTA SECONDARY COLLEGE YEAR 12 1991. Mounted on black painted wood. -
Warrnambool and District Historical Society Inc.
Souvenir - Photograph Wallet: Valentine’s Snapshots, Valentine Publishing Co. Pty. Ltd. Melb & Sydney. Printed Great Britain, Circa 1920's
This collection of photographs shows various scenes around Warrnambool and district such as street scapes, the Ozone Coffee Palace, Botanic Gardens, Beach scenes, Hopkins River and Proudfoots on the Hopkins. Valentines snapshots were done of many place world wide, and packaged in a convenient size to be posted.These cards have an historic and artistic significance and also provide the opportunity to be used in an interpretive way. Small, pale green, card folder with 24 photographs, 12 are gloss finish and 12 matt finish. The gloss photos have titles printed on reverse and matt cards have handwritten style titles.On folder: Valentine’s snapshots. Printed in Great Britain.warrnambool, valentine postcards, lava street, koroit street, liebig street, proudfoots, warrnambool botanic gardens, warrnambool beach -
Mt Dandenong & District Historical Society Inc.
Photograph, Beauty Spots in Australia. Sassafras, c1913
This set of small photographs was produced by the Rose Stenograph Co. c1913 to be included in photograph albums. The area known as South Sassafras, was opened up for settlement in 1893 and the name was changed to Kallista in 1925.A small, paper envelope containing 12 photographs of Sassafras that are reproductions of Rose Series postcards. There are 10 different photographs, 32a and 32c have doubles.Envelope : BEAUTY SPOTS in AUSTRALIA 12 Real Photographs For Your Snapshot Album Published by the Rose Stenograph Co. Rear 17 Auburn Grove, Armadale, Vic 3.E.3 SASSAFRAS, VICTORIA Photograph 32a - THE ROSE SERIES P. 905 CLEMATIS AVENUE, SHERBROOKE, VIC. Photograph 32b - THE ROSE SERIES P. 1603 THE CASCADES, SASSAFRAS, VIC. Photograph 32c - THE ROSE SERIES P. 204 PANORAMA AT SASSAFRAS, VIC. Photograph 32d - THE ROSE SERIES P. 4046 MAIN ROAD, SASSAFRAS, VIC. Photograph 32e - THE ROSE SERIES P. 1502 SASSAFRAS CREEK, SASSAFRAS, VIC. Photograph 32f - THE ROSE SERIES P. 1501 TOURIST TRACK, SASSAFRAS, VIC. Photograph 32g - THE ROSE SERIES P. 4244 TOURIST TRACK, SOUTH SASSAFRAS, VIC. Photograph 32h - THE ROSE SERIES P. 2725 CLEMATIS AVENUE, SHERBROOKE, VIC. Photograph 32i - MAIN ROAD, SASSAFRAS, VIC. Photograph 32j - THE OLINDA - SASSAFRAS ROAD, VIC. rose series, rose series, sassafras, sherbrooke, sassafras creek -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah I, 1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah -
Ballarat Tramway Museum
Photograph - Digital image, Wal Jack, 11/12/1943 12:00:00 AM
Yields information the appearance of the SEC tram fleet in 1943 when parked in City Loop. None of these trams remain in Ballarat today.Digital image from the Wal Jack Ballarat Album of trams 23, 22, 25 and 29 in Sturt St loop 11-12-1943. In the background is the Ballarat Courier Building and in the background is an advertisement for Plume, and City Mutual Life insurance. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeon rear of photo in ink, "SEC Ballarat, No. 23, 22 ex Adelaide 69 and 92, 25 and 29 ex MMTB Sturt St 11-12-43" and in top right hand corner Wal Jack copyright stamp with number "T56" written.trams, tramways, sturt st, city loop, grenville st, tram 23, tram 22, tram 25, tram 29 -
Uniting Church Archives - Synod of Victoria
Certificate - Methodist Order of Knights, Charter The Benalla District Court
This is the Charter for The Benalla District Court, Court No 67, dated 12th February 1937. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Card Methodist Church of Australasia Methodist Order of Knights Charter with the MOK symbol at the top and brown decorative border and blue text."Court No. 67" "The Benalla District Court" "12 February 1937" "Leslie G Payser" "Joseph McIlroy"methodist order of knights the benalla district court, leslie g payser, joseph mcilroy -
Ballarat Tramway Museum
Photograph - Digital image, Wal Jack, 20/12/1956 12:00:00 AM
Yields information about how the centenary of the State Savings Bank of Victoria was celebrated on tram car posters.Digital image from the Wal Jack Ballarat Album of photographs of the front of Ballarat No. 43 (Note Wal's albums notes says No. 41) carrying a sign celebrating the Centenary of Service for the State Savings Bank (of Vic) with date 15 Nov 1956 on sign. Taken by Wal Jack, 20-12-1956. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative On rear in blue ink "SEC Ballarat State Savings Bank centenary poster placed on No. 43, Wendouree Depot 20-12-56" with Wal Jack stamp in top right hand corner with number "T242" written in.trams, tramways, advertisements, state savings bank, centenary, tram 43 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Lloyd Rogers, 13/12/1961 12:00:00 AM
Yields information about the appearance of trams parked in the City loop during early 1960's and the construction of the Big W store.Black and white photograph of Ballarat trams 21, 33 and 26 in the City Loop. Dated 13/12/1961. Printed on Agfa Gevaert paper in a postcard format. 21 - has a roof advertisement fort A. H. Collins of Sebastopol for Timber and The Age and another on the dash panel. 32 - has roof adverts for Penfold Cream Sherry cream and Eureka Terra Cotta tiles. In the background, a building (possibly the future Big W) is under construction in Grenville St. Photo by Lloyd Rogers.In ink "Ballarat trams Nos. 21, 33, 26, Sturt St 13/12/1961 and 3/19". In pencil: "21 - ex 10 Alaide, 33- ex M 189, 26 - ex M 111"trams, tramways, city loop, sturt st, tram 21, tram 33, tram 26 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Keith Kings, 7/03/1958 12:00:00 AM
Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Bendigo tram No. 12 at Golden Square terminus with the Golden Square hotel in the background. Has a "Fosters Lager sign" on the wall. Tram has destination of "Nth Bendigo". Photo taken 7/3/1958. Keith Kings No. A(d)(15) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. A(d)(15) Copyright reserved". In blue ink "Bendigo / No.12 / As converted for "One Man" operation / Golden Square terminus 7/3/58"trams, tramways, golden square, bendigo, tram 12 -
Ballarat Tramway Museum
Photograph - Digital image, Wal Jack, 29/12/1945 12:00:00 AM
Yields information about the early use of Ballarat's first bogie tram after it had been re-numbered and Stones Corner.Digital image from the Wal Jack Ballarat Album of No. 22 turning from Bridge St into Main St 29-12-1945. Has the Castrol / Caltex service station with clock in the background and Stones Corner building. Tram proceeding to Mt Pleasant. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeIn ink on rear " SEC Ballarat Tramways bogie. 22, turning out of Bridge St into Main St, Ballarat East Post Office in background in Main St. 29-12-45" with number "T547" within Wal Jack photo stamp.trams, tramways, bridge st, stones corner, main st, bogie trams, tram 22 -
Ballarat Tramway Museum
Photograph - Digital image, Wal Jack, 22/12/1945 12:00:00 AM
Yields information about the early use of Ballarat's bogie trams and the track in Wendouree ParadeDigital image from the Wal Jack Ballarat Album of Nos. 15 and 22 crossing at the depot loop, Wendouree Parade, 22-12-45 - Wal's notes 1st day both bogies in service. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear in ink "SEC Ballarat Tramways Bogie trams No. 15 and 22 in loop Wendouree Parade near depot. 1st day both bogies were out together. 22-12-1945" Wal Jack stamp in bottom right hand corner with number "T541" written in.trams, tramways, depot loop, bogie trams, lake wendouree, tram 15, tram 22 -
Clunes Museum
Domestic object - PEWTER MUGS
SERIES OF FOUR PEWTER MUGS WITH HANDLES 1. Sticker on base marked "12", engraved "James Yates" 1 pint 2. Sticker on base marked "12", engraved "James Yates" 1/2 pint 3. Sticker on base marked "12", engraved "James Yates" Gill 4. Sticker on base marked "12", engraved "James Yates" used for whiskey pewter, mug -
Bendigo Military Museum
Letter - LETTERS of SYMPATHY, Dec 1941
Letters of Sympathy to parents of Dental Surgeon "M.C. Townsend", KIA on HMAS SYDNEY on 15/11/41. Refer Cat No. 2323P for Townsends service.1. Handwritten letter from Dental Officer's Mess, Puckapunyal, Victoria on blank white paper. 2. Typed letter from Chaplain, Flinders Naval Depot to Mr. Townsend. 1. Signed “Eric Wollff” and dated 2/12/41. 2. Signed “Norman Symes”, Chaplain, RAN and dated 6/12/41.hmas sydney, kia, mervyn clive townsend, ww2 -
Greensborough Historical Society
Newspaper clipping, Diamond Valley Leader, Preschool washout, 25/01/2012
Half page article on damage from floods on Christmas Day 2011. Noting in particular damage to Briar Hill Preschool.A further reference to the Christmas Day 2011 floods.Half page newspaper article featuring 2 coloured photographs. D V Leader 25/1/12 in biro.christmas day 2011, floods, briar hill preschool, tom melican -
Federation University Historical Collection
Document - correspondence, 2 Letters regarding Miss R.H. Lonie to and from the superannuation board, 1 5/5/1948, .2 11/05/1948
School of Mines and Industries Ballarat is a predecessor of Federation University..1 A letter to the secretary of the State Superannuation Board regarding the election of Miss R.H. Lonie for an additional unit she is entitled to due to her increase in salary. Letter written by F.E. Ferguson .2 A letter in reply to above letter advising of an appointment for Miss Lonie to attend a medical examination in Melbourne. .2 - Received stamp dated 12/5/48state superannuation board, f.e. ferguson, r.h.lonie, c.d. long, medical officer, tuberculosis bureau, ballarat school of mines and industries, school of mines and industries ballarat -
Flagstaff Hill Maritime Museum and Village
Ceramic - Serving Dish
Serving dish, oval, faded blue transfer pattern with a row boat and persons and multi-storey buildings and wooded area near a shore over a white background. Marked "Rhino" and symbol. Also "Crownfield" and "12/77" flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, oval dish, serving dish, platter, dinner ware, crockery, crownfield pottery -
Frankston RSL Sub Branch
Swagger Stick
Trench art WW1 swagger stick. Cane body with 15mm metal tip. Head of stick comprises two 0.303 inch spent cartridges joined through bottom third of each cartridge case. One is inserted to the head of the cane and the cross case has an unexpended bullet inserted.Each Cartridge case CAC VI 12 5 -
The Beechworth Burke Museum
Animal specimen - Masked Owl, Trustees of the Australian Museum, 1860-1880
Masked Owls are an Australian barn owl species ranging across most of mainland Australia and Tasmania, generally within 300 km of coastline. Masked Owls are a medium sized bird averaging 390-500mm in length with wing spans up to 1250mm. There are several subspecies across Australia and the Tasmanian Masked Owl is the largest. Female Masked Owls are markedly larger than males. Masked Owls prefer forested, woodland, or timbered waterway habitats to open country, and nest in tall trees with suitable hollows and adjacent areas for foraging. They are territorial and hunt small mammals, rodents, rabbits, reptiles and small marsupials. Population numbers are in decline on the mainland and in Victoria the species is considered threatened. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Masked Owl specimen is medium sized with a large head and distinctive heart-shaped facial markings. The plumage is mostly brown, patterned with flecks and patches of white, chestnut and light grey. The tail is short and largely concealed by long wing feathers. The face, feathered tarsi and underparts are much paler in contrast to the dorsal plumage, and the facial mask is edged by a distinct dark brown line. The eyes are large and yellow. This specimen stands on a wooden perch pedestal with identification tags attached to its leg. 12. / Delicate Owl / See Catalogue, page, 3 /taxidermy, taxidermy mount, masked owl, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, barn owl, carnivore, tyto novaehollandiae, australian masked owl, tytonidae, tyto, territorial owl, threatened species, animalia, australian owls, tasmanian masked owl -
Robin Boyd Foundation
Slide, Robin Boyd, 1970
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Space artifacts on display in USA Pavilion, Expo 70, Osaka, Japan (Architect: Davis Brody, with designers Chermayeff & Geismar & Haviv)Made in Australia / 12 / MAY 70M3 / 39 (Handwritten)expo 70, osaka, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1956-1957
Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Chapelle Notre-Dame du Haut, Ronchamp, France, 1955. (Architect: Le Corbusier.)12 (Handwritten) / Encircled 33 (Handwritten) / 23 (Handwritten)mit bemis professorship, mit, robin boyd, slide -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Drawing by Hardy Wilson from his book “Old Colonial Architecture of New South Wales and Tasmania”, 1924Made in Australia / 1 (Handwritten) / 12 (Handwritten-Cancelled)slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. State Kremlin Palace (1961), Moscow, Russia. (Architect: Mikhail Vasilyevich Posokhin)Made in Australia / 17 / AUG 64M / 12 (Handwritten)russia, slide -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Sydney Opera House. (Architect: Jorn Utzon.)25 (Handwritten) / 5 (Handwritten) / Encircled 12 (Handwritten)slide, robin boyd