Showing 1387 items
matching sculpture
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Helen Bodycomb, Untitled (Fountain), 2000
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Kirsteen Pieterse, Fossil, 2007
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Mont De Lancey
Sculpture, John F. Shaw (1928) & Co. Ltd. et al, Fireside Tales, 1928
A collection of nursery stories for young children. This book was awarded to Lance Sebire in 1932 for diligent Sunday School attendance.Large hardcover children's nursery book with coloured illustration on the front cover of a small boy and girl in pyjamas and nightie holding toys surrounded by fairies. The title Fireside Tales is in black lettering at the top. The spine has faded title and pubilsher, Shaw. Black and white illustrations throughout with some coloured plates.Kindergarten. Methodist Sabbath School Wandin Yallock 32 days. Awarded to Lance Sebire for 1st Prize of Mrs S. Gaudion's Class. W.J. Sebire Supt. A.J Sebire. Ada Gaudion. Sec. 27.3.1932.children's fiction, young people's fiction, children's books -
Diamond Valley Vietnam Veterans Sub-Branch
Sculpture - Infantryman, c2002
Depiction of Australian Infantry soldier, Vietnam - typical of the soldier of the day. Statuette presented to the DViet in 2002 by Padre Noel Boyce in appreciation of his DViet connection.This item is significant in respect that, distinct from a 2D picture, it is a 3D depiction of how the vast number of Australian infantry soldiers appeared in the field, in Vietnam - infantry was the major component of the Australian Defence Force in Vietnam.Statuette, Moulded. Infantryman, in action pose; brown in colour. On a step-up wood base.Presented by the first DViet Padre, Noel Boyce, November 2002infantry, vietnam, soldier, figurine, vietnam war, diamond valley vietnam veterans sub branch -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Kookaburra, 1940's
Made by internee at Camp 3, TaturaHandcarved bone kookaburra mounted on a block of polished woodkookaburra, bone, camp 3, tatura, ww2 camp 3, ornaments -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Dean Bowen, Cat, 2012
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Robert Bridgewater, Covered Person, 2004
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Brigit Heller, The Guardians, 2004
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Ricardo Pereyra, Head full of memories resting on a memory foam pillow
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Kylie Stillman, The Remains, 2013
Paperback books and timber base -
Wyndham Art Gallery (Wyndham City Council)
Sculpture, Jonathan Mendez-Baute, Still, 2015
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Wyndham Art Gallery (Wyndham City Council)
Sculpture, Jonathan Mendez-Baute, Goliath's Dream, 2017
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - bust, George Luke, Alan Marshall, 1985
Alan Marshall (1902-1984) was an Australian writer, storyteller, social documenter and author of 'I Can Jump Puddles'. He lived for many years in Sandringham. This work was commissioned by Sandringham Council and unveiled in May 1985 at the opening of the new Sandringham library.George Luke, Alan Marshall 1985, bronze. Bayside City Council Art and Heritage Collection. Commissioned 1985Cast bronze head of Alan Marshall. The head is mounted on a cement pedestal with a bronze plaque with inscription at the front. Located at Sandringham Library, Corner Waltham Street and Chalmers Avenue, Sandringham.alan marshall, george luke, scultpure, portrait, bust, sandringham, library, writer, social documenter, australian author -
Bass Coast Shire Council - Art Collection
Sculpture - Shaft, Shane Cargill/Martin Moore
AustraliaConcreteSigned -
Bass Coast Shire Council - Art Collection
Sculpture - Wave and Wind Seat, David Fincher
AustraliaWood and ConcreteSigned -
Bass Coast Shire Council - Art Collection
Sculpture - Maregold, David Fincher
AustraliaWood and concreteSigned -
Bass Coast Shire Council - Art Collection
Sculpture - Site Lines, Sarah Hicks and Bonnie Charles Bush Projects
AustraliaMarine Grade Steel -
Bass Coast Shire Council - Art Collection
Sculpture - Butterfly Bloom, David Kopelman
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Bass Coast Shire Council - Art Collection
Sculpture - Motorcycling World Champions, Barbara McLean
3x Bronze busts -
Bass Coast Shire Council - Art Collection
Sculpture - Excuse me Mr Seagull, Paul Jesse
AustraliaSteel, tiles and copper -
City of Whittlesea Art Collection
Sculpture - Recycled corrugated iron, Elizabeth Walker, Envirobag
recycled -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture - ceramic, Alnis Ansons, Brighton Council Chambers Mural, 1961
Alnis Ansons (1928-2015) was introduced to architect Kevin Knight in the lead-up to the opening of the Brighton Municipal Offices in 1961. The architect, on seeing some relief work in the artist’s home, asked Ansons if he would attempt an ambitious 70 square metre work within the council building which would wrap around the lift shaft of the three storey building. The tight deadlines and budgetary constraints imposed on the project impacted on the artist’s process but, in adapting to these limitations, Ansons developed a bold and original technique for producing commercial ceramic works. The mural, which symbolises the people of Brighton at work, worship and play, is constructed from hundreds of individual ceramic casts that have been treated with an engobe, similar to an underglaze, to produce a myriad of colours. The pieces were then fired only once, and grouted with copper grouting from top to bottom, creating a three-dimensional effect on the central column in the council chambers. Ansons was assisted during the installation by his future wife, Ralda, who was tasked with holding the pieces in position as they dried, to prevent them from sliding or shifting.Alnis Ansons, Brighton Council Chambers Mural 1961, ceramic. 750 x 595 cm. Bayside City Council Art and Heritage Collection. Commissioned c. 1960Circular ceramic relief mural around lift well in Brighton Council Chambers. The work begins on the ground floor of the Brighton Library, through to the mezzanine level up to the Chambers. mural, public art, alnis ansons, brighton council chambers, brighton library, ceramic, kevin knight, bayside chambers, bayside city council -
Ballarat Clarendon College
Sculpture - Wooden bowl with lid, Robert Harris, c1980s
This bowl was turned by Mr Bob Harris from the fallen Claret Ash which grew on the north side of the Mair Street (CPLC) oval. Bob was a groundsman at Mair Street 1980 - 1989. His profile was published in Ringaroo March 1986. He passed away in June 2013. The bowl was presented to College 24 August 1989. Claret Ash turned bowl with lidrobert-harris, grounds staff, craftsmanship -
Glenelg Shire Council Cultural Collection
Sculpture - Model Ship, Frances Henty, n.d
The Frances Henty was a clipper ship named after Thomas Henty's wife, Frances. She carried passengers, wool and gold in between London, England and Victoria, Australia until 1869Model of 573 ton Clipper Frances Henty in glass fronted and ends, timber case. Presented as a diarama.Back: Frances Henty Homeward Bound (back)maritime, shipping, hentys -
Glenelg Shire Council Cultural Collection
Sculpture - Model Ship, Thomas Ward, Cutty Sark, 1880s
The Cutty Sark is a British clipper ship which was built in Scotland in 1869. She made the trip between England and Australia carrying wool. The model was made by Thomas Ward, harbour master at Portland from 1885 - 1896.Ship's model in glass-fronted timber case. Presented as a diarama.Front: This model of the "Cutty Sark" was made by my grandfather 'Thomas Ward', Portland Harbour master 1885-1896. Signed Harry Ward Goldsmith (inside case, top left back).cutty sark, ship model, thomas ward -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Ronald C. Skate, Untitled (Early Maritime Industries), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting a man in raincoat and wide-brimmed rain hat at a ship's wheel. Behind him are flying birds and in front of him is the tail of a seal diving into waves on the left and the front of a seal on the right. -
Glenelg Shire Council Cultural Collection
Sculpture - Model Ship, Bryan Tink of Geelong, "Ariel", 1998
Model of a traditional couta boat "Ariel" Made of cedar, plywood and balsa. Sails of calico, riggings fine cord. Model is lug rigged. Deck is varnished, combing painted. Copper strip on edge of combing near stern. Hull painted black with fine white stripe. Lower section red. ""Ariel C23" painted on stern in white. Model sits on varnished wooden stand with brass plaque.Front: Plaque :- Couta Boat "ARIEL" Built by J.A. Jones Melbourne in 1927 approx scale -7/8"= 1 foot Lug Rigged -
Glenelg Shire Council Cultural Collection
Sculpture - Model - Portland Harbour, n.d
PORT OF PORTLAND COLLECTIONScale model of Portland Harbour in display case. Case: four sided, pyramidal, on collapsible legs. Portland Harbour Developmentportland harbour, scale model, structure, harbour development -
Glenelg Shire Council Cultural Collection
Sculpture - Model - Model of Kingsley, A. Flederis, c. 1996
Made by Mr. A. Flederis.Large wooden model of two-storey turretted house with verandahs. Model is equipped with lights.Front: Signs reading "DONT TOUCH" (sic) attached. -
Glenelg Shire Council Cultural Collection
Sculpture - Sculpture - Ship's Wooden Figurehead, n.d
Part of the collection purchased by the City of Portland from Kurtze's museum. Brendon Kurtze believed it was from the 'Constant', but the wreck was later proven to be the 'Regia' by V.A.S.Wooden painted figurehead believed to be from the barque 'Regia' (built 1835). Painted white female with floral wreath in hair, holding a scroll in both hands, sash over right shoulder, diamond-shaped object on ribbon around neck, beaded necklace, dress with puffed short sleeves, bare arms, hair set in curls and a bun on the back of head. Figurehead is torso only. Inspection suggests that it has been cut from the wreck or from the rest of the figurehead's body.Front: (no inscriptions) Back: (no inscriptions)