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Kew Historical Society Inc
Album - Art therapy sketchbook, Kenneth Bailey, Imperial 4to Sketchbook, Kew Mental Hospital, 1952-1969
Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax -
Tennis Australia
Watercolour, Circa 1905
A mounted and framed watercolour painting of a young lady, holding a tennis racquet, entering via an open window. Artists signature at the lower right. Materials: Paper, Paint, Cardboard, Metal, Paint, Wood, Glasstennis -
Tennis Australia
Print, Circa 1995
Limited edition (53/150) print of pastel work by Luis Morris of Tim Henman in various poses. Signed by artist in lower left corner. Materials: Ink, Wood, Paper, Glass, Metal, Graphitetennis -
Kew Historical Society Inc
Work on paper, Joy Stewart, Southesk, c. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 'Southesk' (demolished) in Cotham Road, Kew by the artist Joy Stewart. To see the image at the next stage as an image created with watercolour, pen and ink on paper, see 1980.0013.Inscription: "Southesk". Signed lower right: "JStewart". c.1978ordsall, cotham road (kew), southesk -
Federation University Art Collection
Printmaking - Linocut, 'Black and White' by Don Refshauge, 1932
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed original linocut by student of the Ballarat Technical Art School. We are currently looking for information on the artist who created this work. If you are able to assist please leave details in the comments link below.art, artwork, don refshauge, refshauge, aborigines, alumni, available -
Federation University Art Collection
Drawing - Artwork, [Geometric Dunes], 1983
Orange foreground, grey/blue background with ink prisms. Mounted in an aluminium frame behind glass. If you can assist with information on this artist or artwork, please leave information via the email link below. Signed lower right side. A.R. Hall?], 1983. artwork, artist, drawing, churchill, available, available gippsland -
Melbourne Tram Museum
Pamphlet, launch of the Transport Art Mural and the Cavalcade of Transport, Jan. 1978
Pamphlet - part colour two fold for the launch of the Transport Art Mural and the Cavalcade of Transport on 30/1/1978, features a reproduction of the Mural, details of the Mural itself, the Artist Harold Freedman and the programme for the events.trams, tramways, cavalcade, state government, spencer st, mural, southern cross station -
Kew Historical Society Inc
Ceramic - Footed dish, Viola Ayling, 1950–1970
Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade, earthenware, footed oval dish, covered with a turquoise glaze. The feet, two of which has been repaired, were created from coils that were then luted to the base.The base bears the signature of the artist.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling -
Shepparton RSL Sub Branch
Vinyl Record, Hits of the War Years, 1985
Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Flat disc, black in colour, with an inscribed, modulated spiral groove across diameter. Centre has adhesive paper label bearing information about the songs on each side and artist/copyright information. Label is Mustard yellow to white in ombre fade effect. Centre of disk has round hole through which the disk is attached to a machine. Disc contained within plastic sleeve, fused on three sides.vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary, phonograph, vinyl record, gramophone record -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF FOUR MALES
black and white PHOTOGRAPH OF four males wearing Victorian style clothing - rear of card show two logos for Turbull & Sons Artists , 75 Jamaica St Glasgow - Licencees of Vander Weyde's Patent Process.photograph, person, male, turbull & sons artists , 75 jamaica st glasgow - licencees of vander weyde's patent process -
Bendigo Historical Society Inc.
Document - MICHAEL RABIN PROGRAMME
The Australian Broadcasting Commission has pleasure in presenting Michael Rabin (violinist). Associate Artist: Raymond Lambert (Pianist). Bendigo Town Hall. Tuesday, 26th August, 1952, 8.15 p.m. Programme. One Shilling.event, entertainment, music, michael rabin, raymond lambert, the australian broadcasting commission -
Bendigo Historical Society Inc.
Document - W.D.MASON COLLECTION: LETTER CARD, 3 Feb 1939
Document , W.D.Mason Collection, Letter Card dated 3.2.1939 to Mr. W. Mason, Lead light artist, Glass merchant, Queen Street, Bendigo. Letter from ''one who knows''., probably a disgruntled driver.business, retail, w d mason -
Port Melbourne Historical & Preservation Society
Container - Hand painted milk churn, Woodruff's Dairy, Port Melbourne, 1920s
Hand painted milk can from Woodruff's dairy, kept by the Woodruff family and decorated by artist 'Shelley' with floral motifs, dairy name etc.on a cream coloured, painted surface which now is peeling badly.business and traders - dairies, woodruff's royal dairy, stan woodruff, stan -
Port Melbourne Historical & Preservation Society
Photograph - Electrical sub-station, Foreshore at Station Pier, 1989
Black and white photo taken 1989 by 'Viva', an artist from the Mission Arts Centre: electrical sub-station at foot of Station Pier, built 1940s?, which provided electricity to drive the travelling cranes on the pierbuilt environment - civic, piers and wharves - station pier, utilities - electricity -
Coal Creek Community Park & Museum
Phonograph Record, Prettiest Song of All, Par Ci Far La - English Bells
Phonograph record, black shellac with green Zonophone 'The Twin' label. A side: Prettiest song of all. B side: Par Ci Far La. Artist: Mr James Lent playing English Bells, with orchestra. -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION:ENTERTAINMENT PROGRAM, Early 1900s
Document. Program for ''Show Night and Race Night'' Fire Brigade Depot, Boort. September 27th and 28th. Featured artist Alex J Hamilton. Black and white photograph included (9cms X 12.5 cms).performing arts, elocution, entertainment program. -
Stanley Athenaeum & Public Room
Artwork, other - Lithograph - framed reproduction - coloured, Stanley, Ovens 1859
Edward Hulme - artist's early landscape of Stanley Village overlooking the plateau and hills. There are 3 miners in the foreground washing the gravel by a cradle with 2 tall eucalypts to the left. Outlying dwellings and a water-race also feature.E.Hulme clel & lith. Ladd and Carr. imp. Reproduction company for National Library, Australia -
National Vietnam Veterans Museum (NVVM)
Drawing, Eric R. Garrett, 1974
Wooden framed (handmade) etching of a depot depicting many buildings set our on an open field. Road bordering complex sandy beach & ocean waves. All coloured & etailed. Artist Eric R. Garrett.2nd advanced ordance depot, vung tau 1974 -
Tatura Irrigation & Wartime Camps Museum
Book, Leonhard Adam - From the Spree to the Yarra - Aquarelles: 1911-1955, 1996
Rectangular shaped book, covered with painting of "Undoolya" (east of Alice Springs) on both font and back covers. 30 pages. Black and white photos and paintings by the artist of Tatura camp 3, Europe, Sydney and Melbourne, Acknowledgement: Mary - Clare Adam daughter of Leonhard Adam.artwork at camp 3 tatura, life of leonhard adam, leonhard adam -
Whitehorse Historical Society Inc.
Newspaper - Article, Mitcham's bird book author, 8/09/1970
Article in Nunawading News, 8 September 1970 on Ellen McCulloch of Mitcham who with Tess Kloot has written a book: ' Some garden birds of South Eastern Australia'. Sketches by Melbourne artist Rex Davies.birds, mcculloch, ellen, kloot, jess, davies, rex -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/09/2001 12:00:00 AM
Also three colour photographs of Leann Edward paintings Dolphins, Kangaroo Bed Head,Balranald Pub displayed at Nungurner January and February 1996 numbers 04119.1, 04119.2, 04119.3 size 15 x 10 cmColour photograph of Aboriginal artist Leann Edwards before heading to USA to show her artwork to the world. Ten of her paintings launched by expatriate Australian gallery owner Mary Harbour Lakes Entrance Victoriaaboriginals -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/12/1995 12:00:00 AM
Black and white photograph of Chris Turnbull proprietor of Lakes Map Supplies with artist David Clarke holding illustrated maps of Gippsland ready for the tourist season. Lakes Maps located on the Esplanade Lakes Entrance Victoriabusinesses -
South Gippsland Shire Council
Painting, Oil, Landscape, 1996
Framed oil painting featuring a country landscape painted by G. Guppy 1996. Includes trees, road, fence and gate. Signed and dated by the artist lower left corner. Painted in shades of blue, yellow and green. -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO SPONSORSHIP SUBMISSION, 1996
MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO Sponsorship Submission for Mosaic Pavement Surround to the Poppet head Lookout Rosalind Park Jun 1996 12 Pages from Artist Maery Hall -
Kew Historical Society Inc
Booklet - Catalogue, Xavier College, Panorama of Australian Painting: 1818-1968, 1968
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersxavier college, australian art, dorothy rogers, art catalogues -
Kew Historical Society Inc
Booklet - Catalogue, Xavier College, Panorama of Australian Painting: 1818-1968, 1968
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersaustralian art, xavier college -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting, Gems from the Collection, 28 Jan 2020
John MAY (air raid siren); David RADCLIFFE (Duke of Gloucester visit); and Janet BOLITHO (local artist sketchbook) present various items from PMHPS collection for discussion Duration 0:18:32royal visits and occasions, war - world war ii, arts and entertainment, john may, david radcliffe, janet bolitho -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling, 1950–1970
Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.A large, eathernware dish, with a maroon ground and a mottled green and black glaze on the inside of the dish. The petals that form the floral design on the base are highlighted in a pink glaze. Each petal overlaps the rim. The artist's signature is on the base. Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling -
Federation University Historical Collection
Photograph - Photograph - Colour, Churchill Service Memorial, 2015, 2015
In recognition of its fallen soldiers and Churchill's 50th birthday a service memorial was erected on a concrete plinth at the Churchill town plaza and used for the first time to mark the ANZAC centenary on Anzac Day 2015. Churchill never had a war memorial and received a grant from the Department of Veterans' Affairs six years ago to commission a sculpture with Latrobe City Council's support. It was decided the sculpture needed to recognise more than just the war effort, but service and volunteerism, considering Churchill was only founded in 1965. (http://www.latrobevalleyexpress.com.au/story/2816903/churchills-new-memorial/, accessed 01 may 2015) Sculptor Paul Jesse discussed the work in Churchill and District Community news, 18 December 2014: Some time ago CDCA commissioned a sculpture to be used as a Service Memorial to commemorate the fallen that have died in service of our community and country. Traditional memorials usually commemorate Armed Services personnel, but CDCA was of the opinion that a more inclusive view which included Emergency Services personnel, such as CFA, SES and Police, could be incorporated into the Churchill Memorial. Boolarra artist, Paul Jesse, who is accomplished in Ferro-Cement sculpture techniques, was commissioned to create a memorial that would cause people to reflect on the meaning of ‘service’ and ‘sacrifice’. The following is a description of the Churchill Service Memorial Sculpture written by the sculptor, Paul Jesse. “My sculpture is different from most War Memorial sculptures because it uses as its basis the reasons why people go into service or to war. One side of the sculpture is colourful and optimistic; its theme is home, family, community and the future. These themes are crafted by flow lines which are connected to the other side of the sculpture through the round hole and the Crosspiece. These lines can be seen as a multi-layered connection between the sides. On the “dark” side of the sculpture, the lines begin with a spiral of coloured mosaics. This spiral is representative of our service people. Its beginning can be seen on one level as their soul. The spiralling mosaics of them flow to the other side of the sculpture where they create the landscape and figures. These lines can also be seen as a range of connectors between the two sides, representing a flow of thoughts, love, fear, concern and dreams. They also represent physical communication such as letters and phone calls.” This ‘Service Memorial’ is located in the Churchill Plaza (adjacent to the Town Hall), along with four flagpoles, seating and garden beds. The Churchill Service Memorial has deliberately been designed as a thought-provoking public art work. It will complement the Art and Culture Pathway which links Switchback Gallery at the Federation University Campus to the Town Centre. We hope Churchill citizens will pause to view the Memorial, ponder its meaning, reflect on the service of others and commemorate the fallen. Colour photograph on an abstract Australia-shaped sculpture by Boolarra artist Paul Jesse. The abstract Australia-shaped sculpture is in stark contrast to the bronze-cast "fallen mate" or concrete cenotaph seen in many country towns. The photograph includes wreaths from the ANZAC centenary service on ANZAC Day 2015. churchill, churchill war memorial, paul jessie, anzac centenary, federation university, gippsland, art and culture pathway, world war -
Lara RSL Sub Branch
Card & Envelope, Australian Comforts Fund Xmas & New Years Greeting Card 1918-19, Circa 1918-19
Small Christmas card produced for the Australian Comforts Fund, Christmas 1918. Christmas & New Years Greetings, 1918-19, with scenes of battles at Villers-Brettonneux and Hamel, and views of a captured tank and a 14cm. gun. Produced by Raphael Tuck & Sons, Publishers to the King and Queen.These cards were sent by service personal serving overseas to family members back home.l Sent by J.L.Mcintre while on active service in France to his loved ones back home.Christmas card with blue and black lettering Australian Comforts Fund Christmas & New Years Greetings, 1918-19, Produced by Raphael Tuck & Sons, Publishers to the King and Queen. The card depicts four scenes from the First World War: Australians Advancing from Villers-Brettonneux August 8th 1918, A German tank captured by the Australians near Villers-Brettonneux, Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans, Captured by The Australians a 14 C.M. German Naval Gun intact with its Train & Equipment.Australian Advancing from Vlllers-Brettonneux.August 8th 1918. From Original specially painted for the Australian Comforts Fund by Captain Will Longstaff.A.I.F.War Artist.