Iron-framed Thurmer upright piano with dark wooden panels. Two marks where candlesticks or other objects may have been attached can be seen on the front panel. Decorative carving on sides. 2 pedals.Thurmer; Sole Agents Allan & co. Pty Ltd Melbourne, on front. Paper sticker inside top lid - 'Ferd. Thurmer'.musical instruments, keyboard, thurmer, piano, augusta borrack (ziebell), leo borrack, allan & co.

Purchased by Christian Ziebell on one of his two visits back to Germany.This object is of primary significance. Christian Ziebell brought it back from Germany on his return visit to Germany in 1856. It always hung where it is now and it is retractable to different heights. It hung on the lowest chain length over the table and was only raised when the family had festive events such as dances when Dorothea would accompany them on the piano. Great care had to be exercised when the lamp was raised because if it went up too high, and therefore became too close to the wooden ceiling, it could cause a fire. Francis Adams – son of Sylvia Adams (Ziebell) restored the lamp in the 1990’s.Original Miller hanging lamp, made of brass and opaque white glass. Lamp has chain-operated raising and lowering mechanism. Decorative brass trimming around widest edge of glass lampshade. Contains tubular wick.B & H Valpirfor written on lowering mechanism on top of the lamp. Rayo 24.98, PAT'D. NOV. 20.94, FEB 28.95, written on top of oil compartment.lighting, kerosene & oil, oil lamp, hanging lamp, original.

Rectangular rubber mould containing five designs: 4 octagonal designs depicting the head of a man and one floral decorative design. The corresponding relief is split and contains the matching floral design and two of the four octagonal designs. Nonematcham skipper, mould, relief, rubber, decorative design, male, head

This tile has been made into a wall hanging by the attachment of fine wire at top to two of the curled feet.A small Wessel decorative white ceramic tile or trivet with a white porcelain type top depicting a coloured map of the Mosel River and surrounding towns in Germany. There is a twisted thin gold frame around it with rounded feet in the corners.On the front at the top of the tile is written - 'Die Mosel von KOBLENZ bis TRIER'. On the back is the manufacturer's stamp in raised letters 'Wessel Made in Germany with a crown on top of it'. There is a number '9, 6 tiny dots, K6 2 more dots, 5'tiles, wall tiles, decorative tiles

It was made early 20th Century.A steel straight handled plough spanner with one curved head and at the opposite end three decorative different sized and spaced heads. It was used to tighten or loosen large nuts on a plough or other machinery in the early 20th Century. spanners, wrenches, tools, farm equipment, steel

Three ceramic patterned decorative tiles. 1. Cream, brown and blue floral pattern. 2. Rust and green floral pattern. 3. Etruria - impressed tile with grey background and blue, green and white floral pattern.tiles, wall tiles

A programme for a 'Gown of the Year' Gala parade in 1958 presented by the Mannequins' Association of Victoria at the Menzies Hotel. The association were members of the modelling profession. They organised the gala and gave their services free so that all proceeds may go to Junior Legacy Victoria. Every frock in the parade is an individual creation of Melbourne's top couturiers. Afterwards the gowns were put on display for the public at Melbourne Town Hall and entry charge of 2/- was contributed to Legacy.A record that Legacy used gala performances for fundraising events. Printed programme of The Gown of the Year gala in 1958 in aid of Legacy, with black and white photos and advertising inside. The cover has 'to assist Melbourne Legacy'. A card cover and paper pages, plus a decorative red braid in the side. fundraising, gala performance

Small, pale pink polygon-shaped invitation card with decorative black printing. Name of invitees handwritten in ink. The dance would have been a way for young singles of the area to meet and socialise with members of the opposite sex.Text: The Young / Ladies OF Linton and / District / Present their Compliments to the / Misses Kellys / And request the pleasure of their Company at a Return / Social to the Bachelors of Linton to be held at the Shire / Hall on the evening of the 8th February, 1901.linton shire hall, dances, social gatherings

Black and white photograph of Miss Molly Palmer, Queen of Fishing in the fundraising Queen of Carnival, she is dressed in white dress with decorative head dress and long train accompanied by two flower girls. Lakes Entrance Victoriacelebrations, genealogy, fashion

"Instrument of surrender/ of/ Japanese forces in New Guinea, New Britain/ New Ireland, Bougainville/ and adjacent Islands". Signed by "COMMANDER IN CHIEF/ JAPANESE IMPERIAL SOUTHEASTERN ARMY LIEUTENANT GENERAL/ GENERAL OFFICER COMMANDING/ FIRST AUSTRALIAN ARMY".Document - white colour paper, copy of original document. Black ink print with clear plastic laminate applied. Frame - timber, light brown colour varnish, decorative moulding. No glass front. Backing - timber plywood.framed accessories, document', ww2, japanese surrender

Portland Town CouncilFramed, coloured head and shoulders photograph of W.J. Williamson, wearing brown 3-piece suit, blue and white striped shirt with white collar and blue and brown check tie. Framed in decorative frame, brass-coloured.Front: Bottom left: Mendelssohn, written in blue. Bottom centre: Hon. W.J. Williamson, LLB MLC Mayor 1912, 1913, 1914, 1919, 1920, 1921, 1922. Back: Top right: yellow sticker numbered 3109.local government, mayor, w j williamson, portland

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer Bev Baxter.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a house with decorative brickwork. Other features include a pitched roof porch with an arched entrance, tiled roof, and low unpainted brick fence in the foreground with "15" on the mailbox on top of the brick pillar beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, brick fences

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer Bev Baxter. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted brown brick house with decorative brickwork. Other features include a porch with 2 arched entrances, tiled roof and low unpainted brick fence in the foreground with "17" on the brick pillar beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, plans, jennings group limited, land subdivision, gardens, beauville historic area, brick features, brick fences

Burleigh Ware have been making their products since 1851 at Middleport Pottery in Stoke-on-Trent, England.A blue and white Willow Pattern scalloped edged dessert plate with the traditional oriental landscape scene on the front with a highly decorative blue and white floral raised edge and fine gold line trim around the outer edge.'Burleigh Ware, willow, made in England, 1'. This is stamped on the base of the plate on a blue leaf pattern.side plates, serving plate, butter plates

These labels come from the pharmacy business of R.F.Kennedy who sold Lectar Company products and used a lighthouse image as his logo. Richard Kennedy (1826-1903), a wholesale, retail and manufacturing chemist in Timor Street, came to Warrnambool in 1880 and had what was described in the ‘Cyclopedia of Victoria’ as ‘the largest and best-appointed pharmacy in Victoria’. Kennedy was the Vice-President of the Pharmaceutical Society of Victoria, on the Pharmacy Board and was prominent in community affairs n Warrnambool. He also made local perfumes with many varieties named after people or events of the time – Nellie Melba, Federation etc. His pharmacy building in Timor Street and his house in Canterbury Road (“Ivanhoe”) still stand today.These labels are of some interest as they are associated with the Warrnambool business of the chemist, R.F.Kennedy. This business was the most important historically of all the Warrnambool chemists. .1, .2 Paper with a decorative order, images in gold and black of grapes, flowers and a lighthouse and black printing .3 As .1 above .4,.5 Paper with a gold border, images of grape vines in gold and blue printing .1,.2 Vinegar manufactured by the Lectar Company .3 Lemon Syrup manufactured by the Lectar Company .4,.5 Vinegar manufactured by the Lectar Company warrnambool, r f kennedy, chemist labels, lectar company

Red cloth hard covered book of 112 plates bookplatenon-fictionBook featuring coloured plates of examples of historic ornamentornament, grammar, plates

The internal decorative scheme of Villa Alba is significant as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration. The frieze in the Dining Room of Villa Alba was painted by Hugh Paterson in 1883-1884, and depicts scenes from Walter Scott's novels 'Rob Roy' and 'The Heart of Midlothian.'High quality photographic record of the Rob Roy section of the frieze with annotations by Robyn Riddett. Photographs were taken by Trevor Mein.Panels 1 to 10 of scenes from Sir Walter Scott's novel 'Rob Roy'. Positioned below the architrave, each panel or lunette is separated by tromp loeil columns. The Rob Roy section of the frieze begins on the north wall, continues above the fireplace on the west wall, and concludes above the bay window on the south wall. [The panels on the east wall depict scenes from Scott's 'The Heart of Midlothian.][The captions on each image were created by Robyn Riddett using the text of each novel as a reference]villa alba museum, domestic interiors -- 1880s, hugh paterson, the paterson brothers, walter scott, rob roy

The internal decorative scheme of Villa Alba is significant as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration. The frieze in the Dining Room of Villa Alba was painted by Hugh Paterson in 1883-1884, and depicts scenes from Walter Scott's novels 'Rob Roy' and 'The Heart of Midlothian.'High quality photographic record of 'The Heart of Midlothian' section of the frieze with annotations by Robyn Riddett. Photographs were taken by Trevor Mein.Panels 11 to 17 of scenes from Sir Walter Scott's novel 'The Heart of Midlothian'. Positioned below the architrave, each panel or lunette is separated by tromp loeil columns. The Heart of Midlothian section of the frieze is located on the east wall, continuing clockwise from above the door. [The panels on the north, west and east walls depict scenes from Scott's 'Rob Roy'.][The captions on each image were created by Robyn Riddett using the text of each novel as a reference]villa alba museum, domestic interiors -- 1880s, hugh paterson, the paterson brothers, walter scott, the heart of midlothian

This decorative domestic vase is believed to have been made in England during the early 20th century. There were a number of potteries that made white salt glazes in America and England. The vase has no identifying marks to indicate the date or manufacturer or the pottery.This vase is an example of decorative domestic items from the early 20th century. Vase, white ceramic with leaf and grape pattern.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, vase, ceramic vase, salt glazed

See 00630 A A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part. The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires. A short, lady's steel hat pin, padded and covered in red and gold felt in a spiral patternbonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

See 00630 A A hat pin is a decorative pin for holding a hat to the head, usually by the hair that was styled in a Chignon or French Roll style and usually worn in a pair. They are typically around 20 cm in length, with the pinhead being the most decorated part The women of the pioneer families liked to dress up in their best hand made dresses and fashionable hats for Church gatherings and special occasions as a relief from the daily chores of hand washing, ironing with flat irons and cooking over open fires.A short steel lady's hat pin with a gold coloured metal ball at top with filigree decorationbonnets, hats, veils, scarves, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, clasps, hairdressing, combs, steel pins, jewellery

In the 19th century, the Industrial Revolution meant that shipbuilders could build ships using iron. These iron ships could be much larger, with more space for cargo, and they didn't need as much work to keep them in good condition. Isambard Kingdom Brunel's "Great Britain" built in 1843, was the first ship to be built entirely of wrought iron. In the 1880's steel began to be used instead of iron. Ships also began to be fitted with steam engines, although a great deal of coal was needed to travel even short distances. For this reason, ships continued to be fitted out with sails even though many came with engines. The iron-hulled, four-masted barque, the Falls of Halladale, was a bulk carrier of general cargo. She left New York in August 1908 on her way to Melbourne and Sydney. In her hold, along with 56,763 tiles of unusual, beautiful green American slates (roofing tiles), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6500 gallons of oil, 14400 gallons of benzene, and many other manufactured items, were 117 cases of crockery and glassware. Three months later and close to her destination, a navigational error caused the Falls of Halladale to be wrecked on a reef off the Peterborough headland at 3 am on the morning of the 15th of November, 1908. The captain and 29 crew members all survived, but her valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. ABOUT THE ‘FALLS OF HALLADALE’ (1886 - 1908): - Built: in1886 by Russell & Co., Greenock shipyards, River Clyde, Scotland, UK. The company was founded in 1870 (or 1873) as a partnership between Joseph Russell (1834-1917), Anderson Rodger and William Todd Lithgow. During the period 1882-92, Russell & Co. standardised designs, which sped up their building process so much that they were able to build 271 ships over that time. In 1886, they introduced a 3000-ton class of sailing vessel with auxiliary engines and brace halyard winches. In 1890, they broke the world output record. Owner: Falls Line, Wright, Breakenridge & Co, 111 Union Street, Glasgow, Scotland. Configuration: Four-masted sailing ship; iron-hulled barque; iron masts, wire rigging, fore & aft lifting bridges. Size: Length 83.87m x Breadth 12.6m x Depth 7.23m, Gross tonnage 2085 ton Wrecked: the night of 14th November 1908, Curdies Inlet, Peterborough, south west Victoria Crew: 29 The Falls of Halladale was a four-masted sailing ship built in 1886 in Glasgow, Scotland, for the long-distance cargo trade and was mostly used for Pacific grain trade. She was owned by Wright, Breakenridge & Co of Glasgow and was one of several Falls Line ships, all of which were named after waterfalls in Scotland. The lines flag was of red, blue and white vertical stripes. The Falls of Halladale had a sturdy construction built to carry maximum cargo and was able to maintain full sail in heavy gales, one of the last of the ‘windjammers’ that sailed the Trade Route. She and her sister ship, the Falls of Garry, were the first ships in the world to include fore and aft lifting bridges. Previous to this, heavily loaded vessels could have heavy seas break along the full length of the deck, causing serious injury or even death to those on deck. The new, raised catwalk-type decking allowed the crew to move above the deck in stormy conditions. This idea is still used today on the most modern tankers and cargo vessels and has proved to be an important step forward in the safety of men at sea. On 4th August 1908, with new sails, 29 crew, and 2800 tons of cargo, the Falls of Halladale left New York, bound for Melbourne and Sydney via the Cape of Good Hope. The cargo on board was valued at £35,000 and included 56,763 tiles of American slate roofing tiles (roof slates), 5,673 coils of barbed wire, 600 stoves, 500 sewing machines, 6,500 gallons of oil, 14,400 gallons of benzene, plumbing iron, 117 cases of crockery and glassware and many other manufactured items. The Falls of Halladale had been at sail for 102 days when, at 3 am on the night of 14th November 1908, under full sail in calm seas with a six knots breeze behind and misleading fog along the coast, the great vessel rose upon an ocean swell and settled on top of a submerged reef near Peterborough on the south-west Victoria’s coast. The ship was jammed on the rocks and began filling with water. The crew launched the two lifeboats and all 29 crew landed safely on the beach over 4 miles away at the Bay of Islands. The postmistress at Peterborough, who kept a watch for vessels in distress, saw the stranding and sent out an alert to the local people. A rescue party went to the aid of the sailors, and the Port Campbell rocket crew was dispatched, but the crew had all managed to reach shore safely by the time help arrived. The ship stayed in full sail on the rocky shelf for nearly two months, attracting hundreds of sightseers who watched her slowly disintegrate until the pounding seas and dynamiting by salvagers finally broke her back, and her remains disappeared back into deeper water. The valuable cargo was largely lost, despite two salvage attempts in 1908-09 and 1910. Further salvage operations were made from 1974-1986, during which time 22,000 slate tiles were recovered with the help of 14 oil drums to float them, plus personal artefacts, ship fittings, reams of paper and other items. The Court of Marine Inquiry in Melbourne ruled that the foundering of the ship was entirely due to Captain David Wood Thomson’s navigational error, not too technical failure of the Clyde-built ship. The shipwreck is a popular site for divers, about 300m offshore and in 3 – 15m of water. Some of the original cargo can be seen at the site, including pieces of roof slate and coils of barbed wire. This particular artefact was one of many found by John Laidlaw (a local Warrnambool diver) when diving on the Falls of Halladale in the 1960's. In August 1973, John Laidlaw and Stan McPhee went on to discover the underwater location of the Schomberg - a passenger ship that ran aground on December 26th 1855 near Peterborough and which now lies in almost 9 metres of water. When John Laidlaw died, his family donated a number of artefacts to Flagstaff Hill. The brass finial may have been part of a larger decorative item such as a lamp or clock bracket.This item is significant as it was taken from the Falls of Halladale shipwreck which is listed on the Victorian Heritage Register (No. S255). She was one of the last ships to sail the Trade Routes. She is one of the first vessels to have fore and aft lifting bridges. She is an example of the remains of an International Cargo Ship and also represents aspects of Victoria’s shipping industry. The wreck is protected as a Historic Shipwreck under the Commonwealth Historic Shipwrecks Act (1976)A brass, bell-shaped object with a body approximately 3 cm high. It has an outer lip, straight sides that taper in and a flat "cap". The inside of the object is plain with evidence of vertigris. It has a decorative topping almost 2 cm high, which has a double concave hollow neck.flagstaff hill, flagstaff hill divers, flagstaff hill maritime museum and village, great ocean road, warrnambool, falls of halladale, falls of halladale wreck, shipwreck artefact, artefact, brass artefact, brass finial, brass fitting, shipwreck coast, diver, john laidlaw, finial, brass decoration, handmade

This pan or pot is a heavy, but small object and does not seem to have been used in a kitchen or for cooking. It is more likely to have been used for decorative purposes, holding artificial flowers or a pot plant or it may have had some commercial use. This object has no known local provenance and is held because of its quality and its potential as a display itemThis is a brass open pan or pot, circular in shape, tapering to a larger shape at the top. A metal handle (copper?) is attached with metal studs and soldering to both ends of the top opening. The inside of the pan is discoloured and stained.vintage household objects, vintage pots

Deane and Kathy Clark at home, 1990. Antiques, furniture and photographic restoration. House Nth Corner of Casey & Ross Sttatura, clark d & c, costume, female, male, domestic, items, crockery, ornaments, decorative, furniture

This detailed example of a match holding Vesta was owned by someone with the initials GBW but is otherwise difficult to identify ownership. Vestas are the historical name for what are now known as matches. They were named for the Roman goddess Vesta whose domain was the hearth and home. The Swan company began production of short matches, mostly useful for lighting pipes and cigarettes due to their deliberately short length. Due to their small size it became convenient to carry these Vestas within a Vesta Case kept somewhere on the person, large enough to contain enough matches for a days use. The cases prevented their contents from becoming damaged and damp while also stopping them from accidentally striking if held loose in a pocket. This example of a Vesta case is particularly ornate.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A decorative silver coloured vesta or match book. It has detailed engraving across the obverse and reverse sides with delicate scrollwork and a monogram set in a circular setting in the centre. The vesta has a hinged top and side loop to allow for attachment.GBW/ A01171/burke museum, vesta case, vesta, matches, silver, social history, luxury

This medal was made by W.J.Amor Mint, a medal making company from New South Wales. It was made to commemorate both the 50th anniversary of the establishment of Canberra in 1963 and the Royal Visit of 1963. Because of the rivalry between the two major Australian cities, Melbourne and Sydney, it was decided to establish a new capital city somewhere between the two cities. The Australian capital Territory was established in 1913 and the American architect, Walter Burley Griffin, in association with his wife, Marion Mahony Griffin, was chosen to design the new city of Canberra. The first Parliament House was opened in 1927 and Melbourne ceased to be the location of the Federal Parliament meetings.This medal is of interest, mainly because it commemorates the 50th anniversary of the first Parliament House in Canberra and the establishment of Canberra as Australia's capital city.Circular brass medal with ring attached at the top and a split ring through the ring. The obverse features a raised profile of Queen Elizabeth 11 wearing a crown and text. The reverse depicts old Parliament House, decorative leaves and text.THE ROYAL VISIT OF HM. QUEEN ELIZABETH 11. 1963. JUBILEE OF CANBERRA 1913-1963 AUSTRALIA 1788-1963 australian capital territory, canberra australia, walter burley griffin, queen elizabeth 11

The card from a Canadian couple, Shirley and Bill Jackson is addressed to Andrew Bolt, reverend of the Mission in 2003. They thank Mr Bolt for his help.White bifold card with decorative edging. Front half has a spray of holly and a spray of blue berries set in a gold oval. The area surrounding the oval is embossed. Small sprays of holly and of blue berries are scattered on the back half.On the inside of the card is a hand-written letter of thanks to Mr Bolt, dated January 1 2003 from Shirley and Bill Jackson. Title of the card, imprinted on the back is 'Carol's Rose Garden'.christmas card, andrew bolt, shirley jackson, bill jackson

Black leather-bound bible. Simple embossed line border on covers and 7 lines on spine. "HOLY BIBLE" on spine in gold, with gold edging on pages. Decorative gold embossed vine-leaf pattern on inside of covers at edges.