Photocopy of letter to Mr L.R. Stillman, Melbourne re inventory and valuation of plant, stock etc at 'St Clem's' orchard, Blackburn for Mr C. Morris Williams 13 November 1923.Photocopy of letter to Mr L.R. Stillman, Melbourne re inventory and valuation of plant, stock etc at 'St Clem's' orchard, Blackburn for Mr C. Morris Williams 13 November 1923.land values, st clems orchard, blackburn, williams, c. morris

Dance card. White card. List of dances on one side. The other 'Portland Social Amusement Card, 26th Anniversary, May 22, 1923, Fancy Dress Ball. Name, Character.'1. WALTZ / 2. MERRY CHAIN (Fancy Dress Only) / Judging of Fancy Dress / 3.LANCERS / 4.ONE STEP / 5. WALTZ ( Fancy Dress Only) / 6. BARN DANCE / 7. ONE STEP / EXTRA / 8. TWO STEP (Fancy dress Only) / 9. QUADRILLES RIBBON DANCE / EXTRA / 10. WALTZ / 11. ONE STEP / 12. TWO STEP / 13. WALTZ / 14. ONE STEP / 15. WALTZ / EXTRAportland social amusement club, dance card, betty vivian

Tournament Programme: Davis Cup 2001 World Group Final; France vs Australia Materials: Paper, Inktennis

Tournament Programme: Davis Cup 2001 World Group Final; France vs Australia Materials: Paper, Inktennis

Golden Square Secondary College ''Indicator'' Year Book 2001 Blue & White Cover Science & Diversity Theme.bendigo, education, golden square secondary history, 258, y86

3257.1 - Colour photograph printed onto white card as a BTM Membership card for 2000 - 2001. Photo of tram No. 26 in Sturt St. West with words "Ballarat Tramway Museum Inc" on front. Back blank. Photo from Reg Item 1169. 3257.2 - as above, with a printed label and details for members on rear with validity period and space for Member's signature. Issued to W. Doubleday, Member 85. 3257.3 - ditto for C.Dean, 42 - has been signed on rear.Has printed label "W. Doubleday / 85/ June 2001" on rear. 3257.3 - ditto for C.Dean, 42 - has been signed on rear.trams, tramways, btm, membership cards

Poster of banner, "150 Years of Gold" used in the launch of Gold Tram (No. 45) on 14/6/2001 at the depot. Painted using water based poster paint, onto a roll of white paper, with a yellow or gold background, the words have been pained in a deep blue. Has been torn at the right end at the time of the launch. Has been stored rolled. btm1777i1 - shows banner 75% rolled out. btm1777i2 - shows banner - right hand edge showing damage btm1777i3 - shows banner in use at the depot on 14/6/2001 - See Fares Please! July 2001 for further details. See Fares Please! July 2001trams, tramways, gold tram, launch, banner

The train line from the city to Frankston was electrified in 1922 which intensified the sale in the municipality of Moorabbin, particularly land which was in the vicinity of the railway stations.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleGolden Square Estate, Bentleigh 25 business and 112 home sites for auction Saturday April 28 1923centre road, brewers road, jasper road, robert street, mitchell street, daley street, bendigo avenue, bentleigh, real estate, auction

.1 - Printed document - 1923 - Report - 8 pages - The Parliamentary Standing Committee on Railways - General Scheme for Tramways for Metropolis - printed 24/7/1923. Gives details of the committee, the committee report, comments on the Board's financial position, the debate between tramways or railways, recommendations and views of the Railways Commissioners. .2 - Associated map - Map - drawing with a line back, titled "Melbourne and Metropolitan Tramways Board Proposals for General Scheme". Shows the proposed tram lines submitted to Parliament for the report into the General Scheme. Printed by Sands & McDougall Pty Ltd. Signed by J. P Strickland dated 27-8-1923. .3 - as for .1, but in good condition - added 27-3-2018 from donation of Norm Cross.trams, tramways, mmtb, general scheme, tramways, development, parliament, brighton, railways, finances, map

A banner promoting Legacy that was used at the ANZAC Day March 1973. 1973 was the Golden Jubilee of Legacy's creation in 1923. Many celebrations were held and this banner was proudly displayed as the Legatees marched together in the Anzac Day March instead of marching in their individual battalions.A banner that was used in a significant celebration of the golden jubilee of Legacy.Canvas printed banner with nylon cord at each corner. White background with Legacy logo and text printed on surface. Left hand side printed in gold is the Legacy logo with 1923/50/1973/ Legacy. Centre and RHS in black LEGACY JUBILLEE. In gold underneath ‘Service to widows of ex servicemen and their children.’ Designed to be carried in a march.legacy promotion, anzac day, golden jubilee, 50th anniversary

Victorian Fire Brigades Assoc. JUNIOR STATE CHAMPIONSHIPS BENDIGO 2001 Under 17 D COUPLING FOUR COMPETITORS 3rd place Travis Allen, Brendan Gordon, Erin Ryan, Andrew Ludlowcertificate framed by a simple black plastic frameVictorian Fire Brigades Assoc. JUNIOR STATE CHAMPIONSHIPS BENDIGO 2001 Under 17 D COUPLING FOUR COMPETITORS 3rd place Travis Allen, Brendan Gordon, Erin Ryan, Andrew Ludlowjuniors, travis allen, brendan gordon, erin ryan, andrew ludlow, 2001

1823-1923.MR. JAMES VENN MORGAN. "FATHER OF" KEW."In a Village in Somersetshire in England on February 21, 1823, a son was born to George and Sarah Morgan. The child was so delicate that his parents feared that he would not live. How little ground the parents parents had for their fears may be judged from the fact that the boy, christened James Venn Morgan is still alive and hale. He is able to exhibit with pride the paper with its faded ink on which a clergyman wrote the certificate of his baptism almost 100 years ago. But for some slight infirmities of sight and hearing, Mr. Morgan, who is within six weeks of completing the 100th year of his life, is in good health, and is well able to attend to his business affairs. His immediate cause for regret is that he is not now able to do a day's work in his garden, as he was 12 months ago. After spending his early life in England, where he learned his trade as shoemaker, Mr Morgan came to Australia in April, 1851. He carried letters of introduction to Mr. Tripp, a solicitor, of Melbourne, who strongly recommended him to begin business as a shoemaker, and accordingly he opened a shop at the corner of Swanston and Bourke streets, where the Leviathan Stores now stand, and was not long in working up a good connection. Among his customers at that time Mr. Morgan recalls Mr. Justice A'Beckett and many leading men in law and medicine of the day. Then the news was flashed through Melbourne of the discovery of gold at Ballarat. Nothing can give a clearer idea of the excitement this news caused in Melbourne than that Mr. Morgan, who was a member of one of the first parties to leave for the diggings, left uncompleted in his workshop one of a pair of riding boots he was making for Mr. J. B. Weir. As the purchase of suitable clothing would have taken time, he set out to make his fortune wearing a top hat. At Ballarat he stayed for five or six weeks, and returned to Melbourne with 10oz. of gold. He remained in the city long enough to finish the second of the two riding boots, and then, with three companions, set out for Chewton, near Castlemaine. Here fortune smiled. The party tried their luck in an abandoned shaft, and in two weeks returned to Melbourne again after having won 35lb. weight of gold. How Kew Was Born. Mr Morgan was content with his success, and induced his partners to invest their money with him in land. After obtaining the advice of a friend, the party negotiated with Mr Samuel Watts, of Collngwood, who had recently purchased land from the Crown, and from him they took over at £15 an acre about 32 acres of land in the district that is now known as Kew. This land extended from where the Kew Post-office now stands to the locality of the Boroondara Cemetery. At that time there was not a house in the district, and there was a fairly large population of aborigines, but no white men. Here it was that Mr Morgan decided to settle, and, after having had the land surveyed, the partners apportioned it by drawing straws for the four sections into which it had been divided. One of them sold his holding later in the year for £100 an acre, and was sorry for it afterwards. In 1853 Mr. Morgan built the first house in Kew, and this house is the one in which he still resides. Here with his wife, he settled down to market gardening and dairying. He tells with a laugh how he was paid 1/ a lb for the first potatoes he grew, and 1/ a quart for milk. So successful was the new venture that he induced his father and other members of the family to come out to Australia to assist him. How different Kew of those days was from the Kew of to-day will be understood from Mr. Morgan's statement that for weeks at a time they never saw a a white face other than those of the family. The blacks, he says, although very noisy, were entirely friendly. Gradually the district became settled, Mr. Morgan parted with a portion of his holding, and subdivided and built on the remainder which he still retains. In 1884 he found himself in a position to retire from active business. Youth in Old Age. In Mr Morgan's garden, which is a large, one trees which he and his father planted more than 60 years ago are still bearing heavy crops of apples. Mr. Morgan has been a widower since 1915. He has three daughters all of whom are married, and numerous grandchildren and great-grandchildren. One of the great-grand children reccntly informed Mr. Morgan that he was about to be married. Perhaps the most striking characteristic of Mr. Morgan to-day is his activity. Not only does he move about with surprising alacrity, but is able to go into the streets and attend to his business affairs with but little fatigue The Argus, 17 January 1923, p.12.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A group portrait on the occasion of the 100th birthday of James Venn Morgan in 1923. Dorothy Rogers used this photograph in 'A History of Kew' (1973). It faces page 17. In the book, the caption reads "JAMES VENN MORGAN'S 100TH BIRTHDAY ANNIVERSARY. The party was held at 'Morganville'. Mr Morgan is shown with a group of descendants."James Morgans 100th Birthday Party. james venn morgan, kew, model dairy, dorothy rogers

Coloured photograph of Christina Cock display stand in Council Office Foyer. The display continued for three weeks in October, 2001 and then was displayed on the lawns of Parliament House, Canberra as part of the 'People scape' - part of the Federation celebrations. Christina was born on Christmas Day 1887 and on 21 November 2001 was still alive.cock, christina, people scape, city of whitehorse, parliament house, canberra.

CLEMENTINE'S RESTAURANT - WAS FORMERLY A BAKERY.LAMINATED COLOURED - PATRONS SEATED IN FRONT OF CLEMENTINE'S - FORMERLY TOWN HALL HOTEL. PHOTOGRAPH TAKEN AT NIGHT. INTERIOR LIGHTS ON.ON REVERSE SIDE : ENTERPRISE VISION PTY. LTD. COPYRIGHT 2001, CLUNES, VICTORIA.clementines, town hall hotel

PhotographSigned and dated 'Colin Suggett 2001' lower right corner under image.

Colour photographSigned 'Colin Suggett 2001' lower right corner under printed image.

Colour photographSigned 'Colin Suggett 2001' in lower right corner under printed image.

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 18 Argyle Road, Kew by Margaret Picken.18 ARGYLE RD., KEW / MARARET PICKEN (c) 2001 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 argyle road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The R Haughton James House (former) was built to a design by Robin Boyd in 1956-57. With its unusual plan form, this is one of Robin Boyd’s most important residential commissions of the period. The house was identified in heritage study as being of architectural significance at the state level. Alterations to the house were made in 1967, 1989, and 1999. This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 82 Molesworth Street, Kew by Margaret Picken.MARGARET PICKEN © 2001 / 82 MOLESWORTH ST, KEW ~ HOCKING STUARTartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 82 molesworth street - kew (vic)