Used by Allied troops in the Pacific in ww2Silk escape map of Northeastern Area of Papua and New Britain. Black printing on white silk. SCALE 94 mm to 50 miles.Northeastern Area escape map

These lens replacements are part of the set of a German gas mask dating to the First World War. New canisters would have contained spare parts, possibly secured in the lid.Paper case containing two plastic yellow goggle lenses with two pieces of card in between. Lens printed with black ink text. Paper case sealed on three sides and open at top, printed with blue ink.Printed case reads "Klarscheiben/vor Feuchtigkeit schutzen,/nicht wischen,/nur am Rande anfassen,/so einlegen:" which translates roughly to the care instructions of "handle by lens, do not wipe with water". Printed ink reads "3526 12 6 1."german, germany, world war i, world war 1, first world war, the great war, chemical warfare, gas mask, gas warfare, mustard gas

Silk escape map issued to Allied Airmen during World War 11 for the Pacific campaignsA silk escape map including detail of tides and winds was relevant to air force personnel in Pacific regions during WW2. Coloured Cloth Escape Map of Side A : No. C44 North Borneo Side B: No C43 Mindanao Island SCALE: 1:1,000,000; Wind and Current markings; AAF Cloth Cart- Philippine Series Prepared under the direction of the Commanding General, Army Air Forces, by the aeronautical Chart Service, Washington DC July 1944world war ii, second world war, silk escape map, pacific conflict

Kit emergency sustenance type E-3. Specification No 94-40441. Quantity 20,000 Stock No 8300-559158 Order No 43-29113AF MINTZ COMPANY PROPERTY AIR FORCES. USA ARMY Wrapped in waxed paper rectangle in shape with printed instruction and ingredients.

Flying goggles possibly used by a member of the Flying Corps in the First or Second World War. Unlike other examples, this set does not have fur lined interior suggesting that it may have been used by ground crew rather than those at altititude.Goggles constructed of various materials: rubber edging, metal frames, plastic lens, canvas sides and elastic strap attached via metal buckles. Rubber hand stitched to convas sides. Lens cracked and yellowed in centre.flying, royal australian air force, raaf, flying corps, goggle, eyemask, aviation, equipment, pilot, first world war, second world war

Goggles constructed of two oval lenses in metal frame which attaches to thin canvas which is stretched over wire frame which touches eye. Thin khaki elastic strap on left and right side attaches at back with thin hook and eye in metal. Two lenses attached via hand stitched brown leather strap with some fur attached.

Made pre WW2, could have been used in WW2 and KoreaWooden Grips are attached to a single edge blade by four screws. Bayonet locking section has a clearing hole. The right hand grip is stamped with the number "2" indicating it is from the second Military District (N.S.W.) The blade curves up to a point. The blade is made of steel and has a full length fuller. It is complete with a leather and steel scabbard marked Mangovite 41. It is a Pattern 1907 Bayonet. The ricasso R.H.S. is marked with 24, broad arrow, and an X, which indicates sold out of service. The Ricasso L.H.S. is marked with a Kings Crown, 1907,and 39 RE

WW2 Mills Bomb (Hand Grenade M36.WW2 Hand Grenade used by Australia and Commonwealth Countries.Segmented Cast Iron body with lever (now softened) and with Safety Pin and Ring. Firing Pin in position with heat softened firing pin spring. Non regulation filler screw fitted. The Grenade has been totally burnt out, there is no Base Plug and no Firing Pin/Fuse Holder assembly.The body is marked R B D which stands for R.B.Davies the lever is marked the same.

Typical Navy Cap of the Period 1954/55Cap Australian Rating, White water proof top. black band and chin strap, Tally Band With RANR NS. Stamped inside A A BONNETT. Also a very thin chin strap of black elastic. Two metal vent holes on each side. Leather sweat band.Cap Navy approximately 1954/55. Tally band RANR NS

Standard hat worn by WW11 Army Nursing Corp belonging to RM Ross -VF388714Regulation Uniform WW11 Australian Womens Army Service Brown felt hat with a crosgrain ribbon band and a small rising sun attached to band: Grosgrain inner rim to crown of hat print marking on inner rim band - N.121, 6 3/4,1945ww11

Captains Hat WW11Khaki Olive coloured Officers Peak Cap with small rising sun medal on front band. Leather sweat band on inner cap On inner leather band - Wilkes Todhunter Pty Ltd, Military Outfitters Melbourne

English SAS Sniper glovesKhaki green coloured gloves with brown leather palm side covering. Khaki dark green knitted cuff sas

From SOMME Barracks Shepparton Sgts Mess Royal Blue coloured ceramic circular ashtraySergeants Mess 'FIDELIS ET AUDAX' 59 The Hume Regiment

souvenirs from the middle Eastern Countries during WW2A wooden covered book; 10 pages with post card and on left hand side and pressed flower arrangements on opposite page. Pages separated by translucent tissue paperBlack inked drawing depicting camels , cameleers and palm tree on front cover; central back wooden cover 'Jerusalem' printed Inside cover in handwriting " To Mother From Dad 18th January 1941" Book title " Flowers and Views of the Holy Land - Fleurs et vues de la Terre Sainte" postcard pressed flower book

Souvenir from Jerusalem during WW2 a beautiful crafted oblong wooden box with access to each end which holds matches and cigarettesBlack Ink drawing on main side of case featuring a date palm , cameleer walking and one riding camel."jerusulem" written above inked drawings and back of case with "Jerusulem" printed souvenir, ww2, ww11

souvenir from the Middle East during World War 2 5 wooden circular rings with slight variation in size Each ring has "Jerusalem" marked on outer side; There is a depiction of a Camel min black ink on each ring with a circular red/orange background to camelww2

This collar box belonged to a soldier in WW2 who lived in the local Shepparton area. Round tan coloured leather case, lined with cream and brown stripped cotton material; a small leather carry strap with outer edges sewn either side to the top of case and a separate strap across the top of the case to fix the case closed with buckle feature; the closing strap is broken away from the buckle hole area.early - mid c20th collar box

Intra war Bondalierbrown leather Bondalier with brass buckle and 4 X brass screw/washes fixing pockets to belt; a centre brass stud fixes pocket flap

Louise Hearman used the Norla Dome and painted a mural which had taken her around a year to complete. The exhibition called Elephant Room was shown from May 1988. The work was vandalised in June 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white flyer with dual lengthways ribbings on the back side, possibly indicative of an intent to fold the flyer in three.The Elephant Room You are invited into the dome at the “Mission to Seamen” building, no. 717 Flinders St (ext), painted by Louise Hearman. Opening night Thurs May 28th 6 pm - 9 pm Visiting hours 11am -6 pm Tues to Sun from May 29th to June 11th Or by appointment ph (03) 328 1400 a.h. Sponsored by: Australian Council, Crown Hire, Art Stretchers Oliver-Davey Glass and Box Archer Emery.cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.louise hearman, exhibitions, 1988, norla dome, flinders street, cultural events, melbourne, elephant room, ian hunter

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time. Vogue Living published an article about the artwork in the Dome. This is one of the few colour images of the artwork.Laminated A4 colour photograph published in Vogue Living in November 1987Vogue Living November 1987 135cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne

This book has been written by Edward Vidler (1863-1942), a publisher, editor, writer and journalist. He was born in England and was in Geelong in the 1880s where he produced a commemorative volume on that city. He was living in Warrnambool in the early years of the 20th century and was the Secretary of the Warrnambool and District Progress League and the Warrnambool Chamber of Commerce and Industry. He later lived in Melbourne where he edited magazines and published his own and other writings. He was especially interested in the promotion of the arts and was a keen naturalist. He was a foundation member of the group that established the Maranoa Native Gardens in Balwyn, Melbourne. The writer of this book, Edward Vidler, was important in the history of Warrnambool for two main reasons:- 1. In 1907 he initiated and organized the establishment of the Warrnambool Pioneer Honour Board featuring portraits of 204 pioneer men. This board still exists. 2. In 1907 he produced a publication called ‘Warrnambool Past and Present – Sixty Years of Progress’. It celebrated the 60th anniversary of the founding of Warrnambool and contained 88 pages, 120 illustrations and photographs and many advertisements. The publication is noted for its historical accuracy, the way it complements and adds to Richard Osburne’s 1887 history of Warrnambool and its presentation of historical material that may otherwise have been lost. Both of Vidler’s initiatives described above are of the utmost importance in Warrnambool’s history. This is a soft cover book of 270 pages. The cover is green with black printed material on the covers and the spine. The book has a Preface, 24 chapters of text and a Bibliography. There are advertisements for other books on the last page and the back cover. The cover is stained and faded and partly torn in places and some of the inside pages are stained. The Australian Debateredward vidler, history of warrnambool

snape collection

This staff newsletter contains personal news of staff members and their families and some administrative information for library staff.A snapshot of library news in the late 1980s. Includes the first edition to be word-processed (23/9/88) on an Apple Macintosh. This edition titled "LibNews (alias Daily Planet)".A collection of 3 editions of "LibNews", a staff newsletter from the library at NMCOT (Preston). One double sided page per edition.The name "Maggie" in pen on front page of each edition.nmcot, northern melbourne college of tafe, library staff, library, nmit