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Lara RSL Sub Branch
Photograph, Set 4 photographs. and others for Torquay Light Horse camp, 1940
These images capture for all time Light Horsemen travelling through Geelong on their way to camp at Torquay for the last Group meeting in Australia . information following - details obtained from .........https://torquayhistory.com/light-horse-brigade/ On Australia Day, 1997, Sir John Young unveiled this plaque on Point Danger, Torquay. Torquay history, Light Horse Training Camp, WW2 Plaque at Pt. Danger Note----- (See images to view plaque) The plaque identifies a significant event in Torquay’s history and the sentiments of ‘change’ for the Light Horse Brigade – from horses to machines. In 1940 the four Light Horse Regiments (4th, 8th, 13th and 20th), some 5000 Light Horse and 2000 horses camped and trained at Torquay. Three other regiments, formerly mounted on horses, were also at Torquay ‘mounted’ on privately owned trucks and cars. Division troops included Artillery, Engineers, Signals, Field Ambulance and other branches of the Army necessary to enable a Division to function. It wasn’t just the sheer numbers of men coming to this little town that made the event significant, it was also the fact that the men of the Light Horse were dramatic, almost glamorous figures and it is easy to see their exploits as some splendid adventure. Horses have played a special role in the story of Australia. They were the only means of transport across this huge country, so it was necessary for everyone to have the ability to ride a horse. When war broke out in 1899 between Britain and the Boers of South Africa (“Boer” was Dutch for “farmer”) Australia sent troops to fight. At first Britain was wary of using untried, unprofessional colonial cavalrymen but soon saw that the slouch-hatted Australian “bushmen” were a match for the fast-moving and unconventional mounted commandos of the Boers. The Australians proved themselves to be expert rough-riding horsemen and good shots. Bush life had hardened them to go for long periods with little food and water. They also showed remarkable ability to find their way in a strange country and use its features for cover, in both attack and defence. By 1914, when Australia joined the war against Germany, there were 23 Light Horse regiments of militia volunteers. Many men from these units joined the Light Horse regiments of the Australian Imperial Force (AIF). Men were given remounts (if not using their own horses) – army horses bought by Commonwealth purchasing officers from graziers and breeders. These were called “walers” because they were a New South Wales stockhorse type – strong, great-hearted animals with the strains of the thoroughbred and semi-draught to give them speed, strength and stamina. On 1st November, 1914, Australia’s First Infantry Division and the first four Light Horse regiments sailed for England in a fleet of transport ships. The first of the Light Horse arrived at Gallipoli in May without their horses. Back with their horses after Gallipoli, they were formidable combatants across the Sinai and Palestine. Some British commanders observed that the light horseman moved with a “lazy, slouching gait, like that of a sleepy tiger” but described how the promise of battle “changes that careless gait, into a live athletic swing that takes him over the ground much quicker than other troops”. They had Light Horse, Torquay, training campdeveloped a reputation as formidable infantrymen. The Turks called them “the White Ghurkas” – a reference to their deadly skill with the bayonet. The Arabs called them “The Kings of the Feathers”. The plume had originally been a battle honour of the Queensland Mounted Infantry for their work in the shearer’s strike of 1891. During WW1 it was adopted by almost all the Light Horse Regiments. It was the proud badge of the light horseman. The most famous of their battles was the attack on Beersheba- the charge of the 4th Light Horse Brigade. Mounted infantrymen and their superb walers had carried out one of the most successful cavalry charges in history – against what seemed impossible odds. They surprised the Turks by charging cavalry-style, when they would normally have ridden close to an objective then dismounted to fight. The fall of Beersheba swung the battle tide against the Turks in Palestine; and changed the history of the Middle East. While 19 men from the Surf Coast Shire served with the 4th Light Horse over the course of WW1, only four were involved in the charge of Beersheba- John GAYLARD, Philip QUINN.(Winchelsea); Wallace FINDLAY (Anglesea); Harry TRIGG (Bambra). After the war, Light Horse units played a key role in the Australian Government’s compulsory military training programme. The Citizen Military Forces (C.M.F.) thrived on the glamour of the wartime Light Horse tradition, ignoring the possibility that motor vehicles would soon replace the horses. When training was no longer compulsory, the C.M.F. regiments declined and horses became more of a luxury during the 1930s depression years of poverty and unemployment. Some regiments were motorised. Then, in 1939, Australia joined Britain in another world war. Training was increased for the militia at both home bases and regional training camps. The camp at Torquay in 1940, commanded by Major General Rankin, was at Divisional strength. By the end of the camp some felt that the Division was ready for active service. Gradually, over the next four years, the Australian Light Horse units were mounted on wheels and tracks and the horses were retired. Six men enlisted at the Torquay camp and another 57 men and women enlisted at Torquay for service in WW2. Those who served in the Militia provided valuable Officers and NCOs and men for the armed services during the war. Each infantry division of the 2nd AIF had a Light Horse regiment attached to it. But the day of the Australian mounted soldier hadn’t quite passed. During World War II, Australia’s 6th Cavalry Regiment formed a mounted unit they called “The Kelly Gang” which did valuable scouting work. In New Guinea, a mounted Light Horse Troop did patrol duty and helped carry supplies. Some fully equipped walers were flown into Borneo for reconnaissance in rugged mountain country. But by the end of the war, in 1945, the horse had disappeared from the Australian Army. References: Australian Light Horse Association www.lighthorse.org.au National Australia Archives Australian War Memorial Surf Coast Shire WW1 memorials www.togethertheyserved.com The Light horse- a Cavalry under Canvas Light Horse, Training Camp, Torquay, WW2 Late in 1939 it was decided to set up a Lighthorse training camp in Torquay to train both men and horses for the battles of the Second World War. Horses, men and equipment came on special trains from all over Victoria and NSW, and as you would expect horseman came from areas such as Omeo and Sale, the Wimmera and the Western District. They arrived at the Geelong racecourse for watering in the Barwon River and then were ridden across the ford at the breakwater and began their 11 mile trek to Torquay. Light Horse, Training Camp, Torquay, WW2 Tent city By the end of January 1940 the camp at Torquay accommodated some 5000 men and 2500 horses of the Second Cavalry Division. The rows of horses, tents and huts near Blackgate Road were quite a sight. While the cavalrymen engaged in exercises on the land and on the beaches, many of the troops took over the Torquay School for special training of men and officers. Mr Bob Pettit local farmer and Councillor for the Barrabool Shire, wrote about the Light horse in the Surf Coast Community News in 1985 saying “They used to travel about the district riding four abreast in one long convoy. To my annoyance they went through my property and shut all the gates behind them. I had certain gates open to let stock in to the water holes and it would take me three -quarters of an hour to follow the horsemen up and put all the gates right again” he continued “the men from the Light Horse were here when the fire went through in March 1940. He recalled an incident when early one morning, as some one blew the bugle, a soldier putting a white sheet on the line frightened the horses. They panicked and ran off in all directions. Six went over the cliff near Bird Rock, five were never found, and the rest were gathered up after nearly a fortnight in the bush around Addiscott and Anglesea" Light Horse, Training Camp, Torquay, WW2, Geelong Parade Geelong parade The training camp culminated in a parade through the streets of Geelong on March 12th 1940. The salute was given at the Town Hall and the troops continued on a route to the You Yang’s for a training exercise. Note-----(see media section for photograph) The Camp was abandoned in mid 1940 as it was deemed unsuitable for training during winter and the cost of a permanent camp could not be justified if it could not be used all year. Historic.......Rare,,,Interpretive.Sepia photographs.set of four ....post card size ....Horses &LighthorsemenNo 1, Lighthorsemen Regiment Geelong 1940......No 2 Light Horse at Breakwater Geelong 1938 to 1940....No 3 Light Horse at Breakwater Geelong 1938 to 1940.....No 4 Light Horse crossing Breakwater camped at Geelong Showgrounds. These markings are on reverse of photographs.light horsemengeelong 1940., world war 2 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, postcard "Boiling the Billy" c1900, Early 1900's "Boiling the Billy", c1900
Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers, -
Bendigo Military Museum
Photograph - ENVELOPE- PHOTOS WW2, 1942 - 1945
Most of the photos were pasted on something originally so that now most of the writing is unreadable. Two large photos have stamped in red & blue on rear "Gepruft Stalag XVIII A". These were censored POW post cards. .1)The man standing centre is Walter FORBES VX953, on his right is Doug Gregor VX981. Both were POW's. Refer 1101, 1102, 1106..1) Envelope, fawn colour with B & W copy of original photo showing 3 soldiers set in photo corners on one end. The other end has typed details re the contents. .2)-.47) Forty-six photos inside the envelope, B & W, Sepia, all sizes up to Post card size covering the following subjects. War damage, scenes from N/Africa, prison camp, funerals in Germany, Group photos in Prison camp, working parties & concert parties in P.O.W camps.photography - photographs, documents - envelopes, military history, pow, forbes -
Falls Creek Historical Society
Photograph - Inside Pretty Valley Camp Kitchen
MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.This image is significant because it documents the development of the Kiewa Hydroelectric Scheme.A black and white photo taken inside the Pretty Valley Camp kitchen. Staff quarters was completed in April, 1947 and accommodation for workmen commenced in 1948 but was suspended from May until November. Construction of this camp was completed in 1949. A large dam was proposed at this site but it was never constructed, being replaced by a smaller diversion dam.falls creek, victorian snowfields, pretty valley -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Maufactured Objects, 1 box of Bryant & May waterproof safety matches, 20thC
‘Strike anywhere’ or ‘Waterproof’ matches are still used today all around the world, including many developing countries and are widely used for camping, outdoor activities, emergency/survival /military situations, and stocking homemade survival kits. Anton Schrötter von Kristelli discovered in 1850 that heating white phosphorus at 250 °C in an inert atmosphere produced a red allotropic form, which did not fume in contact with air. It was suggested that this would make a suitable substitute in match manufacture although it was slightly more expensive. Two French chemists, Henri Savene and Emile David Cahen, proved in 1898 that the addition of phosphorus sesquisulfide meant that the substance was not poisonous, that it could be used in a "strike-anywhere" match, and that the match heads were not explosive. British company Albright and Wilson, was the first company to produce phosphorus sesquisulfide matches commercially. The company developed a safe means of making commercial quantities of phosphorus sesquisulfide in 1899 and started selling it to match manufacturers. Bryant and May was a United Kingdom (UK) company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia. On 15th December 1909, Bryant & May, Australia’s first match factory at Church Street, Richmond, Victoria. was opened by The Honorable Alfred Deakin, Prime Minister of Australia, and Mrs. Deakin The Bryant & May Ltd factory in Church St Richmond is a listed building and has been converted to apartments following the closure of the Company 1980. Bryant & May's Ltd were influential in fighting against the dreadful disease known as Phossy jaw which was caused by white phosphorus used in the manufacture of the early matches. They were also the object of the 'Match Girls Strike' in London 1888, which won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The public were slow to purchase these red phosphorus sesquisulfide safety matches because of the higher price1 box of unused Bryant & May safety matches 'Greenlite' waterproof Greenlites / waterproof / matches / CONTENTS 47 / MADE IN AUSTRALIA BY BRYANT & MAY / E 2994 photograph of a man and woman beside a camp fire on the beachsafety matches, bryant & may pty ltd, phossy jaw disease, early settlers, moorabbin, bentleigh, cheltenham, lights, lamps, tobacco, white phosphorous, red, phosphorus sesquisulfide, swedish match pty ltd, pitt william, savens henri, cahen emile david , richmond victoria, -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, C.WW1
Photo relates to Frederick Campbell MOLLER No 2233 AIF. Refer Cat No 1661.3 for his service details.Photo, sepia, showing a large group of soldiers taken in camp with tents & trees in background. Photo is on a dark green section of cardboard.Handwritten in white under photo: “3RD ARTILLERY BRIGADE AMMUNITION COLUMN”photograph, 13th, ammunition -
Lorne Historical Society
Photograph, Great Ocean Road Workers Camp at Big Hill
Great Ocean Road Workers Camp at Big Hill in 1920. Overseer B. Bridges. Photo of 13 men outside campsitebig hill; great ocean road;, workers camp -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Photograph, Wadi Henien, 1918
A black & white photograph. It shows a panorama at Wadi Henien near Richon in Syria, a favourite resting camp of the Light Horse brigadesPhoto No 444. Stamp of the War Museum and description on backphoto, light horse, wadi henien -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Photo
Photo of Annual Camp at Pucca 1960's, 4/19 Prince of Wales Light Horse, Capt. Jim Leicester in Chargephoto, general -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: CAMP HILL STATE SCHOOL
A black and white photograph of Camp Hill State School C. 1950s.' Bendigo Teachers' College was situated here in a section of the school.bendigo, education, camp hill state school, la trobe university bendigo collection, bendigo, collection, education, camp hill state school, state schools, schools, primary schools, bendigo teachers' college, photo, photograph, photographs, photography, tertiary education, teacher training -
Bendigo Historical Society Inc.
Photograph - CAMP HILL STATE SCHOOL
Colour photo of Camp Hill Primary School located in Rosalind Park, Bendigo. Photo taken from the Post Office tower.education, bendigo, camp hill state school, camp hill primary school. -
Bendigo Historical Society Inc.
Painting - JOHN HALL COLLECTION: WATER COLOUR CHINESE CAMP 2
Water colour painting of the Chinese camp, framed under glass. Painted by Mr.John Hall. Missing from Specimen Cottage 8.12.22John Hallartwork, water colour, chinese -
Bendigo Historical Society Inc.
Painting - NO 10 TEAMSTERS REST
Card, part of series, with coloured illustration showing a group of Teamsters making camp with horses drinking in background, titled Teamsters Rest.unknownartwork, print, landscape -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: GRAND OLD SCHOOL
Bendigo Advertiser "The way we were" from 1999. Grand old school: Camp Hill Primary School in Rosalind Park.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: COMMISSIONERS CAMP, Original 1953
Photograph of a painting B L Becker ? Depicting goldfields commissioner J. Panton checking diggers licenses at the government camp Sandhurst.organization, government, official, goldfields commissioner. government camp, camp hill, early bendigo, j. panton -
National Vietnam Veterans Museum (NVVM)
Album, Photo Album
A black covered photo album of Photograph re training camp (16 Platoon D Coy) and in borneo 1965 (Malaya 1964)photo album, photograph, mcphail collection -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Neef Family, 1942 (original) 2019 (copy)
Left - Neef parents Edith and Roland Neef with children Helmut, Manfred and Herbert. Right - Steller parents Eugen and Elli Steller (nee Lippman) with children Anne, Inge and Reiner. The wives are sisters.A4 size picture, copy taken of Australian War Memorial site, depicting the Neef family in Camp 3, approx 1942.roland neef, edith neef, eugen steller, elli steller, elli lippman, edith lippman -
Tatura Irrigation & Wartime Camps Museum
Document, Camp School Tatura 4, section C, 1940's
Timetable drawn up by the lecturers who were conducting a school at Tatura 4, section c. Lists the lecturers, what they were lecturing on and times of the day, Sunday to Friday, that the lecturers took place. 1 cream coloured foolscap page of a timetable used in the camp school at Tatura, for the period beginning October 22. Type written.internee camp schools, internee camp schools timetables, internee camp schools lecturers, camp lecturers, camp schools, camp schools timetables -
Tatura Irrigation & Wartime Camps Museum
Picture - copy, Ulrich Laufer
artist, a member of Dunera 8th employment company AMF 1943.Framed copy of pen, ink and watercolour cartoon of camp in mates Hut 6. Frame black/brown wood with gold edge.dunera 8th employment company amf, ulrich laufer, camp artists, amf 1943 -
Tatura Irrigation & Wartime Camps Museum
Sketches - copies, sketches by Eugen Graf Mansdorf, 1991
Probably drawn during his journeys and internment during WW2.Most sketches titled, dated and the temperature noted on one: Basra 30 September 1941 42 degrees C at noon.Copies of sketches by Eugen Graf Mansdorf, Basra Camp Persia and Loveday South Australia. Red back clear plastic folder.eugen graf masdorf, internment camp sketches, internee artists, loveday camp, basra camp persia -
Tatura Irrigation & Wartime Camps Museum
Photograph
Indonesian being repatriated.Black and white photograph of the repatriation of Lians Houmin, a Camp 4 internee from Indonesia with 2 MP's forcibly on to the "Yoizuki" 1947.camp 4, indonesian refugees -
Tatura Irrigation & Wartime Camps Museum
Bodice, Nelly Wied, 1940's
Small girls blue bodice embroidered with flowers on the front. Button holed down the front. Made in Camp 3. Hand sewn.hand made, camp 3, tatura, clothing, embroidery -
Uniting Church Archives - Synod of Victoria
Photograph, c.1950
B & W gloss photograph of Jack Thomson's Ford Prefect taken at the Carlton Methodist Mission Camp at Dromana, c.1950carlton methodist mission, camp, jack thomson, ford prefect, dromana -
University of Melbourne, Burnley Campus Archives
Document, Burnley Horticultural College Students' Account, 1964-1973
Exercise book containing records of various payments for blazer pockets, badges, stationery, Student Sojourn to Mildura, camp fees, etc.burnley horticultural college, financial accounts -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Mrs Vic Fish, 1950
Duloe Park later known as SunnysideBlack and white photograph of unknown workman taken in the driveway of Duloe Flats and Camp Park in Roadknight Street Lakes Entrance Victoriacelebrations -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1950 c
Also two black and white photographs of signs on the foreshore area of North Arm 05319.1 and 05319.2 12 x 18.5 cmBlack and white photograph of sign on foreshore Marine Parade prohibiting camping other than at authorized parks in Lakes Entrance Victoriaboats and boating, tourism, jetties -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Mona McLeod, 1935
Black and white postcard of back entry or exit through tree lined driveway of Whiters Camp Park Lakes Entrance VictoriaFarewell and Come Again to Whiters Park Lakes Entrancecelebrations, transport -
Clunes Museum
Photograph - PHOTOGRAPH PORT PHILLIP MINE 1879
.1 PANORAMIC VIEW PORT PHILLIP MINE TAKEN FROM CAMP PARADE ABOUT 1879. .2 PRINT OF ABOVE PHOTOphotography, mining, port phillip mine, 1879 -
Whitehorse Historical Society Inc.
Document - Illustration, The Artists' Camp, 1886, 1957
Photocopy of Tom Roberts 'The Artists' Camp 1886-7 and the same site 1957 from 'A Tale of Box Hill' by Ivan Southall.artists camps, box hill artists camp, roberts, tom -
Rutherglen Historical Society
Image, c1915
Black and white post card photograph of a group of men in World War 1 military uniforms, posing in front of a building in camp.On back of postcard: "William Collier left back row, going to 1919 war. Men recruited from Rutherglen"william collier, world war i, world war 1, ww1, wwi