A Lady Skippers Event was introduced in the year 2004, the first such event for over forty years. Following the donation of a trophy along with prizes from Swarovski Jewellers for Line Honours Winner and 1st, 2nd and 3rd place getters in the combined Y.V Performance Handicap Divisions, presented annually by the Goldsmith family in memory of Jennifer Goldsmith. The event became known as the Jennifer F. Goldsmith Perpetual and is open to any yacht on the RMYS Register. It was first contested on Sunday 17th February 2005, when won by Helen Crossley skippering Mystique II and who retained it the following year. The Perpetual Trophy to be engraved with the Y. V. Performance Handicap winner’s name and presented at the RMYS Presentation Night. Proceeds from the event are donated by RMYS to melanoma research.A crystal shard 160 mm high with engraved yacht and wave images, mounted on an 140 mm high oblong rosewood block and base bearing winners’ inscription plaques around.RMYS JENNIFER. F. GOLDSMITH PERPETUAL TROPHY FOR LADY SKIPPERS RACEjennifer goldsmith, trophy, perpetual

Poster advertising the presentation of the 2005 University of Ballarat Arts Academy Musical "Sweet Charity' at Her Majesty's Theatre, Ballarat. Director - Kim Durban. Musical numbers and Choreography - David Wynen. Musical Director - Vicky Jacobs. Designer - Frank Lilley. Music by Cy Coleman. Lyrics by Dorothy Fields. Book by Neil Simon. By special arrangement with Tams-Witmark Music Library Inc. The production was supported by the School of Information Technology and Mathematical Sciences, University of Ballarat. There were five evening performances starting at 8.00pm and two matinee performances starting at 2.00pm from Friday 4th March to Saturday 12th March, 2005. Tickets were purchased via MajesTix. Prices: Adult $29.50; Groups $24; Concession $21; Student $14Original Coloured poster kim durban, david wynen, vicky jacobs, frank lilley, cy coleman, dorothy fields, neil simon, her majesty's theatre ballarat, tams-witmark music library inc, majestix, university of ballarat arts academy, musical, musical theatre, ballarat arts academy

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Thelma Hiscock in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 24 or 27 June when Hiscock was performing the role of Lazarillo.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Thelma Hiscock."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

Report - duplicated - 4 foolscap sheets pinned with a brass clip in the top left hand corner, titled "Parliamentary accounts committee - The Secretary of the Board (MMTB), Mr. W. O. Strangward examined on 15 December 1926", detailing a response to Question 20, about the operation of private buses and their financial situation. The report looks at 10 bus companies. and has a table comparing private owned bus lines compared to the MMTB's and their performance.trams, tramways, mmtb, parliament, victorian government, finances, buses

The 1996 Summer Paralympics in Atlanta, USA were the tenth edition of the Summer Paralympics. It was the first Paralympic Games where International Sports Federation for Persons with an Intellectual Disability athletes were given full medal status.Laminated white card (front side only)"The coloured droplets represent life's elements of body, mind, and spirit. Together they symbolize the Paralympic movement worldwide. The Australian Paralympic Federation is committed to ensuring that Australia's elite disabled athletes receive the best available preparation, coaching, training and overseas competition to produce medal winning performances at the 1996 Paralympic Games in Atlanta. TARGET ATLANTA GODL '96 PO BOX 323, Glebe 2037"

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue.2 audio cassettes in clear plastic casesHandwritten on cassette 1: Side A: "Elijah. Part 1; Side B: "Elijah. Part 2" ;on cassette 2: "Elijah, Part 3"diamond valley choral society, elijah (oratorio)

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue.2 audio cassettes in clear plastic casesHandwritten on cassette 1: Side A: "Elijah"; on cassette 2: "Elijah"diamond valley choral society, elijah (oratorio)

A recording of 'Messiah', an English language oratorio by George Frederic Handel, composed in 1741. The text was compiled from the King James Bible; it contains 3 parts and part 2 ends with the 'Hallelujah' chorus. This performance by the Diamond Valley Choral Society was recorded at St John's Church of England, Heidelberg in November 1982.2 audio cassettes in clear plastic casesHandwritten on cassette 1: "Messiah 1 + 2 1982"; on cassette 2: "Messiah 3 + 4 1982"diamond valley choral society, messiah (oratorio), st john's church of england heidelberg

The photograph depicts a group of adults dressed in everyday clothing viewing a theatrical performance of 10 adult actors dressed in Victorian era costumes. The actors are performing on a make-shift stage that features upright logs as a background. Next to the stage is a group of workers laying bricks. The audience is seated on a grassy ground in front of the stage.Black and white rectangular reproduced photograph printed on matte photographic paper.Reverse: 5655 (in black pen)/ Beechworth (in blue pen)/entertainment album, beechworth, burke museum, performance, play, theatrical performance, performers

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue recorded.1 audio cassette in clear plastic caseHandwritten on side A: "Elijah. 1 + 2"diamond valley choral society, elijah (oratorio)

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue recorded.1 audio cassette in clear plastic caseHandwritten on cassette: "Elijah."diamond valley choral society, elijah (oratorio)

A recording of excerpts from 'Messiah', an English language oratorio by George Frederic Handel, composed in 1741. The text was compiled from the King James Bible; it contains 3 parts and part 2 ends with the 'Hallelujah' chorus. This performance by the Diamond Valley Choral Society was recorded at St John's Church of England, Heidelberg,1986.1 audio cassette in clear plastic caseHandwritten on case: "Winter concert, Messiah excerpts at St John's 1986"diamond valley choral society, messiah (oratorio), st john's church of england heidelberg

This collection of papers relating to the Warrnambool Theatre Group chorale contains AGM minutes,office bearers, publicity and Warrnambool Standard information as well as membership lists. Some of the programs relate to performances which were done by the Warrnambool Theatre company of which this group was an off shoot. The dates range from the 1989 to 2012.This collection of papers connected to the Warrnambool Theatre Group Chorale shows a number of connections between local groups some musical others are community groups. Grey folder with items relating to the Warrnambool theatre chorale from 1989 to 2012. The entries include concert programs, advertising material and financial statements.

Promotion and program for a free lecture and concert at St Kilda Town Hall on 19 June 1942. The lecture topic was 'The Empire's Air Forces at War', by British War Correspondent William Courtney, and the entertainment included musical performances. Although free, silver coin donations for the St Kilda Patriotic Society were sought.Buff coloured paper printed in black on one sidewilliam courtney, arnold matters, thea phillips, city of st kilda, anthony ferrara, st kilda patriotic society

Document - letters and comments and suggestions for a tender specification for the Austral Otis grinding machine from Chief Engineer MMTB to A G Wray Engineer for Tramways, NSW Govt Tramways. The grinder was used to remove corrugations from the rail head. Includes comments about the performance of a similar machine in Melbourne. Dated July 1929.Yields information the performance of the Melbourne rail grinders - 1929 Document or memo - 6 typed foolscap sheets and 3 quarto typed letters.tramways, mmtb, track work, track maintenance, rail grinding, specifications, sydney

Newspaper article - The Mail, 15 December, 1992 Page 8 - about former mayors of Ringwood, Victoria, taking part in a forum to review Ringwood councillors' performance to date and carve a vision for the future of the city. Photograph - Greg Adkins, Jack McRae, Lillian Rosewarne, Pat Gotlib, Gerald Smart, Betty Milton, Lawrie Lawrenson, Alan Henderson, Frank Corr, John Caffyn, Bill Wilkins, Neil Hamilton, Robin Gardini, Max Williams.

Vicki Spicer collection, including a short note and her return address, of programmes illustrating performances by the Bendigo Operatic Society.The Student Prince, Lilac Time, Brigadoon,Carousel, The New Moon, South Pacific, Anything Goes, Oklahoma, Victoria and Her Hussar, Show Boat, Seagulls Over Sorrento, Rose Marie, You're in Love, The Student Prince, No! No! Nanette, The Lilac Domino, The Desert Song, Jack and The Beanstalk, No Rhyme or Reason, Morning Departure, Stalag 17.Vikki Spicer

The Altair was built between January 1956 and November 1958 with first flight on 20 December 1958. After a few flights the cockpit was lengthened and the glider flown by Cliff Gurr and Ron Adair to complete their FAI Gold C badges. Cliff set an unofficial Australian record for an out and return flight (between Gawler and Renmark) of 230 miles (368 km) in 1961. The glider was flown by only Ron and Cliff until Mervyn Waghorn joined Ron to fly it in the National Championships at Waikerie in 1967. For a period of time the glider was left in the care of some members of the Geelong Gliding Club. Doug Vanstan of the Geelong Gliding Club fitted a new canopy and rebuilt the aileron bellcranks to improve their operation. Subsequently the Altair was flown in competitions and at vintage rallies until the mid 1980s. On 31 March 1987 Alan Patching of the Victorian Motorless Flight Group purchased the glider from Ron for the sum of one shilling and named the owners as himself, Doug Vanstan and Ian Patching. It has been stored at Bacchus Marsh airfield since then. The glider is the only 18 metre wing span machine to have been designed and built in Australia.The Altair glider is a single place 18 metre span cantilever wing glider constructed from spruce and aircraft plywood. The laminar flow wing is completely covered in plywood with a ply balsa sandwich for the leading edge and the airbrakes are unique being located in the trailing edge of the wings. All these features were done in an effort to retain laminar flow over the wing and achieve a high performance. The wings, empennage and top of the fuselage are painted white with the rest of the fuselage red. The word ‘Altair’ appears on both sides at the top of the fin.australian gliding, glider, sailplane, adair, gurr, waghorn, vanstan, rees, patching, altair, adelaide soaring club, gawler, geelong gliding club, vmfg, zechner

Silk programs, at that time, were only produced for a very prestigious night at the theatre. Historical note: The town of Gisborne was named after one of the members of the first committee of the Mechanics’ Institution (renamed in 1872 to Melbourne Athenaeum), formed in November 1839. His full name was Henry Fyshe Gisborne 1813-1841. The program, crafted of printed silk with a silk fringe all around the four edges is unique in the program collection. The program reveals an interesting fund-raising entertainment held at the Melbourne Athenaeum theatre in 1884. As the theatre was available for hire by everyone in the Melbourne community, over the course of its history it was hired by a large variety of theatrical performers, political groups, sporting and arts groups, in addition to fundraising groups, as found here. Proceeds of this concert were donated to the Melbourne-based Sick Children’s Hospital and the Upper Macedon Episcopalian Church – an unusual combination of charities. The Mount Macedon area became a popular place for holiday- makers from Melbourne in the 1870s and many professional people built holiday retreats with beautiful gardens in the area. The development of the area created a further need for places of worship. The names of the people taking part numbered over 70, several having the same family names as those listed as members of the Melbourne Athenaeum at that time but there is no proof that the people involved with the performance were subscribers to the Melbourne Athenaeum. At the time the Athenaeum hall consisted of a large flat space requiring chairs to be placed in lines, with hand-written alphabetical signs to indicate the rows and individually numbered chairs. The hall seated 900 patrons. When the hall was used for balls, banquets and exhibitions all the chairs were removed and stored under the stage and in a room at the side of the hall. The layout of the hall can be seen in this photograph from the archives, taken in the early 1900s. This fringed, silk program was produced for a concert held on 9-10 October 1884 under the patronage of the Governor Sir H Brougham Loch at the Athenaeum Hall in aid of the Convalescent Fund of the [Melbourne] Sick Children’s Hospital and the Episcopalian Church of Upper Macedon. The evening of light entertainment comprised eleven solo musical performances and thirteen tableaux, some humorous, referencing biblical and classical themes from plays, paintings and operasm enhanced with painted scenery and a multitude of costumes.melbourne athenauem hall, the sick children's hostipal, episcopalian church

Collection of various non-Bendigo based activities - Flyer on Council of Adult Education 'Arts Train'; (no date); Flyer on the Community Arts Conference ''The Next ten Years'' July 19-22, 1980; Flyer on ''Summertime at the National Gallery of Victoria'' 1979/80; Information Sheet from the Wycheproof Arts Council , March 1980 (has mention in it of performance in Bendigo of comedian Richard Stillgoe at Kangaroo Flat Tech School Auditorium 9/4/1980.

Belonged to a lady born in Bendigo in 1919, lived all her life in Bendigo, died aged 94 years. Program for Bendigo Operatic Society, production of Camelot, at The Capital Theatre, commencing 9th June 1976 for 8 nights 4 pages, double sided print, folded in half & stapled in the centre. Pink coloured front cover & middle page. Program includes: black/white photos of cast, list of musical numbers & synopsis of scenes & local advertisements. 2 X Ticket stubs, numbered 19LL & 20LL for performance on Wednesday 16th June 1976souvenir programme, tickets

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

Pamphlet - A4 - 24 pages - printed full colour of white paper, centre stapled titled "Melbourne All Over" published by Yarra Trams c2005, after Yarra took over the whole of the Melbourne system. Covers Yarra vision for its operations, the partnership between Transfield and Transdev, accessibility, Metlink and ticketing, staff, customer service, Melbourne's cultural aspects, performance and contact addresses. Photos of 856, 3013, 3005 and 2010 Two copies held.trams, tramways, yarra trams, melbourne, transdev, transfield, metlink, melbourne, tram 856, tram 3013, tram 3005, tram 2010

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society was recorded at Ormond Uniting Church in 1982.2 audio cassettes in clear plastic casesHandwritten on cassette 1: "Elijah. Ormond. Tape 1"; on cassette 2: "Elijah, Ormond Uniting Church. 31-10-82"diamond valley choral society, elijah (oratorio), ormond uniting church

A recording of songs performed at Futter Concerts 18/05/1991, including Advance Australia Fair, Australia Fair I love you, Riding to the Never Never, Bush night, I love to go a-wandering, Waltzing Matilda. This performance is by the Diamond Valley Choral Society at Reservoir Baptist Church on 18/05/1991.2 audio cassettes in clear plastic casesHandwritten on insert: Songs included see context; typed on cassettes "Futter Concertsdiamond valley choral society, futter concerts, reservoir baptist church

A4 size Mayoral report including Councillor and Executive officer information, organisational structure, economic development, planning, family and leisure services. No mention of arts or cultural services. non-fictionFinancial and civic report.mayor morley, mayoress morley, councillor p. r. morley

A recording of a concert performance by the Diamond Valley Choral Society for Naturalisation Ceremonies held at Yarrambat (25/11/1990) and Bundoora (28/1/1990). Songs include: Advance Australia Fair, Australia Fair I love you, Never-Never, Bush night song, The happy wanderer, and Waltzing Matilda. Instrumental by Val Lennie.1 audio cassette in clear plastic caseHandwritten on cassette: "Yarrambat 25.11.90; Bundoora 28.11.90"diamond valley choral society, concerts, val lennie, naturalisation ceremonies