Tait collection: item 17 of 62 These are the Letters of Administration for Thomas Coffey who died intestate in February 1898. He was formerly a settler from Corowa, New South Wales and latterly from Warrnambool and Colac. His real estate valued at £20 and his personal estate valued at £746 was granted to his widow, Margaret Coffey of Kirkstall. Thomas Coffey died in Colac at the age of 64 but no other information on him has been found.This document is of minor interest, being the Letters of Administration following the death of Thomas Coffey. He may have lived in Warrnambool for some time in the latter part of the 19th century. The document has been in the possession of Ernest Chambers, a lawyer with offices in Warrnambool, Port Fairy and Koroit at the end of the 19th century and the beginning of the 20th century. The document has then been stored in the Kepler Street offices of successive law firms until it was located in the premises previously occupied by the firm of Mackay Taylor.This 1898-1899 document consists of three pages of parchment paper tied together with thin green cord and cropped at the top and bottom left hand corners of the document. There are two seals attached, one with red sealing wax from the Supreme Court of New South Wales and the other attached with green ribbon from the Supreme Court of the Colony of Victoria. The document material is handwritten in black ink. There are six stamps – three from New South Wales, one from Geelong and two are indecipherable. The document also has a blue stamp duty label attached (New South Wales, one per cent stamp duty). The document is in fair condition with one page with the writing fading and difficult to read. letters of administration, thomas coffey, tait collection

Ground sheets such as this were typically used as rain protection by German troops. Two or more zeltbahn (ground sheets) could be attached together via the button holes to form a tent for two or more people. Some models of ground sheets, particularly those which are triangular in shape, could also be fashioned into personal raincoats worn by soldiers. Grounds sheets have also been known to have been used to wrap deceased bodies in prioir to burial.This groundsheet, despite a lack of clear provenance, is a representative example of the types of ground sheets used by the German forces during wartime. The zeltbahn (ground sheet) also has social significance in that they were known to have been used to wrap deceased bodies in prior to burial.Large square sheet constructed of biege/brown coloured water resistant material. 67mm hem folded over and sewn along all edges with brown stitching. Metal buttons are spaced at 200mm intervals along parallel edges, next to a button hole which can be used to attach to another ground sheet. Four corners bear a large round eyelet in silver-coloured metal in between three smaller eyelets; two of four corners have short lengths of brown cord attached to these eyelets. One corner has only two smaller eyelets surrounding the larger.Printed in black ink in the centre of the sheet is the incriptions "OVS 1298."ground sheet, zeltbahn, tent, raincoat, german

The personal 'carry-all', a cloth apron like article was utilised by Thomas Hamilton Osborne in his work with the Warrnambool Steamship Navigation Company. He was Company manager in 1883 until its dissolution in 1899. Osborne wrote many articles on early Warrnambool, particularly maritime material under the name of " Sliding Gunter". When he died he was buried at sea off the breakwater.His sister Mrs Annabella Kell is thought to have made this article.This is a significant item as T.H.Osborne was a key figure in 19th Century Warrnambool history, particularly in maritime affairs. Six sided, scalloped edges, four pockets, two metal hooks, purple woven fabric with yellow and gold embroidery, lifebuoy outline with W.S.N.Co and THO initials embroidered and two flags. Machine sewing of pockets and tab to base apron.W.S.N.Co THO initials on top of each other Two metal hookswork apron, warrnambool steamship navigation company, wsnc, thomas hamilton tracey osborne, annabella kell, sliding gunter

A related souvenir from the Second Word War is the colourful 'Souvenir of Palestine'. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages These types of souvenirs were very popular with Australian troops; they were easy to send home and were colourful. The vendors would have a number of designs for sale already machine embroidered, from which the soldier could select and then personalise with a date or message. Brown timber frame containing dark green square silk cloth edged with gold fringe, embroidered with two flap poles either side of rising sun crest/badge above two red heartsSouvenir Of Palestine 1941 Australia Commonwealth Military Forcespalestine, 1941, souvenir, embroidered cloth

Thangkas are cloth scrolls unique to Tibetan Buddhism, depicting deities, venerated spiritual figures, or common religious symbols. Intended for personal meditation or instruction of monastic students, they are invested with the spirit of a deity to whom they are consecrated. A thangka is a composite three-dimensional object consisting of: a picture panel which is painted or embroidered; a brocade mounting; and one or more of the following: a silk cover, leather corners, wooden dowels at the top and bottom and metal or wooden decorative knobs on the bottom dowel. A Tibetan thangka depicting Shakyamuni Buddha.buddhist art, tibetan buddhism, holy objects

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Faux wool woman’s hat made of 'polyacryl' and 'thermoplastisch' in shades of blue and yellow. While the hat is based on the shape of a fedora the design is softened by the varying shades of colour in the weave.Label: 70% Polyacryl 30% Thermoplastisch, Made in Italywomen's clothing -- hats, fedoras

William McGrath enlisted as a Trooper in the 8th Light Horse in 1915. He rose to the rank of Squadron Sergeant Major and was commissioned as a Second Lieutenant on Gallipoli. McGrath served throughout the war with 8th Light Horse Regiment progressing through the officer ranks. This history was compiled from personal knowledge and the war diary of the regiment. McGrath's successor as adjutant, Captain Austin, is believed to have had input into the document and for some years was thought to have been the originator.Unique document of regimental interest.Typed history of the 8th Light Horse Regiment AIF 1915-1919 prepared by Captain William McGrath when posted as Adjutant of the Regiment 1917-1919.military, history, light horse, world war one, wwi, mcgrath

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy and encourage anyone with similar ideals to join as a Legatee. Originally only ex-servicemen who had overseas experience were able to become Legatees. In 2001 it was changed to include people that are willing and able to make the personal effort to achieve Legacy ideals. Believed to be from approximately 2000 due to the image of the tri-service people on the front matching a poster from that time.An example of promotional material issued by Legacy. Colour brochure to promote Legacy folded into 6 pages.legacy promotion, marketing

These cards were issued during World War 11 to British subjects who were civilians. This included all non-indigenous adults born in Australia. The concept of Australian citizenship was only introduced by the Nationality and Citizenship Act of 1948. All adults had personal identity cards and were required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.Peter Frawley was a long-time resident of Wodonga. He was a veteran of Gallipoli and Fromelles. For his actions at Fromelles, he was awarded the French Croix de Guerre. After the war Peter became a successful jockey and one of his greatest successes was winning the Australian Steeple Chase at Caulfield in 1922. He was an active member of the Wodonga Turf Club and Bonegilla Race Club and a founding member of the Wodonga Show Society. Peter’s wife Connie was an integral member of the Wodonga Hospital fundraising committee, being awarded a life membership. Nereida Pearl Goyne (nee Emery) lived most of her life in Wodonga. She was actively engaged in the community until 2007 when she moved to Rutherglen where she passed away in January 2009.3 fawn coloured cards with black text, all stamped with the Beechworth Post Office stamp. They are identified as Form C.R.3 Civilian Registration (British Subjects).Written on both sides in ink: Detailed explanation of government regulations. On Card 1 in ink;" V13, M 31 ,30215" Signed "Peter George Frawley, South St Wodonga" Reversed signed by card holder and witness" On Card 2 in ink;" V13, M 02 ,2494" Signed Constance Frawley, South St Wodonga" Reversed signed C Frawley and witnessed P Frawley" Note - Ration book for 3 children" On Card 3 in ink;" V13, M 10 ,12251" Signed "Nereida Pearl Goyne, Bank St Wodonga" Reversed signed by card holder and witnessed by L.C. McCullough" Note Ration book for 2 children"identity cards, civilian registration, world war 2, ww11

An early example of Melbourne Legacy Club newsletter (No. 121 5th March 1929), covering the activities of Melbourne Legacy Club. Information includes speakers for the weekly Tuesday meetings (with the exception of the first Tuesday of the month when there was no speaker), committee activities, personal news of Legatees, activities of boys and girls clubs, job placement for Junior Legatees, news from other clubs, and a roster of duties. The overall tone is chatty but informative and the dedication to the welfare of Junior Legatees is obvious.Brings to life the work of Melbourne Legacy in the early years.Copy of a newsletter of 4 foolscap sheets, black print on white.newsletter, legacy publication

This six-postcard group is the first in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Collection of six photo postcards B+W 1. Photo portrait of Shuttleworth, Henry 2854 57th Btn, wearing military medal, no headwear 2. Photo portrait of Ross, George Herbert Sergeant 3596 57th Btn. 3. Photo portrait of Davidson, Robert Sergeant 3379 57th Btn. 4. Photo portrait of Lyndon, Herbert Roy 4532 57th Btn. 5. Photo portrait of Walsh, Alick 3494 57th Btn. 6. Photo portrait of Tanner, Walter John 4620 57th Btn. 1. On front, "Yours sincerely, H. Shuttleworth 11-14-19" 2. On front "Yours sincerely, Rossie". On rear "This is CQMS Ross who came over on the boat and was with me on leave". 3. On front "Yours sincerely Davo". On rear "This is the orderly room sergeant Davidson who was with me on leave" 4. On front "Yours sincerely HRL" On rear "This is Paddy Lyndon who was photographed in the canal with me. He was a clerk in Bendigo and came over on the boat with me" 5. On front "Sincerely yours Alick France 1917" 6. On front "Sincerely yours W Tanner France 1917" On rear "This was my B Company sergeant major, but has gone to Blighty for his commission"postcards, 57th battalion, edgar dawson dcm, lyndon herbert roy

Copy of a document from an original source, handwritten and partly typed. Details the 104 Rules that applied to the Melbourne Tramway and Omnibus Company grip men for cable tram operations. Gives rules for their personal behaviour, duties, operations, management of passengers, shunting, use of the gong, not converse with passengers, what to do if a flock of sheep on the line, use of the grip, stop and starting of the tram (known as a train), care of the rope, end of the shift duties and knowledge of the Rules and Regulations.Yields information about the rules that Melbourne cable tram grip men operated by.Set of two blue foolscap handwritten sheets consisting of five sheets each (Rules 1 to 76) and one typed sheet (Rules 77 to 104) titled Melbourne Tramway & Omnibus Co - abstracts of Rules for Gripmentramways, trams, cable trams, grip men, rules, mtoco

Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set illustrates Holley's service on HMAS Canberra in the period 1928-1930 Whilst not taken personally, they do capture the events he and his Canberra crewmates would have experienced and witnessed.Each desription is preceeded by an approximate date e.g.1940 06 is June 1940. 1. 7963-1 1933 Holley A nd B turrets HMAS Canberra Portsmouth England 2. 7963-2 1934 Spring cruise HMAS Squadron Australia Canberra and destroyers 3. 7963-3 1941 Holley hobart 4. 7963-4 Holley Canberra firing 8inch guns 5. 7963-5 Holley Canberra salvo 8inch guns 6. 7963-6 Holley Canberra 7. 7963-7 Holley HMAS Canberra in heavy seas 8. 7963-8 Canberra Welcome home 9. 7963-9 Holley ship with biplanes flypast from 015 10. 7963-10 holley Swains reef Queensland 1930s 11. 7963-11 Holley with 2 shipmates from HMAS Canberrahmas canberra, interwar period, arthur george holley

Items in the collection relating to ARTHUR GEORGE HOLLEY no 13556 RAN Refer cat no 2134 for his service record. The photographs are from his personal album, and are mainly official photographs widely available among the services. The photographs are from Australian , British and American sources. This set coincides with the Hobart's involvement in the Solomons and Guadalcanal landings. Whilst not taken personally, these photographs do capture some of the events Holley and his Hobart crewmates would have experienced and witnessed.Each description is preceded by an approximate date e.g.1940 06 is June 1940. 1. 1942 08 Solomons Invasion on.jpg 2. 1942 08 Solomons Invasion started barges headed for shore.jpg 3. 1942 08 Solomons Japanese Shokaku class aircraft carrier under attack 1942.jpg 4. 1942 08 Solomons US Marines off southward to clash with Japs Guadalcanal.jpg 5. 1942 08 Solomons USS Mugford delivering mail to Australia in Coral Sea.jpg 6. 1942 08 Solomons USS Mugford.jpg 7. 1942 08 Solomons USS Pope.jpg 8. 1942 08 Solomons USS Vincennes bombards and silences shore batteries.jpg 9. 1942 08 Two Japanese torpedo bombers attacking allied warships fly past a US Navy destroyer .jpg hmas hobart, arthur george holley ran, pacific theatre, solomons campaign, guadalcanal

This guidebook shares the personal stories of the individuals honoured in 250 of Victoria's key war memorials. It covers metropolitan Melbourne and regional Victoria, providing a unique insight into wartime history and the local heroes who fought overseas. Garrie Hutchinson has authored and edited over 30 books, In the early 1970s Hutchinson was heavily involved in anti-war activism and alternative journalism. From the late 1970s Hutchinson moved away from writing poetry and towards a journalistic career.This is a significant research tool.A 308 pp hard cover book with a dust jacket titled Remember Them, A guide to Victoria's Wartime Heritage. The author is Garrie Hutchinson. On the front cover is a photograph of a close-up image of a sculpture of a soldier. The text is dark grey.It is arranged geographically, with accompanying maps and photographs,military-history memorials-victoria

Handkerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five handkerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother.This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as handkerchiefs to their loved ones at home.White linen painted with an image of a lady in red crinoline dress with black lined pattern around bottom of dress. Three blue birds on the left side.and surrounded by semicircles of flowers around bottom half of hankerchief. Bordered with pink printed line and hemmed in green stitching.warrnambool,, world war 1 hankerchief, printed silk hankerchief, redman hankerchief, crinoline lady hankerchief

Civilian Registration Identity Card issued to Ernest Thomas Orford of Irvines Road, Eltham, farmer, signed by subject and witnessed by Elizabeth J. Cox of Eltham. This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.1942, civilian registration (british subjects), elizabeth j. cox, eltham, ernest thomas orford, identity card, irvines road, second world war, ww2

Antipodean Elthams and how I got there, a talk by Margaret Taylor for the Eltham Society, England, November 1st 2001. 2nd draft with hand written notes/ addtions/corrections in the hand of Harry Gilham and others. The talk focuses on the history of the friendships between the Eltham Society in the UK with EDHS and the Eltham & Districts Historical Society Inc (NZ). Margaret's visit in 1997 and 1998, including her personal experience with discussion on the local history. This is a photocopy with the original copy with notes likely returned to Margaret. 31 Pages. HG Booklet 63harry gilham collection, margaret taylor, eltham nsw, talk, reminscences

This book was donated by Principal R E Thwaites to the Ballarat College Library, possibly during his years of tenure (1933-45). Fascinatingly the book contains the signiature of a previous principal Ernest Neville Marryat (tenure 1910-1912). Until 2014 when this book was catalogued to the Victorian Collections database the first names of Principal Marryat had never been known by the school. The discovery of his presumed personal signature has added significantly to the school's written history. Tan coloured cloth bound small book with gold lettering and borders on front cover and spine.Book plate on flyleaf: Crest / Ballarat College / Library / PRESENTED BY / Mr R E Thwaites Handwritten on second page: Ernest Neville Marryat / Christmas / 1897e-n-marryat, ernest-neville-marryat, ballarat-college, principal, 1910s, r-e-thwaites

School Council, Members of Staff, Magazine Committee, List of Full Course Students 1938, Full Course Commercial Students, Editorial, Personal Column, Obituary - Roy S. Hall - F. J. Martell, S.M.B Old Boys' Association, The Literary Society, Centenary Jottings, Fumes from the Lab, Broken Hill, News from Papua, Sidelights on the B.H.P. Cadet Training Scheme, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs, Junior Technical SportingBlack soft covered magazine with yellow font, green and white images. 64 pages including advertisements. Artworks * Lino cut - By Maureen McRae * Lino Cut - By B. Delima * Lino Cut - By Bessie Martin * The dog you's like to kick - By Gordon Yorke * Harry - By Ernest Gribble * Digger - By Ernest Gribble * Lino cut - By Gordon Yorke * Our little girl - By Dorothy Woolcock * Miss W - By Ernest Gribble * Joan - By Ernest Gribble * Roma - By Gladys Bilney * Doing art for t'arts sake - By Gilda Gude * Una - By Dorothy Woolcock * My Bill - By Dorothy Woolcock * The Sec. - By Ernest Gribble * Hassell - By Dorothy Woolcock * Chief Engineer - By Dorothy Woolcock * Rusty - By Ernest Gribble * Lino Cut - By Jeff Wilkinson * Dick - By Dorothy Woolcock * Goosey - By Ernest Gribble * Pen Drawing - By Dorothy Woolcock * Parking 1 - By Max Coward * Miss King - By Dorothy Woolcock * Goal Umpire - By Ernest Gribble * To Prep Girls - Joe - By Ernest Gribble * Dreamy Dolan - By Ernest Gribble * Lino Cut - By Max Coward * Norma - By Dorothy Woolcock * Lino Cut - By A. Janetski * Dorothy - By Patsy Walsh * Jean - By Dorothy Woolcock * Lino Cut - By Joy Martin * Lino Cut - By Max Coward and A.2., * Ben - By Bob McHutchison * Polly - By Ernest Gribble * Dobber - By Ernest Gribble * Francies - By Ernest Gribble * Ad a line not a bite - By Dorothy Woolcock * Dulcie - By Dorothy Woolcock * Joan - By Ernest Gribble * Kitty - By Bob McHutchison * Stumpy - By Elva Brimacombe * Pegleg - By Dorothy Woolcock * Fat - By Gladys Bilney * Dawn - By Dorothy Woolcock * Joy - By Ernest Gribble * Nipper - By Ernest Gribble * Mac - By Ernest Gribble * Puss - By Bob McHutchison * Tinted Lino Cut - By W. Edward * Lino Cut by G.Day ballarat school of mines, magazine, maureen mcrae, b. delima, j. woolcock, herbert j. trevenan, n. palmer, olwyn williams, gordon yorke, bob mchutchinson, w. edward, keith heriot, sylvia wyres, jeff wilkinson, peter richards, d. gordon, f. morris, mr proctor, ernest gribble, dr. j. r. pound, muriel boyd, george downing, roy s. hall, f. j. martell, d. v. shore, ken wilkie, eoin macdonald, g. berriman, dorothy woolcock, russell h. s. ewins, v. e. greenhalgh, max coward, shelia moss, frank t. jelbart, neil crouch, graham white, mr cornell, francis hollioke, k. vaughan, david j. jelbart, arthur g. veale, bill walters, richard menhennett, james redford, w. monteith, mr hillman, john t. graham, james w. thomas, keith. walter, james m. martin, lyle s. dimsey, jean birch, margaret turner, lesley stapleton, marjorie day, una kersey, jean lonie, coral robertson, norma rowe, jean bridges, jean cox, a. janetski, d. ditchfield, j. harrison, gladys james, j. brimacombe, sheila moss, r. mathews, joy martin, joan ellsworth, e. salter, a. spence, m. may, f. coulson, i. clow, h. tonkin, l. taylor, s. harris, k. gingell, g. jones, william t. paterson, f. harland, w. harrison, j. pike, a. mcmillan, m. lee, e. mccann, j. harris, a. clack, f. osborne, e. stephens, s. nicol, d. eltringham, j. hosie, v. burt, w. rowe, wm. c. edward, j. donald, m. cox, n. dalton, gladys bilney, gilda gude, patsy walsh, elva brimacombe, g. day, francis hollyoake, centenary, betty brown, alan nye, victor greenhalgh, alan gilpin, george edward, e.h. schache, john dulfer, max bayley, eric rumpff, henry kum yuen, fred j. martell, old boys' association, literary society, j.a. wilkie, cyril callister, g. yorke, broken hill, papua, e. macdonald, j. wilkinson, bhp cadet training scheme, g.r. crouch, salt lake city, utah, photography, photographic class, r.h.e. ewins, f. jelbart, n. crouch, g. white, f. hollioake, p. richards, d. jelbart, a. veale, w. walters, e. gribble, r. mchutchison, r. menhennett, i. redford, k. heriot, j. graham, j. thomas, r. ewins, k. waller, j. martin, j. king, bena lamb, j. birch, m. turner, l. stapleton, m. day, u. kersey, j. lonie, c. robertson, n. rowe, j. bridges, m. mcrae, o. williams, j. cox, g. james, s. moss, b. martin, junior technical school old boys' association, des marks, cornell's little liver pills, ballarat wattle tea rooms, the modern dairy

George Reed was a draftsman who lived in Bentleigh , City of Moorabbin in mid 20th C Phrenology is a process that involves observing and/or feeling the skull to determine an individual's psychological attributes. Franz Joseph Gall believed that the brain was made up of 27 individual organs that determined personality, the first 19 of these 'organs' he believed to exist in other animal species. Rev. Brown acknowledges that this printed delineation for self assessment is only approximate and proper analysis would cost time and money for personal consultation.After Charles Darwin, 1809 - 1882, English naturalist whose scientific theory of evolution by natural selection became the foundation of modern evolutionary studies. His nonreligious biology appealed to the rising class of professional scientists and the general public. Phrenology became a popular interest.A paper booklet with diagrams, charts and photos explaining Phrenology in 54 pages by Rev. J.J. Brown Coloured front and back covers have a drawing of a model of the human skull divided into 36 sections Front Cover ; SEVENTEENTH EDITION/ PHYSIOLOGICAL AND PHRENOLOGICAL / CHART / ( IN BOOK FORM) /BY / REV. J.J. BROWN/ Illustrated with 70 Engravingson Wood by S. Calvertgall franz joseph, phrenology, darwin charles, naturalists, jewellers, ezard & clark company moorabbin, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers,housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, draftsman, architect,

Hand sketch of 'Kilo 89' Camp in Palestine located in collection of assorted Army issued books and personal papers belonging to Private Alfred William VONARX VX29295 who was born 5/7/1901 at Docker Plains near Wangaratta. He enlisted on the 4/7/1940 at Seymour and served with the 2/7th Battalion in the Middle East during WW2. Written on back of sketch is - Pte B G HOY - Brian Goodwin HOY VX44031 born 20/4/1915 at Alphington.Detailed field sketch to scale of Camp Kilo 89 Area, Gaza Ridge in PalestineDetailed sketch to scale on cream coloured parchmentCamp Kilo 89 Area - Field Sketch Handwritten on rear - Pte B G HOYcamp kilo 89, palestine, ww2, alfred william vonarx, brian goodwin hoy, 2/7 infantry battalion

Photographed by Australian Army personal for distribution to the internees in the photograph. Back row (left to right): P35574 Gerd Aberle; P36173 Theodor Wagner; R36853 Dr Wilhelm Eilers; R36754 Wilhelm Schmidt; R36476 Dr Erwin Gauba; R36366 Edgar Abineri; S3142 Werner Hebart. Front row: P36045 Dietrich Ruff; P35960 Otto Lobert; R36454 Hermann Exeler; P36201 Rolf Weller; R36861 Ernst Kropf. AWM accession number 030192/09.Black and white group photograph of 12 men internees at Loveday Camp, with number 31 displayed. One row of 7 men are standing, the others seated. Hut in background.loveday camp, camp 3, arbitur class, gerd aberle, theodor wagner, dr wilhelm eilers, wilhelm schmidt, dr erwin gauba, edgar abineri, werner hebart, dietrich ruff, otto lobert, hermann exeler, rolf weller, ernst kropf

Popular souvenirs during World War Two that were easy to fold and post home to Australia. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages.Colourful cotton sateen Souvenir of Palestine. Beige background with painted images, probably screen-printed, with machine embroidered outlines. Pink fringe. Objects depicted are two brown/yellow camels and one donkey with rider; two date palms with orange trunks and green leaves; the Union Jack and the Australian Flag; and the Australian Commonwealth Military Forces Rising Sun badge."Souvenir of Palestine" "Australian Commonwealth Military Forces"souvenir of palestine, rising sun badge, australian commonwealth military forces, embroidery, screen-printed, aif, ww1, world war 1, first world war

The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war