Photocopy or reproduction of a page from the Geelong Advertiser, titled "Keeping track" - concerning the book launch of "Last Tram at 11" - written by William F Scott and published by Full Parallel productions (Richard Gilbert). Has a photo of Richard on the steps on Launceston 29, photographed during the 2008 COTMA conference in Launceston. Article notes that Geelong has not had trams for over 50 years. Book was launched in Geelong. Date of article not known.trams, tramways, geelong, book, sec, cotma

A wooden tennis racquet with string whipping around shoulders, cloth reinforcements around shoulders and shaft, and fine grooved handle. Decal on throat on obverse features a wreathed gold trophy. In front is a banner device with model name: FINALIST. Inscription across throat on reverse: A/DUNLOP/PRODUCTION. 'D' trademark features on black butt cover. Materials: Wood, Gut, String, Ribbon, Cloth, Paint, Ink, Leather, Glue, Lacquer, Metaltennis

Postcard - full colour, Divided back type of six views of five views of Melbourne of St Kilda Road with trams, Rowing on the Yarra River with the city skyline in the background, The Arts Centre, Flinders St station and a view from Williamstown back to the CBD. Has title "Melbourne Australia" on the underside of the photos. Steve Parish production, 1990, produced in Paddington Qld. Has logo, position for stamp and address on the rear and number PC 308.trams, tramways, melbourne, shrine of remembrance, flinders st station, arts centre

The Department of Transport produced the Melbourne " Next Generation" G class tram badge to thank the team members involved in its design and production. As many of the team members came from Germany, the German translation was included on both sides of the card. Note from one of the production team was: "Staff from the Department of Transport and Planning – Next Generation Trams project team led a self-funded initiative to produce a commemorative badge of the Melbourne " Next Generation" G class tram. These were issued as gifts to persons involved in its design and production to mark the start of series manufacturing. The card it is mounted to is typeset in the proprietary “Network Sans” font, in both Australian English and Austrian German; including a special translated version of the Next Generation Trams Project logo. This was a gesture to recognise several key Alstom staff involved in the project being loaned from Vienna.”Demonstrates a badge featuring the Melbourne G class.Metal enamel badge with pin retaining clip attached to a printed card sheet.tramways, tramcars, g class, badge, new tramcars, alstom

This collection of 12 photos was most likely taken in 1980. The photos were most likely taken in Cartographic Squadron’s Ante Room, the Attic and small offices on the top floor of Fortuna Villa. The computer based Editwriter typesetting system was introduced in 1975 as a replacement to the aging Fotosetter machine. It was operated by a specialised technician, who generated a large variety of map type styles and sizes quickly and reliably, as well as text panels. CPL Richards performed this task for several years and in photo .1P and .2P is reading off a type order next to the computer monitor. Output on Copy proof adhesive backed stripping type film replaced messy wax and spray adhesives in 1978. The Editwriter capability supported all RASvy units and contractor type setting requirements. Scribing was the cartographic process of drafting features such as drainage, relief, vegetation, roads and culture on specially coated map reproduction material. The cartographic technician scribed out the map feature such as a contour to a specified line width on the map sheet, using a tool affixed with a sapphire tipped cutter. The quality control edit (Proving) stage of map production was the first opportunity to inspect a proof of the map independently and systematically. Proving tasks were carried out by technicians conversant of the map product specification and task requirement, however, was not involved in its production. Corrections were identified, marked up and sent to back to the correcting section or contractors. Terrain Embossing was a manual map production technique to produce hill shading on medium to small scale graphics and air charts. SPR John Martin is seen in photos .8P to.10P using a fine embossing metal stylus to push down on the drainage impression on a thin malleable opaque plastic material (AK Poligraphy). Ridge lines were then pushed down using the contour impression as a guide, on the opposing side of the AK Poligraphy to create a 3D plastic model terrain effect. The map impression was sprayed with white paint and photographed to create a contone tone hill shade. SPR Gina (Coore) Neilson is seen in photo .11P washing a contone positive of a land mass in a solution. The contone components were registered to the map sheet, as shown in photo .12P and masked using an air brush and a halftone negative was then created. The terrain embossing method of producing hill shading was more efficient to produce than previous specialised artistic methods such pencil/eraser and air brush. Furthermore, a more consistent enhancement of terrain on charts was achieved between technicians.This is a set of 12 photographs of Cartographic Squadron performing four map production tasks at the Army Survey Regiment, Fortuna, Bendigo c1980. The first ten photographs were on 35mm negative film and were scanned at 96 dpi. Photos .11P and .12P were on photographic paper and scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1980, Editwriter typesetter, CPL Paul Richards. .2) - Photo, black & white, c1980, Editwriter typesetter, CPL Paul Richards. .3) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Megan (McBurney) Reynolds. .4) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Megan (McBurney) Reynolds. .5) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Rod Skidmore. .6) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Rod Skidmore. .7) - Photo, black & white, c1980, Formal quality control edit (Proving), CPL Ian Belmont. .8) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .9) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .10) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .11) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR Gina (Coore) Neilson. .12) - Photo, black & white, c1980, Hill Shade Terrain Embossing, unidentified..1P to .10P No personnel are identified. .11P and .12P annotated ‘Terrain Embossing’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto

Galen Catholic College has usually put on at least one theatrical production every year and in 2007, Aladdin was produced. These photos show the principal cast members in full costume.galen catholic college, galen college, school theatrical productions, aladdin, students, cast, 2007

Galen Catholic College has usually put on at least one theatrical production every year and in 2003, Fame was produced. These photos show the dancers, actors and musicians during rehearsals.galen catholic college, galen college, school theatrical productions, students, fame, 2003

A program to accompany the Williamstown High School Dramatic Group production on The Ringer. The play toured South Australia, performing at the Civic Hall, Port Lincoln, Friday 19th May 1950.Black and white printed pamphlet. 4 p.williamstown high school, 1950, dramatic group, the ringer

Year book for the 1960 school year. Contains staff, student, sport leaders, prefects, form captains, sports results, production and camp news, team photographs, students work.Black and white printed publication. Off-white card cover printed in red, black and yellow. 39 p.: ill.On front cover 'Danute'. Last two pages, student signatures.williamstown high school, 1960, high tide, yearbook

One of four tarpaper covered sample books. These samples were made up at mills (often R S & S) to Alexander Lau designs, they did not necessarily go into production..LADIES' MATERIALtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history

These photographs are of a production of "White Horse Inn" - Stawell town Hall - Spetember 1971. By Stawell Choral Society. Mr Roy Hurst - To Whom these photos were Presented - Helped with the stagingFive (5) small coloured Photographs of a stage prodution. Scenes on stage. Enclose din cream folders.(Hand Written) To Roy / From Stawell Choral Society/ Sept. 1971stawell, choral society, roy hurst

This card is the first in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks at merino sheep and wool production in Australia.Card no. 1 from the Crusader Mills information card set, c.1945-55. Verso of card no. 1 from the Crusader Mills information card set, c.1945-55.No. 1 The beginning of the story of Crusader Cloth.wool growing merino sheep - history, australian woollen mills pty ltd stamina clothing company, wool growing, merino sheep - history

Students dressed as Maccabees, probably for a Chanukah production, Shakespeare Grove, 1960s. Students are dressed in robes, head pieces, leather sandals with decorative sticks and shields that have the Star of David. shakespeare grove, judaism, zionist, visual and performing arts, history, drama

The Kew Light Opera Company was formed in 1952. Its first production, held in the Kew Recreation Hall was Leslie Stuart's Florodora. In 1957, the Company was subsumed in the "Q" Theatre Guild.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme for the Australian premiere of Goodnight Vienna! in the Kew Recreation Hall by the Kew Light Opera Company. The 12-page programme includes profiles, a cast list, a musical synopsis, and advertisements. goodnight vienna!, george posford, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, city of kew, theatre memorabilia

A QIIB employee holds freshly made millet brooms, whilst production workers Danny McCartney (left) and Sean Kean take out bundles of bleached millet to the broom shop.2 x B/W photographs of men with millet stalks and broomsL2-1136, L4 1136queensland industrial institute for the blind, danny mccartney, sean kean

Also a colour postcard from same viewpoint at a later date taken by Viewpoint Productions purchased from B Roche number 03828.1 size 9 x 13.5 cmBlack and white postcard of tourist launch at jetty Fishermans Landing Lake Tyers VictoriaValentine Series No 1071 At the Landing Lake Tyersboats and boating, forest, waterways

The duplication of services between state based blindness and low vision agencies was not viable in the long term, with telecommunications and technology improving rapidly in the late 20th century. In 1999, a decision was made to merge the library and alternative production services of the RVIB and RBS, as a precursor to a possible larger merger in the future. Thus the National Information Library Service (NILS) was created. As part of establishing a new culture between staff who had retained their positions, a vision, mission and values statement was created under the new service name.1 digital imageNational Information Library Service Mission statement: NILS provides a recognised and specialised gateway through which people who are blind, vision impaired or who have a print disability access dynamic information and recreational reading. Vision: to enable unhindered access to knowledge, information and recreational reading for people who are blind, vision impaired or who have a print disability. Key strategic themes: Know our clients current and future needs and expectations. Explore opportunities for collaboration with other agencies, government and enterprises to source, organise and make available materials and resources of an acceptable quality. Optimise digital technology for the production and delivery of materials in an equitable, cost effective and timely way, identify opportunities for innovation by anticipating social and technological trends in the wider community. Enhance our internal capability. Establish and develop a positive and healthy NILS culture. Values: our values inform our policy, work practices, recruitment and service delivery ethic. Integrity - we are open and honest with all our stakeholders. Excellence - we strive to be superior in all we do. Innovation - we learn continuously in order to lead the way. Responsiveness - we actively listen to all our stakeholders. Equity - we focus on inclusiveness and participation for all our clients and staff. A joint venture between the Royal Victorian Institute for the Blind and the Royal Blind Society of New South Wales. royal blind society of new south wales, royal victorian institute for the blind, national information library service

This program lists granduates from the Work Education Centre in 2007, in the areas of Work Education, Transition Education, Hospitality and Live Production. Held at St Georges Restaurant on June 18 2007.Lists those present, the organisers and those receiving certificates.7 page brochure with card cover. work education centre, st georges restaurant, graduation, hospitality, nmit,

This photo shows a student operating a camcorder, which in 1981 was relatively new technology. The emergence of this technology heralded in a era where video production classes became commonplace at Galen Catholic College.video, media, media studies, galen catholic college, galen college

One of four tarpaper covered sample books. These samples were made up at mills (often R S & S) to Alexander Lau designs and specifications, they did not necessarily go into production..LADIES' MATERIALtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history

One of four tarpaper covered sample books. These samples were made up at mills (often R S & S) to Alexander Lau designs and specifications, they did not necessarily go into production..LADIES' MATERIAL/ Spring 57, Winter 57-58 Messres S G SAVIGEtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd savige, s g - returned soldiers and sailors mill, textile design, fashion, textile industry - history

One of five tarpaper covered sample books. These samples were made up at mills (often R S & S) to Alexander Lau designs and specifications, they did not necessarily go into production..LADIES' MATERIALtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history