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Australian Commando Association - Victoria
Photograph, Artgraph Studio, March 1943
Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionFrancis John Papworth VX66806 - Studio photographOn leave - 1943ww2, world war two, 2nd/2nd commando, commando, francis john papworth -
Australian Commando Association - Victoria
Photograph, Artgraph Studio, Curly Papworth, March 1943
Francis John Papworth - VX66806 - Studio photograph - portrait style. Shot in March 1943 while on leave after escape from TimorThis photograph displays historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionSepia Studio photographww2, world war two, 2nd/2nd commando, commando, francis john papworth -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Ornaments, lady's hand mirror, c1900
A lady's hand mirror usually lay on her dressing table and she used it when applying make up and styling her hair.A lady's small ,dressing table, silver plated, hand mirrormoorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, jewellery, mirrors -
Bendigo Historical Society Inc.
Postcard - Bendigo Post Office Centenary envelope
The Bendigo Post Office was built between 1883 and 1887 by McCulloch and McAlpine. It was designed by George W Watson in the 2nd Empire architectural style.Cour printed envelope - Bendigo Post Office Centenary 1887-1987. Envelope has a 37 cent stamp of a cockatoo, which has been stamped with a black stamp dated 30 Sept 1987, Vic 3550 - the 'first day" of issue. The envelope was produced by Australia Post to mark the Centenary of the Post Office in Bendigo, and includes a colour feature of the Pall Mall frontage of the PO building on the corner of Myer Lane and Pall Mamm including the Post Office tower and clockbendigo post office, australia day first day cover -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, (.. communication and harder competition)
Boyd stresses the importance of Australian designers to discover their own sense of style rather than creating 'stale' imitations from other countries.Typewritten (c copy), quarto, 3 pages, (pages 22 & 22A & 22B)Excerpt from an unknown document. Only three pages from the document.australian architecture, americanisation, 'america in australia', robin boyd, manuscript -
National Wool Museum
Book, Wool: the fashion fibre
"Wool: the fashion fibre" - Australian Wool Corporation, c.1985. Examines the use of wool for womens garments and includes descriptions of processes and styles.fashion textile production, australian wool corporation, fashion, textile production -
National Wool Museum
Book, Wool: eminently suitable
"Wool: the fashion fibre" - Australian Wool Corporation, c.1985. Examines the use of wool for mens garments and includes descriptions of processes and styles.fashion textile production, australian wool corporation, fashion, textile production -
Australian Lace Guild - Victorian Branch
Textile - Alencon type lace, Early 19th century
Lace probably made in Burano Italy in the style of 18th century French Alençon needle lace. Fine lace used as costume trimmingNeedle lace edging - sample -
Robin Boyd Foundation
Letter, Robin Boyd, Robin Boyd to Martin Elks, 09.11.1970
This letter replies to Martin Elk's letter (item D316). Boyd argues that Fishbowl is an example of an "idea" building and is not a mixture of multiple architectural styles.Typewritten, photocopy, 1 pagefeaturism, fishbowl -
Surrey Hills Historical Society Collection
Photograph, Medlow in 1900, 1990
A coloured photograph of a two storey house with an L-shaped verandah around the lower and upper level. Possibly Late Victorian Boom style.A coloured photograph of a two storey house with an L-shaped verandah around the lower and upper level.medlow, warrigal road, surrey hills, late victorian boom style, house styles -
The Beechworth Burke Museum
Postcard, c. Early 1900s
Taken in the early 1900s, the postcard depicts two girls dressed in old style, white knee length dress which was common for this period for young women. This compared to the ankle length styles which were acceptable for adult women. We can also see an example of early bridge construction and engineering, notably made from timber rather than from stone or steel, noted in the postcard as Snow's Bridge. Sepia rectangular postcard printed on card Obverse: Snow's Bridge/Beechworth Reverse: Dear Julie/ I received your pretty PB/ We haven't gone away yet. Mr Stokes/ asked me were you going to be/ married. He wished you luck/ (I wonder/ if he meant it.) We sent the Magpie to Annie to-day. I haven't got any/ word about going to a [unknown]/ yet. We had a great Friendly Societies/ day yesterday but it rained a bit/ Sally is going to get a [illegible] silk/ dress. When are you to be married?/ Mr Pounceby is back at Allen's shop./ [unknown]. We are going to Belle's for a [unknown] if we can. With Love from Lilly. bridge, beechworth, snow's bridge, children, childhood, postcard -
Robin Boyd Foundation
Document - lecture, Robin Boyd, What happened to taste?
Boyd questions the public's and architect's architectural taste - especially developing a style that would define Australian Architecture. He addresses the lack of commissioning of Modern Architects while Modern Architecture became the main preference in architecture 30 years prior to the written text. Frustrations towards people selecting styles that are 'familiar' rather than trying to be 'avant-garde'. Otherwise, Boyd challenges architects looking towards American Architecture as precedents.This appears to be a unpublished lecture. It is marked up for presentation with slides (indicates LIGHTS) when delivering a speech.Handwritten (pencil), quarto, 15 (page numbers on centre top up to 16, page 10 missing) pagesSpots of coffee stainsaustralian school, architecture, american embassy in new delhi, walter richmond butler, robin boyd, manuscript -
Churchill Island Heritage Farm
Waiting to be pushed up by the dinghy, c.1940
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island. Black and white photograph showing three men, a parked car on the right side, unloaded bags, and a stand of three trees.Catalogue number written in pencil on reverse. Four different styles of handwriting on reverse in pencil. 'Ken Stoll and Ray Ghelliar and Ken's automobile on Phillip Island at the end of Churchill Island. Waiting to be pushed up by dingy' '69' '337' 'c.1940' photograph, churchill island -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: COFFEE COLOURED FULL SLIP PETTICOAT, 1950's
Clothing. Coffee coloured polyester cotton full slip petticoat. Shaped top at bust line. Nylon ribbon shoulder straps (1cm). Scalloped top edge and hemline with decorative dark brown stitching. Embroidered floral patterns below shoulder straps and centre front above hemline.Tag 1 inside seam ''SIZE 10 to fit Bust 32, waist 24, hips 34''. Tag 2 ''LYN MAID INTERNATIONAL STYLED IN AUSTRALIA''. Permanent Press Polyester 65%, Combed Cotton 35%.Made in Hong Kong.costume, female underwear, coffee coloured full slip petticoat -
Kiewa Valley Historical Society
Bottle Milk, Circa mid to late 1900's
This glass milk bottle was manufactured and used mid to late 1900's (1834 Victorian dairy industry was founded) up to the time that a cheaper container was invented(plastic bottles and polyethylene plastic lined cardboard cartons) and produced. In 1909 the supply of pure bottled milk was required for babies to overcome infant mortality due to unhygienic milk sources (unclean containers and unpasteurized milk). Due to the volume of milk being processed and hand milking could not keep up with demand, dairy farms introduced milking machines in the late 1930's. The great increases in dairy herds from the average of 18 cows per heard in 1950's to 142 cows per herd in 1996 required milk tankers to pick up the regions milk supply. This bottle was so constructed to be easily moved within the milk processing plants from the delivery vats/holding tanks to the final corking/sealing of the bottles for eventual distribution. From 1958 the milk bottle slowly became phased out of production. At this point in time Melbourne was drawing 160,000 bottles per week from the two major glass bottle works companies, e.g. Melbourne Glass Bottle Works Co. Victoria was the major state supplier of cows milk in the history of Australian milk production from the early 1800's. The Kiewa Valley and its region was a major contributor to meet that demand. Each bottle was "branded" during manufacturing to show the contents (pasteurized milk) and where it originated from (region and supplier). This method of recycling the bottles back to specific dairy farms was a good control method but an uneconomical "on cost" which was replaced by the "throw away" less costly plastic and cardboard containers. Kiewa Valley dairy herds had marked bottles bearing "90/9", "6/18", "6/33", "6/35" and "6/36" This particular one has "7/14".This heavy gauged glass milk bottle has a rim and a distinctive head at the top. This head has been manufactured to facilitate the movement of the bottled along the milk production line. The method of pouring milk into the bottle has been part of the "production line". This bottle has a one Imperial pint capacity and is made from "clear" glass. There are other milk bottles that have a "green" tint in them. Around the bottom side of the bottle and blown into the glass "ONE IMPERIAL PINT". Below these markings and stenciled is "KIEWA" (in freehand style and underlined) underneath is "PASTEURISED FULL CREAM MILK" underneath this ,in freehand stiyle is "USE" next to this in block style "KIEWA BUTTER, CREAM, AND ICE CREAM MIX" to the left of this ,and barely readable is stenciled "THIS BOTTLE ALWAYS REMAINS/ THE PROPERTY OF/ NORTH EASTERN DAIRY Co. Ltd". On the base of the bottle is molded a big "2". with a smaller "m". An identification mark of "7" over "14" is within a circled boundary. Below this is moulded "RM - 15". glass bottles, commercial milk containers, domestic milk bottles, pasteurized milk bottles -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: CREAM SATIN LADIES BRIDAL SHOES, 1960's
Clothing. Made in England by Bally, cream satin with a 5 cm high heel. Beautifully shaped rounded toe, and oval shaped front opening. Fully lined with fabric and leather. Heel area lined with cream kid leather. Hand marked inside heel ; H 3250916 823(possibly identifying style and maker). Still in original box: on box ''Carolz''9, possibly name of style. A6415 White Satin Pump Last 1381 8 1/2BBally Made in England. ( Even a piece of confetti inside the box and in one shoe).Bally England - gold lettering enclosed in a double ring, gold oval shaped logo. On sole 8 1/2 B. FABRIC UPPERS RESIN SOLE, MADE IN ENGLAND.costume accessories, female, cream satin ladies bridal shoes -
Surrey Hills Historical Society Collection
Photograph, Patrick James & Ivy Burns' wedding photograph, 1940
Taken to mark the wedding of Patrick James Burns and Ivy Lillian Ellen Bolton at Holy Trinity Surrey Hills in 1940. Ivy's sister Beryl Torey is at right and Beryl's daughters were flower girls. Patrick's brothers Eddie and Emet are at either end and his cousin Win Ramage is on the left. Patrick and Ivy's home was at 244 Union Road, Surrey Hills. Ivy was born in 1908 in Seymour, the daughter of Samuel Henry Bolton and Elizabeth Beatrice Maher. She died in 2004 in Mansfield and is buried at Fawkner Cemetery. Patrick was a mechanic. He was born in 1906 at Longwood and died in 1964 at Surrey Hills.A black and white photograph of a wedding group showing bride and groom, two bridesmaids, two flower girls and 3 other men. The men are dressed in dark suits and have a buttonhole flower in their lapel, the bride dressed in a floor length dress of lace with a long train supported on her head by a headband, the bridesmaids are wearing floor length dresses, with short sleeves and a hat styled like a small beret, and the flowergirls are also wearing floor length dresses and short sleeves, and also hats styled like the berets. All the females are carrying bouquets.(mr) patrick burns, (mrs) ivy burns, (miss) ivy bolton, (mrs) beryl torey, (mr) eddie burns, (mr) emet burns, (ms) win ramage, union road, surrey hills, holy trinity church, churches -
Bendigo Military Museum
Costume - JAPANESE ROBE
Part of the Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record.Traditional style full length Japanese robe in black and white patterned fabric. Pleat on each side of opening. Front crosses over to be secured by a separate belt. Reinforcement panels sewn onto the inside of the neck and seat. Robe is handmade.japan, costume, ian a. 'joe' lyons -
Bendigo Military Museum
Domestic object - COAT AND HAT RACK, Pioneer Comforts Fund, c. 1921
This item was placed in what was originally the "Writing Room" of the Soldiers Memorial Institute Bendigo when it was opened in 1921. After the renovations to SMI 2016 - 18 it was placed back in the same position. This room is now called the "Building and RSL History Museum.Coat and hat rack timber construction rectangular shape, has six hangars at top and six at the bottom. Each hangar holds two items, top hangars are different style to the bottom. A small silver oval plaque is central at the bottom.On the plaque, "Presented by the Pioneer Comforts Fund"brsl, smirsl, comforts -
Mission to Seafarers Victoria
Print - Reproduction of a painting, Blest Were The Wise Men by Daphne Allen, Early 20th Century
Little known as this print was discovered in an old cabinet in the vestry of the Chapel of St Peter. Possibly a donation meant to be framed or possibly an item used at Port Melbourne Mission which at times ran Sunday school services at the turn of the 19th and 20th C.Allen a child prodigy was a significant popular religious artist. This print is a good example of her work.Appears to be a fine quality full colour reproduction of a nativity scene with angels wise men and madonna in the style influenced by late Pre -Raphaelites mounted on heavy card with printed name of artist at left and printer initials at right and title in centre. see imagenativity scene, daphne allen, artwork-paintings -
Eltham District Historical Society Inc
Photograph, View of 'Willis Vale', Greensborough, 1906, 1906c
'Willis Vale' home of the Partington family is shown in this photograph as well as the area now known as Partington's Flat. The area was owned and farmed by the Partington family from the 1870s. Willis Vale was destroyed by fire in the 1960sBlack and white photograph copy originally located in a magnetic style album titled 'Greensborough Bypass 1990s 5' suffering significant degradation. No information contained in album or on reverse of photos except where noted. Relocated to archival photosafe storage.greensborough, partingtons flat, partington family, willis vale -
Eltham District Historical Society Inc
Photograph, Painting, Greensborough, Arthur Elliott (1889), 1906c
Shows Main Street Greensborough with the Methodist Church in upper right corner, Lower Park and bluestone bridge in foreground.Black and white photograph copy originally located in a magnetic style album titled 'Greensborough Bypass 1990s 5' suffering significant degradation. No information contained in album or on reverse of photos except where noted. Relocated to archival photosafe storage.greensborough, main street, arthur elliott -
Glen Eira Historical Society
Album - Album page, Balaclava Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 22 of Photograph Album - five black and white photographs of different styles of houses (2 photos for 2 houses and 1 for the last) with addresses written under each photograph and Balaclava Road written on the top right hand side.Hand written Balaclava Road [top right of page] / 6 BALACLAVA ROAD [under top left photo] / 6 BALACVAVA ROAD [ beside top right photo] / 73 BALACVAVA ROAD [under middle left photo] / 73 BALACVAVA ROAD [on top of middle right photo] / 239 BALACVAVA ROAD [under bottom photo] / 22 [bottom right]trevor hart, caulfield north, balaclava road, cars, mansions, houses, verandahs, cast iron work, balconies -
Bendigo Historical Society Inc.
Ephemera - CHRISTMAS GREETING CARD
Christmas Greeting Card: Embossed flap style Blue and white card. Blue lace and Ivy borders inscribed: Á merry Christmas with a poem. Hand written in ink is To: Emily From: Her Mother with best love. Box 625ephemera, mementoes, christmas cards, christmas greeting card -
Coal Creek Community Park & Museum
Music Book, The Victoria Music Books
Music book, "The Victoria Music Books, Pieces for advanced performers for the pianoforte", By various composers. The cover has a cream background with bold black printing; down the left side are Baroque-style grotesques enclosing a portrait of a young Queen Victoria.Olive M. Walter -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 'Larkspur', 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Larkspur’ pattern, Foliate design with flowers, red on a paler red background. Original design by Morris in 1872; revised by Morris in 1875. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Pattern No. 133400.Stamped on verso: 133400CI / MADE IN ENGLAND. Inscribed in ink on verso: W. MORRIS / LARKSPUR / 133400 / $7.60decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Polychrome, repeat pattern of a flowering tree among meadow flowers with scrolling green and blue acanthus leaves. Sample is a later Morris-style wallpaper block reproduction by Sanderson & Co from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
National Wool Museum
Textile - Quilt, Domestic Wagga, Mrs E Faulkner, 1943 - 1947
Donated to the Running Stitch collection by Mrs Faulkner of Bendigo after she saw the exhibition curated by Murray Walker at the Museum of Victoria in 1985 of memorabilia. Mrs Faulkner sent the wagga down on the train and Lois Densham picked it up from 'Travellers Aid' at Spencer Sreet station. Mrs Faulkner made this wagga for her father in his later years when a hot water bottle was considered too dangerous and a blanket was not warm enough.Printed cretonne cover of yellow and orange flowers, covering a wagga style quilt made of two standard size wheat bags opened out and stitched together. An opening in the cover has been tacked down to reveal the jute lining.quilting - history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), faulkner -
Whitehorse Historical Society Inc.
Clothing - Jacket
'Laurentino' red jacket, casual, with flap pockets & black buttons with brass colour stars pressed on. Sleeves have buttoned cuffs and jacket has a band at waist. Panels from jacket flaps down front .Style is denim jacket.'Laurentino'costume, female -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Willis, Barbara, 1951c
Original photo taken during honeymoon of Ron and Barbara Willis 1951Black and white photograph of the entry to Lakeside Motel, Marine Parade. View shows cottage style units clad in weatherboard with tiled roofs. Sign at entry has small model of a caravan, advertising caravan sites. Lakes Entrance Victoriamotels, advertising