T.A. Fautleys & Sons (Brunswick, Victoria) manufactured and sold needlework supplies, particularly stamped embroidery patterns from the late 1920's until 1950's. During World War 2 due to austerity measures, some Fautleys patterns were printed on coarser unbleached calico instead of finer fabrics (Australian War Memorial)Apron kit with stamped floral pattern on unbleached calico.Label - Fautley'sflowers, apron

Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Clothing items possibly handmade by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Short sleaved, tailored blouse. Handmade with decorative embroidery and crochetwork around neckline and sleaves. Crochet work is also used on both sides of the vertical central panel which is fastened by 7 cream coloured buttons. Seams are used to make this a fitted garment at the waist. There is a "clip" in the front and back of the blouse. emma thomas, emma courtis, blouse, clothing

Purchased by the Guild 1/6/1967 from an Exhibition in N.S.W. From the 1962 Group, The Embroiderers Guild London who sent out several pieces to be shown.Framed embroidery with three sections showing design process exploring sunflower theme 1.Pencil sketched head of sunflower 2. Muslin over a yellow background with machine and hand stitchery in white 3. Bright yellow slub silk with yellow/orange threads, yellow and orange bugle beads. sampler, 1940-60, england, creative embroidery, sunflower, flower

The embroidered scarf was donated to the Kew Historical Society by Janet Gibson.The shawl is an outstanding example of North Indian weaving and needlework. North Indian scarf [or girdle], probably made in Delhi, hand-loomed of fine wool and heavily embroidered by needle at the ends and sides with multicoloured silk thread surrounding the central rectangular black field. The highly detailed embroidery includes stylised images of foliage and flowers. There is old damage to parts of the textile. women's clothing, shawls, indian embroidery, scarfs

From the estate of Jenny LangBlack velvet oblong evening clutch bag. Gold and silver thread, red and blue seed beads worked into design of embroidered pattern on front. Gold cord handle and small amount of embroidery on back. Lined in black satin with two pockets for mittens or comb. Front closing with press stud.costume accessories, female

This uniform would have been worn by the students of the Ballarat College of Advanced Education, School of Nursing. The colour of the uniform was changed at the request of trained staff in white.This apricot princess style dress with a central front zipper and side pockets has a collar and short sleeves. The back has a yoke with side pleats and a half belt between the seams. There is machine embroidery on the collar and sleeves. There is a blue logo printed on the left breast. Original sales tag attaches to sleevePrinted in blue - Ballarat C.A.E. Nursingnursing, university of ballarat, ballarat college of advanced education nursing, nurse uniform, textiles, costume, apron

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.White lawn infant's dress. Gathered at waist. Gathered at neck forming shoulder straps. Embroidered central panel from front waist to hem.childhood, clothing, embroidery

Embroidered & painted article with Australian Military Rising Sun emblem at top. Gold thread stitching with coloured paint infills all on black velvet material.Below Rising Sun: "AUSTRALIAN COMMONEALTH MILITARY FORCES, AIF PALESTINE 1940"embroidery, memorabilia, palestine

Item possibly made by by William James Tibbett No 978 1st AIF while convalescing in hospital. Refer 488P for his service history also 490.2.Black silk embroidered with a vine with two bunches of grapes and a yellow, brown, blue and orange butterfly, (unfinished).cushion covers, silk, embroidery

Plastic frame, gold coloured surrounding embroidered flags, flowers, leaves & crown on pink material background.Embroidered in silver thread top centre: “ADVANCE AUSTRALIA”passchendaele barracks trust, embroidery, advance

Items were sent home by Herbert Leslie MCLEAN to his sister Hilda. Herbert Regt No 15936 enlisted in the AIF on 14.3.1916 aged 26. Embarked for England 25.10.1916. Returned to Australia 10.3.1918 and was discharged Medically unfit due a hernia complication..1) Pillow, silk embroidered, padded & folded in half with knitted button. Front has pink lace & crocheted flowers & print. .2) Handkerchief, silk with embroidered edges & shield. Main colour is light purple..1) Embroidered on front: “To my dear Sister” .2) Embroidered on front: “From the front”memorabilia, embroidery, pillow

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backembroidery, sampler, england

Hilda was a member of The Embroiderers Guild U.K., a teacher and Judge. She prepared study material and embroidered items for the British Home Industries. Hilda worked on the WW1 tapestry depicting Women's War Work, displayed in the Imperial War Museum. An Annual Prize is awarded in her name for Silk Shading, by a First Year Apprentice at the Royal School of Needlework, London.One of eight stitch samplers worked on coarse counted thread or woven linen. Demonstrating a variety of techniques and embellishments.Hilda Watson Milford Surrey Label on backsampler, embroi, embroidery

traditional hand sewn crafted by indigenous Guna (Kuna) people of the San Blas Islands, panama and Colombia. Usually made in pairs to decorate the front and back of a Guna woman's blouse. Artists fill nearly all the spaces, traditionally believed to leave no room for evil spirits to settle. Evolving from ancestral geometric body painting. Following 1925 Guna Revolution, securing their autonomy, making and wearing Molas became a symbol of cultural identity and independence.Black panel with rectangle of reverse applique in very bright colours - orange, blue, pink, black, with red fabric predominant. Depicting two dolphins/sharks. Three separate motifs depict birds. Part of Mola - traditional garment.embroidery, mola, reverse applique

Cream mat decorated with a geometric design in blue, green and brown in double running stitch on cream even weave fabric.embroidery, mat, double running stitch

Embroidered dragon on pale gold silk in shades of green in a variety of stitches.embroidery, silk, china

Made and donated by the embroiderer.Cream linen needle case (book shape). Geometric pulled thread design in cream thread. Location: C6 BM7 1406pulled thread, embroidery, needle case

Stitched in her donor's mother's house by ladies in Vietnam.White linen sheet with bands of exquisite drawn thread work. embroidery, drawn thread work, vietnam

It belonged to the donor's husband's Great Aunts, the Misses Sanders.Triangular shawl in black net with darned pattern of flowers in brightly coloured silks. But judging from the colours of the silks it is probably 19th century from a small amount of research, it could possibly be Russian.It has a small tag attached which says it dates to the 18th century.embroidery, shawl, 18th century

Given to the donor by the daughter of the Rajah of Punal, when she was 9 years old.Small drawstring bag in large cross stitch in bright colours (Card and two photos inside bag).embroidery, bag, cross stitch

Broderie Anglais Christening Gown is handmade in a traditional design.embroidery, broderie anglais, christening gown

Thought to come from the Baltic States area, possibly worked by Polish embroiderers.Black velvet beaded lady's jerkin lined in black fabric, beads in pale orange, pale mauve, pearls and sequins.embroidery, beads, garment

Envelope style black evening bag, cream lining. Petit point, with a multi-coloured spray of flowers (roses). There is a compact inside the bag with a similar, smaller spray of flowers.embroidery, petit point, compacts

Note on back. "Given me by Grandma Harvey. The picture appears to have been worked by T (?) Colley of 3 Union St. Portsea, England on March 10th 1705. In Queen Anne's reign".Small framed picture of a boy and black and white dog. Design has been drawn on the brown paper and then embroidered in tan, black and white silk. "Boy & Dog" / Note on back. "Given me by Grandma Harvey". The picture appears to have been worked by T (?) Colley of 3 Union St. Portsea, England on March 10th 1705. " In Queen Anne's reign".embroidery, picture, paper

Black georgette blouse with three inserts of fagotting and frills at the front, around neck and at edge of long sleeves. Sleeves close with a row of eight buttons and fine loops, and come to a point. Elbow shaping consists of 9 fine pin tucked rows.embroidery, blouse, fagotting

Ecru linen pouch, bound with ecru grosgrain ribbon. Front flap embroidered in Mountmellick style with ecru pearl cotton in surface stitchery, flowers and leaves. Inside are pockets and flaps containing an assortment of Filoselle silk threads. Fastened with a press stud.embroidery, pouch, thread holder

Sampler designed by 4 Guild members to celebrate the Guild's 50th Anniversary, Rosemany Tonkin, Jan Green (member), Margaret Freeman and Susan Davies.Sampler on cream evenweave linen stitched with green, blue and peach variegated stranded cotton and metallic thread. Sampler was designed by Guild members for the 50th anniversary of The Embroiderers Guild Victoria. Framed green/gold.The Embroiderers Guild Victoria Fiftieth Anniversary 1960-2010embroidery, sampler, australia

Provenance unknown. Collected by donor's father.Cream silk background, depicting lots of people in various activities, and a bridge, dragon boats on the river, etc. Colours are browns, yellow, oranges and reds. There is a wide border of braid, edged in black, and a black wooden frame. embroidery, chinese, silk

Originally purchased at Read's of Prahran. 2 labels attached - Read's Prahran and Read's 14/11 sale price. Originally purchased by donor in an Op Shop.Partially worked transfer design on dark ecru furnishing linen-like fabric. A circular design incorporating leaves, Prince of Wales feathers, stems and circles. A quarter of design is worked in purple and peacock worked in rayon threads, gold metal thread and beads. A little over 1/4 stitched. Includes a bag of threads Pearsall 'Fibrette' wood pulp yarn (rayon) and Perfecta Floss (rayon) and 1 reel metallic thread.Label - "Read's of Prahran" 14/11 sale price.embroidery, silk, rayon