Rural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1999.A realistic watercolour painting of white camelias.Obverse: Eve Laing/ (beside an oriental stamp in the bottom right corner) 1999 GRAND WINNER/ CAMELLIAS/ By EVE LAING/ Judge WYKEHAM PERRY/ (plaque on mounting board)wangaratta art gallery, eve laing, camelias, flower, painting, watercolour

Moran was an Australian realist artist who specialised in floral works in oil. She was highly regarded for her skills as an artist as well as her ability to share her knowledge of painting. realismRural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1986.A still life oil painting of pink and white chrysanthemums arranged in a glass vase with rounded gum leaves which has been placed on top of a round dinning table which has been covered in a white tablecloth.Obverse: P. Moran/ (bottom right corner) WANGARATTA ART SHOW/ GRAND WINNER 1986/ (plaque mounted on frame)wangaratta art gallery, patricia moran, still life, flowers, chrysanthemums, painting

Soldiers’ Memorial World War 1 with wreaths at base. The "Girl's Remembrance League" worked to raise money for the memorial to be built. Cost was 643.0.0 pounds. The memorial was unveiled on Saturday 10th Nov. 1923, by Archdeacon T.P. Bennett, (a respected pardre and old Stawell boy). Photo was copied from original donated by Mrs. L Matthew's whose mother Mrs. A. V. Cornish was a member of the Girls Remembrance League. Memorial was partly built by Robson & Grey, when partnership dissolved Mr. G.M. Robson completed the work. The Borough Council donated the land for the memorial.Black & white photograph of a World War 1. memorial. The fallen soldier statue is on a tiered granite base with flowers and wreaths around the base and steps of the memorial. There are two black & white photos one an enlargement. stawell ww1

Stawell Shire Hall photograph taken around the same time as 84.13. Image shows the building painted white with no decorative fence out the front.View from the street of Stawell Shire Hall. The image is taken from the right hand side of the building showing a colourful flower bed in front of a large tree. The flag post is also out the front of the Shire Hall. stawell

Various colour photos of Wimmera Flour Mill at time it was being demolished. Note roof being dismantled. Rail line in foreground. Willaim Frayne founded the Wimmera Flour Mill on a site in Taylor Street (beside the railway line) Stawell 1876. When Willian Frayne dies 1899 his son George took over the mill. The mill continued to be a propriety company until early 1966, when it was sold to the Victorian Mill Owners. The sale was forced because of the lack of export markets. A factor which affected most country mills. The Victorian Oat Growers Pool took over on July 1st, 1967. Trading under the name of Wimmera Flower Mill as a subsidiary company. Later years it sold clipped and graded seed, oats, stockfeed for poultry, pigs and dairy cattle and all types of crushed grain. The original Frayne homestead still stands behind where the Mill stood facing Frayne Street. In 2007 during our "Collection Review" the four smaller colour photos, which were donated by Mr. Mick Walsh, 52 Patrick St Stawell were very similar to the bigger photo in the file 139.6e.139-6 a-d & e Coloured photographs showing various views of the Wimmera Flour Mill or Grain Handling Corporation building in progress of being demolished. There is a red brick building with a tiled roof in these coloured photos. The rail line is shown in foreground of 139-6 e. Our records on the data base show 139-6e to be a black & white photo but the same photo in the office folder is an enlarged colour photograph. Grain Handing Corporation stawell industry

Isaac Cook Saddler Main Street Studio portrait of bearded man aged in his thirties in suit with flowers in lapel. Hair parted in center. stawell businesses, shop

Red and Yellow Flowers in the Mallgold reef mall

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Image of two birds sitting on a tree branch with flowers. The background is light blue, the branch is dark blue and the birds and flowers are made from cut-out pieces of metal.e justine cromb, 69 smith street gallery, artist-run initiative, artist-run space, mixed media, birdlife in art, melbourne art galleries

Geelong Wool Brokers float for the 1938 Gala Day in Geelong. For over 20 years Geelong held a Gala Day to raise money for the Hospital. Many organisations created floats and paraded them in Geelong. In 1938 the day raised more than 10,000 pounds for the Hospital.Sepia photo of the Geelong Wool Brokers float in landscape format. The base of the float is made of flowers, on top is a taxidermy sheep with a large wool bale filled with wool. Three woman are are sat on the bottom third of the float spinning wool.On Float - Grower Manufacturer Geelong Wool Brokers The Link G.W.B.A Super Fleece 1938wool, woollen mills, wool manufacture, federal woollen mills, geelong, gala day

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This leaflet was presented with the English magazine "My Home" and contains knitting patterns for three different tea cosies.Presented with / MY HOME / February, 1950 / THREE KNITTED TEA-COSIES / TRIMMED WITH WOOL FLOWERS (3-ply)handicrafts - history knitting, handicrafts - history, knitting

Made by Godfrey Hirst and hand embroidered by Wendy Hillman. Given to Ron and Sylvia Maidment for Ian Maidment (donor) by Mr and Mrs Buckley, Bordertown, South Australia in April, 1948.Light blue wool baby blanket embroidered with pink and white flowers, a white rabbit and two white mushrooms.An all wool Exclesior baby blanket by Godfrey Hirst Geelong hand embroidered by Wendy Hillman 30" x 40"embroidery, maidment, mr ian maidment, ms sylvia

When the fabric is removed from the loom it is often stiff, rough and uneven. There are a number of finishing processes, both mechanical and chemical that give wool fabrics their special look and feel. The fabric is often scoured again to remove oils and dirt picked up during manufacture. It is then pressed. For a soft and fluffy surface, the fabric is brushed. For a smooth surface, it is shorn. For centuries, machines similar to this teasle gig were used to finish fabrics. It uses the prickly flower head off the teasle plant (Dispsacus Fullonum) to do the delicate work to raise the surface, or nap, the woollen cloth. At least 1,500 teasle heads are needed for one gig. The teasel is a thistle like plant whose dried heads are used on the teasel gig. They are fixed to frames around the drum, or gig. The gig turns in the opposite direction to the flow of the cloth until the nap is raised. Also spelled as Teazel Gig.Large metal machine with wooden rollers and teasel covered drum.textile finishing, raising, raising machinery, teasel gig, fabric, wool processing, plants, thistle, drum