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Charlton RSL Sub Branch
Card - Christmas card 1918, Small Christmas card sent from Leslie Jones to his wife Doris
Small Christmas cardTo wish you the good old wish, a happy Christmas and a bright New Year. from Leslie to Dorris. Christmas 1918. New Year 1919 -
Charlton RSL Sub Branch
Memorabilia - ANZAC Centenary medal, Herald Sun commemorative medallion 100 years Gallipoli landings
Commemorative medallion on cardThe ANZACS Lest we forget. The ANZACS April 25 1915 -
Lilydale RSL Sub Branch
Badge, HMAS Sydney 11' Sweetheart Badge
On 19 November 1941 "HMAS Sydney 11" was lost with all 645 crew after a battle with the German raider 'HSK Kormoran'Badge mounted on card -
Stawell Historical Society Inc
Photograph, Kodak Australia, Landsborough Court House 1925, C 1925
Weatherboard building corrugated iron roof decorative awnings on windows. Landsborough Court House 1925. Picket fence in foreground. Photographic post card of Courthouse top left. Court-House bottom centre in white. -
Frankston RSL Sub Branch
Card
Christmas card which was sent to a family in Australia by Australian Army serviceman, Lewis Jones who served during World War 2. The card is in the form of a small folded card. The front cover has the Australian 'Rising Sun' badge printed above the following words "Christmas Greetings from 2/11 Battalion A. I. F.". There is some ornate artwork on this cover and a small illustration which appears to be of a middle east village scene. The inside cover page has the following (apparently written by the serviceman) "To Alice & Family Wishing You all a Merry Xmas and a Happy New Year With best of luck From Lewis"christmas, middle east, 2nd aif, army, aif, ww2, world war 2, 2nd 11th battalion -
Whitehorse Historical Society Inc.
Card - British Identity cards, 1943 - 1956
National Insurance England Ministry of Food British Passport.1 National Insurance card .2 National Registration Identity Card .3 Ration Book 1953-1954.4 .Occupational Force Travel Permit 1954.5 Medical Card 1953Foreign Office, Ministry of Fooddocuments, identification, cards -
Uniting Church Archives - Synod of Victoria
Card - Quarterly Ticket, The Methodist Church of Australasia Quarterly Ticket for March
E3000.13.3a Small oblong buff coloured card with black border and text. Quarterly Ticket for September, 1937. The card has a quotation from the bible and the letters "Sm" are printed in bold type. There is provision for a name to be written on the card. E3000.13.3b Small oblong buff coloured card with black border and text. Quarterly Ticket for September, 1937. The card has a quotation from the bible and the letters "Sm" are printed in bold type. There is provision for a name to be written on the card. E3000.13.3c Small oblong buff coloured card with black border and text. Quarterly Ticket for September, 1937. The card has a quotation from the bible and the letters "Sm" are printed in bold type. There is provision for a name to be written on the card.E3000.13.3a has the handwritten number "300" E3000.13.3b has the handwritten number "238 Thedeary" E3000.13.3c has the handwritten number "45 Sunshine"methodist church of australasia -
Ballarat Tramway Museum
Photograph - Photo card Ballarat album sheet 1920c
Part of an album of photo cards - cigarette card size - that depicted various country towns c1920. Has photos of the Fernery, Botanic Gardens, Sturt St, Eureka Stockade, and the garden gates with a weighing machine. Possibly published by the Rose Stereograph Co.Demonstrates photo albums and collector type photo cards.Grey card photo album cardboard sheet with teal coloured right hand edge titled "Ballarat" containing 8 small printed photos and "Daylesford" on the other side, though no photos were with the sheet when obtained. See Reg Items 4083 for the bottom left hand corner - from a Rose Stereograph Co. postcard. Each photo has a title on the sheet, though some of them are not correctly located.ballarat, tramways, trams, esco, sturt st, gardens, eureka stockade -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, M Schulz, Prague, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Both the lodge and lake (1904) were built during the curatorship of Mr Thake. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A colour image of the ornamental lake and part of the Curator’s Lodge. The lodge has a green roof, tall brick chimney, is brown timber with brick where the fireplace would be. The small island with a succulent is in the centre of the image. The image looks across the top of the lake where the rock edging can be seen. Reflections of the plantings and lodge can be seen.Front: ‘Williamstown Gardens’. Reverse: Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. In pencil top right corner ‘1907 / $7’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, ornamental lake, succulents, 1907 -
Melbourne Legacy
Badge, Legacy Appeal Badge 2022 - $10, 2022
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $10. The badge was for sale in 2022. It is in the collection to show the modern equivalent of the older style badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Circular Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with sky blue enamel around a torch and wreath, the word Legacy and the date 2022. It is on a white card with blue printing showing it's value of $10. Badge has a post and a separate butterfly clutch.legacy appeal, fundraising, badge week -
Melbourne Legacy
Badge, Legacy Appeal Badge 2021 - $10
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $10. The badge was for sale in 2021 as the date is on the badge. It is in the collection to show the modern equivalent of the older style badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Circular purple Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with purple enamel around a torch and wreath, the word Legacy and the date 2021. It is on a white card with blue printing showing it's value. Badge has a post and a separate butterfly clutch.legacy appeal, fundraising, badge week -
Melbourne Legacy
Badge, Legacy Appeal Badge 2020 - $10
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $10. The badge was for sale in 2020 as the date is on the badge. It is in the collection to show the modern equivalent of the older style badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Circular teal Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with teal enamel around a torch and wreath, the word Legacy and the date 2020. It is on a white card with blue printing showing it's value. Badge has a post and a separate butterfly clutch.legacy appeal, fundraising, badge week -
Flagstaff Hill Maritime Museum and Village
Greeting Card
Greeting Card, Black and White Christmas Card with photographs of 2 sailing ships the Buckingham and the barquentine Lahaina. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, buckingham, greeting card, lahaina -
Port Melbourne Historical & Preservation Society
Card - City of Port Phillip, Cr Liana Thompson, 1996
Liana Thompson was the last Mayor of the City of Port Melbourne in 1994 when Port, South and St Kilda were forcibly amalgamated to form the City of Port Phillip. Liana was the first Mayor of the elected Council of the City of Port Phillip in 1996Business card of Liana Thompson, Councillor of the City of Port Phillip, back of card is translated into several languages.local government - city of port phillip, liana thompson, mayors -
Stawell Historical Society Inc
Photograph, Central Park Gardens c1900, c1900
Central Park Gardens. Boy at center and large grass trees on right. c1900Post card showing a male standing in Central Park Gardens. Also an enlarged copy of the post card.stawell -
Stawell Historical Society Inc
Photograph, Master G Mathers
From Chapman Family AlbumSmall Sepia studio portrait of a very young child. Foxing on card around photograph. Card is embossed. On front top : Yours truly On bottom : G Mathers -
Rutherglen Historical Society
Postcard - Post card, St Marys Roman Catholic Church, Rutherglen
This building was burned down in [date to be checked], and a new, modern building built.Post card with black and white photograph of St Mary's Church centred on the card with caption beneath photo.st marys church, churches -
Rutherglen Historical Society
Postcard - Post card, St. Marys Roman Catholic Church, Rutherglen
This building was burned down in [date to be checked], and a new, modern building built.Post card with black and white photograph of St Mary's Church centred on the card with caption beneath photo.churches, st marys church -
National Wool Museum
Ephemera - Display Card, Valley Worsted Mills
Display card with fold out stand and the back. Card is blue with embossed printed text in gold and white. front [printed]: the finest / pure wool cloths / are made by … / VALLEY WORSTED MILLS / Geelongvalley worsted mills, advertising, card, display, wool industry, geelong -
Whitehorse Historical Society Inc.
Craft - Press studs on card
1. Five black press studs on green card 2. Four press studs on blue card.1. The Myrene Snap stud size 00, rustless, made in England possibly for The Myer Emporium Ltd Melbourne and Adelaide. 2. British made snap studs, size 0, war time pack made in England.press studs, jennings patrice, elsie doris whitten -
Stawell Historical Society Inc
Book, N.A. McLennan, Looking Back 1964 to 1864 by N A McLennan, 1964
This booklet contains records, mostly of the McLennans, perhaps more about John McLennan than others, as he seemed to be the only one who left any records of the past.yellow card with border Family Crest? with Latin Colour card showing a Tartan above black text(In Latin [ Dum Spero Spiro]) McLennan Tartan Looking Back 1964-1864 Victoria, Australa compiled and written by N.A. McLennan June 1964stawell, mclennan family -
Federation University Historical Collection
Photograph - Little Gem tintype, Possibly American Studio, Portrait of a Boy
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem -
Uniting Church Archives - Synod of Victoria
Card - Quarterly Ticket, The Methodist Church of Australasia Quarterly Ticket for March
Small oblong buff coloured card with black border and text. Quarterly Ticket for June, 1936. The card has a quotation from the bible and the letters "Nm". There is provision for a name to be written on the card. Handwritten on the back: "At the Archbishop of Canterburys" methodist church of australasia -
Uniting Church Archives - Synod of Victoria
Card - Quarterly Ticket, The Methodist Church of Australasia Quarterly Ticket for March
Small oblong buff coloured card with black border and text. Quarterly Ticket for March, 1937. The card has a quotation from the bible and the letters "Qm". There is provision for a name to be written on the card. Handwritten on the back: "75 Scott" methodist church of australasia -
Whitehorse Historical Society Inc.
Functional object - Card of Hooks and Eyes, c1955
Red and blue printed card of 12 hooks and eyes. Made of enamelled metal . On the reverse of the card - continuous strip of labelling with makers details and description of material. Hooks secured to card with thread.'Neway's' 'World famed' Hooks and eyes by appointment to her majesty Queen Elizabeth the Queen Mother - If it fastens NEWEYS makes it - Made in Englanddomestic items, sewing, costume accessories, haberdashery -
National Wool Museum
Textile - Yarn Sample, Alexander Lau Pty Ltd
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.Yarn sample card: card wound with four samples of woollen yarn, each yarn sample is the same design but in a different colourway. The card is printed with the label COL: and handwritten with the colour names.NOIR/PURPEL/ STELL/WILLOWtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
Glenelg Shire Council Cultural Collection
Card - Card - Dance Card - Portland Social Amusement, c. 1923
Dance card. White card. List of dances on one side. The other 'Portland Social Amusement Card, 26th Anniversary, May 22, 1923, Fancy Dress Ball. Name, Character.'1. WALTZ / 2. MERRY CHAIN (Fancy Dress Only) / Judging of Fancy Dress / 3.LANCERS / 4.ONE STEP / 5. WALTZ ( Fancy Dress Only) / 6. BARN DANCE / 7. ONE STEP / EXTRA / 8. TWO STEP (Fancy dress Only) / 9. QUADRILLES RIBBON DANCE / EXTRA / 10. WALTZ / 11. ONE STEP / 12. TWO STEP / 13. WALTZ / 14. ONE STEP / 15. WALTZ / EXTRAportland social amusement club, dance card, betty vivian -
Federation University Historical Collection
Photograph - Photograph - Black and White, Yeoman Co, Reverend Charles Ed and Evelyn Smith and Smith Family, 1909
.1 Black and white wedding photograph on a cream colored background .2 Ethel Smith, as a child, sepia photograph on black background .3. Elizabeth Garvey, nee Smith, sepia photograph on cream background .4 Harold Smith and Rupurt Smith sepia photograph on brown background .5 Alice and Florrie Hendri, sepia postcard .6 Memorial fold out card. Cream card with black borders..1 .2 Ethel Smith, father a minister .3. Elizabeth Garvey, nee Smith .4 Harold and Rupert Smith Corowa, 1894, Alice Watson, 7 Cromie Street Murtoa .5 Hendri girls, Alice and Florrie, writing on back, note to Edie from Alice Watson, 1911 .6 Memorial fold out card, in loving memory of Emma Watson, of Happy Valley,1888reverend charles ed, evelyn smith, ethel smith, corowa, mark allen studio, m.j. allen studio, harold smith, rupert smith, society studios, tesla studio, stella studio, alice watson, florrie hendri, emma keys smith, emma smith, george henry smith -
Wodonga & District Historical Society Inc
Decorative object - Sarah Coventry Tie Pin
Historical information Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. The "Aristocrat" line was first released in Canada in 1969 for several years. It was distributed from the outlet at Sarah Coventry Park, Wodonga.As part of the Sarah Coventry collection, the tie pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A small square tie pin of silvertone plated metal with an ice blue rhinestone in the centre. A short chain and clip are attached. A small diamond shape has the "SarCov" brand on the back. The pin is in its original packaging of a cardboard box with clear central oval on the front. The back of the box bears the Sarah Coventry branding as does the internal card.On internal mounting card: "Made in Canada/ Sarah Coventry Pty. Ltd / WODONGA (SC) VICTORIA" On back of box: "Sarah Coventry® PTY. LTD / SARAH COVENTRY PARK/ WODONGA, VICTORIA / PTD IN AUST"sarah coventry wodonga, men's fashion accessories, costume jewellery -
Flagstaff Hill Maritime Museum and Village
Postcard - Historical, Warrnambool, Proudfoot’s Boat House, Hopkins River, Warrnambool, Early 20th century
The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. All cards have titles on the front printed in red. The majority of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Proudfoots Boat House – Proudfoot’s Boathouse is at 2 Simpson Street Warrnambool, on the banks of the Hopkins River. In the 1880s it was a venue for hiring boats for rowing, fishing, sailing and picnics. It was a popular destination for tourists coming from Melbourne for a day or weekend outing. The beautiful historic Victorian period building was designed, built and established by Thomas Proudfoot. He applied to build a boat jetty in 1885. He died in 1900 and his wife Catherine took over, running it for many years. Later her son Bruce and after that her granddaughter Ena Hunt and her husband took over; it remained in the family until 1979. The buildings, including the ‘U’ shaped jetty and tearooms, were restored and modified in the 1990s by the Warrnambool Sports Club, under the control of the Warrnambool City Council. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time, he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This card is the only one of the nine cards with the location of Warrnambool added to the name 'Joseph Series'. It is also the only one that has text within the outline for the postage stamp. The font used for the test of the headings is slightly different to the other cards. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool. This postcard of Proudfoot's Boathouse is of historical significance for is connection with Proudfood’s Boathouse. Proudfoot’s Boathouse is an example of late-Victorian recreational and tourist facilities. Boathouses were popular 19th-century tourist and recreational attractions, providing refined and healthy activity. This boathouse shows the early realisation of the tourism and leisure potential of seaside towns such as Warrnambool, a potential that has become increasingly important as port uses have ceased and other industries have been subjected to financial pressure. Proudfoot's Boathouse is of social significance because it illustrates the continuity of the attraction of this kind of leisure facility. Although the glory days of boathouses were in the 19th century, those that survive continue to be well patronised. Proudfoot's Boathouse has been an important recreational facility and attraction for tourists flocking to the Hopkins River, one of the State's most popular boating and fishing resorts, since 1885.” (Statement of Significance is from the Victorian Heritage Register)Postcard, one of nine, landscape orientation. Coloured photograph print within an oval border and mauve-toned shading. Cameo Image of figures in three rowing boats on still water beside a building with three gable roofs and decorative verandas. Other boats are moored at the landing in front of the building. The roofs each have a tall pole at the front. There is a park right of the building that also has a landing. In the background is a grassed slope and the sea. Reverse has printed inscriptions and an outline for a postage stamp. There is no correspondence written on the card. The card is one of the Jordan Series by Joseph Jordan, printed in Great Britain in the early 1900s. Front, in red: “PROUDFOOT’S BOAT HOUSE / HOPKINS RIVER, WARRNAMBOOL” Reverse in black: “Jordan Series Warrnambool” “POST CARD” “Printed in Great Britain” “This space may be used for Communication” “The Address to be written here” Within the stamp outline: “3 / BRITISH / MANUFACTURE"flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, proudfoots boat house, boat house, proudfoots, hopkins river, boats for hire, row boats, recreation