Showing 2008 items
matching grey white.
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National Vietnam Veterans Museum (NVVM)
Sign, Photo collage
Under title "He was only 19" Photo Board. Orange Background with white writing. Photograph of soldier. Trooper James Kelly Kerr (Jimmy) Bottom of board :grey with black palm trees picturedphoto collage, trooper james kelly kerr -
National Vietnam Veterans Museum (NVVM)
Manual, User Booklet for Centurion Mk. 3: 1953, 1953
A grey coloured cover with black writing of the front. There are metal staples down the left hand side of the manual. There is a white sticker with the namy ROY down near the left hand bottom.centurion tank, handbook -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Cylinder, Medical Compressed Air
Early cylinders were coloured as their maker saw fit, usually black, perhaps with a white top for oxygen. The Americans first achieved standardisation, but other countries do not follow American Standards. Australia follows the colour-scheme of the British Oxygen Corporation. The body is coloured individually for each gas, viz: compressed air, grey; carbon dioxide, brown; oxygen, black; nitrous oxygen, blue’ cyclopropane, primrose-yellow’ ethylene, mauve. Panels of other colours may appear on the body, but indicate technical points of cylinder-design and do not concern the anaesthetist. (Penn catalogue entry)Empty small pale green painted cylinder with rounded base and attached outflow valve with circular 'On-Off' knob.Handwritten in red paint across the main body of the cylinder: ST. VINCENTS 32510 Printed on manufacturer's label: 'KEEP CYLINDER COOL / CIG [logo] / MADE IN AUSTRALIA / MEDICAL AIR COMPRESSED / DO NOT ALLOW OIL OR GREASE ON VALVE / OPEN VALVE SLOWLY CLOSE AFTER USEcompressed air, cylinder, colour standardisation -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
The image, without a blackened out background was reproduced on page 21 in 'Practical Anaesthesia'. Practical Anaesthesia was the first text book on anaesthesia produced in Australia. Geoffrey Kaye was one of the contributors to this book, which included a foreword by F.H. McMechan, Secretary General, International Anesthesia Research Society. Blood pressure measuring enabled medicine to develop a greater understanding of shock and begin to develop more appropriate measures for resuscitation. Shock was not really understood until the introduction of routine blood pressure measuring in the early 20th century.This item is historically significant because it is a rare photograph of Dr Geoffrey Kaye, as well as being reproduced in Practical Anaesthesia, the first textbook on anaesthesia to be produced in Australia.Black and white photograph showing Dr Geoffrey Kaye during a demonstration of monitoring during anaesthesia in 1932. Dr Kaye is fully gowned and masked and is seated behind the head of the patient who is lying down. Dr Kaye is holding a blood pressure monitor in his right hand which is attached to the patient's arm. Handwritten in grey pencil on reverse: Fig 1 new bookgeoffrey kaye, blood pressure measuring, surgical gown, patient safety -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
This photograph was reproduced in the book One Grand Chain : The History of Anaesthesia in Australia 1846 - 1962 : Volume 2 1934 - 1962, Gwen Wilson, edited by Jeanette Thirlwell Jones, on page 89.Black and white photograph depicting a dentist's office with a woman patient sitting in a chair receiving anaesthesia. Behind the chair is a fully gowned and masked anaesthetist operating a DM Machine with CIG oxygen cylinders. The male dentist is seated to the left of the patient holding equipment near the patient's mouth. A woman dental nurse is standing to the left of the dentist holding a suction tool.•Stamped in red ink on reverse: C.I.G. Equipment Pty. Ltd. •Handwritten in blue ink on reverse: CG13 •Handwritten in grey pencil on reverse: Dr H.N. Matthews / Essendon / Return to F Biggs •Handwritten in grey pencil on reverse: 6 [in a circle]dentist, anaesthetist, dental nurse, patient, cig, oxygen cylinder, shipway, dm machine -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Possibly part of a series of photographs taken at the Geoffrey Kaye Museum when it was located at the University of Melbourne in the late 1940s.Black and white photograph depicting six male figures standing around a c1870 nitrous oxide gasometer. The second man from the right is holding and pointing to an inhaler connected to the gasometer, demonstrating it to the dental students.•Handwritten in blue ink on reverse and underlined: Frame 11. •Handwritten in grey pencil on reverse: 12. [11 has been crossed out.] •Handwritten in blue ink on reverse: 5 (i) (c). •Black paper label which has separated from the photograph, written in white ink: A GASOMETER (C.1870) IS DEMONSTRATED TO DENTAL STUDENTSdental students, gasometer, nitrous oxide -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Possibly part of a series of photographs taken at the Geoffrey Kaye Museum when it was located at the University of Melbourne in the late 1940s, photographer unknown. The photograph was reproduced in the book One Grand Chain : The History of Anaesthesia in Australia 1846 - 1962 : Volume 2 1934 - 1962, Gwen Wilson, edited by Jeanette Thirlwell Jones, on page 459.Black and white photography depicting a group of six male students rehearsing with anaesthetic apparatus. Five of the students are standing and one student on the left of the photograph is sitting and holding an inhaler to his face. There are two apparatus displayed.•Handwritten in grey pencil on reverse: Frame 17 •Handwritten in blue ink on reverse: sample. •Handwritten in grey pencil on reverse: 2 [in a circle] •Handwritten in grey pencil on reverse: 15 [in a circle, with the 5 crossed out] •Label which was originally glued to bottom on photograph which has since detached, written in all capitals with white ink on black paper: Students rehearsing with current apparatus, displayed in functional order and in sectionstudents, training session, anaesthetic machine -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Black and white photograph showing ten unidentified male students standing around a lecture theatre table watching the unidentified male instructor as he points to one of four anaesthesia apparatus, carbon dioxide absorbers.•Black paper label glued on top of photograph with caption written in all caps in white ink: Demonstration of apparatus (Carbon Dioxide absorbers, in section). •Handwritten in black ink on reverse: Frame 14. •Handwritten in grey pencil on reverse: 16. 14 has been crossed out.students, anaesthetic equipment, carbon dioxide absorbers -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Black and white photograph of a man sitting at a table where he is studying the workings of an Oxford vaporiser which is in parts, and reading the accompanying information panel. There is other anaesthetic equipment around him.•Handwritten in black ink by Geoffrey Kaye on reverse: Frame 20. •Handwritten in grey pencil on reserve: 23. 20 has been crossed out. •Caption on bottom of photograph written in white ink on black paper and glued down: HOW THE WHEELS GO ROUND. oxford vaporiser, anaesthetic equipment -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Black and white photograph of two unidentified male trainee anaesthetists in what looks like is the Australian Society of Anaesthetists headquarters at Mathoura Road Toorak. One man is seated with a book of diagrams in front of him and the other is standing next to him pointing at an image in the book.•Black paper label glued on bottom front of photograph, written in white ink in capitals and captioned: "He's wrong; and here's why". •Handwritten in black ink on reverse and underlined: Frame 17. •Handwritten in grey pencil on reverse: 20. [17 has been crossed out.]students, trainee anaesthetists -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Black and white photograph of a lecture theatre with a man standing and leaning on the bench in front of numerous students. The students are sitting down at seats with long benches in front of them with notebooks open and writing content down. A small photograph of a McKesson Nargraf chart with writing on it from the Alfred Hospital has been glued to the top of the photograph and grey paint has been added around the chart, covering the original section of the photograph.•Black paper label glued on bottom front of photograph and written in white ink, captioned: A FORMAL LECTURE TO MEDICAL STUDENTS IN / THE THEATRE ADJOINING THE MUSEUM •Handwritten in black ink on reverse: Frame 13. •Handwritten in grey pencil on reverse: 15. [13 has been crossed out.]medical students, lecture, mckesson nargraf chart -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, Specialized Photographic Company Pty. Ltd
Black and white photograph depicting a labour ward in a hospital, with two men in business suits standing on the left of the photograph next to an nitrous oxide machine. A woman patient is lying in a hospital bed on the right, wearing a hospital gown and holding the mouth-piece of the apparatus to her face. The two men are looking down at the equipment and the man on the left, Dr Kevin McCaul, is pointing at the patient, demonstrating the use of the demand flow nitrous oxide/oxygen apparatus. A lamp is above the bed and there are curtains behind the men on the left.•Handwritten on reverse in grey pencil: 1 [in a circle] •Printed stamp in blue ink on reverse: 51 4776 / PHOTOGRAPHED BY SPECIALIZED / PHOTOGRAPHIC / COMPANY PTY. LTD. / REF. No .................... 240 CHAPEL STREET / TAKE ........................ PRAHRAN, VICT., S1 / PHONE 51 4776 / 51 1752 •Handwritten in black ink on reverse: 4874 [next to REF. No] / D [next to TAKE]nitrous oxide apparatus, demand flow apparatus, kevin mccaul, anaesthetic equipment -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Black and white photograph of anaesthetic apparatus inside a portable case which is standing upright and open. Inside the right half of the case is a flowmeter connected to several rubber tubes and a small Vinyl Ether vaporiser with a lever switched to ON. The left half of the case has four shelves with equipment on each shelf. The top shelf has an oropharyngeal airway tube. The second shelf has a metal facemask inhaler and a glass vaporiser. The third and fourth shelves hold metal cylindrical inhalers. In front of the case is a metal inhaler with face mask, attached to a rebreathing bag.Handwritten in grey pencil on reverse: Fig 17 new bookanaesthetic equipment, portable case, flowmeter, inhaler, vinyl ether -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Black and white photograph of the head of a portable Foregger "Metric" Gas Anaesthesia Apparatus. The apparatus has glass flowmeters and controls for fine and coarse oxygen, cyclopropane, nitrous oxide and carbon dioxide. There is also an ether container and a blood pressure nanometer.•Handwritten in grey pencil on reverse: Dr. Desai's Special Metric •Handwritten in black ink on reverse: III. •Handwritten in grey pencil on reverse: dvpd.anaesthetic equipment, anaesthetic machine, flowmeter, foregger metric gas anaesthesia apparatus, oxygen, nitrous oxide, carbon dioxide, cyclopropane -
National Vietnam Veterans Museum (NVVM)
Card - Christmas card
Christmas card supplied by 8 RAR for soldiers to send to family and friends.Christmas card with RAR V111 in gold embossed with Australian emblem on grey textured paper mounted on cream colored card. Inside there is a picture of the RAR emblem on white brick structure in front of a building. Hand written message to family in blue ink. Black ink message for Christmas.Blue ink "To mum, Dad, Robyn and Rex / Bill Black type " Best Wishes for Christmas and the New Year from" / 8th Battalion, the Royal Australian Regiment.rar issue, maschette, 8rar, private, 5716538, christmas card, 8 rar, correspondence -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, Vinyl Record, 1983
A 45rpm record in grey paper cover with Epic in yellow fancy writing on blue paper. Also in dark blue ink are the details of the record. the label is has a white border around it. On Side A: Redgum: "I was Only 19 (A Walk In the Light Green). On Side B: Redgum, Yarralumba Wine"John Schumann, Redgum Music. Produced by Trevor Lucas. Aust Performance. Aust Compositionentertainment, record, music -
Benalla Art Gallery
Painting, George W. LAMBERT, Shearer's Sunday, 1899, 1899
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930NationalismGift of Mrs E.E. Ledger, 1982Rural landscape with four horses and riders jumping a fence. Image is in black and white colour. Dark stained, gold and grey brushed timber frame.Recto: Signed "GEO.W.LAMBERT" in black watercolour in l.r.c of composition; Not dated; Not titledpainting, rural, horses, animals, figures, fence, jump, tree -
Benalla Art Gallery
Pastel, Adelaide IRONSIDE, Louisa, c. 1855
Born: Sydney, New South Wales, Australia 1831; Lived and worked: Italy 1856-1867; Died: Rome, Italy 1867VictorianLedger Gift, 1985Oval brown background with profile portrait of figure depicting female with flowers in her hair and wearing white clothing. Stained timber frame.Recto: Signed and titled " Louisa" "A.G. Ironside" in grey pencil from l.l.c to l.r.c of composition; Not datedpastel, portrait, woman, flowers, wreath, shoulders -
Benalla Art Gallery
Watercolour, William Blamire YOUNG, Japanese willow, Not dated
Born: Londesborough, Yorkshire, England 1862; Arrived: Sydney, New South Wales Australia 1885; Lived and worked: England 1893-1896; Died: Montrose, Victoria, Australia 1935VictorianLedger Gift, 1985Rural landscape with large weeping tree, fence, rolling hills, line of trees and sky. Grey rubbed from gold gesso timber frameRecto: Signed "BLAMIRE YOUNG-" in white watercolour in l.l.c of composition; Not dated; Not titledwatercolour, landscape, trees, fence -
Benalla Art Gallery
Drawing, Iso RAE, The Canadian Field Hospital, Etaple, 1918
Born: Melbourne, Victoria, Australia 1860; Lived and worked: France 1887-1932, England 1932-1940; Died: Brighton, Sussex, England 1940World War IGift of Mrs E.E. Ledger, 1987Drawing depicting a field hospital with tents and trees lining a snowy field and figures working at sunrise. Limed timber gallery frame with white window mountRecto: Signed, titled and dated 'ISO RAE / ETAPLES Jan 1918 – Tents no I Can. Hos. / fire buckets" in grey pencil in l.l.c of compositiondrawing, landscape, figures, trees, structures, tents, sunrise -
Benalla Art Gallery
Watercolour, H. L. VAN DEN HOUTEN, Settler's hut, Not dated
Born: The Hague, Netherlands 1801; Arrived: Melbourne, Victoria, Australia 1853; Died: Melbourne, Victoria, Australia 1879ColonialGift of Mrs E.E. Ledger, 1987Watercolour depicting a rural landscape with a settler's hut and figures standing in a cleared paddock. Gold and grey brushed timber frame with off white window mountRecto: Signed "H L Van den Houten" in brown watercolour in l.r.c of composition; Not dated; Not titledwatercolour, landscape, house, figures, path, fence, building, hills -
Benalla Art Gallery
Watercolour, Nicholas CHEVALIER, Pontina, Funchal Bay, Madeira, Not dated
Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902VictorianLedger Gift, 1988Watercolour depicting a walled city at the foothills of the Madeira mountains. Gold brushed timber frame with off white window mountRecto: Signed "N.Chevalier." in grey watercolour in l.r.c of composition; Not dated; Not titledwatercolour, streetscape, buildings, animals, mountains, roads, river, structures, castle -
Benalla Art Gallery
Watercolour, George LACY, Hold up, Not dated
Born: London, Middlesex, England c.1817; Arrived: Sydney, New South Wales, Australia 1842; Died: Bathurst, New South Wales, Australia 1878ColonialLedger Bequest, 1993Watercolour with ink, depcicting two men being robbed at gunpoint in the bush. Immitation timber frame with black painted edge, gold brushed internal window edge, and off white window mountRecto: Signed "G.L." in grey watercolour in l.r.c of composition; Narrative as part of work, '"How much have you” – “only 2 ounces” – “2 ounces?!! You lazy rascal, after 6 months at the diggings if you don’t find more than that I’ll knock you into the middle of next week”' written in grey watercolour across the lower edge of the composition; Not dated; Not titledwatercolour, figures, animals, trees, gun, horse, theif -
Clunes Museum
Photograph
.1 Black and white photograph of men outside the original Clunes hospital, 2 men are up a ladder, appear to be maintenance workers as some have tools. Mounted on charcoal coloured board. .2 Black and white photograph of the rear of Clunes hospital, possible nurses quarters, mounted on grey cardboard .3 Black and white photograph of the front of the hospital with a group of people that includes nurses in uniform, mounted on beige cardboard.1 On front, at bottom; Bawden Photographer Clunesclunes hospital, bawden photographer -
St Kilda Historical Society
Ephemera - Invitation - wedding, Invitation to wedding of Miss Swindles and Mr John Nicholson 1867, 1867 (original)
The Argus, 27 September 1867 p4 - MARRIAGES: NICHOLSON—SWINDELLS.—On the 12th inst., at Christ Church, St. Kilda, by the Rev. D. Seddon, John, eldest son of the late Hon. W. Nicholson, to Gertrude Sarah, youngest daughter of the late James Swindells, Esq., of Manchester. No cards. https://trove.nla.gov.au/newspaper/article/5779002 Barham House was built in 1850 by Edward Bernard Green (1809-1861) a successful land speculator. It was a magnificent residence built in the regency style to the design of architect John Gill and set in landscaped grounds of nine acres and included an ancient Swiss cottage. When Green died in 1861, his executor was his neighbour, William Nicholson (1816-65) who owned Fernleigh immediately to the north in Grey Street, but actually lived in Barham House during his time as Premier of Victoria 1859 - 1860 until his death in 1865. In 1866 Richard Twentyman purchased Fernleigh from the Nicholson Estate and a year later he married Nicholson's widow, Sarah. Both remained at Barham House until June 1870. In 1871 the building was substantially remodelled and re-named Eildon. It is one of the larger surviving 19th century houses in Melbourne.Black and white photocopy of invitation, wedding breakfast menu and envelope(handwritten) Original in possession of Lady Johnston. (handwritten) Gerty's marriage? Invitation: Mr and Mrs Twentyman request the pleasure of [unclear] Johnstone's Company at Breakfast on Thursday the 12th at 1 o'clock. Miss Swindells Mr John Nicholson. Ceremony at Christ Church St Kilda, at 12, Noon Barham House, Grey Street, St Kilda Sept. 2nd. 1867 The favour of an early answer is requested Menu: Déjeuner Barham House, St Kilda, 12. September, 1867. Menu items listed on following page Envelope: [unclear] Johnstone Esq Care of J C Johnstone Esq Sunburybarham house, christ church, st kilda, 19th century, eildon house, grey street -
St Kilda Historical Society
Booklet, Boyes, Rosemary, The life of James Cook, the man, 1970
'Extracts from the Bi-Centenary Presentation in 1970. An illustrated address presented by Mrs. Boyes at Albury and Wagga, New South Wales, Wodonga, Wangaratta, Benalla and Mornington Peninsula, Victoria, to the general public and schools. This Documentary was generously accepted by His Excellency, the Governor of New South Wales, also awarded the New South Wales Government Bi-Centenary Committee's Certificate of Honour. The manuscript of James Cook, the Man, has been placed in the archives of the Greenwich Maritime Museum, London, the largest of its kind in the British Commonwealth, the Captain Cook Landing Place Historic Museum, Kurnell, Botany Bay, Australia, the Newport Historic Marine Museum, Rhode Island, U.S.A., Newport being the last resting place of Cook's "Endeavour".'Cover of grey paper, folded, containing a single folded sheet of white paper, printed in black. Bound with 2 staples. captain cook -
St Kilda Historical Society
Souvenir - Booklet, Historic Souvenir of the Visit of His Royal Highness the Prince of Wales to Australia, 1920
Souvenir booklet of the visit by the Prince of Wales (later, King Edward VIII) on 26 May - 7 June 1920. Contains 23 pages of black and white photographs of the visit, covering images of his official party; his arrival at St Kilda; events in Melbourne at the Town Hall, Royal Agricultural Show, MCG; visits to Geelong, Winchelsea, Colac, Camperdown, Cressy, Ballarat, Castlemaine, Bendigo and Sassafras.Booklet with a grey card cover embossed with gold and containing 12 pages (printed double-sided) of black and white photographs. Bound with 2 staples. royal visits, prince of wales -
St Kilda Historical Society
Ephemera - Special event program, Civic Anzac Commemoration, 1939
Program for a civic ANZAC commemoration, presented by the City of St Kilda, at St Kilda Town Hall on 23 April 1939.Grey coloured card and single sheet of white paper folded, stapled together and printed in blue.anzac, anzac day, city of st kilda -
St Kilda Historical Society
Ephemera - Special event program, Civic Anzac Commemoration, 1955
Program for a civic ANZAC commemoration, presented by the City of St Kilda, at St Kilda Town Hall on 24 April 1955.Grey coloured card and single sheet of white paper folded, stapled together and printed in blue.anzac, anzac day, city of st kilda, lt gen sir horace robertson, film - jungle patrol, film - the queen's colours -
St Kilda Historical Society
Ephemera - Special event program, Civic Anzac Commemoration, 1954
Program for a civic ANZAC commemoration, presented by the City of St Kilda, at St Kilda Town Hall on 25 April 1954.Grey coloured card and single sheet of white paper folded, stapled together and printed in blue.anzac, anzac day, city of st kilda