Showing 1272 items
matching group - children
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Ballarat Tramway Museum
Sign, "Children's Carriages ....."
One of a group of signs that were fitted into tramcars in Ballarat, giving instructions to passengers about prams, behaviour, smoking, fare payment, talking to the motorman, instructions or information to drivers etc. Yields information about the sign manufacture, demonstrates the type of signs provided in tramcars.Enamel sign, black capital letters and lines on white background, titled "Children's Carriages which fold compactly may be permitted on cars at conductors discretion and owner's risk". One of a number similar signs donated to the Ballarat Tramway Preservation Society by the SEC following closure of the Ballarat Tramways system in 1971. Sign has a black enamel backing, with marks from the enamelling process. .1 - as above, rear of sign has many white paint brush marks enamelled into it - added 31/12/2010.trams, tramways, signs, prams, baby carriages, tramcars -
Melbourne Legacy
Photograph, Junior Legatee Boys Class, 1970s
Boys classes were held each Friday night in nine various locations around Melbourne. It gave the opportunity for Junior Legatees to meet and be involved with activities they may have missed out on due to the death of their fathers. Legacy clubs ran classes for junior legatees for many years. It was part of providing for the children of their deceased comrades. Activities included basketball competitions, gymnastics, boxing, judo and swimming lessons. There were annual sports days when groups came together for friendly competition. Estimated date of 1970s.A record of the type of activities Legacy provided for the Junior Legatees.Black and white photo printed on cardboard of boys playing with medicine balls at a sports day.Stamped in purple ink 'The Property of Melbourne Legacy'. junior legatees, boys classes -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Fred M. Day Press & Commercial Photographer, Poultry Field Day 1954, 1954
Note by T.H. Kneen 8 April 1992, "Included in photo: Chief Veterinary Officer of D of A Mr. Talbot seated with walking stick. Second from his left Bill Macauley, Curator Egg-Laying Competition. On his right T.H.K. and kneeling third from right Bill Stanhope Poultry Expert D of A."Black and white photograph. Large group of men, women and children outside the Administration Building. N.U.P.B.A. Field Day (National Union of Poultry Breeders). Also see B91.430.On reverse, "Poultry Field Day 1954 27.2.54." and, "Fred M. Day Press & Commercial Photographer 10 Ailsa Grove Ivanhoe Phone JX 1944."administration building, poultry, chief veterinary officer, bill macauley, curator, egg-laying competition, bill stanhope, poultry expert, mr talbot, field day, main building, public day -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Poultry Breeders Field Day, 1953
Note by T.H. Kneen 24 June 1992, "Can identify Mr. Talbot Chief Veterinary Officer Department of Agriculture - bald headed gentleman seated towards right. Second from his right is Mrs. D. Kneen, Principal's wife. The N.U.P.B.A. Field Days were held annually. At that time the Egg-Laying Competition was under the administrative control of the School of Horticulture." .Black and white photograph. Large group of men, women and children gathered on the lawn in front of the Administration Building. Also see B91.269On reverse, "N.U.P.B.A. Field Day Feb 1953." (National Union of Poultry Breeders Association?)men, women, children, lawn, administration building, nupba, field day, 1953, national union of poultry breeders association, mr. talbot, chief veterinary officer, department of agriculture, principal's wife, egg-laying competition, school of horticulture, mrs d kneen -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Tidal River Excursion, 1955
See paper catalogue for list of names.Black and white photograph. Group of staff, students and children beside a truck. Cup Day 1955 at Tidal River. T. H. Kneen, Principal, and four of his children.staff, students, children, truck, cup day, 1955, tidal river, t. h. kneen, excursion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1931 c
Also another black and white photograph of Girl Guides at St Matthews standing ouside holding a banner number 04148.1 size 6 x 8.5 cmBlack and white photograph of children hanging out the windows small shop in far right background St Matthews Hall Guide Group Bruthen VictoriaFoxlense the 2nd Our Guide Hall till 1932boats and boating, fishing industry -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Ward, H. M, Money and the man, [n.d.] [c.1900?]
384 p. : col. ill. Title page missing. Brown cover, with image of a man being driven in an open carriage past a group of onlookers.fictionh. m. ward, children's fiction -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1910 c
Group appear to be on a Sunday excursion as all in best clothesBlack and white photograph of group of men, women and children posed for the camera in a bush setting in East Gippsland Victoriacelebrations, clothing -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Phillips Miss L, 1910c
Black and white photograph showing group of fourteen adults and four children. Elderly man holding large fish. Lady holding small dog. No details of people, visitors to New Works, Lakes Entrance, Victoriajetties, waterways, township, boats and boating -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, Eltham Library, 11 August 2015
Designed by multi-award-winning architect, Gregory Burgess, for which he won the 1995 Royal Australian Institute of architects (Vic.) Merit Award in the New Institutional category. Eltham Library Service 1930s - 1994 Originally collated by Harry Gilham, President, Eltham District Historical Society Inc (1993-2009) (edited 2022) In the Eltham township area, in the early 1930s, library books for adults were available from E J Andrew's newsagency in Main Road. In the newsagency cum haberdashery, some shelves were set aside for a lending library of adults' books. In 1935, Mr & Mrs JC Rains purchased the newsagency and continued the lending service until the late 1940s. At this time the business was extended from haberdashery to sell ladies' and men's clothing. The library section was discontinued. In the 1930s a mobile book library was also run by a Mr Foster of Bible Street, Eltham. In the 1950s adult books were available from racks in the foyer of the Eltham Shire Offices which was then located beside the Eltham Hall on the comer of Arthur Street and Main Road. In the early 1950s a referendum of ratepayers was called to seek public opinion on the issue of raising money for a public library for which the rates would have to be increased - the motion was defeated. On 11 November 1965 Eltham Shire Council, in conjunction with the City of Heidelberg and the Shire of Diamond Valley, met to form the Heidelberg Regional Library Service. Eltham was represented by Councillors Charis Pelling and John Lewis. The first library service for the Shire of Eltham from this group came in the shape of a bookmobile van which had, amongst others, a central stopover near the Shillinglaw trees outside the newly opened Shire offices at 895 Main Road, the original site of Shillinglaw Cottage and the former Shillinglaw farm. Present-day Wingrove Park was another stopover and the many recorded requests for this service can be read as denoting the areas of population or gathering points at that period throughout the Shire. 1968 saw the Shire convert the ‘Brinkkotter’ house in Dudley Street to house both adult and children's books. This library was originally staffed from the City of Heidelberg Library and records of committee meetings range from borrowing Heidelberg's old library shelving to trying to increase the Government's subsidy to a dollar for dollar basis. Book loans in the period 1966-67 totalled 30,400 and the following year ran to 52,113. With 2 books plus 1 paperback the limit per person, it was overcrowded and unable to house the range of other services which had become common library stock. Planning to extend the Shire Offices by the addition of the south wing was an opportunity to re-house the Shire's Library. The opening of the library in the extension was carried out on 17th August 1971 by the Hon R J Hamer ED, MP, Chief Secretary of Victoria. Cr Geoffrey Dreverman officiated as the Shire President. The Heidelberg Regional Library Service continued until September 1985 when it disbanded. On 21 November 1985 the Yarra Plenty Regional Library Service was established. At that time Eltham was represented by Councillors Mary Grant and Robert Manuell. By 1987, over-crowding of the Eltham Library and an inability to house the range of other services yet again rose to prominence. At a Council meeting held on 1 June 1987, the Councillors supported a resolution which threatened to close the library on 30 September 1987. Council's frustration arose from yet another re-run of the annual State Government versus Council Library funding and records show first arose in Eltham Council in 1967 with the Government of 1he day. After prolonged public anger and petitions the motion to close the library was rescinded in August 1987. Council, considering the community's concern, set up a ‘Library Review Working Party’ which a year later became the Library Occasional Committee with direct access to Council. This Committee investigated the workings of the 386 square metre library and found inadequate space for storage and display, lack of equipment, out-of-date furniture together with an increasing patronage which resulted in queues of borrowers becoming longer no matter when the library was open. Community consultation took the form of 1,000 questionnaires sent to users and non-users along with noticeboard reminders of what was planned. Council developed a strategy to set aside capital funds from 1988 on an annual basis so that preliminary planning and consultative expenses could be met, and construction could be completed early 1997. The Committee visited metropolitan libraries which were catering for a similar population as was projected for Eltham. Australia-wide Federal Government funding grants under the Local Capital Works Program became available from October 1992 for community projects endorsed by local Councils. The Eltham Council submitted a proposal, based on library findings and requirements accumulated by the Library Occasional Committee, to the Federal Grants Committee to build a new Eltham Library. The Federal Grants Committee supported the funding request allowing commencement of the library project three years earlier than planned. With finance finalised, the Council set up its Eltham Library Re-development Special Committee which was given the task of overseeing what could be the last major expansion of the Shire's Library Service as Eltham's population nears its projected maximum. The new library was designed by Gregory Burgess and Peter Ryan of Gregory Burgess Pty Ltd. Construction of the library commenced in 1993 and was officially opened May 22nd, 1994. The library building was designed to reflect its parkland setting. External features include: the roof which includes interesting aspects when viewed from Main Road; verandahs which provide ramp access and give a sheltered entrance to the building; walls which feature locally made mudbricks, conventional bricks and copper panels; and space for an outdoor courtyard/reading area which will be developed later. Internally there are several features. The building includes a foyer with a fireplace suitable for displays including artwork, a community multi-purpose room suitable for meetings or functions and an outdoor cafeteria. The ceilings are lined with Victorian Ash. The shapes for the ceiling give a free-flowing form to the building. Brush Box has been used for the circulation and information desks. The tree trunk columns are Grey lronbark from New South Wales. Arches and various-shaped windows add interest to the internal structure. The carpet design reflects the Eltham environment and compliments the natural colours and timbers used in the building. Tiles by artist Felix Bosari feature in the building and additional art by local artists added externally and internally to the building. Since 1994 the library has undergone a major extension to cater for children’s services and others. See also EDHS_02111jim connor collection, eltham, eltham library, panther place -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1990
... Charities Childrens Services Colour photograph group of people ...see page 21 Lakes Post Newspaper 6 November 1991Colour photograph group of people, delegates to Apex Convention, Apex President Tony Barnes only name identified. Lakes Entrance Victoriacharities, childrens services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1995
... Black and white photograph four children, three year old... photograph four children, three year old group, on playground ...Childrens names Rhiannon Waites, Jordannah Webb, Jack Webster, Michael Richmond.Black and white photograph four children, three year old group, on playground equipment, Heatherlea Grove Kindergarten, Lakes Entrance Victoriaeducation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2001
Colour photograph showing Music teacher Sue Furlong Taylor, with group of students from Secondary College on a visit to Pre School Lakes Entrance Victoriachildrens services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2001
Colour photograph showing Music teacher Sue Furlong Taylor, with group of students from Secondary College on a visit to Pre School Lakes Entrance Victoriachildrens services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2001
Colour photograph showing Music teacher Sue Furlong Taylor, with group of students from Secondary College on a visit to Pre School Lakes Entrance Victoriachildrens services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2001
Colour photograph showing Music teacher Sue Furlong Taylor, with group of students from Secondary College on a visit to Pre School Lakes Entrance Victoriachildrens services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1995
... Entrance gippsland Childrens Services Colour photograph group four ...Colour photograph group four toddlers at Salvation Army Toy Library, Lakes Entrance Victoriachildrens services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1985
Colour photograph group of people, adults and children, outside the Primary School, at the Centenary celebrations Lakes Entrance Victoriaschools -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1999
number in album 03608.01Colour photograph small group, three adult instructors Joyce Robinson LEGC, Virginia Kenworthy E G Captain, Melissa Fraser frofm Sale, and five children, Nicole Twite, Meaghan Cook, Katie Knorr, Kate Brady and Phillipa Davies, East Gippsland Junior Girls Golf Camp at Golf Club. Lakes Entrance Victoriagolf club, sports -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1904
Preparation of Johnsonville Primary School Centenary Celebrations held July 1986.Black and white Newspaper cutout of group of thirty two named children and teacher Mr John Edgar of Primary School Johnsonville Victoriaschools -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1988
Black and white photograph of group of adults teachers and parents and children associated with Johnsonville Primary School, on school sports day at Howitt Park, children have tags pinned to their teeshirts to indicate which events they had participated in Bairnsdale Victoriaschools, sports -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1984
Black and white photograph of children from Johnsonville Primary School sitting at picnic table, eating lunch adults also in group cars parked among tall trees in background, probably Log Crossing at Kalimna Victoriaschools -
Kiewa Valley Historical Society
Banner - Tawonga School
Banners were often used for school functions eg. Sports Days to mark an area for children to gather/ meet. Or to identify a group during an event eg. a parade. The Tawonga School was opened in 1880. See KVHS 04882Tawonga School is in the Kiewa Valley. It is small rural school serving the farming and tourist town of Tawonga in Victoria's north east.Large white banner with ST (overlapping) in red and a red fringe on the bottom edged forming a V. The back is red. There is nothing to assist it being hung up.tawonga school banner, education, school sports -
Bendigo Military Museum
Photograph - PHOTOGRAPH - FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. Children in Scotland. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting seven children standing and sitting near or on a low rock wall. On left one child holding a bicycle, on right a child standing on stilts. Background - trees and buildings. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a lifetime". "K. Children - Scotland". framed accessories, camera on the somme, ww1, 38th bn, grinton, scotland -
Bacchus Marsh & District Historical Society
Photograph, Roman Catholic School Fisken Street Bacchus Marsh 1883
This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. The Catholic school in this picture was located in Fisken Street, Bacchus Marsh. It was opened in 1863 and operated until about 1890 when the pupils transferred to another school at St Joseph's Convent.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a group of about 45 school children facing the camera along with two adults. A female adult stands at the far left of the picture. An adult man stands second from the right. The older children stand in two rows and in front of them are seated younger children. What is presumably the school building is directly behind them.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, schools bacchus marsh, catholic schools bacchus marsh, school portraits -
Federation University Art Collection
Sculpture - Artwork, 'The More Bones the Better' by Yhonnie Scarce, 2016
Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. STORES AT THE DIGGINGS, c1853
Diggers & Mining. Stores at the diggings. From the original in the Dixon Gallery, Public Library of NSW. Part of canvas town, Bendigo, 1853. A group or row of stores on the diggings was often called ''Canvas Town''. Slide shows Beauchamp's Australian Stores, Gold bought with a small hut at the rear with a chimney. Second tent - Beauchamp's Australian Store. 3rd tent unnamed. There are goods for sale outside the first tent appear to be cradles for mining. 2 children to the left of picture. Markings: 13 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: LETTER BUSH DANCE AND MUSIC CLUB BENDIGO, 28th February 2011
3 Page Letter printed on A4 printer paper. Bearing the letterhead of the Bush Dance and Music Club of Bendigo Inc. Postal Address Secretary PO Box 922 Bendigo 3552 Telephone number (03) 5442 1153 email [email protected] Mark Maddock Case Officer Australian Honours and Awards Secretariat Government house Canberra ACT 2600 28th February 2011. Dear Mark, Thank you for giving us the opportunity to speak for Peter Ellis. We know Peter to be a worthy candidate for the award and I think that most people that know him would agree. I had been putting together a nomination for Peter that was suggested by a couple at our club meeting on a night when Peter was not present. Everyone felt that he should have recognition for all the work that he has done and it was unanimously voted on. I was given the job. As someone else has beaten me to it I now can speak for him on my own behalf and in my role as secretary of the Bush Dance & Music Club Inc. Peter Ellis is a very good friend of mine and I have known him since April 1975 when we met at a Saturday night dance. At that time there was a small group of us that went around the dances. We would go 100kms to find dances that were not on the average programme, dances such as The Lancers, Albert's, Waltz Cotillion and lots of Polkas. We bemoaned the fact that they appeared to be dying out in the Towns and Cities so we tried to get the Bendigo Old Time Dance Club of which we were members, to introduce these dances on to the programme, but they were not interested. After a lot of discussion Peter, Maurie Rayner, myself and several others decided to start our own dance club where we could do the dances that we liked, and to endeavour to keep them alive. We formed the Sandhurst Dance Club in June 1979 (renamed ten years later as the Bush Dance & Music Club of Bendigo Inc.) In 1981 Peter made two attempts to form a band for the club and in 1983 the 'Celebrated Emu Creek Bush Band' was born, with Peter as the leader. Later Peter set up a junior section of the Emu Creek Band and some of these children grew up to become competent musicians and leaders of their own bands/Groups. Peter's friendship with the late Harry McQueen of Castlemaine led to and increased knowledge of the dances, calls for the sets and the various tunes used. Peter joined the Wedderburn Old Timers Orchestra in late 1979 and travelling around Victoria and interstate with them was of immense help in learning to MC dances, call sets acoustically and in collecting new 'old dances' and tunes. He met elderly MC's who gave him information on the way that they ran the dances in the old days. It was also an introduction to playing items at concerts and in reviving much of the old traditions of the bush. Demand for the tunes for dances led to Peter compiling a series of three books called 'Collectors Choice' which were published by the Victorian Folk Music Club in 1986, 1987 and 1988. 1988 was a very busy year for Peter and The Emu Creek Bush Band as they recorded two double music tapes for the club 'The Merry Country Dance' and 'The Waltz the Polka and all Kinds of Dancing' which were in much demand at the time. Also in 1988 he collaborated with the late Shirley Andrews and they co-authored the book 'Two Hundred Dancing Years and how to celebrate them with a Colonial Ball' for the Bicentennial of 1988. this publication, was instigated by the Government backed Bicentenary Committee, and distributed free to every municipality in Australia. In 1996 The Emu Creek Bush Band and Peter recorded and produced a single CD called a Friday night at 'The Spring Valley Hop'. In 1998 The Bush Dance & Music Club again happily agreed to financially back Peter to produce a series of CDs. The first thing he did was to revive and update the 1988 music tapes for CD. The first of the Qadrille Mania series of double CDs with companion call books was launched in 1999 then in 2000 and 2001. then the triple CD called The Waltz Polka & all kinds of Dances in 2002 followed by the Merry Country Dance CDs in 2005, 2006 and 2007. There were six double CDs and one triple CD produced which was a major undertaking that went on for eight years. The CDs have a great many tunes that Peter collected over the years mixed in with well known tunes and there are very few repeats. During this time we applied for a Grant from the Victorian Government to publish a book on the social History of country dances and dance instructions with Peter as the author. We were successful and published it in 2005. Our CDs and book have all been lodged with the National Library of Canberra as has all Peter's sheet music, boxes of it, as well as everything he has produced. At the 2005 Canberra National Folk Festival, at a meeting of collectors, it was stated that Peter has the largest collection of dance related material in the National Library. Peter compiled and produced his own project a triple CD called 'Take Me Back to Bendigo' in 2002. 2006 Peter and Emu Creek Bush Band produced another single CD 'Bush Concert Vol one Back to Goornong'. 2008 A pet project of Peter's was compiling and producing a double CD for the Wedderburn Old Timers it was of all the recorded material performed by them at concerts and taped by friends and fans. It was funded by Gavan Holt a son of the late Lindsay Holt an original 'Old Timer'. Recent publications are a book mainly music 'Music Makes Me Smile' a tribute to Con Klippel and the music of the Nariel Valley near Corryong Victoria. Peter Ellis & Harry Gardner 1998. The Waltz, The Polka & All Kinds of Dancing' a sheet music book for musicians supported by the Folk Song & Dance Society of Victoria. 2007-8 not sure of year. Peter has been involved over the years in collecting music and dance by himself and also with Rob Willis and the late John Meredith for the National Library in Canberra. He is continually asked for information and to write articles for people and to verify points re dance and music. He corresponds with like minded people overseas and frequently goes off to Folk Festivals all over the country, usually running dance classes, musician's workshops or just playing for dances. He is an excellent musician and plays Piano, Button Accordion, Concertina, Mouth Organ, Tin Whistle, Ukulele, Spoons and the Bones. He is regarded as one of Australia's foremost collectors and presenters of Australian traditional dance tunes, dances and some musical instruments. Over the years I have heard him referred to as the Guru of folk dance and music. Peter lives and breathes for this passion of his and always has several irons in the fire. He is a life member of The Bush Dance & Music Club of Bendigo Inc. The Victorian Folk Music Club, and The Bendigo Field Naturalists Club. He was a recipient of the David Squance Award in 1994 presented by the Folk Song & Dance Society of Victoria. Over the last twelve months for the folk magazine 'Trad & Now' he has written articles on the old dances and music and this is an ongoing project. This has led to our clubs present project which is the filming of the dances to be shown on UTube as it is referred to in the magazine. This involves members in hours and hours of practising the dances then filming them, and all with Peter's expert teaching and watchful eye on everyone. The Bush Dance & Music Club are and always have been behind Peter wholeheartedly in everything that he does and we are extremely proud of what he has achieved. His drive and enthusiasm for the preservation of music and dance is catching. People like Peter are absolutely necessary in finding and preserving our Australian Heritage, without them it would be lost forever and Australia would be a great deal poorer for it. The Bush Dance and Music Club of Bendigo Inc. and I fully support this nomination for an award as he is truly deserving of it. Yours sincerely Mary E Smith. Secretary of the Bush Dance & Music Club Inc. Peter's Timeline. 1979 A Foundation Member of the Bush Dance & Music Club of Bendigo Inc. 1979 Joined the Wedderburn Old Timers Orchestra. 1983 The Celebrated Emu Creek Bush Band was formed. 1986 Collectors Choice. Volume one. 1987 Collectors Choice. Volume Two. 1988 Collectors Choice. Volume Three. 1988 Recorded Tapes - The Merry Country Dance & The Waltz Polka & all Kinds of Dances. 1988 A book with the late Shirley Andrews called Two Hundred years of Dancing. 1991 Across to Perth collecting for National Library with the Late John Meredith. 1996 Single CD A Friday Night at the Spring Gully Hop. 1998 Music Makes Me Smile. A tribute to Con Klippel 7 music of the Nariel Valley. 1999 Double CD Quadrille Mania 1&2 2000 Double CD Quadrille Mania 3&4 2001 Double CD Quadrille Mania 5&6 2002 His own project triple CD Take Me Back To Bendigo. (Goldrush to Federation and Beyond). 2002 Triple CD The Waltz The Polka & All kinds of Dances. 2005 Double CD The Merry Country Dance 1 & 2. 2002 Book, The Merry Country Dance. 2006 Single CD with Emu Creek 'Bush Concert Vol 1 Back to Goornong' 2006 Double CD The Merry Country Dance 3&4 2007 Double CD The Merry Country Dance 5&6 2007-8-? A book of music, The Waltz, The Polka & All Kinds of Dances. 2008 Double CD The Wedderburn Old Timers in Concert.person, individual, peter ellis oam -
Bendigo Historical Society Inc.
Document - CORNISH COLLECTION: COPIES TAKEN FROM UNKNOWN PUBLICATIONS RE HENRY OSBORNE AND FAMILY
Document. Copies taken from unknown publications re Henry Osborne and family: a. article re the Golden Wedding of Mr and Mrs Henry Osborne of ''Rose Farm'', Emu Creek; b. copy of photo (? Davidson, photographer) of Golden Wedding group showing family of approx. 14 adults and approx. 17 children standing or sitting in garden setting at ''Rose Farm''.person, family, mr henry osborne, rose farm. -
Bendigo Historical Society Inc.
Photograph - PHOTO - GROUP IN FRONT OF THE EAGLEHAWK TOWN HALL, 1928
Black & white photograph of a group of people, men, women & children posing in front of the Eaglehawk Town Hall. All are formally dressed. One gentleman appears to be wearing mayoral robes. Four women holding flower bouquets. May be - Eaglehawk 'Back To' 1928.person, group, eaglehawk, photograph, group in front of the eagehawk town hall, eaglehawk 'back to' 1928, glenys biggs, harry biggs