Arnall & Jackson has operated from various addresses in Melbourne. The company is famous for its printed Municipal Directories from at least 1879 until 1976.This correspondence book is an example of stationery available in Melbourne in the 1870s for use by business and commerce. The company, Arnall & Jackson, was a well-known source of Municipal Directories over decades, and are used today as sources of historical information.Correspondence book with purple cover. Pages are feint-lined and are numbered from 27 to 245, with copy sheets between each page. Inscriptions are on an oval label on the inside front cover but the book has no further inscriptions or records. The book was printed by Arnall & Jackson of Melbourne.Label: "Arnall & Jackson, / General / PRINTERS, / STATIONERS & Engravers / 42 & 44 Collins St. West."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, correspondence book, arnall & jackson, melbourne stationers, melbourne printers, late 19th century, stationery, business stationery

A wooden tennis racquet with solid, convex throat, and a fine-grooved handle. Impressed inscription across throat on obverse: SPECIAL. Impressed inscription on reverse: KUSTER/PERRY + CO NACHF/FRANKFURT*A*M. Materials: Wood, Glue, Lacquer, Metal, Leather, Ink, Guttennis

A wooden, slotted handle racquet with a 14 1/2 inch head. Inscription along neck and stem of obverse: WAVERLEY. Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Company logo 'LEE' imprinted in gold on leather butt cap. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Materials: Wood, Glue, Lacquer, Ink, String, Paint, Gut, Leather, Metaltennis

A wooden, slotted handle racquet. Inscription across base of head and throat of obverse: GOOD SHOT!/LEE. Inscription along stem of obverse: KAREL B. KOZELUH/M.P. Inscription across the throat of reverse: HARRY C. LEE & CO./NEW YORK. Half of head and stem is painted white. Black leather handle and butt cap. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Metal, Adhesive tapetennis

A wooden racquet with a concave throat and an octagonal handle. Throat on obverse features decal inscription: COLLEGIAN. Throat on reverse features a decal of a crowned garter with the inscription: E. KENT. Company logo also impressed, in gold, onto black butt cover. Inscription across left side of stem: DUCO PERMANENT/HIGH POLISH FINISH. Materials: Wood, Glue, Lacquer, Metal, Gut, Ink, Leather, Paint, Cloth, String, Plastictennis

A wooden racquet with cloth tape supports and whipping, and a grooved handle. Inscription across throat on obverse: CALIFORNIA/MODEL/A. Trademark, in red and black, on throat on reverse features company monogram 'CBP/CO' with the inscription: CALIFORNIA/ATHLETIC GOODS. Decal inscription along right side of handle: MANUFACTURED BY/CALIFORNIA BY-PRODUCTS CO./SAN FRANCISCO, U.S.A. Materials: Wood, Gut, String, Leather, Cloth, Cloth tape, Metal, Ink, Glue, Lacquertennis

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

The inscription "T L" on these early 20th century ladies button-up boots lead to the maker likely to be Tony Lama, a famous USA boot manufacturer, son of Italian immigrants. The "Rome" is the style of boot. The "6" is likely to be the soot size. Tony Lama began work at age 11 years in the leather trade industry, serving an apprenticeship as a shoemaker. He joined the US Cavalry when he was 16, after lying about his age, working as a cobbler to make boots for the soldiers. His workmanship became popular, particularly for the 'Western' style of boot. TONY LAMA boots In 1911 Lama established a company in Texas, first repairing boots, then adapting his shop to manufacture boots in order to meet the many orders he was receiving. He married and he and his wife Esther brought up six children who also went on to work in the family business. The business continued to grow through WWII. Part of the business included custom boot making and Tony's eldest son Joseph presented President Truman with a pair of kangaroo skin boots. The prosperous business became a company and eventually, in 1990, was sold to Justin Industries.This pair of boots is an example of women's footwear dating around the early 20th century. Pair of ladies leather button-up boots. Two-tone style: black bottom strong leather bottom and white, soft kid leather top. Boots have a curved fly fastened by 11 white buttons with metal shanks. Boots are constructed with cork filling. Inscriptions of both boots. "6 101" "TL" " Rome" "Cork Filled"flagstaff hill, warrnambool, maritime-museum, shipwreck-coast, flagstaff hill maritime museum & village, ladies button up boots, footwear, victorian era, granny boots, tony lama, ladie's boots, ladies' fashion, women's clothing, rome, kid leather, two-tone boots, leather boots, button-up boots

Charity organisation, Ladies' Harbour Lights Guild, was formed within The Missions to Seamen Institute to provide a home away from home, for visiting seamen. This paper illustrates the rules for branch secretaries as well as the membership types at the bottom. This paper holds historical significance at a local level because it illustrates the Ladies' Harbour Lights' Guild organization and membership types that were essential to for the success of the charity. The Ladies' Harbour Lights Guild grew to become a significant charity in Melbourne raising large amounts of money which helped to establish the current MTS building, supporting seafarers as well as attending social events.Cream colour document with typed text in blue ink about the rules for Branch secretaries and written inscriptionWritten in black ink 'Blue card' next to '1. Honorary Members' and 'White card' next to '2. Working Members' and 'Red card' next to '3. School Members'. missions to seamen institute, williamstown, port melbourne, ladies' harbour lights guild, lhlg, branches, rules, secretaries, seamen's mission, mission to seafarers, flinders street, australian wharf, honorary members, working members, school members, knights of the guild

The Italian barque Antares was an iron three-masted sailing clipper built in 1888 by Russell & Co of Port Glasgow originally named the “Sutlej” and renamed in 1907 the “Antares” when sold to the Semider Bros of Genoa Italy. The vessel left Marseilles on the 18th of December 1913 with its master captain Gazedo destined for Mullaly & Byrne of Melbourne with a cargo of roof tiles but failed to arrive. The wreckage was found near the Bay of Islands twenty-two miles east of Warrnambool after a body had washed ashore. Some of the timbers washed up were charred by fire, and a small boat's stern board with the name "Sutlej" led to the identification of the wreck as Antares which had been reported missing. According to later reports, the Antares wrecking was overshadowed by war news at the time. A young local boy had remarked that the Germans had arrived off the coast as he had seen them firing off shells and rockets, but his story was passed off as a joke. These rockets were most likely the distress signals from the stricken ship. The Italian barque/clipper Antares was sometime later reported as overdue. The wreck of the ship was later found at the base of a cliff at the Bay of Islands near Warrnambool in November 1914, there were no survivors.The Antares is significant as it was a sail trader carrying an international inbound cargo during the early part of the 20th century. It is part of the Great Ocean Road Historic Shipwreck Trail and as such is registered as a protected wreck in the Victorian Heritage Database VHS S34 .Roof tile; clay terracotta roof tile. Inscriptions are impressed into the clay. It was recovered from the wreck of the Antares. ”- E R I E S DE LA MEDITERRANEE” “ … T S – MI-LES BOU- R …..” SYMBOL [Sideways crown or tree (could be TULLERIES DE LA MEDITERRANEE)]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, roofing tile, building materials, antares, peterborough, 1914 shipwreck, sutlej, antares rock., bay of islands, terracotta tile, clipper

Hugh Fraser Morrow was Dux of Ballarat College1939, Prefect, and member of the Cricket, Football, Rowing, Athletics, and Tennis teams. He served on the Ballarat College Council 1953-73 and the Clarendon PLC Council 1951-64. The school H.G. MORROW Art and Craft Centre is named after his father. Emerald green cloth covered book with printed dust jacket; handwritten inscription on front cover and flyleaf; On front cover: H. F. Morrow On flyleaf: H. F. Morrow / Ballarat College / 1939ballarat college council, clarendon plc council, dux, morrow

Metal trophy cup on dark wooden base. Inscription on the cup & small metal plaque attached to the base.On cup: "WON BY 38TH BATT TEAM, SIGNALING, SEYMOUR 1926, CAPT W L TRESSIDDER, SGT R BEATTIE, PTE D STILLWELL, B SILKE, R CLARKE" On base: "PRESENTED TO CAPT W L TRESSIDDER BY THE TEAM"trophy, award, signalling 38th

Church HONOR Roll board, heavy frame timber with gabled top. All inscriptions are in gold lettering. At the top, “Buckley St Methodist - SS - HONOR ROLL, For God and Country” At the bottom, “1914 The Great War 1919”memorials-honour boards, military history-service records, buckley street

A Jack plane is used for smoothing timber that is used in the manufacture of furniture or other wooden objects. Traditionally, smoothing planes were blocks of wear-resistant hardwood, often beech or maple, which were worked to smooth or even out timber. The blade or iron was likewise secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding and smoothing planes for the full range of work to be performed. Company History: The firm of Alexander Mathieson & Sons was one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow regarded as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperage's and other industries, both locally and far and wide. The year 1792 was deemed by the firm to be that of its foundation it was in all likelihood the year in which John Manners had set up his plane-making workshop on Saracen Lane off the Gallowgate in the heart of Glasgow, not far from the Saracen's Head Inn, where Dr Johnson and James Boswell had stayed on their tour of Scotland in 1773. Alexander Mathieson (1797–1851) is recorded in 1822 as a plane-maker at 25 Gallowgate, but in the following year at 14 Saracen's Lane, presumably having taken over the premises of John Manners. The 1841 national census described Alexander Mathieson as a master plane-maker at 38 Saracen Lane with his son Thomas Adam working as a journeyman plane-maker. In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company acquired the Edinburgh edge-tool makers Charles & Hugh McPherson and took over their premises in Gilmore Street. The Edinburgh directory of 1856/7 the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street. The 1851 census records indicate that Alexander was working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 (Post-Office Glasgow Annual Directory) the firm is now listed as Alexander Mathieson & Son. By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, also off the Gallowgate, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses log the firm's growth and in 1861 Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm. A vintage tool made by a well-known firm made for other firms and individuals that worked in wood. The tool was used for the smoothing of a piece of timber that was then used in some form of cabinet manufacture or wood working. A significant item from the mid to late 19th century that today is sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made. Jack Plane; a wooden smoothing plane, made by Alex Mathieson & Son, Glasgow. Plane has inscriptions."Alex Mathieson & Son Glasgow" Stamped "GN" inside with a "W" on endflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, jack plane, smoothing plane, woodworking tool, woodwork, cabinet making

Typical hand embroided post card. One of 5 in this display. Embroided rectangular card featuring foliage, an Union Jack, a four-leaf clover, and an inscription "Hurrah for England".Reverse details TBAcard

For Trafalgar Day, 20 October 1914, the Archbishop of Canterbury in England had "drawn up a new form of private prayer to be offered up specially for the sailors of the Fleets in the present crisis. He suggested its use particularly at noon as a silent prayer, when those at work may be reminded by the ringing of the " Angelus" bell to lift up their hearts to the Lord. The prayer was as follow: "O Thou that slumberest not nor sleepest, protect, we pray Thee, our sailors from the hidden perils of the sea, from the snares and assaults of the enemy. In the anxious hours of waiting, steady and support those on whom the burdens of responsibility lies heavily, and grant that in dangers often, watching often, in weariness often, they may serve Thee with a quiet mind, through Jesus Christ our Lord. Amen.” The prayer illustrated by English artist G.M. Langley became popular. Prints were sold as gift for 7/9 each with an oak frame. As mentioned in the ' Quarterly Jottings from our log" no 47 midwinter 1917: the etching was gifted to the Mission for display in the new Chapel by the Godfrey sisters. The frame was gifted by their cousin's wife, Mrs William Scott Purves Godfrey ( ' Quarterly Jottings from our log" no 48 Michaelmas 1917).The print was gifted by the Misses Godfrey, influential and long term members and supporters of the Ladies Harbour Light Guild. At the time of the completion of the St Peter's Chapel in September 1917, it was dedicated to the memory of all merchant seamen serving in the long war. The print subject, of the sailor guarded by Jesus was no doubt intended to inspire faith and hope but also acknowledges and reflects the anxious days of waiting not only of the sailors and seafarers negotiating the dangerous waters and oceans but also the challenge for families, experiencing the widespread anxieties of a world at war. Wood framed and glazed engraved print of Jesus Christ with sailor in the foreground and printed inscription on mount belowSignature of artist lower left of print.: G M Langley Printed on mount at lower right: "In the Anxious hours of waiting"g.m. langley, prints, engravings, merchant seamen, seafarers, ww1, godfrey family, ethel augusta godfrey, frederica godfrey, first world war, great war, mrs william scott purves godfrey, rica godfrey, rita godfrey, artwork-paintings

Brown leather bound bible. Rag-paper page. Family inscription page at beginning of New Testament.joshua black, western district families, family bible, religious text

Photograph of Michael Scanlan. Although inscription on rear reads Lonigan, this image is that used in reference to Scanlan in publicationsmichael scanlan, kelly gang, edward kelly, stringybark creek, ned kelly, police murders

Swinton CollectionGold flying bird on circular disk of gold and 2 blues circled around the earth and inscription of Australia. Gold lettering on dark blue outer circle Royal Federation of Aero Clubs of Austswinton, aero clubs, royal federation of aero clubs

This knife was found in a drawer from the estate of Judy Walcott who died in 2016 in Orbost. The Dicken Bros, shop is in the main street of Orbost . Frank B. Dicken and his son, Selwyn, were General Merchants. Frank and May Dicken moved to Orbost in 1936 where Frank became manager of Pardew Brothers store in Nicholson Street. In 1945, Frank purchased the business and in 1947, formed a partnership with his son, Selwyn. The store was then called F.B. Dicken and Son. The premise are still retained by the Dicken family although the shop business was sold in 1981. (ref. In Times Gone By - Deborah Hall) This item is an example of an item produced for advertising and promotion. The Dicken General Merchandising business is no longer an Orbost feature.A bone handled butter knife with an inscription on one side of the blade. Handle is a cream bone with a rounded end. Stainless Steel Made in Sheffield Expressly fo F.B. Dicken & Son ORBOST

Ballarat School of Mines Students' Magazine, 1963. Editorial, Prominent Personalities, King Island - Vacation Wonderland, Look back in Wonder, The Sensible Enemy, Diploma Conferring Ceremony, R. W. Richards Medal, Diplomas Conferred, Personality Tests and the Individual, Poison to Poison - Students' Revue for 1963, Malaya, Income Tax, Rustling Rags, Where Mankind has Failed, Sports Awards 1963, Sports, School Council, Members of Staff, Roll Call Yellow soft cover with red inscriptions and black figures on front cover, 104 pages including advertisements.ballarat school of mines students' magazine 1963, staff, sports, tony brauer, bob coutts, paul pusari, jeni milbourne, kerry penna brian mclennan, bob grub, john davis, netta walta, kevin brady, oscar rogers, kuo yiew see, h. e. arblaster, stanley white, quentin reynolds smyth, l. p. coombes - chief superintendent aeronautical research laboratories melbourne, graeme george redman, robert skewes, chookiat tanaksaranond, alan james bethune, lachlan stewart campbell, graham william hall, john rash, alan kenneth webb, peter agrums, sr. mary chanel fitzsimmons, david ewan clarke kirton, william joseph lannen, neil frances menz, keith houston alexander, john alexander pollock, john peter russell, francis william hunting, chookiate sirivongse, chong thung tay, keith stanley waller, bryan magson, anne moorehouse, stephen drew, gerry liston, gary roberts, ray megee, peter smith, daila berzins, don yates, kelvin whitford, greg hunter, david bell, michael moissinac, neil mudge, arthur patterson, edward scull, joseph heller, g. roberts, j. humphreys, bobby ong, alan cox, p. l. day, r. coutts, wayne johnson, prasert mahattanakul, l. t. negri, ooi kok hai, photography

Ballarat School of Mines Students' Magazine, 1961. Editorial, Prominent Personalities, The Principal's Pages, The Richard W. Richards Medal, Loyalty, Arts v. Science, Hong Kong Today, Conferring of Diplomas, Bath Push, Intellectual Pursuit, Never be a Woman, Man and Morality, The Old and the New, A Gentlemen's Excursion to Beaufort House, Awards 1961, Sports, The History of Electricity, School Council, Members of Staff, Roll Call Red front page soft cover with white inscriptions and black figures on front cover, 72 pagesballarat school of mines students' magazine, staff, sports, john w. boarmans, noel delosa, noel whitcher, bob coutts, noel kelly, les dobie, noel murphy, malcolm peel, peter agrums, ian weir, sue mole, val baker, neil bromley, kevin oscar rogers, h. e. arblaster, richard w. richards, daniel yung, m. b. john, morgan bevan john, sir william hudson, brian arthur bellingham, francis david benjamin, neil albert brogden, geoffrey angus chritian, william davison, brian harold duthie, thomas bernard gallagher, john robert gowan, william john spencer, lawrence grenville trevan, douglas james vendy, michael villani, walter john wynd, graeme robert bromley, david william brown, leonard ernest fox, ralph james hepburn, john gribble holloway, peter john matthews, peter mervyn robinson, chris peter livitsanos, david yan kai chung, thomas henry john coad, john neil mcarthur, john andrew watts, d. pollard, n. r. whitcher, peter agrumsk., e. ooi, t. smith, c. naylor, p. terry, gerald brenan, e. r. mcgrath, j. kavangh, a. bitans

This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a specialty of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, large chip on lip of bottle. Inscription stamped near base.Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone

Black and white photograph of Bendigo hospital 1978 on cream board. Inscription (U1590. At B.R.Corner). N.T on back.buildings, hospital, bendigo hospital 1978?, prev acc no. 'mp 377'

Sepia photograph of views of Sandhurst. Inscriptions: (on card) 'Views of Bendigo, No 2, New Chum Line of Reef.N J Caire, Sandhurstprevious acc. no. 'mp134'. see also 2001.392.01 and 2001.390.01 see 'views of bendigo' by n.j.caire

Black cricket cap with inscrption "Nui-Dat HQ 1968-69" red kangaroo beneath the inscription.Nui-Dat HQ 1968-69nui dat, cricket

The sash was awarded to G. Lunardelli as the winner of the Senior 20 mile Road Championship for GWCC. Lunardelli came out from Trieste, Italy after World War 11 and worked for the Geelong Water Board. Lunardelli subsequently ceased full time cycling in order to make a living.This award indicates the important influence that immigrants had on the popularity and depth of cycling at the time in the Geelong region. Cycling was and continues to be very popular in Europe.Burgundy satin sash with gold tassel finish at one end. It has faded gold embossed inscriptions on it."Geelong West Cycling Club/1952 Senior 20 Mile Unpaced/Road Championship/ Won by G. LUNARDELLI/Time 56mins5 2/5 seconds"sash; geelong west cycling club; lunardelli; 1952; road championship;

A chronicle of officials of the G.W.C.C. from 1911. This honour board has an important place in the history of the Geelong Cycling Club and signifies the high esteem in which the community held cycling in the early part of the 20th century. Rectangular board in a mahogany colour with the top of the board angled to a point. The board has inscriptions in a gold colour.“GWCC/President/1911 HJ Prescud/1912-15 H Flowers/1916 J Dorian/1917-20 P Grundell Snr/1921 J Paley/1922 F OLoghlin/1923 V Markham/1924-27 H Flowers/1928-29 C Flynn/1930-1959 JW Dillon/1960-61 R McKay/1962-63 I McPherson/1964-81 W. Stephens/1982-83 K Evans/1984 R. Baulch/1985-86 D Wilson/1987 N Wilson/Secretary/1911 JW Grundell HH Prescud/1912-1915 P Grundell Jnr/1916 J Craven/1917 H Prescud/1918-1925 J Sharp/1926 JW Dillon/1927 GA Wells/1928-29 C Winter/1930 BR Kelly/ 1931-32 R Ware/1933 S Cunningham/1934 D McGrath/1935-36 F Hamblett/1937 l Flowers T Craven/1938-81 L Flowers/1982-83 F Hamers/1984 R Baker/Life Members/ P Grundell Snr D/H Flowers D/G Hotchin D/J Sharpe/GW Dillon/A Belperraud/F Hamblett/F Condor/L Flowers/F OLoghlin/D McGrath D/ BR Kelly/W Stephens/A Batty/R Penn Jnr/W. Crookshanks/S Cunningham D/R Baulch/D Wilson/P Dent/J Dent/T Underwood/R Baker”gwcc; hj prescud; h flowers; j dorian; p grundell snr; j paley; f ologhlin; v markham; c flynn; jw dillon; r mckay; i mcpherson/; w. stephens; k evans; r. baulch; d wilson; n wilson; w grundell; hh prescud; j craven; j sharp; jw dillon; ga wells; c winter; br kelly; r ware; s cunningham; d mcgrath; f hamblett; t craven; f hamers; r baker; g hotchin; a belperraud; f hamblett; f condor; l flowers; a batty; r penn jnr; w. crookshanks; s cunningham d; r baulch; p dent; j dent; t underwood; r baker;

Brown hardbound covering with gilt text on the spine and marbled end papers. There is an inscription inside the front cover.