Black & white photos (postcards) of France mainly during WWI.Rectangular black & white cardboard postcards..6) From Herb Rumble dated France Dec 1912. .7) - .16) Handwritten message undersigned.documents-postcards, military history, passchendaele barracks trust

Black and white photograph of Hazel and Lesley Hills in garden c1939Digital copy of black and white photograph.lesley hooper, hills family

Black and white photograph of William Roy and City Girl c1940Digital copy of black and white photograph.william roy

Black & Team photo of Under 19 1963 team photoA Carlton U19 Premiership in 1963 contained triple Carlton Premiership player (1968, 70, 72) Adrian "Gags" Gallagher. Carlton 4.2 26 6.3 39 10.8 68 12.11 83 Essendon 0.1 1 4.3 27 4.6 30 6.9 45 The game was played at Bacchus Marsh. This match was played at Maddingley Oval, Bacchus Marsh as it was the only venue that was not being used for cricket. It was staged later than scheduled because of an earlier drawn final. Black & White photo mounted on cardboard

Frame 10. Photo 1. A group of Sergeants on the deck of the Karmala. Jack and Bert were the only Sergeants from the 45th quota from the original Battalion on the Karmala. There were two other Sergeants who had transferred to the 38th, one in Oct 1918, Sgt R. L. Glover from the 37th Batt and Sgt F. Perkins also from the 37th who transferred in April 1919. Both are or should be in the collection of photos. Photo 2. life on deck of the Karmalal. Photo 3. A group of nurses on the Karmala. In the family collection there are two faded sepia photos showing the others not in this negative. The negatives to these are missing. From the War Diary of the Karmala there were ten nurses on the Karmala and there are ten nurses in the photos. There was also the ship's Medical Officer who is hidden in this negative. The ship's S.M.O. was Captain C. P. Rosenthal from the 33rd Batt HQ. The nurses on board were: Sister Sarah Eliza Faulkner (Sydney) S/Nurse Ivy Louisa Robbins (Epping NSW) S/Nurse Edith Agnes Purdon (Bathurst, NSW) Sister Catherine Douglas Graham (Footscray, Vic) Nurse Gladys Webster Jarrett "RRC" (Middle Park, Vic) Nurse Ida Mary Mason (Wodonga, Vic) Nurse Ethel May Mead "RRC" (Elsternwick, Vic) Sister Elizabeth Hamilton O'Reilly (Leitchville, Vic) S/Nurse Janet Hay (Adelaide, SA) Sister Janet Ivy Barron (Ennogerra, Qld) Photo 4. Arriving at Cape Town, South Africa on the way home. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs top to bottom. 1. Group of soldiers on ship's deck. 2. Crowd of soldiers on ship's deck. 3. Group of nurses on ship's deck. 4. View of a dock. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "10."framed photographs, grinton collection, ww1, 38th

Frame 2. Photo 1. Jack in a billet which appears to be part of a barn. In writings it seems this was a Visme-au-Val in France. He had written "At my washing". Photo 2. Accommodation in an old Army hut, place unknown. Photo 3. "Tucker Time", place unknown. Photo 4. Group of diggers with some locals, they may have been billeted with them. Refer Cat No 5880P for exhibition details. Refer Cat No 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. Four photographs top to bottom. 1. Soldiers in a billet. 2. Accommodation in an old Army hut, 3. 4 soldiers with mess tins. 4. 4 soldiers with 4 local people. Frame - timber with black colour paint, glass front, mount black cardboard, backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "2."framed photographs, grinton collection, ww1, 38th

Information from the front cover; "THE BATTLE OF/ EGYPT/ THE OFFICIAL RECORD/ IN PICTURES AND MAP" Part of the William (Bill) THOMASON Collection. Refer Cat. No. 4136P for more items.Soft cover book. Cover - blue colour cardboard, red and black colour print on front and back. Front illustration - black ink sketch of a tank. 35 pages - cut, plain, off white colour paper. Pictorial book with black and white photographs and map. Fastened with metal staples. Front cover - handwritten owner's information.Handwritten owner's information - black ink pen, "Norma Davis".publications, books, egypt, ww2, william (bill) thomason collection

Photos in the collection relating to R.G. Bennetts No. 119452 & A36088, R.R. Bennetts No. A312177 RAAF. Refer to Cat. No. 560.3.1) Photo, black & white, group of 20 Australian Rules footballers, 86 Sqd RAAF. On rear in pen are all their names. .2) Photo, black & white, group of 23 Rugby League footballers, 86 Sqd RAAF. On rear in pen are all their names. .3) Photo, black & white, RAAF parade, band & aeroplanes in background..1) In black pen: "Runners Up Grand Final 29.7.45" .2) In black pen: "86 SQD Rugby League Football team 1945 Runners Up".raaf, photographs

Photo of Geelong electric tram No. 11 - crossbench tram, taken in the same location as Reg Item 4316, following conversion from a trailer in Corio Terrace, now Brougham St. Has the driver and conductor standing at either end of the tram wearing their uniforms. Has the destination of "Newtown", 4345.1 - Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 7/8/2013. See Destination Eaglehawk for background details. Wal Jack has dated the photo as 1916. Yields information about Geelong tram No. 11Black and white photograph with notes on the rear. Copy 1 and 2 - On rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161." 4345.1 - Wal Jack stamp with the number T176 written in on the bottom right hand corner. Third copy has extensive notes on rear and Ken Magor stamp - see image i3trams, tramways, geelong, depot, brougham st, cross bench tram, tram 11, uniforms

Soft cardboard cover, black & white print front & spine. Background in grey & off white tones, front 2 Rising Sun badges top & bottom, illustrated numerous colour patches in black / white. Cut, plain, white illustrated colour & black / white photos & diagrams of patches. Black ink stamp on top front cover: “AREA CLOTHING STORE PUCKAPUNYAL LOG. BN” Handwritten inscription in black ink on title page: “Donated by Gary BALL”book, colour patch, register

Illustrated book with dustjacket. Book has a red cover with title, author's name and publishers name embossed in gold on spine. Dust jacket has orange coloured bands above and below a black and white illustration of ? a nursing graduation ceremony [ca.1880's]. Title and author's name are printed in black ink on top band on front and spine. Publishers name is printed in black ink on bottom band on front and spine.non-fictionA history of the development of nursing as a profession up to 1958.nursing-great britain-history, nurses

Black & white postcard / photos of France during WWI.Rectangular black & white cardboard postcards / photographs..1) - .5) “Handwritten descriptions”documents - postcards, military history, post card, passchendaele barracks trust

Black and white photos of Grade 11A 1937. Box Hill S.S.2838. Two black and white photosbox hill primary school, schools, students, "those were the days", box hill state school, holt> jack, davey> arthur, whitehead> geoff, betts> denis, graham> jack, baird> bill, slessor> peter, enever> george, bassing> fred, standing> bob, lean> dorothy, king> dorothy, peel> lois, underwood> isobel, smale> thelma, mcdonald> margaret, bennett> mary, king> norma, coutts> graham, carter> lorna, park> dorothy, waters> joyce, barnett> phyllis, crook> carol, rodgerson> margaret, waterson> veronica, petering> marjorie, bolton> barbara, butler> peggy, garrett> geoff, williams> irene, davis> freda, wright> dorothy, murphy> audrey, harris> ruth, mclass> beverley, robinson> keith, aumann> ted

Photo relates to James Worland MILLS as a cadet. He would become No 3441 59th Battalion AIF. Refer Cat No 169P for his service details.Post card photo, black / white, showing a young cadet soldier standing in uniform with a background facade.On rear LHS in black pen: “To My Dear Bell”photograph, cadet, 59th

In the early nineteenth century larger Australian wool producers sent all their wool by sailing ship to London, where colonial auctions were held in November, January, February and March. Wool bales were carried from the farm on drays or wagons pulled by bullocks, horses or camels to port warehouses. In these times, wool transport could take anything from a week to six months. Ships, such as the Lightning, were then loaded and raced each other to get to London ahead of their rivals. The wooden ship 'Lightning' was destroyed by fire while loading wool at Geelong 31 Oct. 1869. Scuttled in Corio Bay and the remains later blown up. Reputed to be one of the fastest sailing ships. Famous in the Australian passenger trade.Model of a clipper ship with hull painted brown and black. Red Ensign flag attached to flag pole.On label - Lightning Black Ball Line 1854-55geelong, transport, model ship, lightning, wool transport

This item was used at St Patrick's Catholic Church, Kirkstall from 1910. Although the item is black, black is no longer a liturgical colour after Vatican II.This is of historical significance to the people of Kirkstall and Koroit. It has potential spiritual significance of the local catholic population. it represents a typical item of a small village church in the late 19th Century.A black robe embroidered with black and silver,The chasuble is Roman style also called sandwich board, Pre- Vatican II style. It is watered silk and it may date from the early 20th C but it may date late 19 Century.There is an embroidered symbol on the front that encompasses the letters J H and S. Symbolic braiding.chasuble, robes, kirkstall, catholic, church, st patrick's kirkstall

Biography of Leonard Keysor. This is the personal story of one of Australia's 9 VC recipients at Gallipoli & the story of his family. Compiled by his great neice, Kiera Quinn Lockyer.Soft cardboard cover, black print on front, spine & back. Mottled beige background with two black & white photos on front. Larger photo is a painting of a soldier in uniform on the battlefield, smaller photo is a half portrait of a soldier in uniform. 302 pages, cut plain paper, illustrated with black & white photos of people, certificates, medals, ships & buildings.Front flyleaf signed in black ink: “Keira Quinn Lockyer”books-military, photography-photographs, keysor, vc

Also a faded black and white photograph of Korrumburra guesthouse 05273.1 and a black and white photograph of Billy Gaskin on the right who is married to Queenie Roadknight.Black and white photograph of Queenie Gaskin nee Roadknight with staff of her hotel at Korumburra Victoriapeople, accommodation, genealogy

Book with green cover, Title, author's name and publisher's name printed in black ink on spinenon-fictionBiography of Florence Nightingale suitable for reading by 9-13 year oldsflorence nightingale, nurses

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Letter from the Hon. Treasurer of Legacy Club, Melbourne, to the Chairman of the Junior Legacy Club, Melbourne on 20 April 1943 attaching a cheque for one hundred pounds for Holmbush residence.Apart from being an example of the funding given to Holmbush, it is interesting to note that in 1943 there was both a Melbourne Legacy Club and Melbourne Junior Legacy Club.Letter from 1943 about money from Melbourne Legacy being provided to Junior Legacy for Holmbush. Faded white letterhead, blue printing, black typing, two holes punched for filing.Signed for L.B. Wallace in black ink.residences, holmbush, holmbush administration