A visiting card, also known as a calling card, is a small paper card with one's name printed on it, and often bearing an artistic design. Visiting cards became an indispensable tool of etiquette, with sophisticated rules governing their use. The essential convention was that one person would not expect to see another person in his own home (unless invited or introduced) without first leaving his visiting card for the person at his home. Upon leaving the card, he would not expect to be admitted at first, but might receive a card at his own home in response. This would serve as a signal that a personal visit and meeting at home would be welcome. On the other hand, if no card were forthcoming, or if a card were sent in an envelope, a personal visit was thereby discouraged. As an adoption from French and English etiquette, visiting cards became common amongst the aristocracy of Europe, and also in the United States. The whole procedure depended upon there being servants to open the door and receive the cards and it was, therefore, confined to the social classes which employed servants. Some visiting cards included refined engraved ornaments, embossed lettering, and fantastic coats of arms. However, the standard form visiting card in the 19th century in the United Kingdom was a plain card with nothing more than the bearer's name on it. Sometimes the name of a gentlemen's club might be added, but addresses were not otherwise included. If a card was left with a turned corner it indicated that the card had been left in person rather than by a servant. Visiting cards were kept in highly decorated card cases.A timber calling card case, heavily carved with flowers, leaves and huts.craftwork, woodwork, visiting cards, early settlers, moorabbin, bentleigh, cheltenham, market gardeners

The story of this item is unknown. It may have been part of a man’s watch chain, with the watch missing. Its weight suggests it is an item of good quality, one owned by a person of substance and a common item for a wealthy man to have in the 19th and early 20th centuries.This item, in our collection for many years, has no known provenance and is kept for display purposes. This is a silver chain with silver links with a metal match holder at one end, a silver container in the shape of a ship’s wheel in the middle and a locket or coin holder at the other end.. The match holder is heavily patterned, the ship’s wheel container may have held coins in the past as it is recessed at the back and the locket or coin purse is ornamented and contains what looks like a coin, perhaps a threepenny bit from the time of George V or V1. The coin could be Australian or English. warrnambool history, men’s accessories

Barb, Kev, Don, Bet are named on the back of the photo, which depicts two children and a dog on the back of a cart with harness (normally attached to a horse). "Don" appears to be the same person as "Den [sic] Braithwaite" sitting on the same cart in another photo in the set.Black and white photograph printed with white borders (one of a set of five).den braithwaite

Medal awarded to persons who served at Gallipoli in 1915 W A E Bragg No 86 23rd Battalion first A. I. F. Enlisted February 1915 age 18 ( August 1914) sailed 08-05-1915 returned 22-05-1919In In commemoration of the heroic deeds of the men of ANZACMedal 50mm diameter with crown protruding at the top and ANZAC at the bottomCenter of medal depicts Simpson an his donkey. The reverse side shows Australia and New Zealand with five stars and W A E Braggs engraved at the bottomworld war one, medal, anzac, australia, new zealand, wwi, simpson, donkey, stars, w a e braggs, gallopoli

Plates would have been used to print a set of cards - two different sizes. The smaller card - calling or visiting card - would have been left when person was not home. The larger calling card provided space to write a note if required..1 Copper plate with name etched in for printing, large .2 White card "Launchley" with address and phone number .3 Copper plate with name etched in for printing, smallMrs Elizabeth L Holmes Dobbs & Co on plateschatham-holmes collection, copper plates, visiting card, calling card, elizabeth l holmes

The Woolshed of Lake Boloke Station, 1894. The woolshed was built by Robert Patterson but at this time was owned by the Moffat family. Identified persons in the photograph are Neil Graham, Dave Sago (with beard, seated centre) and Bill Pitkethly. "Boloke" is a local aboriginal word meaning 'lake'.lake boloke station, woolshed, patterson, moffat, graham, sago, pitkethly

This jar comes from the Sharpe Brothers Warrnambool factory. John Sharpe founded the soft drinks business in 1903 and it existed until 1972. At one stage the company had 35 factories in Australia and New Zealand. It specialized in the home deliveries of ginger beer and other brewed beverages in one gallon earthenware jars. The Warrnambool factory opened in 1919 at the site of the Rowley cordial factory at the corner of Banyan and Timor Streets. It continued until 1951. John H. Sharpe, the former manager of the Sydney factories, put his signature on the base of this jar when he visited the Warrnambool and District Historical Society headquarters at History House in the mid 1980s. This jar is of considerable importance as it is a fine memento of the Sharpe Bros soft drinks factory that operated in Warrnambool in the 20th century for over 30 years.This is a stone jar in beige/brown colouring with a cylindrical base with a bulbous-shaped piece above the base and a dome-shaped top above that. A metal handle is attached to the neck and there is a composite material screw top. The maker’s information is printed on both sides of the jar. Keep this stopper tight This jar is the absolute property of, and must be returned to, Sharpe Bros Australia & New Zealand Original and largest hygiene brewers Caution. Persons Damaging, Willfully Retaining, Trading with or Misappropriating the use of this jar WILL BE PROSECUTED John H. Sharpe. Jar made prior to 1914 sharpe bros factory, john h. sharpe, history of warrnambool

B&W photo shows Cissie Johns and another person who may be her brother Percy, sitting in a jinker. A dark horse with a white blaze is harnessed to the jinker. Cissie is seated nearest the camera. She is wearing a pale wide-brimmed hat and pale clothing. Her long fair hair is loose around her shoulders. The other person is holding the reins and is wearing a dark hat and pale shirt. This photo may have been taken at the same time as M0104. The subjects are facing south. The sun is shining. They are on a flat expanse of grass. Beyond them are several cypress trees. These are most likely part of the cypress hedges lining the driveway to Glen Park Farm farmhouse. In the background is the eastern flank of Black Hill. A small shed can be seen beside the driveway, partly obscured by the jinker's wheel. Dated c.1913.

Five page handwritten letter on light brown or fawn lined paper within a brown envelope within Reg. Item 2488, page 105. The envelope has been glued to the back cover of the book and is address to "Mr. James Inspector / Electric Supply". Seven overseas stamps have been stuck to the envelope. The letter dated 11/10/1937 from an unknown person who lived at 305 Eyre St Ballarat, not signed, outlines the building the horse tram depot in Wendouree Parade. The person put in a quote as the plumber. Notes various aspects of working on the site, materials, difficulties, Thompson and Moore of the Adelaide as the contractors, number of people on the job, problems with the construction, wind damage, building the workers cottages, their rooves and the cash boxes for the conductors. Image 2520i2 shows the position on the page or back cover of items 2520 and 2521.Inktrams, tramways, horse trams, depot construction, depot, thompson and moore

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage

This is a high quality kit bag which may have been used to transport valuables of some sort. There have been several ‘Tomlinson’ families in Warrnambool and district over the past hundred years and it is not possible at this stage to pinpoint one particular person as the owner of this bag. This bag is retained as an example of a good quality leather bag and will be useful for display purposes. This is a kit bag made of brown embossed leather. At the top of the bag are a metal clip and a leather handle with metal clips. The leather is rubbed and stained.Tomlinsontomlinson, history of warrnambool

This coin purse has no known provenance but it was a common item owned particularly by men in the 19th and early 20th centuries. It would have been attached to the chain of a fob watch or a trouser belt. It may have been owned by a person of some substance and standing in the community.This item is retained as an interesting example of a coin holder used over a hundred years ago.This is a silver-coloured metal purse, oval in shape. It has a hinged lid and a round clip at the top to attach the purse to a chain or a belt.The item is slightly tarnished. Inside there are two round recessed sections that depress to hold coins. One recessed area holds a threepence and the other holds a sixpence.vintage accessories, warrnambool history

Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The people in the photograph have not been (positively) identified. It would seem likely the central two persons are George and Anna Marie Iredale.Digital copy of black and white studio photograph.iredale family

Peter Alford and Den Braithwaite are named on the back of the photo, which depicts two young men sitting on the back of a cart with harness (normally attached to a horse). The person on the right appears to be the same as the one denoted "Don" sitting on the same cart in another photo in the set.Black and white photograph printed with white borders (one of a set of five).peter alford, den braithwaite

Bill Smith & Grandson (colour set 3 photos) 1980's. Pleasant Creek Courthouse and World War 1 Memorial Stawell. In one of these photos Bill is standing beside a different person. Bill Smith served in World War 1, enlisted in Stawell.Coloured photographs of scenes depicting people in front of building and war memorial Stawell. Pleasant Creek Court House Restoration Project stawell

Titled "General and Operational Rules Tram and Buys", published by the Public Transport Corporation. Provides a list of definitions. Gives rules regarding tram and bus operations, dealing with the public, driving, tickets, one-person operators, accidents, and behavior. Undated, early to mid 1990s.Yields information the rules and regulations that Public Transport Corporation operational crews were to abide by.Document or Book - white cover, single pages, with an Arnos plastic binder clip on the left-hand side, 72 pages + cover with an indextramcars, tramways, operations, rules, buses, ptc

The Benalla Migrant Camp was well-known for its New Year's Ball (to which the Benalla community could also buy tickets) and this dress was tailor-made by an unknown person for Mrs Anna Lemega for a Benalla Migrant Camp's New Year's Ball in the mid 1960s. lemega, dress, cocktail dress, taffeta, new year's ball

A megaphone or loudhailer is usually portable or hand-held, the cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. Used to communicate with others over distances. In Greek mythology, "Stentor" was a Greek herald during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. The large funnel-shaped device is made of painted metal that is riveted together. It has no metal mouthpiece at the narrow end but rather a larger opening that is associated with a movie directors megaphone. It could also be used in a maritime situation or anywhere a person needs to amplify their voice to give directions to others over a distance. The Megaphone has significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in not only marine situations, or light house stations as well as many other differing types of applications where a person voice was needed to be amplified when communicating with others.Pressed Metal megaphone or loud hailer, with rolled wire rims, folded seam and riveted handle painted green and marked "R" "R"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, megaphone, loud hailer, directors megaphone, communication device

A megaphone or loudhailer is usually portable or hand-held, the cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. Used to communicate with others over distances. In Greek mythology, "Stentor" was a Greek herald during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. The large funnel-shaped device is made of painted metal that is riveted together. It has no metal mouthpiece at the narrow end but rather a larger opening that is associated with a movie directors megaphone. It could also be used in a maritime situation or anywhere a person needs to amplify their voice to give directions to others over a distance. The Megaphone has significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in not only marine situations, or light house stations as well as many other differing types of applications where a person voice was needed to be amplified when communicating with others.Megaphone or loud hailer, metal painted green with handle and a large indented mouth piece. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, megaphone, loud hailer, directors megaphone, communication device

This is a book of 266 pages. It It has a buff-coloured cover with 3 photographs and black printing. The pages contain printed text, maps, illustrations and photographs. non-fiction This book tells the biography of Pompey Austin an indigenous framlingham aboriginal mission, pompey austin

This is an identity card from World War Two. In Australia every civilian person had to have an identity card during that time. These cards were established by the Federal Government in 1939 and continued until 1952. This identity card was issued to a member of the Stasinowsky family living in Warrnambool. This item is retained as an example of an Australian World War Two identity card. This is a buff-coloured card with black printing, handwriting and a stamp. It is enclosed in a cardboard envelope with a clear cellophane front.Identity Cardidentity cards, world war two, history of warrnambool

Colour photographs of Shire staff in Departmental groups and as a whole. Large (25Sx200) and snapshot size prints. Individuals are not identified, however accompanying documentation appears to list persons in the complete staff photo. Series includes 8 larger photographs and approximately 30 snapshot size prints.shire of eltham archives, series listing

First approved for wearing in 1916. A stripe was worn for each time wounded enough to take the person out of the front line. Worn vertically on the left forearm. This one was worn by Harold Hall No 270, 10th Batt and 7th Field Ambulance. Refer 2062, 2063, 2065.Empire Wounded Stripe. Metal stripe resembling Russian gold braid. Came with a metal backing plate for attachment to a uniform."The Empire Wounded Stripe, prov No 2 Pat."military, uniform, history, metal work., wounded stripe, empire

It isn't about medals - it was completely about each person's journey to get behind the blocks. That's the winning attitude of Yarra Plenty Swimming Club coach Paul Schindler, who took charge of Australia's team in the pool for the Invictus Games in Sydney late last month.News article 1 page, black text and colour image .yarra plenty swimming club, paul schindler, invictus games, swimming, coaching

1910: Mr W. Harvey and Family of Cheltenham. In 'Moorabbin a Pictorial History1862 - 1994' by John Cribbon, William Harvey, is shown in the 1862 Rate Book, to be the owner occupier of a paling house in Argus Road valued at 15 Pound. This person may be related to the W Harvey in the photo.Photograph is black and white. In this photograph their is a father and mother, and their five children. The mother and the children are all dressed in their best dresses. The father is wearing a suit with a waistcoat and a white shirt that has a winged collar but no tie The mother and father are both sitting on separate chairs, mother to the left and the father on the right. The mother has the baby on her lap and the father has a small child on his lap. Three girls are in the middle of the mother and the father.Front of Mount :Yeoman Co 287 Chapel St. Prahran Victoria. Back of Mount : W. Harvey & family / pheteonham / about 1910mr w harvey, 1910, family of cheltenham, argus road, cheltenham, early settlers, market gardeners, moorabbin shire, brighton, bentleigh, cheltenham, dendy's special survey 1841, two acre village, cribbon john, dairy farmers, poultry farmers,

Diving Tower Valentine Series Card No. 1815. Post card is a view of the diving platform with the change rooms at the lake. On the verandah of the change room are people in swimming costumes and one person about to dive into the lake. There is also an enlarged photo of the post card. c 1930-1940.Valentine Series Post Card No 1815 of the Diving Tower and Change rooms at Lake c 1930 - 1940. The post card is black & white with trees along the lake and behind the change room. Valentine Series No. 1815 THE SWIMMING POOL, STAWELL on the back Published by the Valentine Publishing Co. Pty. Ltd., Queen St., Melb.stawell

Three people stand in a kitchen. The gentleman on the left wears a white coat, the younger male in the middle wears a chefs jacket and checked pants, and holds a platter, whilst the older female at the right holds a certificate. A Cooking Apprentice award was given to a person employed at the Association for the Blind.1 x B/W photographassociation for the blind

Clothing rationing was gazetted in May 1942 and continued until June 1948. It allowed each person 112 coupons per year and each item of clothing had a coupon value. eg. A man's suit was worth 38 coupons and a pair of socks were 4 couponsWW11 Clothing Ration Card: Pink card with blue fleck and black print to G. M. Grylls of Dingee. Civilian Identity No or Alien Registration No. V4F30498. Particulars of supplementary Issues. Ration book or Sheet No. V41D01. Date of Issue 23/10/45. Nature of Issue Special. On the back are Directions for use and signature of Holder Gwenyth M. Grylls. Box 625H.E. Daw, Gov. Print. Melb.government, federal, clothing ration card