Written in Stone, the story of pioneer Bendigo stonemason James Brierley and his family, 217 pages with black and white photographs in a spring bound binder.Barbara Poustiebendigo, history, brierley, bendigo-history-brierley-buildings-stonemason

The bridge in the photograph is the bluestone bridge at Bulla which spans the Deep Creek, a tributary of the Maribyrnong River. It was built in 1869 and replaced a ford crossing which was built further downstream. Many of the buildings and structures in the area were built from bluestone which is in abundance throughout this volcanic area.This bridge is one of many similar structures built across Western Victoria where the bluestone volcanic rock was found in abundance.A coloured close - up photograph of a four-arched blue stone bridge spanning a waterway. Some greenery is visible on either side of the bridge and above it. bulla bridge, bluestone, bridges, deep creek.

Port Fairy State School built 1870’s or as is now known Port Fairy Consolidated SchoolVery early photograph of the school and the fence and could have been the first photograph taken of the School because Thomas Washbourne the photographer was only active until 1880.Pt Fairy State School & Pupils approx 1880 Showing stone fence and taken from the right side on Polding Street. Sepia photographWashbourne photo -handwritten on face of photoschool, polding street, pupils, consolidated school, state school

Colour slide of a working bee digging in a yard. It is possibly at Blamey House in Burke Road from the driveway visible in one slide. It may have been to remodel the garden or to build an extension. There are 4 slides of the work. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of Legatees doing physical labour to help out at Blamey House.Colour slide of legatees moving large stones in the yard of Blamey House clearing a large area, in a white plastic mount and grey mount on the reverse.legatees, garden, blamey house

Handwritten notes on the Williams United Mine. Notes mention Report of the York & Central Shafts and Machinery. Detailed on the condition of both shafts and stone encountered.document, gold, williams united, williams united, notes on williams united, ellenborough, belmont, york & durham, williams, newspaper (md) cutings 15/5/1913, t banner, rob't richards, catherine boundary, william brown

This article stimulated interest in the preservation of the 1850's stone cottage.A photocopy of a newspaper article highlighting the need to preserve the 1850's stone cottage in Deep Creek Road and a history of its builder August Schwerkolt.schwerkolt august, schwerkolt cottage

Silver commemorative trowel with ivory handle in black leather box with blue velvet and satin lining. "Gardinder Methodist Church Presented to F.J.Cato Esq on occasion of laying Foundation Stone May 3rd 1924"gardiner methodist church

Silver commemorative trowel with a turned wood handle in a worn cardboard box."PRESENTED TO W.R.Little AT THE LAYING OF THE FOUNDATION STONE OF THE MOONEE PONDS METHODIST SUNDAY SCHOOL. FEBY 23rd 1918"moonee ponds methodist sunday school, little, w.r.

Green stone granite axehead highly sharpened and beautifully fashioned at one end with rough hewn markings over the body of the object. Axe has a "waist" mid section where handle would have been attached. Also evidence of extensive wear from use. This axehead was quarried at one of only two green stone granite sights in Australia both in Victoria. Scarring at one end of the axehead where it has been split from larger piece of granite.defence, food, preparation, green stone granite, axehead, mt camel, jaara jaara people, jaara, waisted, quarries, tree cutting, weapon making

Yields information about the Ballarat's tramcars in the months before closure and the appearance then of Stones Corner.Black and white photograph of Ballarat No. 21 in Victoria St, looking back to Stones Corner building. Photo by David Clark 17/2/1971. Tram has just left Bridge St. Stones Corner building in the background, and Viscount Ambassador Caravans to the left of the tram having replaced the Caltex Service Station on this location. Tram has the destination of Victoria St.On the rear in ink "Tram No. 21 in Victoria St, near Bridge St, looking to Sturt St. 17/2/71. Ballarat Tramways, Photo 30, Taken by David Clark", with David's address stamp "4 Adeney Ave Kew 3101" with "Melbourne" underneath.tramways, trams, victoria st, stones corner, bridge st, tram 21

This photograph was taken at the Farmers Conference held in Port Fairy (possibly June 1916). The local men in the photograph are; Archie Rodwell; Sam Lynn; Percy Nixon; Frank Nixon; John Russell; Jacob Perry; John Johnston; Keith Lynn and John Gilbert.This item is associated with agriculture which has always been a significant part of Orbost's history. The men in the photograph are prominent early settlers of the Orbost district.A large black / white photograph on a grey buff card. The photograph shows nine men, dressed in suits and overcoats standing outside a stone / brick building.on front - " Farmers Conference at Port Fairy" with a list of namesagriculture-orbost farmers-conference-port fairy

A set of 3 sharpening stones found on site at Bunjil Park. They are fine sandstone and range from 18cm to 19.5cm long and 4 to 6 cm wide.

Saint-Omer is a commune and sub-prefecture of the Pas-de-Calais department 68 km west-northwest of Lille on the railway to Calais. The town is named after Saint Audomar, who brought Christianity to the area. (Wikipedia) During World War I on 8 October 1914, the British Royal Flying Corps (RFC) arrived in Saint-Omer and a headquarters was established at the aerodrome next to the local race course. For the following four years, Saint-Omer was a focal point for all RFC operations in the field. Although most squadrons only used Saint-Omer as a transit camp before moving on to other locations, the base grew in importance as it increased its logistic support to the RFC. Many Royal Air Force squadrons can trace their roots to formation at Saint-Omer during this period. Among which are No. IX Squadron RAF which was formed at Saint-Omer, 14 December 1914 and No. 16 Squadron RAF which was formed on 10 February 1915. (Wikipedia)Black and white postcard showing a group of children and some adults surrounding a horse drawn cart. The cobble stone street is lined with double story buildings. chatham-holmes family collection, saint-omer, world war, world war 1, postcard

Razor hone stone rectangular grey in wooden box with metal clip at one end. Inside box lid has information about the water hone.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Grinding wheel, stone belt driven from the steam engine used for sharpening tools. Has a copper tub on top for water to run onto wheel.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, grinding wheel

Reproduction Photograph of the Bendigo Goldfields Hospital taken originally by Batchelder, a three storied stone building with four chimneys. There are six people standing in front of the buildingBatchelderbuildings, government, bendigo gaol, bendigo gaol, batchelder, stone buildings

Black and white photograph of administration staff quarters. Road in front bordered by bushes. Centre hut of 3 large stone chimney and electric power pole.camp 13

Rev Henry Clarnette: born 1898 in N.S.W. Ordained into the Methodist Church in 1921. Served in Yackandandah, Wodonga, Longford & Bracknell, Latrobe, Launceston South, Colac, Warracknabeal, Warrnambool, Bendigo (Forest Street). Connexional Editor Tasmania 1933 - 1935. Chairman of District 1946 - 1949. Died in 1954.B & W matte photograph of the Rev Henry Clarnette laying the foundation stone of the Hotham St. Methodist Church Mont Albert. Mounted on buff card.rev henry clarnette, methodist, minister, mont albert

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph

Large round piece of abrasive stone with holer in centre in which is inserted a metal shaft and handle. This is mounted into the centre of a wooden bench with four legs and bracing.trades, blacksmithing, carpentry