Shawl worn by Miss Jean Young at her marriage to To Mr. William Hill on 13-1-1843Large silk shawl - pale green with red and dark green pattern on edge with red and green flowers scattered. Fringingcostume, female

Purchased at a Vintage clothing fair. Grey jewelled hat with maroon bow. Hat is covered in beads and diamantes making a pattern of flowers with tuille and diamentes flowers scattered about. Small pearl like shells are sown around in several places.costume, female headwear

The wedding shoes of Dorothy Williams in 1958Fawn leather shoes covered in lace & sequins, square front. High heels, leather lined, & soled. See Wedding dress NA4110Estrellita by Diamondcostume, female

Hat was worn by Dorothy Williams at a WeddingHat -Cream linen Pillbox with bow & net. Net has black & cream spots. Hat was worn with going-away dress - NA4112. See wedding dress NA4110 and Wedding shoes NA4122.costume, female headwear

Purchased from Opshop with original price ticket.Grey felt with a wide brim set on skullcap. Crown edge of brim trimmed with grey grosgrain ribbon crown trimmed with ribbon finished with large bow on back of brimcostume, female headwear

Donated by wearer; worn to churchWhite, chenille, off the face, 1960s bonnet shaped hat; small gilt brooch pinned on front.costume, female headwear

Purchased in Sorrento from shop whose owner grew up at 10 Burnett Street, Mitcham. Her name was Roberta, daughter of Mary and Geoff Eastern, purchased from Harris Scarfe, Forest Hill 1990.Red Pill Box Straw Hat, decorated with red feathers, black beads and crystal beads, with black comb to hold in the hair.Rock Pool Millinerycostume, female headwear

Hat worn by donor, Barbara Gardiner during the 1960'sBrimless, pleated, close fitting hat. Crown uncovered with a large bow at the back. Fabric patterned in lime green, deep blue and black on an orange background.costume, female headwear

This hat was purchased by Margaret Skey from Myer (Margaret always went out and brought a new hat when she had an argument with her husband....)Brown straw hat with a roll back brim.(purchased in Myer Melbourne)94-414 100% straw|Made in Italycostume, female headwear

Hat was worn to the Spring Carnival races at Flemington Racecourse end 1980s - early 1990sSmall red straw hat or fascinator with large red feather and red veilingMiss Biernercostume, female headwear

See photo NP1832 of Doris & Cecil Evans on their wedding day, arriving at 22 Cassella Street for afternoon tea. Doris's father had died 1 month before, and the wedding had been postponed. The wedding took place at Christ Church, Church of England, Mitcham on 24/12/1938.Cream satin long wedding dress with back train. 'Peter Pan' collar and long sleeves with cuff. Photo of dress on wedding day, see NP1832.costume, female

Wedding dress worn by donor in 1963. In Supplementary File, photocopy of house at 3 Buxton Road, Mitcham where bride and groom lived after wedding. Photos, invitation and marriage certificate also in Supplementary File1963 Wedding dress of cream satin; floor length, short sleeves, round neckline, fitted at waist. Cream Giupure lace motifs down down front of skirt, on bodice and sleeves. A detached triangular organdie and satin train held with bow to attach to waist of dress. See Veil NA3473costume, female ceremonial

Wedding veil worn by the donor in 1963White tulle veil attached to comb with cream satin bow sewn on to it. See Wedding Dress NA3477costume, female headwear

The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial

Veil worn by Margary (Madge) Isabelle Brydon. Was later worn by many (about 15) local ladies who lived in the area of Rushworth. Madge's daughters, Molly and Isobel both wore the veil at their weddings in 1938 and 1945. Donor is granddaughter of bride. Veil made by bride and described in the Waranga Basin newspaper at the time. Margary (Madge) Brydon married Edward (Ward) Sprunt at the bride's family home in Carag Carag, Victoria on 10th April 1912. Veil also worn by Mary (Molly) Leith at her wedding to William (Bill) Paynter on 18 January 1932 at Stanhope Presbyterian ChurchCream 1912 cotton net Princess veil. Lace is handmade tape and cotton embroidery. See Also NA3494 -wedding dress, NA3496 - shawl and photograph NA3498costume, female ceremonial

Dress worn by Mary (Molly) Sprunt on marriage to John (Jack) Leith on 12 March 1938 at St Andrews Presbyterian Church, Rushworth. Veil was handmade by mother Madge Brydon in 1912 for her wedding. Dress and veil donated by Molly's daughter. Dress also worn by sister - Lyndsay (Lyn) Sprunt for her marriage to George Hendrie on 10 November 1945 at St John's Church Elsternwick. Gown made by Molly and Lyn's aunt Edith Brydon. Veil (NA3495) worn was made by mother Madge Brydon. Donated by Molly's daughter.Cream damask 1938 satin dress. Long sleeves, cross over neckline to a diamond front panel. Skirt cut on the cross, with front pleat. Back skirt has long train. Self-covered buttons at centre back.|See also NA3495 - Veil. Also worn for 1945 wedding with veil. NA3496 - Shawl.costume, female ceremonial

Dress made by Ludmilla Jenkins at her shop in North Road, Ormond. The dress was made for Rosalie Schwerkolt for her marriage to Marvin Bruce Whalen at St Andrew's Presbyterian Church, Gardiner, Victoria on Wednesday 1st June, 1966 and afterwards at Butleigh Wootton, 867 Glenferrie Road, Kew. Rosalie was married from 33 Straughton Road, Glen Iris.Rosalie is the great granddaughter of Johann August Schwerkolt, pioneer of Mitcham.1966 wedding dress of silk, velvet in Winter White colour lined in silk voile. The dress is a princess line with round crew neck. Sleeves are narrow and taper to a point using a dart and with a zipper fastening on seam. The arm seam also features three pleats at the inside of the elbow crease. The back has a zipper closing and princess line seams. The gown is full length at the front and at the back extends to a point for a 40cm train using an insert gore in the princess seam. Approximate measurement bust 31 inches or 79 cm waist 24.5 inches or 62 cm Hip 36 inches or 94 cm See also items NA5076 - Garter NA5077 - Good luck Charm NA5078 - Bible NA5090 - Stocking NA5091 - Veil Nonecostume, female ceremonial

Formally Miss Sharlene Barry now Mrs Ron Drager, the great grand daughter of the girl for whom the dress was originally made in England. The wedding was in Ceylon, and later the dress travelled with the happy couple to Australia. In total the dress has been worn four times. It missed one generation and then was sent to Adelaide for the wartime wedding of Sharlene's aunt, Mrs Hubbard. It returned to Melbourne for the wedding of Sharlene's mother Mrs Barry. The elaborately rouched dress with tight bodice and slight bustle effect was altered for the 1941 wedding.Used in 1950's for third wedding. Dress altered from the original dress made in 1886. Lace taken from draped overskirt and remade to square neck and long sleeve. Bodice pointed front and 22 satin covered buttons on back. Satin skirt and train edged with lace. Lace and cotton overskirt stiffened and draped and caught to the left side. Brussels lace mounted on satin. Used for weddings held in 1886, 1941, 1950, 1973.costume, female ceremonial

Donated by grand daughter of Edith and Ron Palmer. Bride Ellen Lidgerwood married Ron Mathers on 4 September 1937.The Best Man was the brother of the Groom, George Mathers. The bridesmaid was the sister of the groom, Miss Mathers and the flower girl was the niece of the bride, June Lidgerwood. For full family history and photos of both weddings see Supplementary File NA3817 & NA3818. Dress worn by Ellen at her wedding and Veil worn by both sisters Edith and Ellen Lidgerwood at their wedding ceremonies, Edith in 1936 (see NA3817) and Ellen in 1937Prominent Box Hill families1937 cream seersucker dress featuring a cowl neck and long sleeve, slit at shoulder to create cowl effect. Slim at lower arm to a point over the hand and fastened at seam with press stud. Bodice cut on the cross under the bust. Cut on the cross figure fitting skirt to the floor, complete with long train. On the back is a slit opening fastened with hook and eye and glass clear buttons. Below the slit are eight glass buttons with false rouleau button loops. The train is made of an added detachable piece. Veil worn at both sisters weddings but with different headdresses. Headdress has small circle of flowers and berries. See sister's wedding dress NA3817.costume, female ceremonial

Wedding dress donated by local resident, Mrs Dorothy Williams. Worn by her on her wedding day in 1958 and the dress worn again by her daughter 07/05/1983 as per photographs.1958 Cream embroidered Nylon wedding dress. Fitted long sleeves to a point at waist, fastened with thirteen self covered buttons. Boat neckline trimmed with frill. Long waisted to a point at centre back. Full gathered skirt to a long train. Bodice lined to waist over a cream satin underskirt. Wedding shoes NA4122costume, female

Wedding gown worn by Dianne Warren for her wedding in 1978, daughter of Frances Warren1978 White wedding dress in a fibre material with all over pattern embossed full length with train, long sleeves coming to a point, 5 buttons and loops fastening. Curved shape neckline, high waist, curved at front, seams over bust, five panel skirt. 34 covered buttons and loops down back.costume, female ceremonial

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of men and women standing in an auditorium. Some are in band uniform and carrying their instruments whilst the rest are in highland dance costume. The band is St Hilda's with the conductor Frank Wright. The dance troupe is Roy Stewart Dancers of Scotland. The place is Morecambe Lanes, London.Handwritten on back - St Hilda's - F.W. Conductor, Roy Stewart Dancers, (Scotland), Morecambe Lanes, July 1934frank wright, cornet, conductor, ballarat, st hilda's band

Colour photograph. Kids in costume. Horse mask hessian body. Girl in check shirt jeans and hat. Bot in hat check shirt jeans, waistcoat. Child dressed as dog at front. Gravel Hill Primary School. 1988 Production 'The Wallaby Track'' Staple holes in corners.education, primary, gravel hill school

Black and white photograph of group of children in fancy dress costumes taken on verandah of Barkes old white house on Esplanade named are Rex Freeman, Dorrie, Alma and Nancy Lee, Helen Ault Nun, Eveline Begby, Betty Broome, Pearl Lindermann Lakes Entrance Victoriapeople, genealogy

This extraordinary record of the student cohort in 1908 reveals many aspects of school life in the early 1900's. The fashions, hair coiffure and accessories and added costuming are fascinating. The sport detail from the basketball hoop is significant. This photograph has social significance because of its detail regarding female school activities in the early 1900s. Black and white photograph mounted on grey card of Clarendon Ladies College student cohort in 1908. The students are arranged in five tiered rows. The photograph is taken against wall of a timber building. There is a basketball net fixed to the wall above the last row. Many of the girls are wearing fancy hats, some decorated with birds. Two young girls in the front row wear poster boards over their clothing advertising an event not to be missed; something to do with a menagerie. All the students are dressed in white, some in dresses, some n skirts and blouses and many have aprons over their skirts. The photograph is accompanied with a typed list of namesPrinted on front righthand bottom corner of mount: 'Richards & Co/Ballarat'1908, uniform, richardson, clarendon ladies college, costume, menagerie, hilda farmer, avenel halls, sylvia eyres, ella morrow, florence sides, gertie owen, laela williams, lorna dowler, emma buchanan, phyllis doepel, daisy llewellyn, adeline purser, sophie anderson, helen mathieson, d brophy, lily wright, margaret dowler, dulce deardon, gladys small, marjory howe, jessie kelsall, erica mckay, pearl eyres, iris llewellyn, edith bishop, marjorie walker, violet howard, hazel wlls, effie white, mimi murphy, carrie miners, edith murphy, irene palamountain, miss allan, marjorie salmon, dollie snow, naomi franklin, elsie powell, rachael kennedy, rose paull, sylvia barnett, esther, lilah emblling, trixie kliender, chrissie anderson, agnes wheen, kitty dawbarn, hazel clements, m serjeant, dolly gill, beryl bach, dorothy nicholas, frances gill, meg moore, jessie eyres, blanche murphy, merle booth, melba mcconnel, edna clark, betty lester, bessie hoad, madge dearden, kate cameron, olive mathews, grace nicholas, mollie souter, isabel mctaggart, madge llewellyn, mollie mary buley, alice ralph, ruth tyler, rebecca abraham, joyce eyres, nellie salmon

Netta Fuller and her husband Alec were long-term residents of Kew. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations.Two piece black silk evening dress, comprising sleeveless bodice and full-length skirt with inset panels on both pieces of guipure lace on tulle.australian fashion - 1950s, evening dresses, evening wear, netta fuller

This boot was obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions. It is part of a 'fish warrior' costume.This boot is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Black boots with white, platform/wedge styrofoam sole, lined with starched interfacing and cardboardyoung chinese league, melbourne, victoria, australia, processions, costumes, boots

This headscarf was obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions. It is part of a 'fish warrior' costume.This headscarf is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Light blue satin headscarf or kerchief.young chinese league, melbourne, victoria, australia, processions, costumes