This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this two piece ensemble from the influential fashion boutique "The House of Merivale and Mr John" to wear to a performance of "The Sleeping Beauty" by London Festival Ballet, featuring Rudolph Nureyev at the Palais Theatre in St Kilda in May 1975.A two piece ensemble consisting of long evening dress (.1) and matching jacket (.2), cropped jacket of black acetate. The jacket features a tie front and long buttoned sleeve. The full length dress is slim fitting with centre back zip, shoestring straps and shaped bust with ruched centre front."Mandamatilda", "Dry Clean Only, SSWdi reidie, 1970s, house of merivale, manda matilda

Yellow moulded rubber soft or flexile toy Rhino with words "Look Listen, be alert around trams / Yarra Trams" on one side and "A tram weighs as much as 30 Rhinos". On the underside has a grey button when pushed makes the sound of an "electronic tram" gong - twice. Two copies held.trams, tramways, yarra trams, safety, rhinos

In 1984 the Scottish the Scottish Australian Heritage Council held a national competition to design an Australian tartan. The winner, Melbourne architect John Reid, designed a tartan using the colours of the Australian landscape: ochre, terracotta, black, white and cobalt blue. These were superimposed on the pattern of the Macquarie tartan sett, appropriately, as Lachlan Macquarie was the first Scottish and civil governer of the of Australia, from 1810 to 1821. In 1996 a vest was designed and made using the Australian tartan, as a uniform for the National Wool Museum's honorary staff. Name tags are inserted into the upper left button hole.National Wool Museum vest worn by honorary staff.SMALLtextile design, national wool museum, tartan

Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. The title for a 'Grade 1' nurse is now a 'Division 1' or (more commonly) 'Registered Nurse'. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Don't ask me, I'm a Grade 1 nurse' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, badges, buttons, pins, campaigning, 1986 victorian nurses strike, trade unions, labour history, royal australian nursing federation

Button distributed to and worn by Australian Nursing Federation (ANF) members. The ANF has been campaigning for more funding and qualified nurses to improve the quality of aged care for the past several decades, and continues to do so. Aged care campaigning became particularly prominent in the late 1990s and 2000s, with large campaigns by both the national and state/territory branches of the ANF. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and then became the Australian Nursing and Midwifery Federation in 2013, suggesting this badge is from the 1990s or early 2000s.Circular blue, green and white plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'Quality Aged Care needs Qualified Nurses' and the ANF [Australian Nursing Federation] logo. 'needs' is italicised and 'Qualified Nurses' is underlined.nursing, nurses, unionism, aged care, lobbying, funding, badges, buttons, pins, staffing, trade unions, labour history, workforce, patient care, australian nursing federation, victoria

Button worn by Australian Nursing Federation (ANF) members and staff as an ongoing campaign in the 1990s to 2000s to secure minimum nurse staffing in the public healthcare sector. 'no more than 1 to 4' denotes a ratio of one nurse to a maximum of four patients. During this period, staffing ratios were secured as part of bargaining negotiations between unions and employer groups. After decades of campaigning from the ANF/ANMF, ratios were legislated for the public sector in Victoria with the passing of the Safe Patient Care (Nurse to Patient and Midwife to Patient) Bill in 2015.Circular black and yellow badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'no more than 1 to 4'.nursing, nurses, ratios, workforce, staffing, badges, buttons, pins, campaigning, safe patient care (nurse to patient and midwife to patient ratios) act 2015, victoria

This jacket is part of a Royal Australian Army Ordnance Corps uniform. The Royal Australian Army Ordnance Corps (RAAOC) is responsible for various logistics and organisational operations, such as maintenance of parachutes, fuel distribution, personnel administration, exlosive disposal and laundy operations. The jacket was manufactured in 1968 and was worn by an unknown RAAOC serviceman. The patches on his sleeves denote that he had earned qualifications as a parachuter and a marksman and that he was a Warrant Officer 1. Due to the period of manufacture it can be presumed that the serviceman whom this uniform belonged to served Vietnam War.As an historic military uniform dating to 1968, it is presumed that this item would have been used in service during the Vietnam War. The wearer of the uniform is unknown, however the patches and flashes attached signify that the serviceman worked for the Royal Australian Army Ordnance Corps, earned qualifications as a parachuter and marksman and ranked highly as a Warrant Officer 1. The item is representative of a type of uniform worn by high ranking RAAOC servicemen during the 1960’s. It is also in very good condition for its age.A khaki coloured waist length jacket which is composed of a heavy fabric. The jacket fastens with five buttons down the front and a buckle. The buttons are composed of brown plastic and the buckle is a dark grey metal. The buckle is attached to a waistband on the right-hand side which loops around to a strip of fabric on the left-hand side which passes through the buckle. There are two breast pockets, one on each side of the chest. The right breast pocket is fastened with a brown plastic button and the left breast pocket is missing its button. Each pocket has a flap of fabric which covers the button area. The jacket has a collar and an epaulette on each shoulder which are each fastened with one brown plastic button. There is a ribbon of fabric on the interior of the collar with no inscriptions. There are identical crescent shaped red patches on each shoulder, each showing the words in navy blue stitching "Royal Australian Army Ordinance Corps". The upper right sleeve has a khaki coloured parachuting qualification patch, which depicts an air balloon in white stitching, with wings on either side in light blue stitching. The lower section of each sleeve has a Warrant Officer First Class khaki coloured patch. This depicts a shield in red, black, white, blue and gold stitching in the centre which sits beneath a gold and blue striped line and a gold star. There is a gold kangaroo to the left of these motifs and a gold emu to the right. Beneath these motifs there is a ribbon in white, blue and gold stitching with the word "Australia". In addition there are curvilinear green decorative elements with yellow flowers on their ends. The left-hand sleeve also has a brown marksmen qualification patch. This depicts two crossed rifles in white and brown stitching. There is a white label with printed inscriptions on the interior of the left breast pocket. There is also a band of fabric on the interior back waist band which has three button holes.Printed in black inscriptions on the white label: E.W. PTY/LTD. SOUTH AUSTRALIA 1968 (a broad arrow) Class 8405-66-025-641 Batch A.W... Mill (the ‘A.W...’ is in stamped purple ink and there are some other purple inscriptions that are difficult to decipher) SIZE OF CHEST 39/49PR MATCHING TROUSERS 37 PR DRY CLEAN ONLY CREASE UPPER HALF OF LAPELS ONLY NAME..... ARMY No..... (the number 40 is also wrtten in faded black ink in the top right corner of the label)military, jacket, army, raaoc, royal australian army ordnance corps, parachuting, marksman, warrant officer, uniform

Shirt - green colour cotton fabric with long sleeves, shoulder epaulettes, two front pockets with button down flap, plastic buttons. Cotton manufacturers label, green colour below collar with black print information. Black print on inside collar. Army work dress shirt commonly called "Greens".Green cotton label information - black ink print "YAKKA PTY LTD/ VICTORIA 1970/ 6 / 8405-66-011-9883/15 1/2 x 33/ ARMY NO./ NAME". Inside collar - black ink print stamp. "S.58/15 1/2 - 33" uniform, army, workwear

1. & 2. Trousers - khaki polyester fabric, plastic buttons, metal zipper fly. One fob pocket, two side pockets, one back pocket with button down flap. Lining - Khaki polyester fabric. Poly cotton manufacturers label - inside on back pocket lining with black print information.Poly/cotton label information - black ink print. 1. & 2. A.D.I. P/L/ VIC 1989/^ / 8405.66.018.5528/MACQUARIE 89/BATCH C/ SIZE 82. 5RC/W.82.5 1L.75/ ARMY NO. /NAME/ DRY CLEAN ONLY/ REPRESS ON ORIGINAL/ CREASES USE DAMP CLOTH/ OR MEDIUM TO HOT/STEAM IRON". 1. Handwritten black pen "URQUART" on manufacturers label.uniform, army, service dress trousers

Part of the equipment issued to service personnel for carrying equipment.Two compass pouches in army camouflage colours. Fold over lid with black button to seal. On back is canvas reinforcement with steel clips. When closing two separate studs on inside to allow for variation in size. Stamped on inside of cover part serial No. and other data. Small stud air hole at bottom.1. Written on inside lid "GRI 480" (possibly "O" is "6".) Stamped inside is serial No. "8465 - 66 - 125 - 3167" also "Trade partners ..Nov 2001". 2. On inside lid stamped Serial No. "8465-66-125-3167" and page 03-96.compass, camouflage, equipment

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Green full length nylon raincoat with button-up front and adjustable belt with buckle. Mesh vent covered with a flap on the back. Under each arm are four small vent holes. Sewn onto the inside neck is a manufacturer's label. Washing instructions label sewn on inside right. Two side pockets.Printed in black ink on manufacturer's label: 'M. PENNISI CLOTHING CO. PTY. LTD., VIC., 1977, (upwards arrow), CLASS 8405-66-018-1271' Handwritten in black ink on manufacturer's label: 'PADRE TOM B. WILLIAMS'.army chaplain, clothing, uniform, major thomas b. williams

White cotton camisole with short sleeves edged with 3cm cotton embroidered and cut work lace. Square neckline edged with two bands of embroidered and cut work lace. Bodice gathered onto a 9 cm deep peplum with rounded fronts. Three hand stitched button holes and two pearl buttons.costume, female, underwear

Small oval, head and shoulder portrait of a lady. She is wearing a dress with a button front and a wide crochet collar and a cameo around her neck. She has a chain attached to one of the buttonholes. Photo mounted on a dark brown card with gold printing front and back. Card has slightly rounded corners.Bartlett Bros., View Place, Sandhurstphotograph, portrait, female, portrait of a lady, bartlett bros.

Object. Hand made from a stiff canvas-type fabric ribbon, on a stiffened cotton canvas backing. Outer edge is maroon in colour 5 cm wide, inner section is a slate blue-ish grey colour, 1.5 cm wide and a maroon fabric button, 1.5 cm in diameter, is central to the rosette.organisation, masonic lodge, fabric rosettes

Clothing. Brown leather ladies shoes with 3cm heels. Pointed toes. Fold over flap across the bridge of the foot with cut out pattern. Fastened on outside of shoe with three flaps with button holes and three .8cm round plastic buttons. Heads of tacks visible on heels of shoes. Old box 573On sole of shoe, E.Salter Handsown, Gold lettering inside shoe, ''The Countess Handsown shoe by Ernest Salter. Late of Bond street and Piccadilly London. Exclusive for Mutual Store Ltd''.costume, female, brown leather ladies shoes

Grey cotton gloves. Knitted jersey fabric. Three rows of stitching, 8,8,7.5 cms long on the back of the hand. A 7.5 cms opening at the inner wrist, is fastened with a press-stud which has a flat grey 1.25cm "button type" finish. Size 9 1/2. May be men's wedding gloves.Cotton, Made in West Germany.costume accessories, male, grey cotton gloves

White cotton pantaloons, open down front, tape around neck, scoop neck line and one button down front, completely open down to the knees - front and back. Broderie Anglaise trim around bottom of legs. Trimmed from neckline with a set of five pin tucks and the two pin tucks???costume, female underwear

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue cotton evening dress designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with buttoned cuffs. The light-weight cotton outer layer is supported by a thicker cotton underlayer. Dimensions: Shoulder width 37.5cm Bust: 90cm Waist: 66cm Hips: 96cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1969, Coombs had already purchased 10 acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original 10 acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Periwinkle blue afternoon dress made of finely woven wool with silk quilting to the yoke and cuffs. The one-piece outfit is fastened at front with large mother of pearl buttons. The dress includes a very long train. At one stage, the buttoning at the waist has been modified, presumably due to changes in the owner's waistline. women's clothing, australian fashion, costumes, dresses

The Ericofon was the first commercially successful telephone which incorporated both handle and dial within a single unit. Manufactured by the Swedish company Ericsson, and available for lease from the Postmaster-General’s Department, the streamlined design has been praised for anticipating the cordless phone, and later mobile phone, by several decades. The ‘cobra’ design was formulated in the 1940s and manufactured in the 1950s; Australian cases were likely made in the L M Ericsson Broadmeadows factory. Although new thermoplastic technology allowed for a bolder aesthetic than traditional black Bakelite telephones, Ericofon sales accounted for only 4% of the market and it never enjoyed popularity with Australian subscribers. The design did, however, spark a conceptual shift whereby the telephone “was seen more as a consumer product than merely an extension of telephony” (Ericsson).Clear plastic telephone casing inside which are coloured electrical wires. Telephone has a broad base that contains the dial, mouthpiece and cord with cream plastic coated wall plug attached at rear. Handle tapers in a curve to a stylised squared earpiece. Dial underneath is a rotary dial with red disconnection button in the centre. telephone, design, domestic, ericsson, industrial design

Established at Victoria Barracks, in Melbourne, in June 1940, the 2/23rd Battalion was raised as part of the all-volunteer Second Australian Imperial Force and assigned to the 26th Brigade. Under the command of Lieutenant Colonel Bernard Evans, a small cadre of experienced personnel drawn from Victorian Militia units were concentrated at Victoria Barracks prior to the battalion headquarters being relocated to Albury, New South Wales, where a large number of volunteers were completing their recruit training at the 4th Recruit Training Battalion. Upon the conclusion of this course, the recruits were posted to the 2/23rd and the battalion – over 900 strong– moved to Bonegilla, Victoria, just across the border, where more complex collective training was completed prior to departure overseas. A large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region and as a result, the 2/23rd became known as "Albury's Own"This item is part of a collection of items owned by Athur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region.Circular tin lapel button with pin back fastening. The front is made of paper and covered with clear plastic. The printed design on the front shows the post 1942 T-shaped colour patch of the 2/23 Battalion surrounded by the words "ALBURY'S OWN 2/23RD BN." There are 3 similar badges in our collection. Above colour patch "ALBURY'S OWN" Below colour patch "2/23RD BN."world war 11, rats of tobruk, tobruk

Clothing. This unusual jacket has a fitted ''waistcoat'' appearance, fastened by eleven 1.5 cm diameter buttons, and hand stitched button holes. A separate, shaped front then overlaps the front. This has one tiny 7.5 cm long bound breast pocket, and an 8.5 cm long bound pocket at the lower section of each front. Front panels are peaked at the lower edge and have turned back lapels at the centre front - 4 cm wide. These are held by a 1.5 cm button at the top. and taper to the top of the peaked lower edge of the fronts. The high neckline is finished with a 4 cm deep stand-up collar. Long sleeves are tapered at the wrist, and have a 4 cm long opening at the sleeve edge, trimmed with 2 buttons on each sleeve. Stand-up collar, front edges and sleeve edges are lined with brown polished cotton. Internal seams and hem are bound in brown cotton fabric. Back of jacket is shaped by six panels of fabric, nipped in at the waist with two pleats and a button trimmed tab, at the lower centre seam, giving beautiful shaping. A home - stitched garment- machine and hand stitched.costume, female, ladies fitted long sleeved jacket

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. Opening Ceremony Uniform included a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy.8120.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag. 8120.2 - unnumbered- mounted on green card this sketchbook page depicts a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt and yellow gloves. 8120.3 - unnumbered- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

Associated with the service of Lieutenant H. Dixon, circa 1943. Worn by people who served on the Home Front in this Corps during the Second World War.This item is significant because Australian Army khaki woollen service dress jacket with red embroidered circular Unit Colour Patch on the top of each sleeves consistent with markings of Australia's home guard – the Volunteer Defence Corps (VDC). Four button down closure. The jacket is fully lined with a lightweight fabric, either natural or synthetic. A self fabric belt passes around the waist and fastens with a buckle at the front. Button down epaulettes with two pips denoting lieutenant ranking. 'Rising Sun' collar badges on each lapel. Pleated breast pockets with triple pointed flaps with exposed buttons. A pair of pockets over each hip with straight flaps each fastened with one visiable button. Pockets over hips have one Four front pockets are fastened with one visible buttton. These 8 buttons are domed metal showing a raised emblem of Australia surmounted by the King's Crown: also see Tudor Crown or Imperial Crown. The back of these buttons have a loop shank, secured with cotton. Surrounding is a stamp K. C. LUKE PTY LTD. MELB. There is a small pocket on the inside of the jacket corresponding to the right breast pocket.Small, white, rectangular manufactures tag stiched with khaki coloured cotton within the small pocket on the inside of the jacket corresponding to the right breast pocket. Approximately H 24mm x W 44m The MYER STORE for MEN MELBOURNE & ADELAIDE Typed in red ink on the bottom section of the manufacturers tag. Lt. H. Dixon W. 7290. 10/12/43.heraldry, uniform, volunteer defence corps

This MEZON brand button accordion was made specifically for Lyons, Musical Instrument Importer, 207 Bourke Street Melbourne, as can be seen on the embossed lettering on the top of the accordion. The hand inscribed nameplate indicates that the owner was T H Betts. On August 19th, 1903, Michael Edward Lyons applied to the Trade Mark’s Office of Sydney for registration of “The Invented word “MEZON” to be applied to musical instruments. In 1908 he was advertising himself as sole agents for MEZON accordions. He had been at that address for 15 years (since 1893) and was moving to larger premises at 256 Bourke Street, Melbourne. Still at this address in 1925, Lyons advertises MEZON accordions as “The ideal Xmas present, Maker your friends happy, This Xmas let the Present be a MEZON”. There was a choice of three styles: The Organ, The Wonder and The Grand Organ. They came with a Fibre Case with Lock and Key and a Leather Handle. The promise was “They Give Satisfaction”. They were obtainable at all stores or from Sole Distributors in Australia. In 1927 the MEZON was sold by Albert & Sons in Western Australia, Victoria, New South Wales and Queensland as well as by Lyons in Melbourne. The favoured German accordion brands were Monarch and Sterling, which were made by the International Accordion Company in Leipzig, Saxony, Germany. The company was founded in 1871 by Ernest Deines and made a variety of musical instruments. The company closed business in 1834. The International Accordion Company’s accordion range made the International brand and others such as MEZON, Globe, and Dienst. Australia imported the MEZON brand. American companies imported a range of the popular German branded accordions until World War II, when they were no longer available. In general, accordions produced after the war were not as high a quality and not loud enough to be heard over the electronic guitars and the drum kit of the bands. This accordion represents the type of musical instruments used in the late 19h and early 20th century, locally and Australia wide. In colonial Australia musical instruments like this one were imported from Germany as well as other countries. At that time, German made instruments represented good quality. This accordion is significant for being especially imported into Australia by a Melbourne retailer. Music was a part of family and social life, associated with dances, song and general fun.Button accordion with case. Accordion with steel reeds, three bass valves and ten treble valves. It is coloured black with very dark green trim, decorative silver metal reinforcing on main corners, gold reinforcing on corners of the bellows and delicate printed, gold printed patterned trims. Hand support for buttons is made of fabric. Folds of the bellows are light coloured with fine dark pattern. It has a nameplate on the front. Black wooden case has red lining, two brass hinges, two brass hook and eye catches and a swivel brass lock. The base of the case has a loose brass fitting. The top has a thin metal handle. Inscription on hand inscribed name on front, label inside case lid, silver reinforcing, leather on bellows top, and frame of accordion. Manufactured with the brand MEZON in Saxony, Germany, for Lyons of Melbourne. Once the property of T H Betts.Printed on label “MEZON ACCORDEONS.” Impressed in metal corners and reinforcing “MEZON” with logo [circle enclosing entwined capital D and E] “MADE IN SAXONY” Embossed in gold on frame “Made in Saxony”, “MEZON Accordion/ manufactured for LYONS / MELBOURNE, Bourke Street” Name inscribed by hand “T H Betts”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mezon accordion, lyons, made in saxony, t h betts, betts, mezon, squeeze box, musical instrument, button accordion, germany, michael lyons, international accordion company, ernest deines, circle enclosing d e, d e, e d, german accordion

Refers to Service of 3/745787 Lieut. K. J. Mackay.1. Black wool uniform jacket. Four pockets. Four gold buttons on front centre. Top pockets - brass button each. Motif on button is a shield with a crown. Collar badges of 38 Bn Northern Victorian Regiment. Two gold pips on epaulettes. 2. Trousers black. Red stripe on leg outers. Fly shuts with black buttons. Waistline has black buttons. Two side pockets, One rear pocket, One fob pocket. 3. Shirt - cream/white. One breast pocket. Opaque plastic buttons. 4. Cap - Officers. Black with red band. Silver 38 Bn badge. 5. Tie - black silk. 6. Belt - black, wool with brass bronze.1. Written in jacket 3/745787 - K.J. Mackay. 2. Written inside trousers - Sgt. Mackay K.J. SP COY. 3/745787 K.J. Mackay.38 bn, post ww2, passchendaele barracks trust

Welmar white dress shirt. Collarless. Long sleeves with 7.5 cm cuffs of marcella waffle weave fabric. Cuffs have one button hole on either side of opening. 2cm band around neckline with buttonholes at centre back and either side of front opening. Panels of waffle patterned fabric on either side of front opening extending to above waistline (33cms X 11 cms). Each side of front opening has three button holes. Loop at centre back below neckline 7 cm X 8 cm Loops on either side of front 17 cms below shoulder extending from outside edge of waffle pattern panels (7 cm X 2.5 cm ).Label inside back, Welmar. All Cotton / Adhesive label 50 54costume, male, dress shirt

Leather belt with souvenir badges from L to R: AMF collar badge, brass plate with crown and bird badges attached, brass map of Australia enclosed by a serrated circle, Australian Red Cross Society button, silver boomerang with brass map of Australia, brass "Australia" shoulder badge with circular aluminium(?) disc above, US Army 147th Field Artillery Regiment Unit Crest, crossed cannons with 147 above, brass tab, musicians badge, AMF collar badge, Major's crown, laurel leaves with what appears to be TCB in script above, crossed rifles, star with what appears to be a lotus flower (Japanese?), AMF button, Major's crown, what appears to be a red S inside a white circle.Circular aluminium disc has Pte M Cain VX6341 AIF faintly engraved on it.

Set of four types of coat buttons: 1 - MMTB button or Badge - brass - made by Buttons of Birmingham UK - approx. 25mm dia. 2 - MT - (Cable tram) button - brass - made by Stokes and Sons Melbourne - approx. 25mm dia. (this is to be clarified as at 24/6/2018, though see detailed image of a conductor in uniform - Reg Item 1961.) 3 - Dept of Govt Transport - Tasmania? - has a crown in the centre, - nickel silver with brass back and formed loop to sew onto a jacket or be pinned. 4 - Two badges both with the Islamic symbol and star (5 points) - brass, one marked "Tramways" and the other "Tramways Caire" - Cairo. The first badge made by "A. Meyer & Co. Wien".trams, tramways, melbourne tramways, uniforms, buttons, cairo, tasmania, cable trams