A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone.A postcard from a painting of a ford on the Acheron River that was painted in 1881 by H.J. Johnstone. The original painting is oil on canvas and was donated to the Broken Hill City Art Gallery in 1948 by Mr. O. Von Rieben. This postcard was produced by Souvenirs Australia Pty. Ltd. in Glynde, South Australia as a souvenir of Marysville.H.J. JOHNSTONE/ A FORD ON THE ACHERON RIVER, 1881/ OIL ON CANVAS, 171cm x 245cm/ BROKEN HILL CITY ART GALLERY/ DONATED BY MR. O. VON RIEBEN, 1948 Made in/ Australia by/ Souvenirs Aust./ Pty. Ltd./ Adelaide/ BHG 2 ADDRESS Published by/ Souvenirs Australia Pty. Ltd./ Glynde/ Copyright A PITT CARDacheron river, oil painting, h.j. johnstone, broken hill city art gallery, mr. o. von rieben, postcard, souvenirs australia, souvenir

From information book- "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No 7300.Framed print. Print - colour print on paper. Copy of a "chromolithograph on canvas" poster. Depicts a strong soldier wearing a slouch hat standing astride a 3D land area and peninsula. "The soldier has raised his hands to his mouth". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink, "RECRUITING POSTER, A Call from the Dardanelles, 1915". Details on poster. "A CALL FROM THE DARDANELLES/ "COO-EE"/ Won't YOU come? "/ ENLIST NOW/ Issued by Authority of THE DEFENCE DEPARTMENT OF COMMONWEALTH - S.T. LEIGH & CO. LTD, LITHOGRAPHIC PRINTERS, SYDNEY".framed accessories, pprints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat. No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting on canvas. This painting depicts "several soldiers, in uniform and wearing tin helmets sitting in a dugout. "Holding a candle, one reads a precious letter from home". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; "FRANK CROZIER (1883-1948) Diggers sitting in dugout 1918". FRANK CROZIER "enlisted with the Australian Imperial Force in 1915 and was trained in Egypt before serving at Gallipoli", 22nd Battalion. Appointed an official war artist in 1918.framed accessories, prints, ww1, gallipoli, centenary

The HMAS BENDIGO (1) was a Bathurst type Minelayer/Corvette. It was made in Australia. Launched 1 MAR 1941 and paid off 27 SEP 1946. The ship had a normal complement of 85 hands. The ENSIGN is the standard pattern Royal Navy ensign in use at the time by The Royal Australian Navy. The Ensign has five written names including the Captain and has 85 autographs. All but two have been identified. Referring to the sailor's service cards, the signing probably occurred between OCT 1945 to FEB 1946. Post WW2, the Ensign was presented in gratitude to the City of Bendigo where it was on display in the Old Town Hall for decades. The City then gifted the Ensign to the Bendigo and District R.S.L. After some time the RSL lodged the Ensign with the Soldier's Memorial Institute Military museum for safe keeping.The main part is of a strong open weave white cotton. The flag is divided by a bright red cross vertically and horizontally. In the top left quadrant is the Union flag of the U.K. The left side has a strong canvas spine in which is mounted the sisal rope. The rope has a small length with loop at the top and a longer length with loop at the bottomThe bottom right quadrant, has these words stencilled on it..."In Appreciation from HMAS BENDIGO". The other two quadrants have a large quantity of signatures.corvettes ww2, hmas bendigo

Arthur George Holley No 13556 RAN. Refer 2134 for service history and medals, also 2135.3, 2137, 2148, 2149, 2150. Diary re A.G Holley, small notebook canvas covered, has "C of A" with arrow pointing upwards. A sticker at bottom has hand written "A.G Holley 18 Mess HMAS Hobart". Writing is in pencil and ink, detailed day by day account. Diary begins 14th Oct 1939 to Sat 30th Aug 1940.diary, personal, ran

Herbert Allan Unwin (1898-1958) lived at 171 Creek Street in 1928. In 1924 he had been listed as living at 78 Gladstone Street. After selling the Creek Street property, he moved to 629 Hargreaves Street. Herbert was a labourer who married Caroline Struggell in 1920.Black and white photographs (2) mounted on rectangular brown board. House, weatherboard, corrugated iron roof, curved verandah roof, trellis at ends of verandah, 2 canvas blinds on verandah, woven crinkled wire fence. On back of photo ' Unwin, Creek Street, £420 plus sewer' Date stamp 11 April 1930.Frank A. Jeffree, Bendigobendigo, business, t c watts & son

Heavy khaki ammunition and magazine holder with a metal insert in front with black metal fastener. 2 Khaki webbing loops on either side 2 metal clips on back. Webbing loop with dog tag fastener on end. Has canvas top which can be fastened to front metal fastener (possibly belonged to Peter Raymond Young)ammunition, pouch, young, peter raymond

'Rapid' tobacco tin for storing tobacco and contains 'Tally Ho' rice tobacco papers. Used for rolling own cigarettes. Chrome finished pocket size tin with canvas rolling mechanism. Tin lid is embossed with a decorative star/sun design. The tin is curved slightly to sot in a jacket pocket and making it easier hold when in use.'Rapid' stamped near the front edge of the lid.personal effects, smoking accessories

This gear bag was issued to Sergent Harold Loraine Reed, who was born in 14 Aug 1889 in Portland, Victoria. Reed enlisted in the army in 1940 in Ballarat to serve in WWI, and was discharged from 8 Battalion in 1943. Gear bags such as this were standard issue to servicemen. Soldiers would fill their gear bags with essential equipment (mess tins, clothes, etc.) and carry them with them from post to post, or ship them to their destination ahead of time.Khaki coloured canvas bag that is cylindrical in shape with the owner's rank, name, and service number written on the front of the bag in white paint. The base of the bag is rounded, while the top is open with 11 eyelets (one missing) through which a cotton cord has been threaded. Each end of the cord has been wrapped with red tape.V58131 / S/Sgt. H.L. REEDmilitary equipment, duffle bag, barracks bag, kit bag, wwii, second world war (ww2)

A banner promoting Legacy that was used at the ANZAC Day March 1973. 1973 was the Golden Jubilee of Legacy's creation in 1923. Many celebrations were held and this banner was proudly displayed as the Legatees marched together in the Anzac Day March instead of marching in their individual battalions.A banner that was used in a significant celebration of the golden jubilee of Legacy.Canvas printed banner with nylon cord at each corner. White background with Legacy logo and text printed on surface. Left hand side printed in gold is the Legacy logo with 1923/50/1973/ Legacy. Centre and RHS in black LEGACY JUBILLEE. In gold underneath ‘Service to widows of ex servicemen and their children.’ Designed to be carried in a march.legacy promotion, anzac day, golden jubilee, 50th anniversary

1,2, & 3. Water bottles inside each canvas pouch, kidney shaped plastic green with attached screw top lid. Pouch, green coloured and shaped to fit. Waterproof outer, soft inner lining, two folding flaps with press studs, back has webbing. section sewn on with three types of attachment for a belt.1. “Winchester” (In texture marking pen). 2. “Mackander” (In texture marking pen)passchendaele barracks trust, water bottles

CEMA Art Collection Previously located in History HouseThe painting depicts a large body of water surrounded by hills and mountains. The work is predominantly grey with the calm grey water of the lake opposed by by the ominous cloudy grey sky. In the foreground is a grassy hill top with several large rocks. The background features a line of distant grey mountains. The work has a gilded ornate frame with no mount and exposed canvas.Front: A. S. Murray Plaque attached to frame: THE GREAT LAKE (TASMANIA) Back: W. HAMER 189 Sturt Street, Ballarat, VICTORIA BUILDINGS OPPOSITE CITY FIRE BRIGADE

Cloth bag - sewn brown canvas with a metal ring and cloth strip attached to one side and stencilled "16" on both sides of the bag. Used by Conductors to pay in their cash at depots following the introduction of ticket machines on the Z class trams. 2nd copy - "19" added 3/7/2019 from donation of Hugh Waldrontrams, tramways, tickets, cash handling, depots, revenue clerks, conductors

The Young People's Society of Christian Endeavor was founded in Portland, Maine, USA, in 1881 by Dr Francis Edward Clark, as an interdenominational Christian youth society encouraging them to "work together to know God in Jesus Christ". In the 1880s, CE Societies were established in each Australian state. The first Victorian convention was held in Melbourne in 1890. Rapid growth occurred with 3000 members, representing 65 societies, attending the second convention in 1891, and 205 societies attending the third convention the following year. [Source: https://www.ce.asn.au/about/our-past-australia/]Pale blue silk banner on a canvas backing with appliqued lettering. The letters are of cream felt and the banner has gold cord edges. The lower edge has a gold metal fringe on a scalloped edge. There is cream cord on all outside edges, and it has blue cotton on the back. The banner has a wooden hanging rod across the top."PRAHRAN INDEPENDENT Y.P.S.C.E. MOTTOB BY LOVE SERVE APRIL 1889"prahran independent church, young people's society of christian endeavour, christian endeavour

These special cane baskets were lined with a canvas filter cloth. They held three or four beets and were selected at random from a load. The beet were taken to determine the dirt content after weighing. Dirt and vegetable matter were scraped away and weighed, as was the cleaned beet. The dirt to beet ratio so determined was then applied to the whole load. Only clean beet were paid for. The dirt content averaged eight to fourteen percent, but was higher in wet weather.A cane beet basket, grey colour. It is large, round and woven. There are two arch shaped handles at the top, one on the opposite side to the other. It is strengthened in four places with wire.sugarbeet

From information book - "Reader's Gigest/ Gallipoli/ 25th Aril 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting. Depicts a "Hospital ward where several nurses attend a patient in bed", against a background of "beds being made ready in the ward" and "Stretcher bearers carrying in more wounded". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GEORGE COATES (1869 - 1930). First Australian wounded at Gallipoli arriving at Wandsworth Hospital, London". 1921. "Served with the Royal Army Medical Corps at 3rd London General Hospital at Wandsworth". 1919 Commissioned to do portrait work for the Australian War Records section. framed accessories, pprints, ww1, gallipoli, centenary

From information book - " Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting on canvas. This painting depicts Anzac Cove - with soldiers going about various activities, some unloading crates, stacking crates and moving supplies. Background of sea, sand and hills. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. " FRANK CROZIER (1883 - 1948) The Beach at Anzac 1919". Frank Crozier - enlisted with the Australian Imperial Force, 22nd Battalion in March 1915. Trained in Egypt before serving in Gallipoli. Appointed an official war artist in 1918.framed accessories, prints, ww1, gallipoli, centenary

World War 2 Australian defence department issue folding steel periscope with two mirrors and extendable steel sides. The item is carried in a khaki brown canvas case with a belt loop at the back for wear with standard issue webbing. The case has a top opening flap secured by a press stud button. The periscope extends to approximately 640mm overall.A maker's label on top of the periscope reads 'J.W.H. PTY. LTD. POCKET PERISCOPE 1943 MK.I. AUST.'. 'D (broadarrow) D 523' is impressed below the label. world war 2, ww2, periscope, equipment

Circular artillery prime charge powder bag made of canvas material. Set of five in a string bag. This item is two sets of five. These are made in a hexagonal shape with one side unstitched. The bag was filled with the chosen powder type and charge in the field prior to loading the artillery piece. Believed to be of Turkish origin and presumably of World War 1 origin.

This duffel bag was used during the Vietnam war by National Serviceman Private Wayne Edward Maschette, Army number: 5716538, who served in 8RAR, 1969-70, Long green canvas bag with a large white painted label. Brown stencilled printing of name and number of soldier. Brown, blue and yellow stripes and a picture of kangaroo on left hand side. Base of bag is covered in white paint with a black strip through the middle. Eight corroded metal rivets at the top of the bag where cord to close it would go.Front- 1023 5716538 PTE W.E. Maschette. Back- 8RAR E NOGGERA. His name and 5716538 all marked in texta. duffel bag, 8rar, army issue, bag, maschette, vietnam war, kit bag

Belonged to THOMPSON NORMAN VOISEY JAMES who served in WWII. His service Number - VX111547 : Date of birth - 17 Feb 1918 : Place of birth - WONTHAGGI VIC : Place of enlistment - IN THE FIELD WA : Next of Kin - THOMPSON A According to inscriptions within the book, Thompson was discharged on 27 December 1945. His home address was 10 Clarke St Prahran VIC. He was a fitter and turner and went on to work for EA Machin & Co 535 Elizabeth St Melbourne as a mechanical fitter after the war.Small brown rectangular booklet containing personal documentation of NV Thompson VX111547, including passport size photo x 2, enlistment details, training records, medical history, Q record, record of leave. The cover has only handwritten inscriptions in blue ink and pencil. Stored within a brown coated canvas storage pouch with single flap.Multiple inscriptions both typed and handwritten. Front cover: "N.V. THOMPSON" in blue ink. Below that, 'Mrs Vera Evans / 403 Nth Terrace / West Burnie / Tasmania / Plumber / Wilson St Burnie" in pencil.

Folding Wallet Camouflage Canvas with Velcro strap. Pockets inside the wallet containing -Dept. of Defence Message Notebook OC 076)-Armoured Fighting Vehicle Driving Licence May Scott Andrew Army No 8508114 - 3 x Range record -AFV Range Card (OWR 38) Gun/Target Information.- RAAC Commanders Card (OWG 136)Refer Physical Destription

Newspaper - Bound collection of Sandhurst Bee newspapers. Volume is bound in buff coloured canvas type material (?) Papers date from July - October 1861. Inside front cover lined with brown paper, and brown paper front page. Written on inside front cover in black pen 'Property of Bendigo Branch Royal Victorian Historical Society'newspaper, bendigo, sandhurst, sandhurst bee

CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions)

The painting was commissioned by ANZCA to mark the presidential term of Dr Lindy Roberts from 2012 until 2014. The artist Robert Hannaford has a long history of painting portraits of politicians and distinguished professionals in the field. Oil on canvas portrait of Dr Lindy Roberts seated in front of a plain brown background. She is facing front on with legs crossed, one hand over the other resting on her knee. She is wearing the Presidential medal which is slightly covered by her multi-coloured jacket of pink, grey and white. The painting is set in a wide timber frame.[artist signature and date, lower RHS] HANNAFORD ' 13painting, anzca president, roberts, lindy, hannaford, robert

A razor strop is flexible strip of leather or canvas used to maintain a shaving edge on a thin blade such as a straight razor. Fine powdered jeweler's rouge or other pastes can be added as an abrasive to polish the blade. The strop may be a hanging strip or a hand-held paddle. This one is a hanging strop. Strops were quite commonly found in barber shops and homes before the invention of the safety razor, They are still used for sharpening tool blades. This one was owned and used by Mr Bill Weston, an early Orbost sleeper cutter.This item is an example of the self-reliance shown by rural families when household necessities were not readily available.A brown leather (probably horse hide) razor strop with a double hook at one end. It consists of two strips of leather with padded 'tongue' at bottom. This is a hanging strop which has a metal swivel on top so that the strop can be turned over while hanging from a hook/peg Front top in gold : MALWA Base in gold: 910razor-strop shaving personal-effects

A typical Olsen painting combines an implied aerial view with an ambiguous and seemingly unpremeditated figuration. His characteristically quizzical line and irregular squiggles and dots deftly render countless organisms, large and minute. Their environment is conjured through loosely brushed and stained expanses of colour (on canvas or hardboard) and lines which sometimes read as geological mappings. In Olsen's work there is no foreground/ middle ground/ background, nor any sign of European landscape's concern with "human scale." Instead he employs simultaneously the contrary vantages of naturalist and geographer. 'Tropical Rain Shower' by John Olsen forms one of the eight artworks represented in the Bodford Terrace Suite. Eight of Australia's finest artists were brought together to create a folio of lithographic prints to celebrate the restoration of historic Bodford Terrace. Printed at the Druckma Press by John Robinson under the supervision of master printer Jock Abbott. The folio edition was limited to 300 signed and numbered folios. The lithographs were printed on special heavy weight french Arche's paper in accordance with the tradition of this artistic medium. Lithographic print on paper.Signed John Olsen '78, lower right hand corner. Edition 179/300bodfford terrace collection, john olsen, tropical rain shower