8728.1 - Thin wooden frame with very dark stain and gold paint on the inner part of the frame. 8728.2 - Very large print of a one pound note. 8728.3 - Brief description of the note and it's history.8728.2 - 1 - MELBOURNE - VICTORIA - ONE - POUND - THE NATIONAL BANK OF AUSTRALIA LIMITED - On demand I promise to pay the bearer ONE POUND sterling at MELBOURNE June 1893 - For THE NATIONAL BANK OF AUSTRALIA - Manager - ENTd 8728.3 - NATIONAL BANK NOTE - The first note issued by the National Bank when it reopened for business on 26th June, 1893 after reconstruction following the 1893 land boom.

Black and white photograph, multiple people, photograph of two female basketballers accepting a trophies on stage. Bendigo Advertiser description on back of photo: Basketballers Nina Cass (Left) & Debbie Slimmon (Dark hair)recreations, sports, awards

Black and white photograph, 1 man, photograph of shooter Geoff Grenfell holding a rifle whilst staring in another direction. Bendigo Advertiser description on back of photo: Queen's prize Geoff Grenfell BGOrecreations, sports, awards

A Bendigo 'Advertiser' newspaper article titled 'State College plays senior soccer match'. This is a description of the first State College of Victoria Bendigo senior soccer game against B.I.T. 21/06/74.bendigo, education, sporting team, la trobe university bendigo collection, collection, bendigo, education, tertiary education, sport, soccer, sports, football, state college of victoria bendigo, bendigo institute of technology

An hand written page relating to the disappearance of constable Ryan. it appears to have been copied from a newspaper article. On the back a description of the life of Ken Pocock (1926-1992), a horse trainer in the Bendigo region.document

Documents. Norman Penrose collection: grey card covered booklet relating to Japanese Colour Woodcuts. First page has some information on the woodcuts. Other pages, some artists and a short description of their art.handcrafts, woodcarving, ornamental, norman penrose collection, japanese colour woodcuts

Blue front cover with photograph of Rod Wells, title in green print at top and in the middle, a building at the bottom, authors name bottom right. Back page has description of book over a backdrop of a tiger.Book telling the Story of Rod Wells and his survival as a POW in WW2. Written by his wife Pamela Wells.

"Textile Mercury Annuals:The Wool year book and diary 1914".Book, 592 pages. Dark green hard backed book, green cord bookmark, thumb cutouts designating the sections. Includes statistics, supplier lists, descriptions and specifications of processes, diary in blue paper.Cover: 'Textile Mercury' / Annuals / The Wool / Year Book / 1914. / With / CRITOHLEY, SHARP & TETLOW'S / Complimentstextile industry textile machinery textile history, textile mercury ltd, textile industry, textile machinery, textile history

Photo of Mary (Molly) Sprunt on marriage to John (Jack) Leith on 12 March 1938. Gown made by her aunt, Edith Brydon (NA3494) and veil by Madge Brydon (mother) NA3495Photo of bride - hand tinted on light brown paper background, covered in plastic attached to tin back and stand. Description of bride on paper stuck to top. See also NA3494, 3495, 3497, 3496photography, photographs / slides / film

Edward John Price was a son of early settler Edward Joseph Price. Edward Joseph was the first settler in the Village Settlement when he took out Lot 1, Section 1. He built a small home of slabs and brought his family up in 1896. From the outset the Price family ran a store from their home.This picture, taken 1914, shows Edward John Price on his pony delivering papers from his parent's newsagency that was opposite 'Mountjoy' guesthouse on Ridge Road. He was taking them to Lily Badenhop's post office in Blythe's Road. The section of road he is on was called Main Road and is now Falls Road.Black and white photograph showing a man on horseback in the centre of an unmade road that is running into the distance.Trees, a fence and houses can be seen with hills in the background. Reverse of photograph has handwritten description by John Lundy-Clarke.On Front MAIN ROAD On Reverse Looking down Falls Road then the main road in 1914. Before Frank Craig built The Fron (1918). Dunbar’s house Halcyon on left of road. The hall on its right with Keogh’s sheds showing further in the trees. The horseman is Edward John Price who delivered the daily papers to Lil Badenhop’s shop. The bag he carried them in can be seen hanging from the saddle pommel. The first road formation can be seen on the bank to the right. The road seen was constructed 1905 by Bill McGivern.edward john price, edward joseph price, lily badenhop, post office, falls road, main road, mountjoy, frank craig, bill mcgivern, dunbar, halcyon, keogh, farndons hall

Flyer black print on green A4 sheet, printed both sides. National Trust Open Heritage event 8th March - 27th April 2003. Includes description of the Ravenswood Homestead near Bendigo.ravenswood homestead, national trust open house

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.34; ‘The Punt, Echuca’; Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The subject of this illustration is the principal crossing-place on the River Murray at Echuca, as regards the ordinary road traffic from the district of Riverina, New South Wales. After the periodical floods, the Punt is found to be insufficient for the large traffic; but this inconvenience will not be found to occur again to any great extent, as the new Railway Bridge from Moama will considerably lessen the road traffic through the Township of Echuca.’nicholas caire (1837-1918), echuca (vic), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Township of Walhalla’ : Views of Victoria (General Series) No.37 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This romantic Township is situated near Stringer’s Creek in Gipps Land, not far from the celebrated Baw-Baw Mountains. The Long Tunnel Gold Claim has proved a great source of wealth to this small out-of-the-way place, yielding sometimes between 2,000 and 3,000 ounces of gold per month. The population, which is mostly a mining one, reaches nearly 2,000 inhabitants, and are scattered about among the creeks and gullies of the neighbourhood. Until recently, the road traffic was limited to pack-horses, in consequence of the precipitous hills which surround the Town.‘nicholas caire (1837-1918), walhalla, landscape photography

(1) 2 copies, list of signs with descriptions. (2) Tracing paper copy, Suggested Construction for Interpretative Signs Student Gardens V.C.A.H. Burnley. (3) Plan of Campus with placement of signs as per (1).students, gardens, vcah, signage, burnley gardens