Limited edition print (87/125) of serigraph entitled 'Borg/Connors'. Painted image depicts these two players in action before a crowd and includes painted captions 'BJORN BORG/WEST SIDE TENNIS CLUB' and 'JIMMY CONNORS/FOREST HILLS'. Number '95' inscribed on backing paper in black marker. Materials: Ink, Paper, Wood, Cardboard, Metal, Felt, Clothtennis

1. Jacket, Khaki Officers pattern jacket, four pockets, dark AMF metal buttons. Rising Sun Badges on collars. Rank Lt.Colonel Badge. On shoulder has felt Royal Victorian Regiment. 2. Shirt - Khaki, 2 pockets, longe sleeved. 3. Tie - wool, brown. 4. Peaked cap - khaki. Darkened Rising Sun badge on front.Shirt has texta name - “HENNEQUIN 32036811post ww2, cmf, 38 bn, passchendaele barracks trust

This pair of embroidered badges were worn on the sleeves of the red City of Brighton mayoral robes until Coat of Arms were granted in 1970 by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Two oval shaped City of Brighton mayoral robe badges, embroidered and mounted on red felt. The badges have a black border with CITY OF BRIGHTON embroidered on the top and the British Coat of Arms on the bottom. The centre image depicts the City of Brighton seal of the Brighton coastline with a pier extending to the water, sail boats in the distance, a train on the right of the pier, and buildings on the left and right sides. coat of arms, mayoral robe badges, badge, mayoral robe, city of brighton, ceremonial wear, mayoral regalia, bayside, crest, british coat of arms, brighton, seal

This hat belonged to a Warrnambool undertaking firm, Beattie and Phillips. This firm was established by Christopher Beattie and Henry Phillips in 1865 and was originally situated in Koroit Street. Beattie’s son, James, took over the business in 1916 and moved to new premises at 82 Fairy Street about 1928. In 1945 the business management was transferred to James Leahy and the firm continued until 2000. The top hat was used by both James Beattie and James Leahy and would have been one of several used by the employees in this undertaking business. The suppliers of the hat were Cramond and Dickson (note that the name ‘Cramond’ is misspelt on the hat itself). John Glass Cramond and James Dickson established their clothing and drapery and ironmongery business in Warrnambool in 1855 and it continued to operate in Liebig Street until 1974. This is a highly significant item for three reasons: 1. It belonged to, and was used by, two directors of the undertaking firm of Beattie and Phillips, a most prominent business in Warrnambool for 135 years 2. It was supplied by the firm of Cramond and Dickson, a dominant retail shop in Warrnambool for 119 years 3. It is an important example of a social custom of the past – the wearing of formal wear, including a top hat, by funeral employees (even to the extent of taking the hat by rail for funerals etc outside of Warrnambool) This is a black top hat with paper and silk inserts in the inside crown and a brown leather lining stitched on to the inside of the brim. There is black corded ribbon around the brim and around the outside of the hat. The brim is made of felt with the crown showing a shiny pile. There is a small round metal insert on the top of the crown. A piece of a newspaper dated 1st January 1931 is stitched into the inside of the brimInside the hat on the bottom of the crown – ‘Extra Quality’; ‘Crammond (sic) & Dickson Warrnambool’ with a stamp logo on the silk – a British logo with a lion and a unicorn with the words – ‘Honi Soit Qui Mal Y Pense’ and ‘Dieu et Mon Droit’ In biro on inside crown are the letters ‘J.L.’ undertaker's hat, beattie and phillips, christopher beattie, henry phillips, warrnambool history

During World War II, over 22,000 Australian became prisoners of war to the Japanese. Most of them were captured at the fall of Singapore in February 1942 and were forced to march to Changi (the major Prisoner of War camp). Later on, the soldiers would be dispersed throughout South East Asia. Upon their return to Australia, very few of them told talked about their experience as prisoners (they often felt ashamed). It took almost 30 years before testimonies, books and documentaries would be published. This ship model was built by Australian prisoners of wars.Model of a Spanish or Portugese 18th Century sailing ship, manufactured from timber, fabric and string. Natural timber colours as well as white, blue, red, green and gold.'To Auntie Helen, many thanks for everything from P.O.W.s Singaporesingapore, war, ships, second world war, model, 1945, models, p o w s, prisoners

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

The photograph is taken in Mr. Spartel's home in St. Kilda. The MDNS uniform worn under her white gown was a dark grey cotton frock with a belt. The grey stiffened and brimmed felt hat had a light grey hatband with a red Maltese cross attached in the centre. Sister J. Faust is about to redress a wound on Mr. Spartel's abdomen. The photograph is a record of wound care being given by MDNS trained nurses in a patients home during the 1950s. This photograph appeared along with an article in The Sun newspaper Oct 17 1952.The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients, who ranged in age from the very young to the elderly. As research developed better products and dressing materials, the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed programs, such as the Wound Specialist program, and the Leg Ulcer Management Program, to provide their Trained nurses (Sisters) with methods of best quality care. The Sisters liaised with the patient’s Doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. When RDNS introduced Wound Care Specialists they carried out assessments and provided advice and support to the District Sisters working in the field. On the left of the black and white photograph is Mr. George Spartel, who has dark short curly hair and is lying on his bed. His shoulders and head are resting on the white pillow with his head against the wooden slatted backrest of his bed. His torso is bare and part of a white wound dressing can be seen on his upper abdominal area. A dark grey covering is over the lower portion of his body. He is smiling and looking up at Sister J. Faust from Melbourne District Nursing Society (MDNS) who is standing to the right of his bed.Sister Faust, who has dark curled hair, has her arms raised behind her neck as she reaches the ties on the white gown she is wearing over her uniform. She is wearing her grey brimmed uniform hat. Behind her is a wooden table, with a dark coloured radio on its right, and a jug with a doily over it, on the right.mdns, melbourne district nursing society (1885-1957), nurses, mdns uniforms, rdns, royal district nursing service, rdns wound care, mr george spartel, sister j. faust

This photograph is a record of Matron Beatrice Williams with some of the Trained nurses (Sisters) who worked in the District division of Melbourne District Nursing Society After Care Home in 1933, just prior to Matron Williams resigning to be married. It was taken in front of the Nurses Home at 39 Victoria Parade, Collingwood and shows part of the District nursing uniform worn by the MDNS Sisters in the 1930s. At that time their uniform dresses, worn under their coats, were grey cotton and their brimmed hats were made of felt and had a red Maltese cross applied to the centre front of the hatband.Miss Beatrice Williams worked as a Trained Nurse (Sister) with the Melbourne District Nursing Society (MDNS) before going to England to gain her Midwifery certificate. After qualifying, she worked as a Tutor sister and a District Superintendent at the University College Hospital in London. On returning to Australia she was appointed, in April 1929, Matron of the District division of the MDNS After-Care Home (Hospital from 1934). She convinced the Committee of the need for Ante Natal care and in 1930 the Ante Natal Clinic was opened at the After-Care. She continued as Matron until 1933 when she married Dr. J.P Major, and was invited to join the Committee of Management. In the early 1950s when the Government requested the Society separate and it take over the After Care Hospital, she became President of the now named Melbourne District Nursing Service with its Headquarters and Nursing Home moving to 452 St. Kilda Road, Melbourne. Beatrice had an understanding of the poor, the sick and the aged, and was known for her kindness and sympathy. Her foresight, leadership and enthusiasm brought forth the expansion of District nursing. She died on the 15th of August 1958. The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.Black and white photograph showing Matron, Miss Beatrice Williams, wearing a white uniform and veil over her short dark hair, and a group of thirteen Melbourne District Nursing Society Trained nurses (Sisters) outside the front of their Nurses Home. The Sisters are wearing grey coats over their grey uniforms and grey brimmed hats with a Maltese cross applied to the white headband. Matron is sitting in the centre of six Sisters and there are seven Sisters standing behind them on the veranda; a round column is seen to the right between the 4th and 5th Sisters. Part of the grey building behind shows an open door to the left and a long window to the right. A scrolled metal safety rail, running from the round column, is seen in front of the three nurses on the right. The seated Sisters and Matron have their legs crossed at the ankles, melbourne district nursing society, mdns nurses, mdns, rdns, royal district nursing service, mdns uniforms, matron beatrice mary williams

John Brown (Head Teacher 1889-1906), assistant Ellen Sweeney and 42 schoolboys, Eltham State School No. 209, 1905 John Brown died 23 Sept 1906 after a short severe illness at age 55 and is buried in Box Hill Cemetery (Evelyn Observer 28 Sep 1906 p2). The book "We did open a school in Little Eltham" incorrectly states his date of death as 16/12/1906. Title The Evelyn Observer. (1906, September 28). Evelyn Observer and Bourke East Record (Vic. : 1902 - 1917), p. 2 (MORNING.) Url http://nla.gov.au/nla.news-article61129880 Description It is with sincere regret we record the death of Mr. John Brown, State school teacher, Eltham, which sad event took place at his residence, "Pine Brae," on Sunday night last, 23rd inst. after a severe illness of some few weeks' duration. The deceased gentleman was highly respected, and always took a lively and active interest in promoting the progress and prosperity of the district, and his loss will be much felt, He was only 55 years of age, and leaves a wife and large family to mourn their loss, and much sympathy is felt for them. The remains of the deceased were interred in the Box Hill cemetery on Wednesday afternoon last.Roll of 35mm colour negative film, 3 strips Associated print from negative (Copy of original print)Fuji 100eltham primary school, state school no. 209, eltham state school, eltham state school no. 209

Medallion was produced by the Royal Australian Mint and given to members who served with Australian Forces or her Allies between 1939 - 1945. This was on the 60th Anniversary of the end of WW2. Given to Tony Cork who was in the Merchant Navy, England 1939-45.1. Gold coloured coin medallion produced by Royal Mint. On one side of the coin is the Commonwealth Coat of Arms with the reverse side symbolising the Navy, Army and AirForce through the depiction of sea, land and air over a stylized map of Australia. 2. Contained in a hard cardboard black box inscribed with gold writing and Commonwealth emblem and medal lays in a felt recess within the box. 1. One side inscribed "World War 2", "60 years""1945 - 2005". and stylized map of Australia. Other side inscribed around Rim "World War 2"and "Service to Australia" with Commonwealth of Australia emblem in centre. 2. Box on top has Commonwealth Emblem and "Australian Govt", "Dept of Veteran Affairs". Inside "60th Ann of WW2".medal, 60th anniversary ww2

Items in a collection relating to Edward Judd, refer Cat No 7410 for his service details.1. Water bottle. This is a blue enamel 2 pint water bottle British pattern. It is covered in a drab olive felt cloth. It has a narrow raised neck with a cork stopper. 2. Carrier water bottle. This is a narrow leather strip of about 1/2" (12.5mm) width. At the end is a canvas webbing broad strap. Width 2" (or 50mm). The length of the leather piece is adjustable.On the metal end of the cork stopper, stamped, are “D^D” and the letters “OP”.ww2, equipment, bottle, water

There is no specific information available on this watch and case. The watch was made by the American Watch Company which operated from 1850 to 1957. Small cases were often used to carry a watch in the 19th and early 20th century while a person was travelling, although wooden ones do not seem to have been common. The owner of watch, ‘A.U.’ has not been identified. Until the provenance of this item is established it remains an interesting object from the past and one suitable for display. This is a wooden case embossed on the front with a flower motif. It has a hinged lid with a space hollowed out inside to hold a pocket watch. This area has been lined with felt. The case contains an American silver watch which has a highly decorated cover. The watch face has Roman numerals with a smaller seconds dial. There is a winding mechanism and a ring at the top of the watch for attachment to a chain.On silver watch case: ‘A.U.’ On watch face: A. W. Co., Waltham, Mass. travelling case and watch, american watch company, warrnambool

Stained glass window, south wall, main nave (adjacent to the pulpit). The window is a pictorial representation of St Andrew who live to old age. There is a tradition that on being sentenced to death, he requested that he be crucified on a saltire (diagonal cross, see base of window) as he felt unworthy to be crucified on the vertical cross of Christ. Another symbol of association with St Andrew is the fishing net.The Rev. Andrew Peacock, Archdeacon of the Otways, was the fourth Vicar (1906-1912) of the Parish of Warrnambool. He was highly regarded throughout the community and died following a very short illness. His brother, Sir Alexander Peacock, three times premier of Victoria, officially unveiled a tablet on the north-west corner of the Parish Hall complex on Saturday 25th April and attended the dedication of the memorial window on Sunday 26th April 1913. Rev AE Peacock is buried at Creswick cemetery, Victoria.

A Slazenger (UK) 'Lawn Tennis Ball' box. Printed on lid: 'MADE ENTIRELY IN ENGLAND/OFFICIALLY/AUTHORISED/BY/THE LAWN TENNIS ASSOCIATION /AND STAMPED'. On front of box is printed: ' EXCLUSIVELY USED AT/THE CHAMPIONSHIPS/WIMBLEDON/ SINCE 1902'. Colour advertisement adhered to underside of lid, depicting 1920s/30s tennis racquets. Contains all six original balls. Materials: Ink, Cardboard, Paper, Rubber, Felttennis

Slouch had belonging to Brigadier Lowen. Brig Lowen served in 2/5 Australian Infantry Battalion in WW2 Slouch had belonging to Brigadier Lowen. Brig Lowden served in 2/5 Australian Infantry Battalion in WW2 Hat, Khaki Fur Felt ( slouch hat) with brim down, soft bash and green ( 1RAR) pugaree with no colour patch. The pugaree had a staff officers bullion badge sewn to the front. Bullion badge has a gold lion atop of a gold and red crown on a black backing The hat has a brown leather chin strap and redish brown leather sweat band on the inside Made by "Fayrefield" Melbourne 7 1/8 19695/6rvr, bhq, brig lowen, 2/5th bn

North Deborah Mine in Eve Street, Bendigo, operated between 1937 and 1954. In that time it produced 128,000 ounces of gold.Black and white photo mounted on grey board. Photo shows five rows of workers at the North Deborah Mine, some wearing hard hats, others felt hats and bareheaded. Men are pictured in front of a mullock heap. Written on bottom of image 'Nth Deborah Mine, 1946 Bendigo' and 'Pall-Mall Studio, photo'. Written on back of photo, "Hold pic for collection. Gorrie.bendigo, mining, north deborah mine bendigo

Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans died on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents actions taken by the Falls Creek Tourist Area Management Committee in their role overseeing the Tourist Area.This letter accompanied a policy for Public Risk Insurance with the Insurance Company of North America. The policy had been increased to cover a further £10,000. However the Management Committee felt this may need to be increased by an additional £10,000 if Mr Hymans was to go ahead with further development of Site 4A. It also requested that Mr Hymans sign and return lease documents which had been sent to him.Hand written at bottom of letter: Ski Lodge and Site 4 5 Flats 4A & Burnt out Shell of Chalet Dan (?) 512663falls creek tourist area management committee, falls creek administration, parking regulations falls creek

Map - assembled from sheets of the Morgan Street directory for the two VR street tramways from St Kilda to Brighton and from Sandringham Station to Beaumaris or Black Rock. Comprises four sheets taped together and one loose sheet. Tram route marked in green felt pen. Has many adverts on the rear and front for funeral parlours, hotels, real estate agents and the like.trams, tramways, map, vr, sandringham, black rock, beaumaris, brighton, st kilda

This medallion was produced at the Royal Australia Mint in Canberra in 1988 to commemorate the Bicentenary of European settlement in Australia. The obverse design was by Michael Meszaros and the Bicentenary logo was designed by Michael Tracy. This medallion was given to Elizabeth Douglas in 1988 in recognition of her work as Secretary of the Shire of Hampden Bicentennial Community Committee. At the time Miss Douglas was Principal of Derrinallum High School, a position she held from 1984 to 1991. In retirement Elizabeth O'Callaghan (nee Douglas) spent many years as an active member of the Warrnambool and District Historical SocietyThis item is of historic interest as an example of a Bicentennial medal awarded to a local individualThis is a medallion of circular shape and bronze colouring (gold-plated). On the obverse side it has a raised gold pattern representing masses of people with a flag and gold lettering. On the reverse side it has a stylised map of Australia with gold lettering and sprays of flowers. The medal rests on a round plastic container inserted into a rectangular green box with felt trimming. The box is contained in another green cardboard box Australian Bicentenary 1788-1988 Celebration of a Nation Australia 1788-1988 The Official Bicentenary Commemorative Medallionaustralian bicentenary, bicentennial medallion, elizabeth douglas derrinallum

Typed on back of photograph, "Ringwood Rifle Club. Rebuilding viaduct Jumping Creek Reserve after bushfires 1962. Brian Pump, not knowing the sleepers had been burned away went to drive across and his truck went straight down. Club captain A. Williams wearing felt hat and smoking cigarette."

Bronze Memorial plaque and Memorial Scroll issued to families whose relative was killed in action during word war 1. The history of the dead man's penny began in 1916 with the realisation by the British Government hat some form of an official token of gratitude should be given to the fallen service men and women's bereaved next of kin. Production of the plaques and scrolls, which was supposed to be financed by the German reparation money began in 1919 with approximately 1,150,00 issued. There were some relatives who returned the pennies to the Australian Government in protest as b they felt it was insulting and it did not replace their loved one's life.Killed in Action William Edward Ernest Bond joined the 58th Bn on the 24th November 1915 as a labourer from Geelong. As a private (4296), he was sent to France and the Western Front. He initially went missing in action in the Fleurbaix area on 19th of July 1917. It took a court of Inquiry in the field in September,1917 to determine he was killed in action, although his body was never recovered. He died aged 18. His name can be found on Panel 14, VC Corner Australian Cemetery and Memorial, Fromelles, Lille, Nord Pas de Calais, FranceMemorial Bronze Plaque and Scroll. The Memorial Plaque was also known as the WW1 'Death Penny' in memory of William Edward Ernest BONDBrass Plaque " He died for Freedom and Honour William Edward Ernest Bond" Scroll Commemoration to Pte Edward Ernest Bond 58th Bn AIFbrass memorial plaque and scroll dead man's penny bond william lara geelong killed in action world war one kia

For many years the Heywood Cheese Factory was an important part of life for Heywood and district farming and a vital place of employment for up to 40 men and 10 women. The factory opened in 1939 as a subsidiary of the Portland Butter Factory before becoming a world renowned cheese making enterprise. It was felt important to document its history from the surviving factory workers, including dairy suppliers and milk truck drivers. We hear their stories of the long hours and hard work without penalty rates, travelling unsealed roads and mixed with their humour of the bygone days is an important acknowledgement of that era. [blurb on back cover]This oral history provides significant material relating to the dairy industry in south west Victoria during the mid 20th century. The interviews give first-hand recollections of the interviewees involvement in the industry from a point of view of factory workers, milk pick-up drivers and farmers.Full colour DVD cover has photograph of Heywood Cheese factory and photographs of girls with calves, milk cans on a truck and workers in the cheese room, superimposed on a photograph of dairy cows grazing in a paddock. The DVD has the photograph of the cows grazing in the paddock.Heywood Cheese/An oral history on film (front) For many years Heywood Cheese Factory was ... [see historical information] Edited by Garry Kerr for the Heywood Pioneer Wagon Shed/ Museum History Group who wish to gratefully acknowledge the/ support of the Victorian Government and Public Records Office/ Victoria for making this project possible. Duration: 70 minutesallansford, heywood, cheese factories, cheese manufacturing, dairying, cheese

The Garden of the Grieving Mother is an acknowledgement of the trauma, grief and anxiety felt by the families of Australian servicemen and women. Of the 3,801 WWI service men and women commemorated in the Ballarat Avenue of Honour, 1 in 5 made the ultimate sacrifice, giving their lives. At the centre of the memorial space is a bronze sculpture of a mother clutching a photograph of her son by sculptor Peter Corlett who has created many war memorial public artworks. The memorial was unveiled on 15 February 2017 by Governor General Sir Peter Cosgrove and Mrs Kaye Baird, mother of posthumous Victoria Cross recipient, Corporal Cameron Baird.Bronze sculpture installed in landscaped garden on lit plintha mother grieving the loss of her child at war

The khaki shirt has District and Scout Membership badges and length-of-service badges, the Australian Scout Badge and a Red Cross First Aid badge. The leather belt has a collection of Jamboree souvenir metal badges attached. A ‘lemon squeezer’ felt hat completes the outfit. The hat badge and plume was coloured to indicate to which Section the wearer belonged, purple indicating the Commissioner Section. To keep the brim flat, the hat was sometimes kept in a timber frame when not being worn. This uniform was worn by Desley Reid as Assistant District Commissioner of Kew District between 1993 and 1995.The scouting movement has a rich history on Kew. The Kew Historical Society has attempted to build this section of the collection in recognition of its importance. The uniform was donated by an office bearer of the Society who, as a women, held a key role in the district.Short-sleeved, collarless fabric shirt of khaki color, with embroidered badges. Also fabric neck scarf, with braid and vinyl holdfast (woggle) and a leather belt with metal clasp with Scout impression. Various Scout badgesunforms, scouts -- kew, scouts - kew district, badges of office

Marjorie Morgan noticed a beautiful wood carving of gumleaves and gumnuts by John Blogg. The carving, donated by a Box Hill resident, is in the impressive art collection of the City of Whitehorse. The more Marjorie researched the more she felt his achievements should not be permitted to disappear into the mists of time. This collection of poems was compiled by Marjorie Morgan, collected from the local newspaper "The Reporter" (Box Hill) and in 1927 a book of poems entitled "Selected Poems", "Modern Roses in Australasia", "American Rose Magazine" and "The Australian Rose Annual" during his lifetime and for 10 years after his death in 1936.This collection of poems was compiled by Marjorie Morgan, collected from the local newspaper "The Reporter" (Box Hill) and in 1927 a book of poems entitled "Selected Poems", "Modern Roses in Australasia", "American Rose Magazine" and "The Australian Rose Annual" during his lifetime and for 10 years after his death in 1936.(mr) john kendrick blogg, poetry, literature, (mrs) marjorie morgan

The President in 1992 was Geoff Swan. He mentions the changeover to Post WW2 legatees. Also the Support Group which had been started in 1991 was doing well with some adjustments. The Future of Legacy had been main topic of the conference. Plus the change over dinner had been in the Olympic Room at the MCG and it was felt future changeover dinners should be of similar importance. The presidential year ran from March to the following February. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the ideas of the President in the 1990s.White A4 paper x 1 page with black type of the President's comments in 1992.Signed in blue pen 'Geoff Swan'.presidents, geoff swan