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Port Melbourne Historical & Preservation SocietySlide, Robyn Clinch, At Home in Port, Mar 2002
These slides were taken by Robyn CLINCH in various homes of Port Melbourne residents to be used in the ''At Home in Port" segment of the Port Melbourne Festival of 2002 and donated to the Society by Port Melbourne Neighbourhood House.Three title slides and 42 35mm transparency photo slides made by Robyn CLINCH in March 2002 to be shown at the Port Melbourne Community Festival.celebrations fetes and exhibitions, anne callaghan, maree menzel, chrissie pearle, margaret armstrong, flora maschek, judy slattery, lois daley, sister norma jean barnett, janet bolitho, sigrid borke, janette bosisto, hilda daley, ann gibson, norah howard nee mallet, maralyn kobelt, ted kobelt, jill lewis, peter libbis, andy libbis, mary lyden, ted mccarthy, wendy morris, sue parrington, peter parrington, ann poulious, jim power, ann smallpage, loretta milazzo manger, ron laing, robyn clinch -
Churchill Island Heritage FarmFunctional object - Fishing Reel, 1940s?
E H "Ted" Jenkins was the paraplegic son of Harry Jenkins who bought Churchill Island in 1936 as an interest for Ted. Ted lived on Churchill Island at various times with his nurse Sr Margaret "Jimmy" Campbell, e.g. second world war when they ran a shorthorn dairy farm, and at other times lived in their home in Melbourne. He moved freely around the island in a cart pulled by a Shetland pony and had strong arms for shooting and fishing. The reel suggests he went shark fishing or deer water fishing. Ted was also keen on 'ham' radio, and had many friends from his school who became life-long friends and frequent visitors to him on Churchill Island.Wood and brass (shark?) fishing reel. Probably hand-made. Wound with original cord fishing line. Has separate brass winder handle (see 0296.2)"E H Jenkins 1943" etched on one side. "Click on" etched on one side.ted jenkins, fishing, reel, churchill island, western port, jenkins, margaret campbell, sister campbell, jimmy, campbell -
Coal Creek Community Park & MuseumBottle, glass, c. 1923 - 1928
TROVE : Cairns Post (Qld. : 1909 - 1954) Wednesday 28 October 1925 p 4 Article Lotol for Australians. The Mercury Chemical Co. Pty. Ltd. manufacturers of Lotol which is keeping so many Australian homes free of insects, advertised on Monday and Tuesday, that they would present £1 to the sender of the first letter opened at 4 p.m. on Tuesday containing the correct solution of certain jumbled words.The correct solution was "Sydney Australia," therefore Lotol is made in Australia for Australians, ' and the £1 offered has been won by Lucy Wilesmith, McLeod-street , Cairns. Mr. L. A. Drewe is the Queensland representative of the manufacturers, and conducted this competition on their behalf.Round clear amber glass bottle for screw top. Embossed text near neck, diamond pattern on side with text near heel of bottle.Near neck ' POISON', 'NOT TO BE TAKEN'. Panel of diamond pattern below text. Near heel at base 'THIS BOTTLE ALWAYS REMAINS THE PROPERTY OF MERCURY CHEMICAL CO. PTY LTD'. On base ' A G M ', '1', 'S100'.amber glass, chemical, poison, vermicide, australian made -
Mount Evelyn History GroupTimber house fragment, Late 19th Century
'Grantully' was formerly 'Rosemount', South Yarra, home of Thoas Elder Boyd. Brought to Mt Evelyn by Fergus Scott c. 1917, guesthouse 1920's-30's, home of artist Ernest Buckmaster 1940-68.Part of wooden beam possibly cedar, from the house "Grantully", English, 1840's. The more recently sawn end has pinkish tinge. The rectangular cavity is a 'mortise' into which a projection ('tenon') on another piede fitted.Inscription on one side, possibly made by permanent marker. " "GRANTULLY" MT. EVELYN."grantully, rosemount, kit house, guesthouses, ernest buckmaster, thomas elder boyd. -
Mount Evelyn History GroupSouvenir spoon, Russell Stokes MLA, 1964
The spoon is a souvenir of the 1964 electoral success of Russell Stokes Liberal MLA for Evelyn.The spoon is a memento of the 1964 election campaign. Russell Stokes was the member for Evelyn 1958-1973. His home was 'Lubra Bend' in Yarra Glen. The item was manufactured by his family firm, Stokes Australasia. Founded in 1856, the firm made a variety of products including the gas lamps in Victoria's parliament and the original 'Rising Sun' badges worn by the Australian Army. See also item 2004.Stainless steel spoon with red and dark blue enamel medallion with gold lettering on handle. In plastic sleeve, blue back, clear front.Sleeve has 'STOKES'.russell stokes, evelyn, liberal, mla, spoon, metal manufacture, stokes australasia. -
Port Melbourne Historical & Preservation SocietyMixed media - Passages Exhibition CD-ROM, Pat Grainger et al, 2017
The Passages exhibition looked back to Port Melbourne in the 1970s when the make-up of the Council changed and the Greek community became even more a part of life in Port. This CD covers the valuable contribution made by the members of the Greek community who came from Greece to make Port Melbourne their home.CD-ROM containing information relating to the Passages Exhibition launched at Port Melbourne Town Hall, 28 Aug 2017. The disc includes family stories, working documents, photographs of display items, photographs taken during the launch, Powerpoint presentation prepared by John Kirby and display panels prepared by Pat Grainger.pat grainger, jill dawson, john kirby, greek community, celebrations fetes and exhibitions -
Port Melbourne Historical & Preservation SocietyPhotograph - Barbara HEGARTY at home before her wedding, 1 Nov 1958
Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara HEGARTY at home before her wedding to Bob GARDINER.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty -
Port Melbourne Historical & Preservation SocietyPhotograph - Barbara HEGARTY with her bridesmaids at home before her wedding, 1 Nov 1958
Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara HEGARTY with her bridesmaids at home before her wedding to Bob GARDINER. L-R Marlene HEGARTY (Barbara's sister), Barbara Hegarty, Joan Gardiner and Margaret Conn.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, marlene mcpherson nee hegarty, joan gardiner, margaret conn -
Port Melbourne Historical & Preservation SocietyPhotograph - Barbara HEGARTY with her sister Marlene at home before her wedding, 1 Nov 1958
Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara HEGARTY with her bridesmaid, and sister, Marlene HEGARTY at home before her wedding to Bob GARDINER. Marlene is 12 years younger than Barbara.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, marlene mcpherson nee hegarty -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Infant feeding bottle, 'The Ideal Agee', Crown Crystal Glass, c. 1961-63
Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954Octagonal glass bottle tapering to a narrow neck. Calibrations for ounces and mls imprinted on the sides of the bottle. Text inscribed on bottle reads " THE IDEAL AGEE/PYREX/FEEDER"."THE IDEAL AGEE/PYREX/FEEDER"infant feeding, infant care -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Infant feeding bottle, 'Agee Pyrex Feeder', Crown Crystal Glass, c. 1961-63
Small feeding bottles were used to feed milk to newborns or juice to older infants. Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954Small clear glass bottle with a short narrow neck. Imprinted with calibrations for ounces (0-4) and millilitres (0-120). Embossed on side of bottle: "Agee/ PYREX/ Feeder".infant feeding, infant care -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Infant feeding bottle, 'Agee Pyrex Feeder', Crown Crystal Glass, c. 1961-63
Crown Crystal Glass were an Australian glass manufacturer, who were the Australian vendors for Pyrex from 1926, importing from the UK. In 1961, Crown Crystal Glass began manufacturing their own Pyrex, under the name Agee Pyrex (until 1963), Crown Agee Pyrex (late 1960s), Crown Pyrex (1970s), Crown Ovenware (1970s) and Pyrex Ovenware (late 1970s until early 1980s). Source: That Retro Piece, 'PYREX | Australian', https://thatretropiece.com/collections/pyrex-australian "The use of pyrex bottles became more prevalent in Australia in the second half of the 20th century and baby’s bottles made of pyrex were popular as they were easily sterilised in the home environment." Source: Warrnambool and District Historical Society Inc., 'Bottle, The Perfect Agee Feeding Bottle, Mid 20th century', https://victoriancollections.net.au/items/592fe71ad0cdd520341b3954 Clear glass bottle tapering to a short narrow neck. Calibrations embossed on the glass in ounces (0-8) and mls (0-240). Embossed on the side: "Agee/PYREX/Feeder"."Agee/PYREX/Feeder"infant feeding, infant care -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Framed photograph of Professor Gilbert Strachan
Gilbert Innes Strachan (1888-1963) was educated in Glasgow and Bristol. He was a fluent lecturer and a stimulating and dogmatic teacher. Strachan was a founding member of RCOG (London) and served on its Council from 1929- 1955. He was one of the pioneers of the use of radium in treating uterine cancer, receiving a CBE in 1953 for his work in this area. Professor Strachan donated a coat of arms to the Australian RCOG during a visit (pre- 1963). Professor Strachan died at his home in Cathedral Road, London on December 9, 1963, following a short illness. He was 75.Framed black and white photograph. The photograph is a side-on portrait photograph of Professor Gilbert Strachan, a white haired man with steel-rimmed spectacles, a dark suit, and a white shirt. Label on back of frame reads 'Professor Gilbert I Strachan CBE LID'. Frame is made of gold coloured metal and carries a simple wave pattern. The back of the photo is secured by a piece of orange and cream patterned chipboard, held in place by eleven small photograph tacks.Professor Gilbert I Strachan CBE LIDrcog -
Australian Gliding MuseumMachine - Glider – Sailplane, Construction completed 1952
This unique aircraft was conceived in 1943 as a two seat trainer. A very large part of the design work can be attributed to Jock Barratt and Harold Bradley. The general layout adopted is similar to the Kite I and Kite II single seat sailplanes of Martin Warner and Allan Campbell. Having regard to this heritage, the glider was originally named Kite III but renamed Pelican 2, perhaps because it was the second two seat training glider built by the Waikerie Gliding Club – the first being the Pelican, a reconfigured Pratt Utility glider. Pelican 2 was first flown in 1952 and regularly since then, at least until about 1992. The Pelican 2’s performance was found to be very good for sailplanes of its era and was often used for more advanced flying in addition to training new pilots. Very few changes have been made to the Pelican 2 over the years. The undercarriage was modified after its initial testing to improve the placement of the wheels. The trailing edge of the rudder (originally straight) was rounded adding to the surface area. The twin shoulder tow line bridles were replaced with a belly hook when aviation design rules declared shoulder bridles dangerous and a nose hook has since been added to allow for aero-towing. A unique home grown sailplane design associated with Australian gliding pioneers Wooden 2 seat glider sailplane with fabric covering. Distinctive features include the pod and boom fuselage with side by side seating for pilot and a second person. The canopy of perspex supported by aluminum framing opens with port and starboard segments separately folding upwards and forward. The instrument panel includes altimeter, airspeed indicator, slip indicator and variometers. In addition to the usual controls, there is a trim operated by a small wheel mounted centrally, at head height, on the bulkhead at the rear of the cockpit. Incorporated in the skid under the fuselage pod are two wheels (one approximately midships and the other at the rear end). It has a three piece cantilever wing of approximately nearly 17 metres. The ailerons run almost full length of the outer wing segments. A Gottingen 426 section has been used changing to M6 at the tips. Outer wing segments are joined to the centre section to give about 300 mm of dihedral at the tips. The glider is equipped with airbrakes. The colour scheme consists of orange fuselage with black nose and skid. The tailplane / elevator and rudder are painted white. The wing is predominantly white with an orange leading edge. Registration VH-GFY On each side of rudder – “Pelican II” in black lettering on a rectangle of silver On each side of fuselage pod the letters ‘FY’ On each side of the fuselage, below the edge of the cockpit opening – “WAIKERIE” in black paint. australian gliding, glider, sailplane, kite, pelican, waikerie gliding club, jock barratt, harold bradley, martin warner, allan campbell -
Australian Gliding MuseumMachine - Glider - Sailplane, 1963
The aircraft (Serial Number 159 – registration VH-GNT) was assembled by RAAF Richmond Gliding Club from a kit manufactured by Schweizer Aircraft Corporation, Elmira, New York State, USA, in 1963. First flown 21 December 1963. Served at RAAF Base, Richmond, NSW, until December 1978 at which time it had recorded 1981 hours from 9870 flights. The aircraft was sold to Peter Fitzgerald and moved to Gosford and later on, to Queanbeyan where it was stored under cover until April 1983. It was not flown between 1978 and July 1983. In 1983 the glider was sold to Harold Walton. A Certificate of Airworthiness inspection was done by various members of the Canberra Gliding Club where minor repairs were made. On 24 July 1983, it first flew on the airworthiness certificate test flight at Bunyan, NSW, the home of the Canberra Gliding Club. In service at Bunyan until November 1986 the hours flown increased to 2078 from 10249 flights. A certificate of airworthiness inspection was completed on 11 April 1987 but the aircraft was apparently only recorded a few more hours by 9 January 1998 when it last took to the air. When donated to the Australian Gliding Museum in January 2020, the aircraft was in storage at premises of the donor, Harold Walton, at Walkerville, South Australia.This aircraft is the only one of the 258 SGS 2.22s produced by Schweizer to come to Australia. It is a good representative example of the SGS 2.22 type which featured metal construction for production of a robust club trainer. The aircraft apparently played a useful role over many years at Richmond and Canberra.High wing two seat utility glider of metal construction with fabric covering.Registration letters ‘GNT’ on each side of vertical stabiliseraustralian gliding, sailplane, glider, schweizer, raaf, richmond, fitzgerald, walton, canberra, bunyan. -
National Vietnam Veterans Museum (NVVM)Clothing - Child's jacket, August 1969
Bought by Phil Rogers, Australian Army no. 2790936 during his time of service in South Vietnam (1969-1970) to celebrate the birth of his son.Donated to the museum by the serviceman himself. This commemorative jacket demonstrates the poignant personal sacrifices made by those in service as significant family events continue at home in their absence.Child's bomber-style jacket made of khaki camouflage print polyester, hand embroidered. Purchased in South Vietnam in 1969 by Phil Rogers, Army No:2790936, B Company 6 RAR, and posted home on the birth of his son Brett 31/08/1969.Back: My daddy is in Vietnam/Vung Tau, 69-70/ Viet Nam plus a labelled map of Vietnam. Sleeves: Golden dragons Front: Tiger's head, Crossed South Vietnam flag and USA flag.commemorative clothing, children, family, vietnamese craft, craft, souvenir -
Ithacan Historical SocietyPhotograph, Embroidered Blouse
The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline. -
The Ed Muirhead Physics Museum
Engine, Grayson Diffracting Grating Ruling
Made by Henry Grayson at home with the help of William Stone. Used to rule diffraction gratings, achieving excellent results of 2cm squared rulings on speculum metal. The instrument was transferred to Melbourne University, and used by Professor Lyle from 1917-30. Information attached to the front of object and statistical information on stand on top of object.Grayson Diffraction Grating Ruling engine consisting of multiple complex chrome and brass components. Enclosed in specially made glass and wooden display box. -
Monbulk RSL Sub BranchBook, Joan Beaumont, Broken nation : Australians in the Great War, 2013
The Australian experience of war in all its complexity - from the homefront as well as the battlefront - as the men and women who experienced it chose to understand and remember it. The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac legend. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible. This book brings together all the dimensions of World War I. Combining deep scholarship with powerful storytelling, this book brings the war years to life: from the well-known battles at Gallipoli, Pozieres, Fromelles and Villers-Bretonneux, to the lesser known battles in Europe and the Middle East; from the ferocious debates over conscription to the disillusioning Paris peace conference and the devastating Spanish flu the soldiers brought home. We witness the fear and courage of tens of thousands of soldiers, grapple with the strategic nightmares confronting the commanders, and come to understand the impact on Australians at home and at the front of death on an unprecedented scale. A century after the Great War, this book brings lucid insight into the dramatic events, mass grief and political turmoil that makes the memory of this terrible war central to Australia's history.Index, bibliography, notes, ill, maps, p.628.non-fictionThe Australian experience of war in all its complexity - from the homefront as well as the battlefront - as the men and women who experienced it chose to understand and remember it. The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac legend. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible. This book brings together all the dimensions of World War I. Combining deep scholarship with powerful storytelling, this book brings the war years to life: from the well-known battles at Gallipoli, Pozieres, Fromelles and Villers-Bretonneux, to the lesser known battles in Europe and the Middle East; from the ferocious debates over conscription to the disillusioning Paris peace conference and the devastating Spanish flu the soldiers brought home. We witness the fear and courage of tens of thousands of soldiers, grapple with the strategic nightmares confronting the commanders, and come to understand the impact on Australians at home and at the front of death on an unprecedented scale. A century after the Great War, this book brings lucid insight into the dramatic events, mass grief and political turmoil that makes the memory of this terrible war central to Australia's history.world war 1914-1918- australia - history, world war 1914-1918 - social conditions -
Bendigo Historical Society Inc.Domestic Object - LYDIA CHANCELLOR COLLECTION - CHINA SWAN VASE
Large China vase made in England in the shape of a white Swan with black and lemon detailing. Contains card with wording - This Swan ornament is from Taraxville Golden Square, the home of Lydia Chancellor who said it had been a wedding present to herself and her Husband.Made In England No4ornaments, ceramic, vase -
Bendigo Historical Society Inc.Photograph - PHOTOGRAPH OF HEATHER PAIN - COLOUR, 1956
Photograph. Colour photograph of Heather Reeves (nee Pain) standing on the front verandah at home in Golden Square, holding a new staff donated by Sir George Lansell in 1956 at the Memorial Hall at a special presentation gathering. The donation was greatly appreciated. Heather was Pipe Major of the Bendigo Ladies Pipe Band. The band made a guard of honour for Heather Pain's wedding to Neil Reeves at St. Paul's Anglican Church Bendigo in 1957. The band then led the wedding party up the street to Mitchell Street. Heather retired as Band Major in 1960. See 11400.966.photograph, person, heather reeves (nee pain) -
Bendigo Historical Society Inc.Ephemera - BENDIGO PRODUCT LABELS COLLECTION: HAPPY TOMATO TOMATO SAUCE
Label: Happy tomato registered pure tomato sauce, made from choice tomatoes, packed in Australia. B. Blumenthal, Brisbane, QLD. There are two labels.business, retail, bendigo tomato products, happy home pure tomato sauce, b. blumenthal brisbane, qld. -
Bendigo Historical Society Inc.Artwork, other - Hustlers Reef Paintings, 1901
... The century-old paintings of Bendigo gold mines made... The century-old paintings of Bendigo gold mines made the long journey ...The century-old paintings of Bendigo gold mines made the long journey home from Western Australia in 2012. The paintings of the Great extended Hustler’s Mine, Bendigo, and Koch’s Pioneer Gold Mine, Long Gully, were painted by C.G Robertson in 1901.For years the paintings sat in the Perth house of Charles and Grace Strue; however Ian and Katinka Napier, the grand-daughter of Mr and Mrs Strue, donated the paintings to the Bendigo Historical Society.DVD. Hustler's Gold. Hustlers Reef paintings. artist C G Robertson 1901, for one painting. Second Hustler Extended Bendigo.bendigo, mining, c. g. robertson artist -
Bendigo Historical Society Inc.Document - THE MUDBRICK HOMES ON THE BENDIGO GOLDFIELDS
Typed and handwritten notes titled 'The Mudbrick Homes on the Bendigo Goldfields'. Included is a description of a mudbrick building and how the bricks are made. Also mentioned are where there are some mudbrick houses in Bendigo and suburbs.document, the mudbrick homes on the bendigo goldfields, joch, john oc hattam -
Monbulk RSL Sub BranchBook, Australian Broadcasting Corporation, P.O.W. : prisoners of war, 1985
Within three months of the Japanese entering World War II on December 8, 1941 over 22 000 Australians had become prisoners-of-war. They went into camps in Timor, Ambon, New Britain, Java, Sumatra, Borneo, Singapore and Malaya, and a few were scattered to other points in what was briefly part of the Japanese empire. Later most of the prisoners were to be shifted further north into South-east Asia, Formosa, Korea, Manchuria and Japan itself. They were captives within lands and cultures and to experiences alien to those known to all other Australians. At the end of the war in August 1945, 14315 servicemen and thirty service women were alive to put on new, loose-fitting uniforms and go home. One in three of the prisoners had died. That is, nearly half of the deaths suffered by Australians in the war in the Pacific were among men and women who had surrendered. Another 8174 Australians had been captured in the fighting in Europe, the Middle East and North Africa: but of these men only 265 died as a result of wounds, disease or execution.By any quantitative measure the imprisonment of so many Australians is a major event in Australian history. For many soldiers it was living --and dying --in captivity which made World War II different from that of World War I. But the prisoners have received no permanent place in Australian history. Their story is not immediately recalled on celebratory occasions. In a general history of the nation in which a chapter is given to the war the prisoners might be mentioned in a sentence, or part of a sentence. Where the horror, stoicism and gallantry of Gallipoli have become part of a common tradition shared by all Australians, the ex-prisoners are granted just the horror. The public may be sympathetic; but the horror is for the prisoners alone. To make another comparison: in five months of fighting on the Kokoda Trail in 1942 the Australians lost 625 dead, less than the number who died on Ambon. Yet the events on Ambon are unknown to most Australians. There were no reporters or cameramen on Ambon and, for the 309 who defended Ambon's Laha airfield, no survivors. How many of them died in battle or died as prisoners will never be known. But there are more than just practical reasons why the record of the prisoners of war is so slight and uneven in the general knowledge of Australians. They have not tried to find out. No historian has written a book to cover the range of camps and experiences, and only in specialist medical publications has anyone investigated the impact of prison life on subsequent physical and mental health. The complexity of the experience and its impact on particular lives have not been expressed in a way to give them significance for other Australians.Index, bib, ill, maps, p.224.Within three months of the Japanese entering World War II on December 8, 1941 over 22 000 Australians had become prisoners-of-war. They went into camps in Timor, Ambon, New Britain, Java, Sumatra, Borneo, Singapore and Malaya, and a few were scattered to other points in what was briefly part of the Japanese empire. Later most of the prisoners were to be shifted further north into South-east Asia, Formosa, Korea, Manchuria and Japan itself. They were captives within lands and cultures and to experiences alien to those known to all other Australians. At the end of the war in August 1945, 14315 servicemen and thirty service women were alive to put on new, loose-fitting uniforms and go home. One in three of the prisoners had died. That is, nearly half of the deaths suffered by Australians in the war in the Pacific were among men and women who had surrendered. Another 8174 Australians had been captured in the fighting in Europe, the Middle East and North Africa: but of these men only 265 died as a result of wounds, disease or execution.By any quantitative measure the imprisonment of so many Australians is a major event in Australian history. For many soldiers it was living --and dying --in captivity which made World War II different from that of World War I. But the prisoners have received no permanent place in Australian history. Their story is not immediately recalled on celebratory occasions. In a general history of the nation in which a chapter is given to the war the prisoners might be mentioned in a sentence, or part of a sentence. Where the horror, stoicism and gallantry of Gallipoli have become part of a common tradition shared by all Australians, the ex-prisoners are granted just the horror. The public may be sympathetic; but the horror is for the prisoners alone. To make another comparison: in five months of fighting on the Kokoda Trail in 1942 the Australians lost 625 dead, less than the number who died on Ambon. Yet the events on Ambon are unknown to most Australians. There were no reporters or cameramen on Ambon and, for the 309 who defended Ambon's Laha airfield, no survivors. How many of them died in battle or died as prisoners will never be known. But there are more than just practical reasons why the record of the prisoners of war is so slight and uneven in the general knowledge of Australians. They have not tried to find out. No historian has written a book to cover the range of camps and experiences, and only in specialist medical publications has anyone investigated the impact of prison life on subsequent physical and mental health. The complexity of the experience and its impact on particular lives have not been expressed in a way to give them significance for other Australians.world war 1939 – 1945 - prisons and prisoners – japanese, world war 1939-1945 - personal narrativies - australia -
Stratford and District Historical SocietyMilking Stool
Used by the Estoppey family, Swiss emigrants, at Briagolong. Three and four-legged milking stools were standard equipment in early dairies, where cows were milked by hand. Similar stools were used in the home for informal seating. Wooden milking stool with a square top of axe-dressed hardwood and four wooden legs that fit through holes in the seat. One leg is made from a branch of a tree.dairying, furniture -
Stratford and District Historical SocietyKewpie Doll, Doll, 1950s onwards
Popular from early twentieth century. Based on comic strip illustration by Rose O'Neill that appeared in Ladies Home Journal in 1909. First produced in Ohrdruf, Germany. Made out of bisque, then celluloid , hard plastic versions from 1949. Name derived from "cupid" the Roman god of beauty. The time capsule at 1939 New York World' Fair contained a Kewpie doll. The term "Kewpie doll" is sometimes mistakenly applied to the troll doll. This particular style of doll was awarded as a carnival prize and often collected. Many other articles were made using their images[ Wikipedia, 2012]. Added to the collection as part of a Toys and Games exhibition. Many visitors commented on having owned one when they were growing upA flesh coloured plastic jointed kewpie doll. It has rigid painted eyes, webbed fingers, head,arms and legs jointed to body so can move them, "cowlick" hair on top of head, above ears and nape of neck, back spine and bottom clearly moulded, smiling painted lips -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)'Coronet' Breast Reliever used by Dr John Green, c. 1948, Coronet, c1948
These breast pumps were known as breast relievers or breast exhausters. They were a refinement of the much earlier 'sucking glass'. The breast pump was refined during the Victorian age. Glass breast pumps were used to manually express milk for the infant. These pumps were in use from the early 1920s to the late 1960s. They can also be used to stimulate lactation. These pumps were widely used in the 1950s by mothers of premature babies. The milk was expressed by hand in the home, then transported to the hospital to feed the premature infant. Breast pump, Coronet brand. Consists of glass bulb and red rubber pump, housed in original box. Box consists of cardboard lid and base and is labelled "CORONET/ BRAND/ BREAST RELIEVER/ MADE IN AUSTRALIA/". "DR. JOHN GREEN" written in pen on box label.breast feeding -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Ceramic feeding cup associated with midwife Mary Howlett, c.1866-1920
This type of cup was designed for use by an adult and was in common usage from the early 1900s to the 1930s. Feeding cups were used both in the home and in hospitals, and were also often made of white enamel. Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them the museum collection in 1993. Feeding cup made out of white china, now discoloured. The cup has a curved spout (similar to a teapot spout) with a handle. There are four small holes inserted inside the cup diagonally at the proximate end of the spout. midwifery -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: EIGHT FIRST BIRTHDAY SOUVENIR PROGRAMME, c1955
Royal Princess Theatre Eight First Birthday Souvenir Programme, 31st August, 1955. 1874 - 1955. Manager: Don Vincent. Price - Sixpence. Proceeds: Cinematograph Trade Benevolent Fund. The Royal Princess Theatre. In May, 1874, the late John Crowley, at a cost of 12,000 pounds the Royal Princess Theatre. It was opened on 31st August, 1874, on which occasion the 'Grand Duchess of Gerolstein' was performed. It was in January, 1904, that the Theatre was closed until April, 1905, for re-construction at a cost of 5,000 pounds. Further alterations were made I 1936 when the old circle and the gallery was converted into the present circle and loge, the cost on this occasion was 14,000 pounds. At the Royal Princess has been seen every form of entertainment known in the world. Operas, including Gilbert and Sullivan, Shakespearean plays, Minstrels, Pantomime, Circus (Wirth's making their first appearance in1887), Drama, Revues, Magicians, and the latest medium of entertainment Ice Revue. Of the many shows presented on stage of the theatre, I feel none has survived as long, or as well, as 'Charley's Aunt.' The companies to present their performances have been many and varied, but among an imposing list, the names of Charles Holloway, The Royal English Opera Company, J. C. Williamson Co., and Royal Comic Opera Coy., will long be remembered. The line of notable personalities who have appeared on the stage is long also, and includes such names as John McCormack, Clara Butt, Harry Lauder, Peter Dawson and more recently Jessie Mathews and John Calvert. But of all these and many others, I am sure none can ever compare with the wonderful performances by the late Dame Nellie Melba, who gave her farewell performance in September, 1921. It is interesting to note that Dame Nellie Melba, gave two farewell performances. The first was in February, 1886, when she made a last appearance as Mrs Armstrong, to later become Madame Melba. The first competition of the Austral Society was held in the Theatre in May, 1897, and the first living pictures were seen in August, 1899. The London Bioscope Co. presented 'Struck Oil,' with Maggie Moore, in February, 1901 (Maggie Moore had appeared in the stage play or the same name many times earlier). However, it was not until 1910 that the Royal Princess was mainly used for pictures, and of course, since that year, that has been the principle form of entertainment presented. It was Easter, 1930, that the first talkie, 'The Desert Song,' was screened and then followed coloured films, and now in 1955 the latest in film development - Cinemascope has been installed. This installation caused, for the first time in many years, alterations to the back stage to enable the large 30ft. Screen to be quickly removed ready for any 'live' performances. In 1937 the Royal Princess came under the Management of Northern Amusements Pty. Ltd., a unit of the Woodrow Corporation Ltd., whose policy it is to bring in entertainment to Bendigo, and I, as their representative will carry on the traditions of the past, and make the Royal Princess truly a Home of Entertainment. Don Vincent, Manager. Wednesday, 31st August, 1955 on the stage. Eagelhawk Brass Band. Official cutting of the Bithday Cake and its presentation to the Matron of the Benoevolent Home by His Worship the Mayor of Bendigo (The cake kindly donated by Friedrich & Bassemir). Presentation of the Travel Voucher for a 10 day Luxury Coach Tour on behalf of Pioneer Coaches Ltd., to the licky couple winning the recent 25th Wedding Anniversary Contest, by His Worship the Mayor of Eaglehawk. 'Progress of Fashion by Bendigo Fashion House including A Tableaux of 7 Bridal Ensembles. Miss 1874 Gertrude Perry, Misses 1955 Rosemary Lorenz, Lorraine Foley, Joan Pinder, Pauline Kim, Shirley Morgan, Pat Ferrari, Wilma Breerton. Make - up by Helen Lang Beauty Salon. 81st Birthday Performance on the screen. Newsreels, Cartoons, Shorts, Seven Brides for Seven Brothers. Photograph: The Staff of the Royal Princess, under the Management of Mr Don Vincent, who are at your service. Hearing Aids are now installed in all parts of the Theatre, Doctors or Nurses on call may leave their names at the pay-box. Advertisements for Bendigo businesses: Radio Taxis, Kings Dry Cleaners, John V. Schenck Art Florist, Morley Johnsons everything for the home, Ron Meurer fridges, The Melody Bar, music. Program comprises of two sheets of paper.program, theatre, royal princess theatre, royal princess theatre eight first birthday souvenir programme, 31st august, 1955. 1874 - 1955. manager: don vincent. price - sixpence. proceeds: cinematograph trade benevolent fund. the royal princess theatre. in may, 1874, the late john crowley, at a cost of 12, 000 pounds the royal princess theatre. opened on 31st august, 1874, 'grand duchess of gerolstein' was performed. 1904, the theatre was closed until 1905, for re-construction. further alterations 1936 when the old circle and the gallery was converted into the present circle and loge, 14, 000 pounds. seen every form of entertainment known in the world. operas, including gilbert and sullivan, shakespearean plays, minstrels, pantomime, circus (wirth's making their first appearance in1887), drama, revues, magicians, and the latest medium of entertainment ice revue. 'charley's aunt.' the companies have been many and varied, charles holloway, the royal english opera company, j. c. williamson co., and royal comic opera coy., john mccormack, clara butt, harry lauder, peter dawson and more recently jessie mathews and john calvert. dame nellie melba, who gave her farewell performance in september, 1921. it is interesting to note that dame nellie melba, gave two farewell performances. the first was in february, 1886, when she made a last appearance as mrs armstrong, to later become madame melba. the first competition of the austral society was held in the theatre in may, 1897, the first living pictures in august, 1899. the london bioscope co. presented 'struck oil, ' with maggie moore, in february, 1901 (maggie moore had appeared in the stage play or the same name many times earlier). by1910 that the royal princess was mainly used for pictures, has been the principle form of entertainment presented. it was easter, 1930, that the first talkie, 'the desert song, ' was screened and then coloured films, now 1955 the latest in film development - cinemascope has been installed, alterations to the back stage to enable the large 30ft. screen to be quickly removed 'live' performances. in 1937 the management of northern amusements pty. ltd., a unit of the woodrow corporation ltd., 1955. eagelhawk brass band. official cutting of the bithday cake and its presentation to the matron of the benoevolent home by his worship the mayor of bendigo (the cake kindly donated by friedrich & bassemir). presentation of the travel voucher for a 10 day luxury coach tour on behalf of pioneer coaches ltd., to the licky couple winning the recent 25th wedding anniversary contest, by his worship the mayor of eaglehawk. 'progress of fashion by bendigo fashion house including a tableaux of 7 bridal ensembles. miss 1874 gertrude perry, misses 1955 rosemary lorenz, lorraine foley, joan pinder, pauline kim, shirley morgan, pat ferrari, wilma breerton. make - up by helen lang beauty salon. 81st birthday performance on the screen. newsreels, cartoons, shorts, seven brides for seven brothers. photograph: the staff of the royal princess, under the management of mr don vincent, who are at your service. hearing aids are now installed in all parts of the theatre, doctors or nurses on call may leave their names at the pay-box. advertisements for bendigo businesses: radio taxis, kings dry cleaners, john v. schenck art florist, morley johnsons everything for the home, ron meurer fridges, the melody bar, music. royal princess theatre eight first birthday souvenir programme, 31st august, 1955. 1874 - 1955. manager: don vincent. price - sixpence. proceeds: cinematograph trade benevolent fund. the royal princess theatre. in may, 1874, the late john crowley, at a cost of 12, 000 pounds the royal princess theatre. opened on 31st august, 1874, 'grand duchess of gerolstein' was performed. 1904, the theatre was closed until 1905, for re-construction. further alterations 1936 when the old circle and the gallery was converted into the present circle and loge, 14, 000 pounds. seen every form of entertainment known in the world. operas, including gilbert and sullivan, shakespearean plays, minstrels, pantomime, circus (wirth's making their first appearance in1887), drama, revues, magicians, and the latest medium of entertainment ice revue. 'charley's aunt.' the companies have been many and varied, charles holloway, the royal english opera company, j. c. williamson co., and royal comic opera coy., john mccormack, clara butt, harry lauder, peter dawson and more recently jessie mathews and john calvert. dame nellie melba, who gave her farewell performance in september, 1921. it is interesting to note that dame nellie melba, gave two farewell performances. the first was in february, 1886, when she made a last appearance as mrs armstrong, to later become madame melba. the first competition of the austral society was held in the theatre in may, 1897, the first living pictures in august, 1899. the london bioscope co. presented 'struck oil, ' with maggie moore, in february, 1901 (maggie moore had appeared in the stage play or the same name many times earlier). by1910 that the royal princess was mainly used for pictures, has been the principle form of entertainment presented. it was easter, 1930, that the first talkie, 'the desert song, ' was screened and then coloured films, now 1955 the latest in film development - cinemascope has been installed, alterations to the back stage to enable the large 30ft. screen to be quickly removed 'live' performances. in 1937 the management of northern amusements pty. ltd., a unit of the woodrow corporation ltd., 1955. eagelhawk brass band. official cutting of the bithday cake and its presentation to the matron of the benoevolent home by his worship the mayor of bendigo (the cake kindly donated by friedrich & bassemir). presentation of the travel voucher for a 10 day luxury coach tour on behalf of pioneer coaches ltd., to the licky couple winning the recent 25th wedding anniversary contest, by his worship the mayor of eaglehawk. 'progress of fashion by bendigo fashion house including a tableaux of 7 bridal ensembles. miss 1874 gertrude perry, misses 1955 rosemary lorenz, lorraine foley, joan pinder, pauline kim, shirley morgan, pat ferrari, wilma breerton. make - up by helen lang beauty salon. 81st birthday performance on the screen. newsreels, cartoons, shorts, seven brides for seven brothers. photograph: the staff of the royal princess, under the management of mr don vincent, who are at your service. hearing aids are now installed in all parts of the theatre, doctors or nurses on call may leave their names at the pay-box. advertisements for bendigo businesses: radio taxis, kings dry cleaners, john v. schenck art florist, morley johnsons everything for the home, ron meurer fridges, the melody bar, music.
