The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. It demonstrates one of the activities on offer at the Mission and documents how common indoor smoking was at the time.The photograph depicts the activities offered to seafarers while on shore leave at the Mission during the 1950s-60sBlack and white photograph depicting two men standing by a table tennis table. One is smoking while the other is holding a table tennis paddle. There is a poster visible in the background.Reverse: ILFORD in repeat 1940: stamped in redtable tennis, ping pong, sports, games, flying angel, mission to seamen, flinders street, seamen's mission, seamen, seafarers, sailors, smoking, claude james eldridge-doyle, reverend c.j. eldridge-doyle

Polly Possum escapes and runs to Granny Goanna's cottage. The Dogtor holds a conference with the bush children, on how to catch Crafty. In the meantime, Crafty is having his own conference with his nasty friends. The Dogtor leaves to summon the police. Meanwhile, Crafty and friends start a grass fire to drive out the bush children.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 4 pages.Page 2, crossed out paragraph top of page for 'Theme'.the flying dogtor, robin boyd, crawford productions, manuscript

In 1966 the Victorian Parliamentary Library established a newspaper clipping service. This sign, among many created by the Library, provided helpful instruction to Members of Parliament on how they should treat collection material. The Library was managed by a committee of Members of Parliament from 1851 to 2004, when the Library then became part of the Department of Parliamentary Services.Sign issued by the Library Committee advising Members to not remove newspaper clippings from files. Paper and cardboard with black printed text.Printed black ink, recto: "Newspapers are not to be/ removed from the files, nor/ are they to be mutilated./ Hon. Members are asked/ to co-operate with the Library/ Committee in having this rule/ observed./ By order of the Library Committee./ 14476/42". parliament of victoria, victorian parliamentary library, library committee

Oral history interview and partial transcript of David Blyth and Margaret Bull by Alan Nuske. Recorded as part of 'The Years Between: an oral history of the RVIB 1866-1991'. Former students and staff recall their days at RVIB, the impact of what they learned and experienced there, and how the attitudes to blindness and low vision changed over the years. 4 audio recordings of recollections from former RVIB attendeesroyal victorian institute for the blind, allan nuske, david blyth, margaret bull, oral history

This series of letters highlight the activities of the Caulfield District Band in the late 1920's. The letterhead is elaborate and lists all the patrons and office bearers at the time. They also show how the band gained engagements with various parties by providing a tender for services. The Caulfield District Band survives today as the City of Glen Eira BandInc.These letters are representative of the activities of not just this band, but other brass bands. The Caulfield District Band was unique as it was the band of choice for the Caulfield Racecourse as well as the local council.Hand written letters on note paper and Caulfield District Band letterheads.caulfield district band, victorian amatuer turf club, city of caulfield, city of glen eira

Little owls (also known as the owl of Athena or owl of Minerva) usually prefer the warmer parts of Europe, North Africa and Asia, enjoying open country and agricultural land with high trees to swoop down upon their prey from. Their diet includes amphibians, small mammals, reptiles and insects that they also hunt from small holes in the ground. Little owls are monogamous and while they're usually solitary creatures, pairs who breed together will often stay together past breeding season. An Athene Noctua would usually be slightly smaller than this specimen. The colouring of browns and whites speckling the feathers is an accurate representation however the posture of a typical little owl would be more crouched, not so thin and tall. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Athene Nuctua (The Little Owl) is dark to medium brown with white specks all over the feathers. Large white spots are located on their wings/back. This specimen has some inconsistencies with how it has been styalised by the taxidermist. The tail curls in under itself where it should be straight and flat. There are several feathers which appear disheveled on the chest, shoulder and wing. The specimen is mounted on a wooden stand with paper and metal tags attached to the legs. Swing tag: 41. / Allied to / Diurnal Owl / Catalogue page 53 / Other tag: 31 / Strix Noctua / Holland Metal tag: 4061 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, owl, little owl, athene noctua

The truck was made by International Harvester Company of Australia Pty Ltd. The works were at Dandenong, Geelong and Port Melbourne.This book has a soft cardboard cover in a brown colour. Printing is in white and black ink. It has brown buckram binding. It has 19 sections to do with the truck. It has numerous part drawings and flow charts. It has black and white photos of truck parts. It has instructions on how to repair, set and adjust parts. it has electrical drawings for truck wiring. Under the front cover are 3 rusty metal loose leaf binders.passchendaele barracks trust collection, trucks mk3, international harvester

two black & white mounted photographs of the Bendigo Choir,circa 1920s, Conductor Mr W. C. Frazier B Bendigo & Castlemaine Choirs combined with Melboure Oriana Choir performing at the Melbourne Town Hall, approx. 1920 A Bendigo Choral Society at the Bendigo Town Hall Owner Elva Jean Brown, of E.J. Brown Bookshop; from her brother Bernard Allen Brown (unknown how he came to him)A W. Vincent Kelly, Bendigo B Garge Photos, Collins Street, Melbourne

Nine Voting Papers, typed on paper with Hanro letterhead, unsigned and undated. Papers are in the names of Alexander Lewis Robertson Goldie, Caroline Mary Goldie, Mabel Gittins, Mary Anderson, William Bowman Hanna Neill, Francesca Black, Marie Maranta, William Crowley and William Hall Russell. Also printed on the papers are the Number of Shares in Own Right, Number of Shares by Proxy, Total Votes, a space for how they will vote and a space for a signature.hanro, clothing, share register, hanro collection - voting papers, alexander lewis robertson goldie, caroline mary goldie, mabel gittins, mary anderson, william bowman hanna neill, francesca black, marie maranta, william crowley, william hall russell

Demonstrates aspects of the SEC personnel practices in giving information to employees about the suggestion scheme. Would have been given to new employees.Twelve page book, with card cover, centre stapled, titled "SEC Suggestions Scheme". Has two coloured cover with title and SEC logo. Gives an overview of the suggestion scheme, with cartoons, how it works, processes and rewards etc. Would have been issued to new employees. Dated Oct. 1962. See Reg Item 6887 for a suggestions box. Full scan of document added as a pdf file 5/6/2019.trams, tramways, sec, staff, personnel

Yields information about the appearance of SEC single truck trams during 1938. Has a strong association with Wal Jack.Book - five sections - 80 pages, side stapled, glued within light green card covers with title "Centenary Souvenir - Melbourne and Metropolitan Tramways Board - 1934-5". Has an introduction, a preface that gives a brief history of the tramway system in Melbourne, 20 buildings and points on interest in Melbourne and how to get there, with sketches by Clive Fink, a list of electrified routes and a cable routes at the time with details of terminals and points of interest along the route.On page 3 in black ink "Ballarat Tramway Preservation Society, Catalogue No. 124"trams, tramways, mmtb, melbourne, cable trams

Significant in being a detailed set of instructions for punching tickets for various sections and journeys on the Ballarat system. Gives details for each fare type. Issued following a fare increase.Set of two foolscap sheets duplicated, titled "Sections - Increased Fares and Check Identification", dated 1 September 1966. Gives details of the increased fares details and how it applied for each section on the tramway by fare value. Gives details of what punch destination number to punch on the tickets, in bound and out bound. See Reg Item 4123 for the 13/10/1965 photocopied version - pre-decimal and Reg Item 4134 for the original. trams, tramways, ballarat, tickets, fares, conductors

Yields information about the appearance of one of Ballarat No. 40, a couple of years after its arrival in Ballarat and the south side of Sturt St, near Lydiard St.Black and white photograph of Ballarat No. 40 in Sturt St, west bound to the Gardens via Drummond north. Shows how the trolley ropes were stored at the drivers end, the appearance of the car in 1953 and the buildings in the background. Includes the Commonwealth Bank, C. Marks & Co and the Mechanics Institute. Three different sized copies held. Photo used in Destination Eaglehawk. Image rescanned from copy neg and updated 31/5/2020.Copy 1 - in pencil "Reduce to 5", #6121" Copy 2 - "W John Webster photo" Copy 3 - in ink "CR14 11-4-53" On Negative in ink "CR14"tramways, trams, sturt st, lydiard st, tram 40

Thank you letter to Peter Ellis from Dr Danielle Orr, Heritage Planner from the City of Greater Bendigo for his contribution to the Greater Bendigo thematic Environmental History Project. Included is a copy of the Greater Bendigo 'Framwork of Historical Themes'. Listed on the brochure are the historical themes with some brief information on each. The other side has a photo of the former Mechanics Institute and School of Mines, Bendigo and reasons of What, How and Why it is significant.City Of Bendigo, Dr Dannielle Orr Heritage Planner.communication, postal, letters, peter ellis collection, city of greater bendigo, dannielle orr, greater bendigo heritage advisory committee, peter ellis, the thematic environmental history, anthony webster

Ken SEARLE (1951- ) Born Sydney, New South Wales Ken Searle worked on this commission through 1997 and 1998. Further works and sketches relating to this commission are held by the Art Gallery of Ballarat. Searle is a self-taught artist who first exhibited his paintings and drawings in the mid-1970s and is known for large, and often whimsical, paintings, of suburban and industrial areas in several Australian cities. From 1998 to 2001 Searle worked as a consultant at the school in the Aboriginal community of Papunya, Central Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting highlighting the artist's favoured aspects of Ballarat. Interested with scenes of suburbia for over twenty years, Ballarat is his first portrayal of a whole city. Searle’s view of Ballarat presents a deliberately untidy city seen from a number of viewpoints. Local scenes are portrayed no matter how pretty or garish, the subject matter providing a snap shot in time. Funded through the Commissions Program of the Visual Arts/Craft Fund, 1998 art, artwork, ken searle, ballarat

Phil Berry was undertaking a Master of Arts when he completed this artwork. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This work reflects the life of refugees who were often fleeing conflict and persecution and spending their savings risking their life and that of their families."Their journey should remind us all of how lucky we Australians are, ... We need to understand conflict and its consequences, and help anyone affected by it. We need to think about the meaning of peace to us. We need to work for it, embrace it, and everyone who seeks it." Winner of the 2001 Lucato Peace Priceart, artwork, phil berry, lucato peace prize, berry, baggage

The set of 30 cards were used by Miss Frida Striezel 1898. A rare, interesting set of numbered 1 - 30 cardboard cookery instruction cards - The Department of Public Instruction, Victoria Australia. They instructed how to prepare very Australian dishes with an English influence - e.g., Yorkshire Pudding, Pea Soup, Steak and Kidney Pie. The Government Printer's name indicates these were produced between 1887 and 1906. The cards are stored in a purple floral damask drawstring bag. There is handwritten sheet of paper with the above information.Handwritten in grey pencil at the top of every card is 'Frida Striezel'. On the back of Card 2 is handwritten in faded black ink No 1 -30 the title of the 30 recipes on the cards. On a separate sheet of paper handwritten in black fineline marker pen - '584 SET 30 COOKERY INSTRUCTION CARDS. DEPT OF PUBLIC INSTRUCTION Date - between 1887 and 1906'cookery cards, recipes, instruction books, cooking

Book - 96 pages + card covers, 5 sections, perfect bound, A4 landscape full colour printed on gloss paper, titled "Melbourne's Marvellous Trams", looking at the history of Melbourne's tram, why, how, culture, economic and relationship to Melbourne and its residents. Contains a forward written by Keith Dunstan. Written by Dale Budd and Randall Wilson, published by University of New South Wales Press in 1998. Has a table of contenttrams, tramways, melbourne, tramways, tramcars, cable trams, history