Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers,

Hanro Photo Proofs:- Brown envelope with red print. Print on top left hand is *The Bendigo Advertiser Photographic Service. A Division of The Bendigo Advertiser Newspapers. Diagonally across the page is a red strip with *Your Photographs* At the bottom left is *If not delivered within 14days, return 'The Bendigo Advertiser,' Bendigo. On the front, hand written in blue ink is 'Proofs (Hanro)* Inside in a small wax paper pouch is 5 x photos 5.2x7.8cm of Hanro's factory floor showing the equipment and manufacture of fabric. Box 116AThe Bendigo Advertiser Photographic Service.hanro, clothing, photo proofs, the bendigo advertiser. hanro.

Photographic Album - 19th Century Portraits. This album is in a handsome leather tooled cover with brass ring clasp - pages have gold edging to match the gold tooling on front cover.This album comes from ''Old Box 94'' which generally contains ephemera from Merle Bush. However, this album has no identifying inscriptions (but see the following notes). There are approx 44 portraits of children, males, females, mixed groups taken by a range of studio photographers (Sandhurst, Melbourne, Stuttgart and possibly from other cities?) There appear to be no inscriptions on the reverse of these photos - but not all have been removed for checking. One photograph (R Dermer Smith, Sandhurst has a photograph Number #753 on reverse and show a man/boy?, woman and child on the front verandah of a house. There are 6 loose cards within the book which may give some indication as to the family connection; 1. Mr W Tainsh - Echuca; 2. Frau Pastor Leypoldt - Lutheran Parsonage, Bendigo; 3. Miss H Janie Schleiger; 4. Citizens' Life Assurance Co Ltd - Represented by A A Brooker(?); 5. Card with inscription in German below print of ? Luther) and handwritten text in German on reverse (difficult to read), date 11/11/83; 6. black bordered card ''In Memoriam'' (no name).cottage, miners

A small soft covered book titled, ' Twelve Photographic Postcards of Durban (in monotone.) Series A.' A.R., P.O. Box 382, Durban. Printed in Great Britain. Early 1900's ?Printed in Great Britain, A.R. P.O. Box 382photograph, landscape, south africa, lydia chancellor, collection, durban, photograph photography, travel, postcards, tourism, south africa

Golden Bendigo the Forest City, panoramic view of Pall Mall Bendigo and other photographic reproductions of views of the city. Printed and published by the Cambridge Press Bendigo Vic. Name on cover, Mr. A.S.Chambers Happy Valley Ravensthorpe WA Wide format booklet; paper with black and white panoramic photos of Bendigo.books, collections, photographs, bendigo

Black and white photographic of derelict tram. Inscriptions on reverse: Printed in ink Number (12). Number 6 written in pencil. Stamped in blue: L. B. Manny Collection Photo.person, individual, basil miller

Black and white photograph taken from the City Family Hotel Tower, looking along Pall Mall towards White Hills, Showing Alexandra fountain, toast rack tram, 1903 tram, Hustler's Royal Reserve Mine, Post Office, Law Courts behind, tram track, School of Mines tower, Shamrock Hotel and other businesses, The Beehive, Pikes Building and verandah of building in foreground. Inscriptions: 'Bendigo, looking East' in TLH corner. History: photographic copy in black and white of a colour tinted postcard, printed c1915. Copied c1970place, streetscape, pall mall, photograph, photography, bendigo, alexandra fountain, toast rack tram, bendigo law courts, bendigo post office, bendigo school of mines, beehive building, hustler's royal reserve mine

Photo wallet - 'snapshots from Norman J. Oliver, photographic service, Hargreaves Street Bendigo, Phone 3-5233'. Green and blue print on cream coloured card.Reverse side of wallet has provision for name, developing, films, printing, prints, total, order, and Oliver's snapshot service 288 Hargreaves Street Tel. 3-5233, Bendigo.person, individual, basil miller

Sepia photograph. View looking north along High Street, Eaglehawk towards the Eaglehawk Town Hall and Virginia Hill behind. On either side of the street are double and single storied businesses. Wooden slatted tree guards, triangular configuration are close to the road gutter. Some horse-drawn vehicles are on the right side of the street. On Virginia Hill a mine and crushing battery building and chimney along with a few eucalypts can be seen. Inscriptions: Views of Bendigo No. 49', 'Township of Eaglehawk', 'NJ Caire photo Sandhurst', 'Casey & Wenborn's print', Forbes & Holmes Agents'. In grey lead on back of mount 'Mrs Brown, Barnard Street, Bendigo', Stamped 'Royal Historical Society of Victoria, Bendigo Branch'. In image 'Victoria Hotel, Sam Watson?', 'Saddler', 'Exchange Hotel'. History: in grey lead pencil, Mrs Brown, Barnard Street, Bendigo. Three col. Stamped 'Royal Historical Society of Victoria, Bendigo Branch', in ballpoint pen 1959, 71. (Two copies) Nicholas CaireNicholas J Caireplace, streetscape, high street, eaglehawk, the photographic mount

Souvenir Booklet - 'My Second Tour of the World -1924' (G A Pethard). Printed by the Cambridge Press, 1925. Reprinted from the 'Bendigo Advertiser' Photographic illustrations. Approx 75 pages. 'With the Author's Compliments'person, individual, pethard family

Head & shoulder portrait of bearded male collar length hair. Printed on Front. Cabinet Portrait, Edward Hoskins 448 New Cross Rd . On reverse. From the photographic studio of Edward Hoskins 448 New Cross Rd London.Edward Hoskin london.photograph, person, male

Studio black & white photograph of standing young male. Albert chain. Dark suit. Strong resemblance to Peter Temby or James Temby per Neville Davies. Printed on front, Foster & Martin, Melbourne. Printed on Reverse. 29 & 31 Collins St East Melbourne. Foster & Martin , Artists & Photographers. Fine print Haake & Albers Frankfurt [ photographic paper manufacturer ?]Foster & Martinphotograph, person, male

Four sepia Victorian period photocopy photographs of McVey family members. Located within Grenfell folder cat No 8433 . 1. Photocopy carte-de-visite photograph exposed by 'The Peoples Photographic Company' Jarrow. Group wearing Victorian period dress showing standing male beside two seated females plus one standing. Reverse biro caption reads Mr & Mrs Robert McVey. Jeanie 16y. Annie 12y. 2. Shoulder length sepia image of bearded male. Reverse biro caption reads, John McVey, lived in Bendigo. Mrs Fyfe's mother. 3. Seated full length sepia photocopy of woman in Victorian period dress. Small print below reads Bent, Photo, Sandhurst. Reverse biro caption reads, John McVey's wife-Barbara. 4. Sepia image of woman within cut-out oval clothed in Victorian period dress. Reverse biro caption reads, John & Barbara McVey's daughter Annie. - married James Fyfe of Bendigo.bendigo, history, mcvey family

Eight colour photographic views of Bendigo dating in the 1950's period. Enclosed within envelope printed heading reading. Valentine 's Snapshots. Eight real photographs hand coloured, Bendigo, Vic No 2 published by the Valentine Publishing Co, Melbourne and Sydney. Photos are of; Lake Weeroona Bendigo, The Mall. Pall Mall Bendigo, The Conservatory Gardens Bendigo, Rosalind park Gardens Bendigo, Conservatory Gardens Bendigo, Rosalind Park and Deborah Gold Mine looking towards Bendigo.Valentine's Snapshots, Bendigo, Vic. No2. Published by the Valentine Publishing Co., Pty. Ltd Melbourne and Sydneybendigo, streetscape, general street views

Bid or Buy website https://www.bidorbuy.co.za/item/338985636/Antique_wooden_glass_photo_print_frame_Jaynay_non_slipping_patent_frame_as_per_photo.html Antique wooden glass photo print frame - Jaynay non-slipping patent frame - as per photo Another item described as 'vintage wooden photos print frame for glass negatives - as per photo Six vintage wooden photo print frames for glass negatives, three small, 2 average and one larger. System of wedges and sprung brackets to hold glass, velvet / felt covered wooden backs into frames. Some possibly made from recycled wood.One stamped on back ' THE JAYNAY NON-SLIPPING PATENT FRAME'. Another with 'PRIMUS BRITISH MADE' on back. Another with written in pencil on front of frame 'NONA TURTON' .photographic equipment, negative frame

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of the blocks of Housing Commission flats at the corner of Ingles and Crockford Streets viewed from Ingles Street. Large white border at the bottom.A star in blue ink at the bottom left corner and details of photographic paper type and exposure details on the reverse.built environment - public housing, ingles street, crockford street, built environment - domestic, raglan street housing commission of victoria flats, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph. The photograph includes two people on the median strip. It is unclear what they are doing or what has happened just before the photograph was taken. One person is kneeling closely over the other who appears to be lying on their back.Black and white photograph of the Raglan Street Housing Commission flats at the corner of Ingles and Crockford Streets viewed from Crockford Street. Large white border at the bottom.Details of photographic paper type and exposure details in blue ink on the reverse.built environment - public housing, ingles street, crockford street, raglan street housing commission of victoria flats, built environment - domestic, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of houses in Williamstown Road, Garden City. There is a large white border at the bottom and the top part of another image."OK" and "Williamstown rd" in blue ink on the front and type of photographic paper and exposure details on the reverse.built environment - domestic, williamstown road, garden city, nancy u'ren nee morris

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of The Quartets in Williamstown Road. There is a large white border at the bottom."OK" and "Williamstown rd elderly citizens flats" in blue ink on the front. Type of photographic paper and exposure details on the reverse.built environment - domestic, williamstown road, the quartets, nancy u'ren nee morris

Adjustable metal 8"x 8" masking board for cropping and photographic printing Imperial scale, excellent condition Adjustable frame for variable cropping of prints; maaximum printing 240mm x 190mm (8.5"x 6.5") An Elande product manufactured by Lee & Diverell, Mitcham, Victoria, AustraliaELanDE product manufactured by Lee & Diverell, Mitcham, Victoria, Australia

Photographic postcard of Robbs Monument CAirns Railwya Queensland. Image of railway line curving around a hill with two men standing either side of the railway line looking up at a rocky monolith. Image is sepia with a pale blue sky.The words Robbs Munument Cairns Ry Queensland are printed in white along the bottom of the image.The reverse is addressed to Miss Dean Post Office Golden Square Victoria. A one penny Australian stamp postmarked Rockhampton Queensland is affixed to the top right hand corner.postcard

Photographic postcard with a sepia photograph of Albert Park Lake adhered to a backing card. Photograph has been placed slightly off centre and has a border varying from 1.5cm to 2.5cm. The photograph depicts a small yacht sailing on the lake with four men onboard with their backs to camera. In the background, the opposite shore can be seen with trees and a white railing fence. The words Albert Park Lake are printed across the bottom edge of the photograph. A laminated cover has been placed across the photo and backing card. On the reverse is writing and it is addressed to Mrs Dean Golden Square. A one penny stamp has been affixed to the top right hand corner and extended partly onto the front of the card.postcard

Coloured photographic postcard. Image is of an Asian man standing against a hedge. He is dressed in a quilted blue hip length jacket, cream trousers and black boots. A long plait of hair extends over his left shoulder. Along the bottom edge is printed the words Australian Series - Little Mary - Little Mar-y!! On the reverse is writing and is addressed to Mr J M O C/- Electric Telegraph Office Bendigo Vic. A One penny stamp is affixed to the top right hand corner and is postmarked Maryborough Vic.Australian Series - Little Mary - Little Mar-y!!postcard

Coloured photographic postcard. Image has a 1.7cm white border on the right hand side and depicts Mossmans Bay Sydney NSW. The image shows a view of the bay taken from height, several boats can be seen in the bay and houses are on the left hand shore and in the distance. The words Mossmans Bay Sydney Harbour N.S. Wales are printed in white in the lower right hand corner of the image. On the border, the words Mosman's Bay Sydney Harbour are printed in black and the words Wishing you many happy returns of the day are handwritten there also. On reverse it is addressed to Miss Dean McKenzie St Golden Square. A black and white image of palms appear on the left hand side with the words NSW Bangalore Palms in white along the bottom. A one penny stamp is affixed postmarked Bendigo. A symbol of an artists palette with the letters HB is along the top.Symbol - artist palette and letters HBpostcard

Printed black and white photographic postcard of Deansgate Manchester. Image depicts a street with trams, tram tracks, people walking and standing with buildings lining either side. There is a white 1cm border along the lower edge. The words Deansgate Manchester are printed in the border on the lower left hand side. The words 'A grim town to work everyday of Deansgate' are handwritten in the border. The reverse is blank.S Hildersheimer & Co Manchesterpostcard