This sewing machine was bought by Alex Craig's dad in 1942 for his wife whom he married in 1943. Alex's grandmother used it in 1942 to make button holes.Historical: Type of machine used by S.E.C.V. wives living in Mt Beauty in the 1940's, 1950's and 1960's. Ladies made the family's clothes and sewed for the Annual Church and chook fetes e.g.. children's clothes and dolls clothes. They bought dozens of dolls and made 'fairy' dresses for them using coloured netting.Green & white box containing black & silver metal with 4 parts for attaching to Singer sewing machine for sewing button holes."Singer Buttonhole Attachment" on green 'cloud' top of box. "The Singer manufacturing Company" on green 'cloud' on side of box. "For Light Manufacturing and Home Use" on green 'cloud' on side of box. "Made in Great Britain" on white top half of end of box & teen 'cloud' below end of box is "Singer / Buttonhole Attachment / No. 86662 / For Singer Lock Stitch/ Family Sewing Machines.singer manufacturing co.. clothes. fetes. domestic. sewing.

Detachable collars enclosed in a leather box such as this one were used in the 19th and early 20th centuries, particularly by men in the business and clerical professions. The collars were attached by studs or buttons to a shirt. The collars were removed prior to shirt washing the shirt. The leather box was most useful for travelling. Detachable collars could still be used today particularly by clergymen. Two are named E R Twomey.This box and collars are retained as an example of vintage men's wear. It will be useful for display.A brown leather cylindrical case with a strap and buckle. It has white thread stitching around the rim and upper edge of the lid, the slot for the buckle, the rim and lower edge of the base . Inside are four detachable white winged collars for wearing with a shirt. Each has three holes, one for a button and two for a stud or for buttons at the front, two wings and a curved slot at the back.They are made of very fine cotton and linen.002215.1 J.T. MADE IN ENGLAND ESPECIALLY FOR Buckley & Nunn Ltd. MELBOURNE 002215.2 A stamped lion, WELCH MARCETSON 7 CO. LTD. 4 THE ALATUS TRADE MARK DES M 9 M 520 1 3/4 x 1/2 T14 002215.3 MADE IN ENGLAND FOR BUCKLEY & NUNN MELBOURNE EXTRA QUALITY , A deer head with antlers in a pointed elipse E.R. THOMEY a red inverted drawn triangle two dots Lindum 2x 151/2 002215.4 MADE IN ENGLAND FOR BUCKLEY & NUNN MELBOURNE EXTRA QUALITY, A Deer head with antlers in a pointed elipse . T indecipherable . E.R.T.4 indecipherable. Lindum 2x15 002215.5 E.R. THOMEY Indecipherable Lindum 2x 15 ? warrnambool, detachable vintage collars, detachable men's shirt collars

This is a Warrnambool High School cap from the 1930s. Warrnambool High School was established in 1907 with a farm site in Merrivale and it was also in several sites in the main town area, with the longest occupancy in Hyland Street. In 1961 the school moved to its present location in Albert Park (Grafton Road). The High School amalgamated with Warrnambool North Technical School in 1995 to form Warrnambool College. Malcolm Goodall, the owner of the cap, was born in 1917 and died in 2010. He lived in Coulstock Street and he worked in the tinning department of Nestles. The Goodall family has been in the Warrnambool area since the mid 1850s including being at the farm, ‘Wanstead’ in East Warrnambool and at Framlingham in the 19th century where William Goodall was the manager of the aboriginal settlement. This cap is of interest as an example of the boys’ uniform at Warrnambool High School in the 1930s and as a memento of Malcolm Goodall. His ancestors were pioneers in the Warrnambool district.This is a boy’s cap made of dark green cloth with octagonal sections and a cloth button on top. The peak is edged with navy and cream cord. The centre front of the cap has a school badge with the school initials and motto. The inside of the cap is lined with black cloth with a cream centre and has the cap seller’s business details and the name of the owner of the cap. Some of the printed material here is indecipherable. The stitching is worn in some places. W.H.S. Sine Labore V. Becker Boys Shop & Hosiery Parlour Warrnambool Name: M. Goodall warrnambool high school, goodall family, history of warrnambool

Could this flag have flown at the 1956 Olympics on Lake Wendouree ??? Probably not because the current tricolour came into use in 1946. The flag would have been made during the reign of King Victor Emmanual III. If you are able to assist with any information on this flag, including why it would be held in a Ballarat collection, please email is via the link on the lower right . The State flag, and state and naval ensign. It is a vertical tricolour of green, white, and red, defaced with the arms of Savoy and crown. This was the first national flag after the unification of Italy. Proportion 2:3 Adopted 1861 (proclamation of the Kingdom of Italy) Relinquished 1946 (birth of the Italian Republic) The flag without the crown woul the the design adopted by the Kingdom of Piedmont-Sardinia in 1848 The flag has been stitched in 5 places. Stamped in ink on edge 'November [1930] Torino" A note with the flag states: "Old Italian Flag - (Before independence in 1946) his flag was made in 1930 in Torino- Italy? This flag Shows the royal insignia displayed in the white area and was designed around the time of Napoleon (by him) in 1840s Red "Flags" book V D'Angri"flag, italy, italian flag, italian army flag, turin, torino, house of savoy, savoia, crown

This is a souvenir pennant of the H.M.A.S. Warrnambool, named after the City of Warrnambool in Victoria. This ship was the second of that name. The first H. M.A.S. Warrnambool, launched in 1941, was one of 60 Bathurst-class corvettes commissioned by the Australian Government. It was involved in mine clearance work in the Great Barrier Reef after World War Two. The mines had been laid by the Australian Government during the war to protect Australian waters. In 1947 the first H.M.A.S. Warrnambool was sunk by one of these mines and lies on the ocean floor off Cockburn Reef in northern Queensland. The second H.M.A.S. Warrnambool was commissioned in 1981 and was a Fremantle-class patrol boat assisting in capturing illegal fishing boats and participating in military exercises in Australian waters. In 2005 the second H.M.A.S. Warrnambool was decommissioned after 24 years’ service. This pennant is important as a souvenir of the H.M.A.S Warrnambool, a ship that had obvious links with the City of Warrnambool. In 2005 the Mayor of Warrnambool, Glenys Phillpot, attended the decommissioning of this ship at Darwin and brought back several souvenirs of the ship. This is a triangular-shaped pennant made of dark blue felt material. It has stitching at the straight edge with two tabs for attaching the pennant to a pole or post. The pennant has a badge of yellow, black and white tonings printed or stamped on to the felt. The badge includes a white unicorn, a stylized ship and crown, a boomerang and two other implements and the motto, ‘Protect and Avenge’. The words, ‘H.M.A.S. Warrnambool’ are printed on the pennant in yellow. ‘H.M.A.S. Warrnambool’h.m.a.s. warrnambool, history of warrnambool

This men's khaki tie was issued to Dr W R Angus by the Australian Army to their men during WWII. The tie is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus (1901-1970), surgeon and oculist. Dr W R Angus was a Surgeon Captain for the Australian Defence Forces, Army Medical Corps, stationed in Ballarat, Victoria, and in Bonegilla, N.S.W. He completed his service just before the end of the war due to suffering from a heart attack. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This tie is significant for its connection with Australia's Military History as part of the uniform worn by officers in the Australian Army. Dr W R Angus (1901-1970), surgeon and oculist, collected a range of military objects including those he personally used during his time as Surgeon Captain in the Australian Defence Forces in World War II. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Tie; Australian Army uniform neck tie, WWII era. The tie is a khaki-coloured lightweight fabric with an uneven point on the ends. The front-facing end is wider than the rear-facing end. The unlined tie has exposed stitching around the border of each end. The reverse has an inscription. The tie belonged to Dr W R Angus and is now part of the W. R. Angus Collection.Handwritten in black pen on the reverse "“W.R. ANGUS”"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, w.r. angus collection, australian army, world war 2, second world war, australian defence forces, ww 2, army issue, wwii, army uniform, tie, necktie, neck tie

Gentleman's fawn suede fabric spats. Seams and edges are lined with 2 cm wide cotton tape. The opening edges have four plastic one cm buttons, and four stitched buttonholes A tapered leather strap ( 2.5 cm tapering to 1.5 cm ) fastens with a nickel -(silver) buckle. This strap passes underneath the instep. Leather lining at top of spats, gives a piping of leather effect on the outside.Mansfield and Sons Ltd. An english Manufacturer.costume, male footwear, spats

Made by and used by mother-in-law of the donor during her time in Asia and Australia, c1930s.Navy blue cloth roll with stitched pockets to hold knitting needles. Roll contains approx 110 different knitting needles or various sizes, make and colour. Some are bamboo/timber, some are plastic or metal. Cloth roll was made by mother-in-law of donor and is designed to fold up to cover the needles prior to rolling. Once rolled, cloth can be secured with two small push buttons.plastic, bamboo, knitting needle

The cosy was made as a present.Tea cosy in a half circle shape. There is a scene appliqued on the front of a tree in green cotton fabric with a machine stitched hunk on the left hand side. There is a house appliqued on the right hand side. The roof of the house is deep blue cotton fabric and the house is in red cotton fabric. The foreground is of a cotton material with a cream background with 'grass' pattern on it in shades of green. The background is in blue fabric with a small red loop on the top.domestic items, table setting, manchester, table linen

Domestic object demonstrating Australian State Floral symbolsA cross stitched wall hanging on a brass hanger. The white cotton background has the Australian native flower emblems in a line down the centre. Firstly the Australian emblem - golden Wattle, then New South Wales - Waratah, Victoria - Common Heath, Northern Territory -Sturt's Desert Rose, West Australia - Kangaroo paw, Queensland - Cooktown Orchid, Tasmania - Blue Gum, West Australia - Sturt Desert pea.embroidery, australian floral emblems

A Wilson Speed Flo racquet, with 'SUPER-FLEX SHAFT', red painted throat and shaft, black-painted shoulder undersides, perforated black leather grip, and white cloth butt cover with red-stitched 'W' trademark. Inscription: WILSON/SPEED FLO/SPEED FLEX/FIBRE FACE. Materials: Wood, Nylon, Glue, Lacquer, Metal, Leather, Adhesive tape, Paint, Ink, String, Cloth, Ribbontennis

Light blue woollen beret with black synthetic binding around rim, attached to black cotton lining. United Nations badge is attached to front of beret in gold and white enamel, held in place with pin; badge depicts the globe surrounded by branches of an olive tree. Interior lining has diamond-shaped manufacturer's label stitched on. Beret has two black eyelet holes on wearers' right side. Interior label reads "HILLS/NEW-ZEALAND/made/PURE WOOL/BERET HOOD/UNITED NATIONS/PROPERTY/7 5/8"united nations, peacekeeping, blue berets, uniform, interwar

Manicure set and button hooks - various items. Seven in total. 2 x Boot button hooks for lacing boots. 1. With steel inscribed on handle "Ezywalkin Factory to Foot". 2.With brown Bakelite handle. 2 x parts of Manicure set with tortoise shell handles. 1 x Pair of nail scissors. 1 x Bone cuticle tool. 1 x Knitting stitch holderbuttonhooks, manicure equipment, knitting equipment

Textiles. With the same lace edging as the pillowcases 11408.102, but no embroidered initial. These pillowcases, along with the bedspread (11408.101) complete a delightful set. Measuring 119 cm x 96 cm, the pillow slips have an envelope 48 cm x 80 cm stitched to the back, to hold the pillow. This is tied with three sets of two cotton tapes. The same corded and floral lace, 10 cm deep edges the pillowslip.textiles, domestic, two lace trimmed pillow cases

Ivory coloured waist length silk wedding bodice with front opening. Silk fabric has alternating striped pattern of chequerboard pattern, running stitch pattern and diagonal woven pattern. The bodice is made of two layers of the silk fabric with cotton fabric lining. The front inner layer has two darts from the waistline. The back inner layer has a centre seam and three darts from the waist on either side. The outer layer on both front and back has three knife pleats falling from the shoulders creating a gathered effect. These side panels of pleated fabric create a deep V neckline by crossing over 5cm above the waist. The V shape neckline is filled with an insert of cream and dark green lace with a floral pattern. The lace insert extends to the throat to form a high round neckline. The neckline is edged with cream coloured woven cotton braid. The side edges of the outer layers are trimmed with cream lace with a floral pattern and 5cm zig zag peaked edges that extends from centre waist at the front, over the shoulders and to the crossover section at centre back where there is a decorative silk fabric flower stitched at the crossover point just above the waist. The front opening is fastened with fourteen hooks and eyes plus another hook and eye offset 5 cm above the waist at the crossover point. Set in long sleeves are in two sections. An inner layer of silk fabric widens to the elbow where two five cm frills of gathered tulle are attached. Each frill is edged with a row of silk stitching. Attached below the frills are two 7 cm strips of lace stitched together to form the lower part of the sleeve. The edge of the lace forms the hem at the wrist. Each sleeve has a 5 cm hemmed V shaped split from the hem at the wrist. The outer layer of the sleeve is bell shaped falling from the shoulder to the elbow. This section of the sleeve is edged with cream lace with a floral pattern and 5cm zig zag peaked edges that are stitched to the fabric of the sleeve. Ivory coloured full-length wedding skirt with train. The skirt is made in two layers. The under layer is made from cotton from the waist with a wide border of silk fabric - 18 cm wide at centre front, widening to 37 cm at the side seams. The back of this skirt extends to a train and the border widens to 48 cm. The border section is lined with cotton fabric. At the centre back, the border has two godet inserts to create fullness in the train. The outer layer of the skirt is of ivory silk fabric with alternating vertical stripes of a chequerboard pattern, a running stitch pattern and a diagonal woven pattern. The lower edge of the skirt is edged with an 18 cm border of lace patterned with embroidered circles. The edge of the lace forms a zig zag pattern of elongated V shaped peaks (7 cm). The front of the skirt dips to a V shape at centre front with the point of the V reaching the hemline. The back of the skirt dips below the front hemline in a U shape over the train. The waist band is made of cotton tape. The centre front of the waistband has an embroidered pattern in silk thread. The centre back opening is fastened with seven metal hooks with six cotton loops plus one metal eye on the waistband. There are two cotton tape hanging loops on either side of the inner waistband. Hand and machine stitched.costume, female ceremonial, wedding bodice

Long sleeved burgundy coloured coat - velvet fabric lined with ''dusty pink'' satin with woven floral pattern. Lining hand stitched to coat. Second layer of cotton lining across the shoulders and back( 39cmsLength). Sewn into neck and shoulder seams. Large uneven stitches attach the lining to side seams. Coat and lining have seven gored panels giving fullness to the coat. Fold over collar (14 cms). Front opening with ten velvet covered shanked buttons with fabric loops. Long sleeves gathered at shoulder and cuffs(2 cms), with six cms opening with press stud fastener.Owner of coat was Isabel Lilian Pegler (nee Mair) 1921-1997. The coat was worn to Saturday night dances. Isabel liked to point out that her coat had a double lining in the upper back for extra warmth as she liked to wear backless dresses to the dance.costume, female, long sleeved coat

Clothing.Woman's black silk blouse. Bodice is made up of two layers. Inner layer of black cotton has full length front opening with placket with five buttons and button holes from 5cm below round neckline to 5cm above the waist. There is a breast pocket on the LHS (14cm X 11cm). The outer layer of black silk is attached to the inner layer at the shoulders (pleated) and around the arm holes, and hand stitched at the lower back to form a casing for cotton tape ties. The front forms a full width crossover with one metal hook on top LHS. The outer layer extends 7 cm below the inner layer at the waist with a 7cm peplum across the back. Set in long sleeves are tapered at the wrist with a 5 cm frill at the hem. Sleeves fully lined. Hand and machine stitched. Fold over collar (10cm) with squared corners.Decorative black , gold and pearl button on each wrist on hem.costume, female, woman's black silk blouse.

Good luck dolls usually given to engaged couples but occasionally give to Japanese soldiers prior to deploying.Takasago dolls or, in English, Darby and Joan dolls. They are a set, the brighter one being an old lady, the other an old man. They were used as engagement presents, but during the war, they were sometimes (actually maybe rarely) given to soldiers as good luck charms, or ‘mamori’. They were said to be lucky as they contained the stitching (sewing) of 1000 ladies, ‘senninbari’ (a thousand ‘peoples’ needles). So mate, the original theory is probably correct. The soldier would have wrapped these dolls in water proof paper (made using persimmon tannin or kakishiba).He would have kept them around his waist in a waist band, called an obi or perhaps a ‘haramaki’ (a knitted stomach band).Anyway the dollls should remain together. I’m wondering if there are any messages inside? But if they are completely stitched closed, then they should remain that way. The Takasago dolls originated in Takasago City in Hyogo Prefecture, hence the name.But later they were made everywherejapan, ww2, world war 2, world war two, takasago dolls

Ticket wallet with a set of four 1970's Ballarat tram tickets set up to represent part of a typical conductor's set of tickets by the BTM for display purposes.. 74.1 - Sheet of leather, approx. 2mm thick, stained brown with four pockets formed on each side with another sheet of leather, stitched on all sides to form pockets to hold eight blocks of tickets. Stitching is a light brown cotton with nickel plated steel staples at each end. Stamped "W 98" onto one side. 74.2 - 5c City section ticket block - A375800 - 375999 - See Reg. Item 1725 for full details 74.3 - 8c ticket block - A937800 - A937999 - See Reg. Item 1719 for full details 74.4 - 10c ticket block - C819400 - C819599 - See Reg. Item 1777 for full details. 74.5 - 15c ticket block - A382800 - A382999 - See Reg. Item 1777 for full details. trams, tramways, secv, tickets, conductors

Clothing. Woman's black ribbed silk bodice, fully ;lined with black cotton fabric. High round neckline with stand up lined lace collar (4cm), fastened left of centre at front with two metal hooks and eyes. Front lining fastened with twelve metal hooks and eyes from throat to waistband. Waistband (5.5cm) of horizontal pleated fabric. Small pocket (8cm X 6cm) attached to inside lining on LHS. Waistband has 7 cm cross over tab section at centre front fastened with three metal hooks and eyes. Centre front opening is edged with black lace and tucked spotted voile, fastened with three metal hooks and eyes.A wide shawl collar across the shoulders extends and gathers into the waistband at front and back. This forms a V shaped opening at the front exposing the lace and voile beneath.The inner and outer edges of the collars have decorative knots. The centre of the collars have 18cm pin tucks from the shoulder seam at the front and 11 cm pin tucks at the back.At centre back. a panel of black lace runs from the collar to the hem of the waistband. Two gathered fabric tails are attached at centre back to hang below the hem of the waistband. Decorative lace as stitched across the shawl collar at the shoulders seams, ending with a decorative knot and cotton tassell (7cm). Set in Leg 'o'Mutton sleeves are gathered around the arm holes and gathered into a band of fabric with decorative lace and knots. The narrow lower section has a turned over hem edged with decorative knots and black lace. Each sleeve has a 5cm slit at the wrist. The bodice has fifteen bone casings spaced across the garment, from the waistband. These are stitched in place with yellow cotton. Some internal seams finished with yellow cotton. Hand stitched. Word ''GLEN" is written on one bone casing. Temporary darts have been stitched on both side seams with red cotton to reduce the size.costume, female, woman's black ribbed silk bodice.

Brassards were worn by Peacekeeping Forces to identify their identity. Belonged to Gary Clift R.127835 M8073771. For RAMSI was deployed as ship's company HMAS BRUNEI. For PNG was deployed from HMAS TARAKAN & BRUNEI.1. PNG Peace Keeping Mission Brassard. Bright yellow brassard. Stitched on white Australian ensign on arm picture of dove carrying a twig overlaid over a map of Bougainville in green. Blue background. 2. RAMSI brassard for Solomon Island Peace Keeping Mission. Dark green with Australian Flag sewn onto sleeve. As is RAMSI emblem (yellow border, white dove over map os islands).1. Embroidered "Peace" & "Peace Monitorial Group". 2. Embroidered patch "Regional Assistance Mission to Solomon Islands" and "Helpen Frew".peace keepers, uniform, brassards, ramsi

This waistcoat was made for Mr Alan Vinnell by the Fletcher Jones Man’s Shop in 1946 and was worn by Mr Vinnell at his wedding in Lang Lang on 27/4/1946 to Miss Madge Ridgway. Alan was the son of Albert Vinnell and Ada Rose Wood. He attended school in Macarthur about 40 kilometres northwest of Warrnambool. The Fletcher Jones Man’s Shop was located at the corner of Liebig and Koroit Streets in Warrnambool. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in Western Victoria. In 1924 he leased three shops in Liebig Street and in 1928 he moved to the Koroit/Liebig Streets intersection with his Man’s Shop. He manufactured men’s clothing on site. In 1931 a new set of two-storeyed buildings was erected on the site and Fletcher Jones moved into the building. In 1946 a Fletcher Jones shop was opened in Melbourne and in 1948 a factory was established in Raglan Parade, Warrnambool with a new company, Fletcher Jones and Staff established in 1951. This company became known Australia-wide, firstly for the production of men’s trousers, and later men’s and women’s clothing. By 2011 the Warrnambool factory was sold and the company dissolved. This waistcoat is of historical interest as an example of the high quality work produced at the Fletcher Jones Man’s Shop in Warrnambool in the mid 1940s. The Fletcher Jones business became one of the most important ones in Warrnambool in the 20th century and the early 21st century.This is a sleeveless woollen waistcoat made of blue striped material with a black cotton backing. The back has two black cotton flaps with a metal buckle to allow for the tightening of the coat across the back. The inside is lined with a cream, yellow and grey striped cotton material. The waistcoat has one inside pocket with a button enclosure and four outside pockets. The waistcoat has six black buttons on the outside and a maker’s label stitched on the inside. ‘Fletcher Jones The Man’s Shop Warrnambool Mr A. Vinnell Date 15/2/46’fletcher jones man’s shop warrnambool, history of warrnambool, albert vinnell, vinnell

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Green d canvas bag closed with a heavy duty plastic zipper. Handles are made from thick dark green canvas. Each is reinforced with khaki coloured stitching. A clear plastic pocket is sewn onto one side to house a name card. Below this is a side pocket closed via a plastic zipper. On the inside of the bag are two large canvas pockets, one of which has a manufacturers label attached.On white manufacturer's label: 'WORMALD CANVAS, 8465-66-024-5926, (upwards arrow), 1989' Handwritten in black ink on top zipper flap: 'WILLIAMS'.army chaplain, personal equipment, major thomas b. williams

World War II Manufactured during WWIIDark brown rectangular stitched leather case with folding lid for a WWII 3 inch Mortar sight, Mk1, Lensatic. The folding lid has a leather strap and metal buckle to hold the lid closed. The leather case has a leather adjustable carrying strap with a metal buckle. Shaped leather covered wooden mounting supports are located inside the case. Leather covered padding is provided on the inside of the case lid.CASE 3 INCH stamped on case top. Other markings on the case top are illegible. White painted number 3 with a faded red background on the case lower front. White number 1.3 painted on case top.3 inch, mortor, wwii, australian defence forces, case, sight, leather

Lack of label suggest that this garment was produced in the Kiewa Valley Circa 1900 to 1940s. It would appear to be from a local seemstressThe time period indicates that the distances to the main centres of fashion was far too long for families to go to purchase such items from a retailer. Settlements in the Kiewa Valley would have more than one local seemstress. The relative rarity of the garment and the "Ric Rack" is unique.Garment has sleeveless top attached to pantaloons at waist and open crotch and going down inner leg seam to 8cm from bottom. Bottom section of each leg adorned with crotcheted lace and two pin tucks around bottom of legs. Top back of garmenthas three "Mother of Pearl" buttons and narrow 8mm wide shouldenilcross reference to KVHS 0249 and KVHS 0240 straps. Machine stitched cream in colour vest, undergarment, underwear, lingerie

This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Chalice cover, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The fine white fabric has been hand stitched with a wide hem. A hand-embroidered emblem of a Celtic Cross has been worked on the centre. The arms of the cross feature wheat ears. The three scalloped ends of each arm represent the 'Father, Son and Holy Ghost'. Embroidered symbol [Celtic Coss]flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, ceremonial linen, chalice cover, needlework, embroidered, celtic cross

This blazer was worn by Elaine Cooke when she attended the Ballarat Teachers College. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.)Blue woollen blazer with Ballarat Teachers College lapel pin and embroidered pocket. The edges are bound, including the two side pockets and the breast pocket and the sleeve cuffs have the binding 10.5 cm from the edge. The blazer has three front buttons. The body is unlined but the sleeves are lined with a cotton fabric. The hem edge is bound and hand stitched in place, whilst the back neck facing is cut with pinking shears.Hand written with pen on white tape - E. Cookballarat teachers' college, blazer, elaine cook, costume, textiles, uniform, embroidery

Wilma Hall (later Hobbs) wore this blazer while studying at the Ballarat Teachers' College in 1954-55. The college was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry off the School Tent: A History of State Education in Ballarat", 1974, p73-4.)Blue unlined, woollen Ballarat Teachers' College blazer with embroidered pocket. The jacket had three buttons at the front although two are missing. The edges are all bound with tape including the pocket and the sleeve binding is 12cm from the cuff edge. The seam edges are either turned back and stitched or cut with pinking shears. There is a small panel on either side of the inside between the side seam and the facing which reinforces the pockets.Embroidered emblem of the Ballarat Teachers College and woven makers patch - The Myer Store for Menballarat teachers' college, blazer, wilma hall, wilma hobbs, textiles, costume, embroidery, uniform

Clothing. Black and white two piece bikini, size 10. Strapless top of nylon fabric - black with white spots. Two cups separated at centre with a decorative metal zipper (6cm). Each cup has a shaped foam insert. Bikini bottom of nylon fabric, black and white horizontal stripes (1.5cm). Hi cut leg. Two decorative black and white ties stitched on side seams (16 cm).Metal tag ''RIP CURL'' on LHS of bikini topcostume, female, black and white two piece bikini

Cream nylon (?) ribbon, 1.5 cm wide, wrapped around a flexible (possibly cardboard) horseshoe shape eleven cm long X 10 cm wide. A "stem" of cream rosebuds, studded with four teardrop shaped pearls, is stitched to the face of the horseshoe. A loop of the ribbon, 47.5 cm long, is attached for the bride's arm. This is finished with two loops, seven cm and six cm long, falling in the centre of the horse-shoe.costume accessories, female, wedding horse-shoe charm