RAAF "All Seasons" 1972 uniform replaced the old dark navy blue Uniform belonged to Flight Sgt. D. Bending All Seasons Uniform .1) Jacket - Cotton, blue, 4 large gold metal buttons, 2 small gold metal buttons, metal crown and eagle badges on both collar lapel, service ribbons, rank insignia, "ROYAL AUSTRALIAN AIR FORCE", embroidered crown and 3 chevrons on upper sleeves. .2) Trousers - Cotton, blue .3) Shirt - Polyester, light blue, epaulettes with AUSTRALIA embroidered, crown and chevrons, service ribbons .4) Tie - Polyester, navy blue .5) Belt - Polyester, blackuniforms - military, airforce

This tin which once contained coffee with chicory was purchased in a period when the importation of coffee beans into Australia was quite expensive and to counter that local distributors of coffee mixed it with Chicory, a blended coffee, flavoured slightly milder depending on the amount of coffee(percentage) per serve. This provided a cheaper cup of "coffee" drink. This mixture was a spin off from the 1930's Great Depression and the naval blockages of World War II (imports from India and other regional coffee growers) and the scarcity of secure ship supplies. As supplies became more secure "pure" coffee as a drink became available at reasonable costs. This "insignificant" coffee/chicory tin is very significant as it demonstrates that the Kiewa Valley was becoming more accessible to reliable coffee supplies and general food items.This was brought about through reliable roads and an ever increasing population The need for travelling supply caravans to the area, and with the establishment of grocery stores in Tawonga and Mount Beauty the supply of previously "hard to get" groceries vanished. This transition was precipitated by the SEC Vic Hydro Scheme of the 1940's to 1960's which increased the valley population two fold.This container of McKenzie's Coffee and Chicory is made from pressed steel and has a tight fitting lid (steel with a protruding lip to allow finger pressured removal). The tin has one pressed seem (holding the cylinder together). The backdrop of the outside of the tin is "grained" brown painted with dark brown (worn) lettering and central between McKenzie's/Coffee is a figure of an eagle with its wings outstretched. All the letters and figure have been embossed into the tin surface. The weighted contents are listed at a capacity of 1Ib Net.On one side (front) "McKenzie's Coffee and Chicory 1lb Net". On the other side "COFFEE & CHICORY" underneath "Guaranteed under the Victorian Pure Food Act 1905" "No. 1000 guaranteed under the Pure Food Act 1908, N.S.W. by Jas F. McKenzie & Co. Pty Ltd., No. 1000." "No 22 Guaranteed under the Food and Drugs Act 1910 by Jas F. McKenzie Pty. Ltd No. 22 (Tasmania)." Further "No. 1000 Guaranteed under the Health Acts by Jas. F McKenzie & Co. Pty Ltd No. 1000 (Queensland) "Containing not less than 50 percent of coffee." And at the bottom Jas.F. McKENZIE & Co. Pty Ltd Melbourne and Sydney"tin food/drink mild steel containers, food/drink storage containers

Book. ALEC H CHISHOLM COLLECTION. 173 page hardcover book giving an account of a journey along the Great Barrier Reef by S. Elliott Napier. Notes from a No-ologist's Pocket- Book. Includes 36 B & W photographs and 2 maps. Published in 1928 by Angus & Robertson, Sydney and printed by Eagle Press, Waterloo. Catalogue sticker ''2219 NAP'' on spine. Handwritten in ink on flyleaf ''A. H. Chisholm from the author with all good wishes S. Elliott Napier 25-6-28''S. Elliott Napierbooks, collections, australiana, alec h chisholm collection, s.elliott napier, great barrier reef, birds, fish, flora.

Object. Brass coloured metal medal with 1mm hole drilled in the top edge. This coin was produced by the Borough of Eaglehawk to commemorate the 60th Jubilee Year of Queen Victoria. E.C.Brown was Mayor at the time. Obverse: In the centre overlapping profile of Queen Victoria at different ages. Around the edge ''QUEEN VICTORIA'S 60TH YEAR OF REIGN 1837 - 1897''. Reverse: Diamond outline around Royal Coat of Arms above an eagle with outstretched wings with mullock heap to the left and factory to the right . Around the edge ''EAGLEHAWK E.C. BROWN. MAYOR 1897''.numismatics, medals - commemorative, queen victoria's jubilee medal 1897

This object relates to Hugh Forrester BETHUNE. He was born on 15/11/1924 in Sydney, NSW. Hugh Forrester served in the RAAF (430155) enlisting on, 01/01/1943 in an unknown location before being discharged from duties with the 9 AIRCREW HOLDING UNIT as a RAAF Non-Commissioned Warrant Officer (WOFF) on 26/02/1946. Hugh Forrester BETHUNE was not a prisoner of war. Hugh Bethune was awarded the 1939-1945 Star, Australia Service Medal 1939-1946, Defence Medal, France and Germany Star, War Medal 1939-1945.Star shaped silver medallion attached to a blue, navy and red ribbon with one badge attached. The badge is silver and depicts an anchor, rope, rifle and eagle. The medallion features a triangular silver section with blue enamel and reads: "Award of Merit". This loops onto a large silver star with a crown sitting above the centre star point. Withing the star is an enamel decoration of a blue circle with the text: "Corps of Commissionaries" and three small stars. Within this blue circe is a lighter blue shield depicting the southern cross.Engravings on the back of the Medallion read: "1197" "H.F. Bethune" "10.3.71" Also a faint hallmark including the letter Mballarat, ballarat rsl, medals, australian service medal

A wooden racquet featuring dyed wood frame, popular in the 1940's. Decal on throat on obverse comprises of the monogram 'MW' on a blue ribbon, in front of a starred and striped shield, crowned by an eagle. Decal inscription across throat on reverse: NATIONAL. The patent across right side of racquet, was issued in February 1939, for the "coloring of bent wood", developed by William Whyte, an employee of Cortland, who manufactured tennis racquets. Materials: Wood, Gut, Metal, Lacquer, Glue, Leather, Plastic, Adhesive tape, Vinyltennis

A wooden tennis racquet with white plastic shoulder reinforcements, red string whipping, and a short, fine grooved handle. Inscription across throat and shaft on obverse: VARSITY/BANCROFT/FRED H. SMITH/"ON THE CIRCLE"/PAL[O] ALTO CAL. Inscription across throat, on reverse: F.J. BANCROFT/PAWTUCKET/R.I./... Accomapnying decal trademark comprises of an eagle grasping a tennis racquet, in front of the Globe, with motto: USED/THE WORLD OVER. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, Plastic, String, Clothtennis

Large thick vey worn Mammoth Mother Goose collection of verses and rhymes in various categories for young children. Front cover has a coloured illustration of Mother Goose flying towards elves and pixies outside a house in the clouds. A surprised eagle is pictured beneath her with Series 695 The Goldsmith Publishing Co Cleveland, Ohio Made in U.S.A. The damaged brown fabric spine has the title, No.695, Publisher and place of publisher in black lettering. Severe tanning and foxing seen all through.fictionA Mammoth Mother Goose collection of verses and rhymes for young children in various categories - Alphabet, Wild Animals, Countries, Animal Adventures, Christmas. Black and white illustrations are on every page. M.A. Goldsmith has written some of the categories of verses.nursery rhymes, rhymes, verses, mother goose

German peaked hat worn by members of Luftwaffe Flight crews WW2 Circa 1939-45. Is in an NCO pattern and noted as yellow Waffenfabre.Dark blue peaked hat. Top part is dark blue felt with orange edging and emblem of silver eagle carrying a Swaztika. Middle band black cotton material with emblem of silver laurel wreath surrounding a small silver button with blue inner circle and red dot and wings coming out from each side. Bottom has black leather peak with a black buckled leather strap. Inside lined with black satiny material. A clear plastic diamond and a black leather band.No inscription on size inside.peaked cap, ww2, german uniform

Unit badge mounted on wooden plaqueBadge - Square on blue background surrounded by the words (left) National 51, (top) Servicemen's, (right) Association 72, (bottom) Navy Army Airforce. (Central) Over map of Australia are the crown, crossed swords, eagle, anchor. Plate below badge reads - Eastern and Yarra Valley/ Sub-Branch/ Chartered 29 November 1998

Eastern Meadowlarks live throughout the grasslands and farms in eastern North America. On the ground, their brown-and-black dappled upperparts camouflage the birds among dirt clods and dry grasses. When in flight or perching, they reveal bright-yellow breasts and bellies, and a striking black chevron across the chest. The Eastern Meadowlark has a diet which consists of mainly insects and seeds. These birds forage by walking on the ground and taking insects and seeds from the ground and from low plants. In winter, these birds may choose to forage in flocks. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Eastern Meadowlark has a yellow breast and throat with black plumage in the shape of a 'V' on it's throat. This particular specimen has a long pointed bill which is in the shape of a spear. The crown of the bird is a dark brown and it also has lighter brown/yellow stripes on the brow. The back, wings, and tail are light brown with dark brown mottling. This specimen stands upon a wooden platform and has an identification tag tied around its leg. The legs are long and the specimen has been styalised in an upright position.Label: [illegible] Ant-Eating Thrush / Catalogue, Page 66. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, eastern meadowlark, meadowlark

Hobbies are mainland birds that prefer to spend their time in forests and woodlands. They are widespread in Australia's colder eastern states, particularly Adelaide, Victoria, and Southern NSW. With a diet of bats, insects, and small birds, they use their refined wing structure, which is long and narrow in shape, more suited to speed than precision, and sharp reflexes to catch prey in mid-flight. Because they are members of the Falconidae and Falconiformes raptor families and have similar characteristics, they are frequently confused with their relative, the Peregrine Falcon. Close inspection reveals that they are half the size and have a more pronounced dark masking around the eyes. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australian Hobby is a medium-sized bird with a falcon-like appearance, long wings, and a commanding posture and presence. This bird has a distinctive brown/black helmet on its head, as well as a mask-like face that is highlighted by the prominent white half collar. Over the top of reddish brown underpart feathers, streaks of black lined patterns decorate the protruding chest. With its squared off tail feathers, the bird's back is dark brown and appears elongated and domineering. It is perched on a wooden stand and is secured with wire that does not obscure the talons.No swing tagtaxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, falcon, falconidae, falconiformes, peregrine falcon

The Belted Kingfisher is commonly seen near bodies of water or coasts in Canada, Alaska and the United States. During migration periods these birds may stray far from their usual habitat. Interestingly, the female of this species, as is the case for this specimen, is often larger than the male. They are also more brightly coloured. This species feed on amphibians, small crustaceans, insects, small mammals and reptiles. They lie await perched on a tree located close to water and remain there watching until they see their prey. When they have located their prey, the Belted Kingfisher plunges its head into the water and catches its food. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Belted Kingfisher stands upon a wooden perch with a light brown paper tag attached to leg. This specimen has pale cream/white and slate grey/blueplumage. The head and back are coloured the blue-grey while the neck and stomach are cream/white. The bird has a black ring around its upper chest. The stomach has a chestnut brown band which identifies this particular specimen as female. The bill is long and pointed and the eyes and legs black. The bird is small and stocky with a large head and a square-tipped tail.95.a / Belted / Kingfisher / Catalogue page, 25 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, small birds, belted kingfisher, king fisher, female bird

This shaving set was used, mostly by men, to lather the face prior to shaving. Ornamental mugs such as this one were often given as presents. Today most men use electric shavers. This shaving set has no known local provenance and is kept for display purposes.This is a shaving set with a white china mug in the shape of a fish with a mouth where the excess water and lather are ejected and it has a handle in the shape of a fish’s tail. The top open section that contains room for the lather and water has white ornamentation around the outer section and has three holes inside for drainage. There is evidence of some gilt decoration around the mouth and eye of the fish and the open top section but this is now mostly rubbed away. The brush has a wooden handle with cotton braiding and hair (probably horsehair). The brush is a little worn. bathroom accessories, history of warrnambool

Document. South Nell Gwynne Gold Mining Company No Liability of Charing Cross, Bendigo. Dated 5th October 1938 now the prop. Of the within described estate by transfer registed on 16th Jan 1939 & numbered 1718022 Assistant Registrar of titles His Majesty the King to Central Nell Gwynne GMC N/L. Superseded by new lease. - Also included 1 copy of notice of application for a tailings licence + 2 attached pages including a rough plan of site. No 10983 Bendigo Vol 322 Fol 35596.McColl, Rankin & Stanistreetorganization, business, central nell gwynne, mccoll, rankin & stanistreet, central nell gwynne, gold mining, lease, south nell gwynne, notice of application for tailings lilcence

'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here a whole dried and salted fish (a yellow tail, to be exact) has been wrapped in a sheath of straw and wound with a continuous length of straw rope. The effect is attractively rustic, and the tightly wound rope makes a pleasing pattern. When the fish is to be eaten, it is necessary only to unwind the rope part of the way, slice off as much as is needed, and then close the package by rewinding. This rope-wound yellowtail, makiburi, as the Japanese call it, is a well-known product from the city of Kanazawa, Ishikawa Prefecture, in the Sea of Japan. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

A wooden, oval racquet with a solid convex throat, cloth tape supports, and fish-tail handle. Inscription across crown on obverse: THE DEMON. Model trademark is stamped on throat on obverse, featuring a horned demon's head device, with the text: THE/DEMON. Manufacturer's mark stamped across throat on reverse, comprises of a hexagram with the text: BEST IS BEST/S&S/L/THRO' THE WORLD. Inscription along left side of handle: MADE IN ENGLAND. Materials: Wood, Gut, Metal, Glue, Lacquer, Cloth tapetennis

BHS CollectionBlue coloured document, trifold. Self Guided Tour No. 7 of Chinese Section, White Hills Cemetery, Friends of the Bendigo Cemeteries 2-001 - 2002. Theme 'A hundred years after Federation' Map with numbered grave sites, with descriptions e.g. Louey Ah Pon, passenger involved in a fatal car accident with a bus on High St., a market gardener of Golden Square. Chung Fook Jao, committed suicide in his hut on the New Chum Mine site where he had worked the tailing for many years.Friends of the Bendigo Cemeteries 2000bendigo, cemetery, white hills cemetery tour

St Kilda was declared a city on 2/12/1890 by the Governor of Victoria The Right Hon. John Adrian Louis Hope, the Earl of Hopetoun, GCMG (28/11/1889 - 12/07/1895). This event was commemorated 100 years later, on 2/12/1990, by the unveiling of a plaque by the current Governor Dr J. Davis McCaughey AC (18/02/1986 - 22/04/1992). Also in commemoration of the centenary, a conservatory in the St Kilda Botanical Gardens was opened that day by the Mayor, Cr. Melanie Eagle. Four years later, in 1994, the City of St Kilda was amalgamated with the cities of South Melbourne and Port Melbourne to form the City of Port Phillip.Colour photographst kilda, st kilda town hall, governor davis mccaughey, st kilda city centenary, 1990, john callanan, j davis mccaughey, melanie eagle

The Phoebus is a fibreglass composite sailplane that was designed by H. Nagele, R. Linder and R. Eppler in the early 1960s for competition flying. It is a derivative from the Akaflieg Stuttart Phonix which was the first sailplane to be built of fibreglass. The first Phoebus, a Standard Class design with a 15 metre wingspan, flew in 1964. The Phoebus C is the open class version of the type that was introduced in 1967. It has a 17 metre wing span, retractable wheel and tail brake parachute. Several hundred Phoebus sailplanes (all versions) were made by the manufacturer Bolkow at Ottobrun in Germany before production ended in 1970. The Museum’s Phoebus C, serial number 866, was built in 1969. It was donated to the Museum by Ian Cohn in 2008. Early fibreglass design that was manufactured in numbers. The Phoebus is a modern looking single seat glass fibre sailplane with a ‘T’ tailplane. It is finished in white with light red detailing including thin red stripe on wings and some red striping on fuselage sides from nose to underneath wings.Serial number 866 on plate affixed inside cockpit – registration VH-GSW which has been painted on the sides of the fuselage rear of the wings. A Freistaat Bayern crest has been applied to each side of the vertical stabilizer. australian gliding, glider, sailplane, bolkow, phoebus, cohn, nagele, linder, eppler

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951

The Dead Man's Penny is a commenorative medallion presented to next of kin of men and women who died during \world War One.The Bronze medallion features an image of Lady Britannia surrounded by two dolphins (representing Britain's sea power) and a lion (representing Britain) standing over a defeated eagle (symbolising Germany). Around the outer edge are the words 'He died for freedom and honour'. Next to Lady Britannia is the deceased Soldier's name, with no rank provided to show equality in their sacrifice. The Dead Man's Penny was accompanied by a letter from King George V, stating 'I join with my grateful people in sending you this memorial of a brave life given for others in the Great War'.William Hendric 3373 Enlisted 3/8/1915 Embarked ex-Brisbane on H.M.A.T "Sea Bas" 4th Pioneer Battalion A.I.F. Born 1994 Died 1st April 1918 Foster Mother: Mrs J Charlesworth, Creswick. (Cabbage Tree)The Bronze Medallion Features an image of Lady Britania surrounded by two dolphinsInscribed William Hendricww1, creswick, hendric, 4th pioneer battalion a.i.f

7126-1: Lelie Bennett, Mayoress Anne gardiner. 7126-1A: Betty rouch, Jen Coote. 7126-1B: John & Mrs Grey. 7126-1C: Sandra Horne, Jeane Skurrie. 7126-1D: June Radford, Jeanne Skurrie. 7126-1E: Shane Wegener, COral Eagles, Tracy Wegener, 7126-1F: Rae Smith,. 7126-1G: Sandra Horne & Daughter, Jen Radford (Back). 7126-1H: Shane wegener, Gail Wood (Libraian) 7126-1I: Don Gardiner, Elenor Musumeci. 7126-1J Beryle Cox, Rae Smith looking at the Slorach Family Tree. 7126-1K: Beryl Cox, Doug Hately (President), Rae Smith.43 Colour Photographs. Showing various peole at the 10 year celebrations.biarri

This raker/jointer/guage set is a sharpening tool for cross cut logging saws. The logging saws used in the early 1900's for the clearing of forests required constant sharpening of their "cutting teeth". The logging of forested areas during these times was very much a "hands on" method of either one or two men by the use of saw or hand axe. Chain saws, chain and ball(clearing) and bulldozing methods came in the mid 1900's.This particular saw sharpening method was used by surveyors laying down boundaries for the S.E.C. Victoria Hydro Electricity Scheme (1920's). This item was given to a local Kiewa Valley lad who accompanied the initial surveyors. The lad was responsible for the tendering and feeding of the surveyors "pack horses". Surveys during this period and in the dense mountainous terrain of the Victorian Alps was both exhausting and hazardous. Overnight accommodation at various log cabins was not always possible and swag/tent alternative was the "fall back" This raker/jointer saw sharpener was made in the USA (DISSTON) from cast and flat iron. The main body has been painted in orange. It has three adjustment screws on the top horizontal bar and one bolt on(adjusting) leveling platform on the bottom. The small size and weight of this saw sharpener was ideal for the travelling/mobile logger or surveyor(as in this case). The main frame resembles two towers connected by two horizontal bars and the top of the towers has a horizontal bar with adjustment screws. See KVHS 0090 (B) for setting stake wedge adjusting the rake and cutting angle and KVHS 0090 (C) for a small spanner (for adjustments).On one inner supports is stamped "DISSTON" and on the other "U.S.A."hand tool, saw, sharpening method, tree felling.

A Wright & Ditson 'Comet' model tennis racquet. Plastic reinforcements and painted moulded wood on shoulders. Plastic reinforcement around base of throat. Throat wedge painted burgundy. Model name and comet logo printed across throat on obverse and reverse. Manufacturer's trademark/logo features on shaft on obverse and reverse. Handle has spiral-wrapped leather grip and leather end wrap and butt cloth. Butt cloth printed with maker name and care instructions. Manufacturer name and country of origin printed on right side of shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Paint, Nylon, String, Plastictennis