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Stawell Historical Society Inc
Archive, North Western Woollen Mills Certificates Premiers Award. Hon J.E. Kirner M.P. Premier of Victoria 1991, 1991
North Western Woollen Mills became Norwellan Textiles then AUNDENorwellanstawell, manufacturing -
Beechworth Honey Archive
Hand-Drawn Map Centred on Armstrong by Frank Lebbell Frost Dec 1916
This is one of the maps drawn by Frank L. Frost while he was beekeeping in North-East Victoria. This particular map may be reference in the "Wooden" Diary on page 11.Hand-drawn map centred on Armstrong, a town 6 miles from Ararat. Details vegetation along Great Western Highway. Drawn with black pen and grey lead on paper. Features are marked in red.hand drawn, hand-drawn, map, armstrong, ararat, frost, beekeeper, beechworth honey -
Melbourne's Living Museum of the West
Booklet, Melbourne's Living Museum of the West, Meat and By-Products, 1993
The meat industry and animal by-product works of Melbourne's West, in the series "Interpreting the Cultural Landscape", with the assistance of the Department of Planning and Development, VictoriaThe Australian Meat Preserving Company was established on the banks of the Maribyrnong River in 1870 on the site of boiling works dating from the 1840s.32 page booklet, A5, Cover illustration of Raleigh's boiling down works on the Maribyrnong River, from water-colour by Greeves C. 1850s Title: Meat and By-Products Author: Gary Vines Melbourne's Living Museum of the West Inc.western suburbs, meat industry -
National Wool Museum
Brand, 1930
Used to brand all sheep coming into Victoria from interstate to be sold. Made by the carpenter at Strachans around the year 1930 when it was compulsory for all sheep purchased at sales for interstate destinations to be branded with the letter V. The brand and fluid for many many miles travelled to sheep sales in the Western District where Strachans operated (from donation form).Wooden brand in the shape of a 'V'.V -
National Wool Museum
Book, Geo. Hague and Co. Wool Catalogues 1917-18
"Geo. Hague and Co. Wool Catalogues 1917-18". Wool appraisement catalogues produced by the brokers George Hague and Co. and containing lists of wool for sale in 1917-18 in Geelong with types, bale brands, quantities, prices, clients etc. This catalogue was saved by Laurie Conolan (Museum Victoria) and came from the Elder's warehouse on Western Beach which was demolished during 1986.Geo. Hague and Co. Wool Catalogues 1917-18GEO. HAGUE & CO. / WOOL CATALOGUES / 1917-18 / L.N.H.wool brokering, wool bale descriptions, wool sales, george hague and co. pty ltd -
National Wool Museum
Archive - Soroptimist Project Quilt 2000 Brochure, Soroptimist International, 2000
Brochure to accompany the Soroptimist Quilt Project 2000. The quilt was made by members of seventeen Soroptimist International clubs across Victoria to celebrate the Year 2000. The quilt squares illustrate some of the projects initiated, funded and supported by Victorian Soroptimists as well as illustrations of broader affiliations and responsibilities, including to the UN. Examples include the S.I.A.M. (Soroptimist International Aids Mediation) project by SI Berwick in Northern Thai villages which established industries and health programs for women and girls as viable alternatives to the sex industry. Revegetation of woodlands, wetlands and cleared land by SI Deakin. Donation of toiletries to women's shelters, police lock ups and church emergency centres in the western suburbs of Melbourne by SI Cut Paw Paw. Founded in 1921, Soroptimist International is a global volunteer movement with a network of around 72,000 club members in 121 countries. Advocating for human rights and gender equality, at the heart of Soroptimist International’s advocacy is its work across seven UN Centres, where UN representatives ensure that the voices of women and girls are heard. Memberships work on grassroots projects that help women and girls achieve their individual and collective potential, realise aspirations and have an equal voice in communities worldwide. It has a flourishing Club in Geelong. The quilt has been displayed in Soroptimist Headquarters Victoria at 383 Toorak Road, South Yarra (Soroptimist House) since touring the State of Victoria in 2000. Soroptimist House has been sold with the funds raised to go to furthering the objects of Soroptimism.A3 sized folded brochure printed in blue and white depicting images and text relating to squares of the Soroptimist Project Quilt 2000.front: [printed] SOROPTIMIST / INTERNATIONAL / Soroptimist International / SOROPTIMIST / PROJECT QUILT - 2000 / To celebrate the Year 2000, members of the / seventeen Victorian Soroptimist Clubs have / worked together to produce this quilt. The / quilt squares illustrate some of the projects / which have been initiated, funded and / supported by Victorian Soroptimist / members as well as illustrations of our / broader affiliations and responsibilities.quilt, women, soroptimist, victoria, community, clubs, human rights, gender equality, united nations -
National Wool Museum
Textile - Soroptimist Project Quilt, Soroptimist International, 2000
The quilt was made by members of seventeen Soroptimist International clubs across Victoria to celebrate the Year 2000. The quilt squares illustrate some of the projects initiated, funded and supported by Victorian Soroptimists as well as illustrations of broader affiliations and responsibilities, including to the UN. Examples include the S.I.A.M. (Soroptimist International Aids Mediation) project by SI Berwick in Northern Thai villages which established industries and health programs for women and girls as viable alternatives to the sex industry. Revegetation of woodlands, wetlands and cleared land by SI Deakin. Donation of toiletries to women's shelters, police lock ups and church emergency centres in the western suburbs of Melbourne by SI Cut Paw Paw. Founded in 1921, Soroptimist International is a global volunteer movement with a network of around 72,000 club members in 121 countries. Advocating for human rights and gender equality, at the heart of Soroptimist International’s advocacy is its work across seven UN Centres, where UN representatives ensure that the voices of women and girls are heard. Memberships work on grassroots projects that help women and girls achieve their individual and collective potential, realise aspirations and have an equal voice in communities worldwide. It has a flourishing Club in Geelong. The quilt was displayed from 2001 until 2023 in Soroptimist Headquarters Victoria at 383 Toorak Road, South Yarra (Soroptimist House) since touring the State of Victoria in 2000. Soroptimist House has been sold with the funds raised to go to furthering the objectives of Soroptimism.Cream patchwork quilt with 31 squares depicting various scenes and motifs. The Soroptimist logo features in the bottom right corner.quilt, women, soroptimist, victoria, community, clubs, human rights, gender equality, united nations -
Federation University Art Collection
Ceramic - Platter, 'Platter No 131' by Milton Moon OA, 1979
Milton Moon (1926-2019) Born Melbourne, Victoria Milton Moon attended the Central Technical College, Brisbane where he studied painting and drawing. In 1950 he undertook study in Ceramics with Harry Menmott and Mervyn Feeney at the Sandison Pottery, Brisbane. He lectured in Ceramics at Central Technical College, Brisbane, and he was awarded a Churchill a Fellowship in 1966. In 1974 he travelled and worked in Japan for a year, and established a workshop at Summertown in the Adelaide Hills. In 1984 Milton Moon was awarded the Order of Australia Medal for his services to ceramics. Milton Moon died in 2019. At the time of his death his website included the following:- "In this, my 'ninety second year,' over sixty of which I have been a potter, I remain concerned, if a little obsessed, with the challenge of making pots, which although belonging to a ceramic tradition of some eight thousand years or more, are undeniably and uniquely Australian. With all my changes of expression this has remained constant. The initial creative inspirations were drawn from the beauty of the coastal areas of Eastern Australia and from the mountain areas of the Great Dividing Range which stretch from North Queensland to the extreme South of Victoria. But the most lasting inspiration has come from the inland of Australia, more particularly from the Gammon and Flinders Ranges and from the Olary Uplands of South Australia, and more recently the Pilbara and Kimberley areas of Western Australia, where rock engravings place them as being amongst the oldest marks left by human-kind anywhere in the world. All parts of Australia are full of an ancient history stretching back through time and which today, despite white settlement, somehow still survives in legend and ritual. If it is the case that these legends do now only exist, in some muted half-life there is still the sense that they remain as a very powerful 'spirit-presence.' It is impossible to ignore the feeling that this country remains inhabited by the past. For me it is also impossible not to creatively respond to the echoes of the past, even if only through the somewhat vague process of inspiration and distillation. To understand this spirit, even a little, is a privilege but to try an express it is a compelling endeavour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large ceramic platter, framed for display on wall.art, artwork, milton moon, ceramics -
Federation University Art Collection
Painting - Artwork, Trudi Harley, 'Fallen' by Trudi Harley, 2009
Trudi HARLEY Born Korumburra, Victoria Born in country Victoria Trudi Harley graduated with a Bachelor of Education (Art and Craft) at Victoria College, Burwood. After teaching for 10 years in both Government and Independent schools in Melbourne she worked as a Sales Executive and Art Educator for Cavalier Art Supplies for 16 years. Recently Trudi Harley completed a Bachelor of Arts (Visual Arts) (Honours) with Distinction between 2008 – 2009, and a Master of Arts (Research), Visual Art between 2010 – 2012 at the University of Ballarat (now Federation University). Maintaining an artistic practice while in a business partnership Trudi Harley owns and runs Atelier Art Supplies in Williamstown, Victoria, which is a major supporter of the arts in the western suburbs of Melbourne/ This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artist's Statement: As an artist am continually drawn to ‘what makes us who we are’ and as a result the work, whatever it may be, is a reflection on what makes me who I am. In this I refer to perception, experience and memory as aspects that contribute to our sense of reality. By using these references I intend to engage the audience and develop a sense of connection and community through the visual image. ‘Fallen’ was not necessarily a reflection on my own life but of life in general as I recall at the time I had a family member who was struggling to cope with their own reality. I can also recall at the time reflecting on the adage ‘walk a mile in my shoes’ and the pressures we all face in life. Added to this were my own influences of upbringing, I have always been particularly drawn to fabrics and patterns as my mother was/is (getting a little old now) a seamstress and my father was a bit of a ‘perfectionist’. During my honours study I came across the term ‘Esperpento’ which included such visual elements as exaggeration and unusual viewpoints. Fallen was a comment on the psychology associated with expectations in life, or more importantly those expectations placed on offspring by their parents. This painting reflected the consequences of not living up to those expectations. It is unfortunate that in life, by the time you get to the point of realising that you have the opportunity to set your own standards, that you’ve probably embodied a great many set of values by osmosis and that you’ve now claimed them as your own. The view is from above to dramatize the subject, the figure placed compositionally in the top right hand corner to open up the picture plane and allow for the narrative to continue outside the visual area of the canvas. It was also in this painting that I rubbed back some of the darker oil paint to allow the lighter underpainting to show through.art, artwork, trudi harley, harley, carpet, portrait, self-portrait, alumni -
Port Fairy Historical Society Museum and Archives
Award - cigar case, c. 1901
... . On February 1908 he resigned as a JP for the Western Bailiwick ...On 30th August 1901 The Chronicle, an Adelaide newspaper, announced that J.W.Hosking was leaving Terowie to establish a business in Port Fairy. He had lived in Terowie for 25 years and had been chairman of the District Council, a member of the school board and a Justice of the Peace. He was also a keen supporter of the cricket and other sporting teams. On leaving Treowie he was presented with a Gladstone bag and an illuminated address signed by 47 residents. Hosking had a wife and daughter and it was reported that with his brother, he had bought the drapery and furnishing business of W.T.Hattam in Port Fairy. Trading as G.E.Hosking &Co., the brothers already had branches in N.S.W. South Australia and Western Australia. By 1905 J.W.Hosking was President of the Port Fairy Hospital and, although in July of that year he announced that he was resigning because of pressure of business, he was obviously persuaded to stay on. Indeed, he remained President until 1907. In September 1907, the brothers were bought out by D.E.MacLellan, late of MacLellan & Craig of Mount Gambier. So when the silver cigar/cigarette case was presented to Hosking, he was not only ceasing to be President of the Hospital but was almost certainly leaving the town. On February 1908 he resigned as a JP for the Western Bailiwick of the State of Victoria.Typical of the type of item given to express gratitude for voluntary work especially in positions such as Presidents and Secretaries.silver cigar case, chased hall marked, interior gold washto J W Hosking Esq/ from the Committee/Port Fairy Hospital/14/11/07civic mementoes, presentations, hospital, hosking, g.e.hosking&co, port fairy, president, jp, western bailiwick, state of victoria, demaclellan, wthattam -
University of Melbourne, Burnley Campus Archives
Certificate, Declaration Forms, After 1961
department of agriculture victoria, plant declaration forms -
Falls Creek Historical Society
Journal - Schuss Vol. 19. No. 2 March - April 1953
Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski industry in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Cover - Features a photo by H.Gibbs titled "Western Cliffs of Mt. Bogong" Page 65 - BOB HYMANS reported news of Falls Creek. At his own Ski School, notable improvements to accommodation have been made and additions to the building itself, which will make it very much more comfortable and serviceable to visitors. Water supply and heating are amongst the items in hand. Bob has acquired a Land Rover which will be a power of assistance to him in maintaining fresh supplies and in servicing his project generally. Kiewa Valley Ski Club members are making splendid progress with the erection of their Lodge. This is the latest building addition in that area and raises the number of clubs resident there to nine. Nissen Ski Tow members intend to operate their tow on the upper slopes of Falls Creek every day during the coming season that conditions permit. They are to be warmly commended on their enterprise. Page 65 - Advertisement for Bob Hymans' Ski School and Lodgeschuss journal, bob hymans, kiewa valley ski club, nissen tow -
The Mrs Aeneas Gunn Memorial Library
Book, Oxford University Press, The Hentys : an Australian colonial tapestry, 1955
... family, early settlers in Western Victoria. Index, bib, ill, maps ...A history of the Henty family, early settlers in Western Victoria.Index, bib, ill, maps, p.578.non-fictionA history of the Henty family, early settlers in Western Victoria.victoria - history - 1834-1851, henty family - history -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Suburban Allotments (west of) Ballaarat, Wendouree or Yuille's Swamp, County of Grenville 30/4/1856, 30/4/1856. No date given for photocopy
This map of the 1856 survey shows the numbered suburban allotments and the boundaries surrounding this area including Wendouree or Yuilles's Swamp close to where the Ballarat Botanical Gardens and the Lake exist today. This map gives a clear idea of an early survey of this western area and directions to areas of Ballarat surrounding these allotments.2 pages of the same map, except p.2 shows the Township Reserve on the lefthand side of the page. On the back of p.2, righthand corner is the Public Records Stamp.P2, righthand corner is the citation in pencil.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, map of western suburban allotments 1856, county of grenville, public record office of victoria, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - William Cross Yuille (28/3/1819 - 19/7/1894), Life, Work and Legacy, 20/11/2011
The Black Swamp in western Ballarat frequently ca to be called Yuille's Swamp and in time, Lake Wendouree.William Yuille had a station, south of the Swamp, which became part of the gold rush settlement of Ballarat in 1838.2 pages of printNonejohn garner, doctor john garner, lake wendouree, yuille's swamp, black swamp, ballarat botanic gardens, friends of ballarat botanical gardens, william cross yuille, grazier, explorer, pioneer, scot, horse trainer, victoria racing club, squatter, gardens, ballarat, john garner collection -
Ballarat Diocesan Historical Commission
Irish Belleek porcelain ware, Breakfast set, c. 1930s
... porcelain breakfast set within Western Victoria. Belleek, porcelain ...This breakfast set consists of various pieces and was owned by Bishop Daniel Foley and has his personal Coat of Arms printed upon each piece. Bishop Daniel Foley was Bishop of Ballarat from 1916 to 1942 and was cousin to Daniel Mannix Archbishop of Melbourne.This is the only known Belleek crested porcelain breakfast set within Western Victoria.Belleek Breakfast set with Bishop Daniel Foley crest c. 1930. Consists of tea and coffee set and 5 egg cups.glazed transfer ware with printed crest. Stamped 3rd black markbelleek, porcelain, crested china, daniel foley -
Carlton Football Club
Scrap Book, Dedicated to Carlton Player John Goold
... his fashion label and took up farming at Mortlake in western ...John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book -
Melton City Libraries
Newspaper, Get the good oil here…, 2001
"A court was established in Melton by 1864, when the first recorded case was heard before Mr BA Porter JP, with Mr A Carroll as the Clerk of Courts. John James was convicted of being drunk, for which he was fined five shillings or 24 hours imprisonment. The court was held in the ‘long room’ of the old Melton Hotel, before moving to rented accommodation at the Raglan Hotel, and finally to the Roads Board office. Tenders for construction of the present building were called for by the Public Works Department on 13th February 1892. The architect Samuel Edward Brindley was born in Birmingham, England, in 1842. He was articled to the local architect, J.R. Botham, FRIBA, before emigrating to Victoria where he was employed as an architect in the Education Department from 18 August 1873. With the amalgamation of the architectural branch of the Education Department with the Public Works Department in 1884, Bindley was placed in charge of Victorian government building design for the North-Western District. In 1975, the Melton and District Historical Society became concerned at hearsay that the court house was to be demolished to make way for carparking space. Melton had been declared a ‘satellite city’ and was developing rapidly. A new shopping centre had recently been built at a setback of 60 feet (c.18 metre) from 323-329 High Street, and the court house, together with the adjacent weatherboard police station, had been left standing alone. A new police station was planned, and the weatherboard police station was subsequently demolished. In its nomination of the building for National Trust classification the Society argued that the Court House was ‘the best of two early buildings left in the main street’ (the other being a bluestone hotel) and that its loss would be ‘tragic’. However the nomination was unsuccessful, the National Trust at the time judging that it was of no particular ‘distinction’ or ‘antiquity’. The building continued to be used as a court house at least until 1991 when the Department of Housing and Construction (formerly the PWD) conducted a heritage study of court houses. By this time Federation-era architecture had achieved acceptance within the heritage movement. The building was recognised as being ‘the only surviving example in brick of the Federation Queen Anne style which was used for court houses only twice.’ Twenty years later when it was proposed to modify the eastern façade of the building to accommodate a café, the M&DHS was again concerned. This time the National Trust objected that the proposed extension would be an over-development of the site, and questioned the changes to the interior court room furnishings and fittings. The site never appears to have been nominated to the Victorian Heritage Register. It has since been converted into the Shire of Melton Tourist Information Centre". Opening of the Visitor Centre in Meltoncouncil, local architecture -
Tarnagulla History Archive
Photograph: Winder gear on rehabilitated Victoria Shaft, Poverty Reef, Tarnagulla, 1999
Shaft originally sunk in 1863. David Gordon Collection. Colour photograph depicting winder gear for the Victoria Shaft on Poverty Reef, Tarnagulla in 1999 after the shaft was rehabilitated by Western Mining Corp. mining -
Tarnagulla History Archive
Photograph: Winder gear on rehabilitated Victoria Shaft, Poverty Reef, Tarnagulla, 1999
Shaft originally sunk in 1863. David Gordon Collection. Colour photograph depicting winder gear for the Victoria Shaft on Poverty Reef, Tarnagulla in 1999 after the shaft was rehabilitated by Western Mining Corp. mining -
Falls Creek Historical Society
Document - Pictures and Facts - "How Do You Ride A Pomalift?"
The International Poma at Falls Creek is a 1,219 metre long Pomalift. Pomalifts are named after their inventor, Polish born French manufacturer Jean Pomagalski. The first poma at Falls Creek was called the International because it serviced the area where a F.I.S. (Fédération Internationale de Ski) international race was held in 1960. It was built over the 1968-69 summer and was ready to operate in 1969, but due to a poor snow season, the 'Inter' didn't open to the public until 1970. The author of this article, Wolfgang Lert, was a pioneer of the ski industry in the USA. He was also editor of Western Skiing, forerunner to Ski Magazine, and a founding member of the International Skiing History Association. The company name on the back of this article is Dulmison (Aust) Pty Ltd. This company was founded in c1961 and played an integral role in development of solutions for power supply problems for the Kosciusko State Park Trust and other ski fields.This article is significant because it outlines procedures for the use of an iconic chairlift used on ski fields throughout the world, including the International Poma at Falls Creek, Victoria. A two page article with images explaining how to use a Pomalift, a new addition to the ski fields in Australia.On bottom Page 2: MADE IN AUSTRALIA UNDER LICENCE BY:- DULMISON (AUSTRALIA0 PTY. LIMITEDpoma ski lifts, international poma falls creek -
Bacchus Marsh & District Historical Society
Certificate, Australasian Federal Referendum July 1899
William Grant Junior was President of the Shire of Bacchus Marsh in 1901 when the Australian Colonies federated to become a federal nation state. Grant was a member of a prominent local family and was active in public affairs throughout his life. The federation of the Australian Colonies was a turning point in Australian history and as such its achievement was celebrated in a range of ways. A major step towards achieving Federation was the referendum of July 1899 which saw five of the six Australian colonies vote in favor of Federation, with Western Australia later voting in favor in 1900.Printed poster sized document certifying that William Grant of Bacchus Marsh voted in a referendum of Victorian electors on 27th the July 1899 on the question of an Australian Federal Constitution. The body of the certificate text is surrounded on three sides by captioned photographic portraits of the Premiers of the six Australian Colonies. A British coat of arms is at the top of the certificate and at the bottom is an image of Parliament House in Melbourne, which includes a Dome, which was a projected feature of the building which was never actually added to the Victorian Parliament building.Across the top of the certificate: 'Australasian Federal Referendum July 1899'. In the centre: 'This is to certify that the question of an Australian Federal Constitution was submitted to the Electors of Victoria on the 27th day of July 1899 and that out of a Poll of 103,783 votes 152,653 were cast in favor of such Australasian Federal Constitution and further that William Grant, voted at the said election'. Signed, [George Turner], Premier. At bottom: 'Robt. S. Brian, Government Printer, Melbourne'.william grant 1850-1924, federation (1901), referendums, illuminated certificates -
Melbourne Legacy
Photograph, Legacy 50th Anniversary Event at the Shrine, 1973
Photos of a ceremony and wreath laying at the Shrine of Remembrance in Melbourne. It was part of the Golden Jubilee 50 year celebrations in 1973. (see also 00479). It is the same event when an Olive Tree of Peace was planted in the western lawn of the Shrine (see 00441 and 00442). The photo shows President of Legacy in 1973, Legatee Geoff Handbury placing a wreath on the Cenotaph. Photos came from an envelope marked P1 Federal Conference 1973 / 50 Year anniversary.A record of a ceremony to mark the 50th year of Legacy.Black and white photo of a service at the Shrine for the 50th Anniversary.All stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge Michael Cheshire" in grey ink.golden jubilee, conference, wreath laying ceremony -
Melbourne Legacy
Photograph, Legacy 50th Anniversary Event at the Shrine, 1973
Photos of a march, ceremony and wreath laying at the Shrine of Remembrance in Melbourne. It was part of the Golden Jubilee 50 year celebrations in 1973. (see also 00479). It is the same event when an Olive Tree of Peace was planted in the western lawn of the Shrine (see 00441 and 00442). The photos show a group of Legatees marching towards the Shrine behind a military band. Photos came from an envelope marked P1 Federal Conference 1973 / 50 Year anniversary.A record of a ceremony to mark the 50th year of Legacy.Black and white photo of a march to the Shrine for the 50th Anniversary.All stamped "This Photograph is the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge Michael Cheshire" in grey ink.golden jubilee, conference, wreath laying ceremony -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Book - The History of the Victorian Scottish Regiment and the 5th Infantry Battalion, Esprit De Corps
The Book includes an account of the 5th Battalion at Gallipoli and the Western Front in WWI, the inter-war years, and the 2/5th Battalion in WWII in Libya, Greece, Syria and New Guinea. Includes Roll of Honour for both World Wars and Honours and Awards.429 pages book of The History of the Victorian (1988) By Brigadier F.W. SpeedHard Cover with Dust Jacket5/6 rvr, 5th battalion, 2/5th ballalion, bhq, book -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Weapon - Bayonet, M1898/O5s sawback "Butcher" bayonet
Used in WW1 by German soldiers, primarily pioneer troops and NCOs. Often had their teeth removed due to negative conotations associated with allied propaganda. Many German soldiers were advised not to use the sawback bayonet as they believed that if caught with it they could be summarily executed Know as a saw back bayonet or a butchers knifeDark steel bayonet with substantial 37 cm (15 in) blade. Woodne grips are missing and steel on grop is significantly rusted. Saw back edge with 2 rows of 29 teeth, The quilion bends down toward the hanle Unlike many other bayontes this bayonet does not have a muzzel ring it instead has a long t shaped gove in the handle, Mauser avoided one since these altered the vibration harmonics of the barrel when fired, affecting accuracy. All the bayonets featured quillons that curved back towards the hilt. These were much less effective at catching the opposing blade than the forward-swept quillons used by some other nations. A small number of pioneers and certain non-commissioned officers of the German Army were issued a bayonet with a sawback edge, known as the S or m.S. ("mit Säge", with saw). Many such bayonets had their teeth ground down in response to negative Allied propaganda. There is a heavily rusted, all steel scabbardWAFFENFABRIK MAUSER A.G OBERNDORF a.N5/6 rvr, bayonet, ww1, german, western front -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Magazine - Framed Magazine Cover, Anzac Bulletin No. 68 (New Issue). London, April 26, 1918, April 26 1918
Issued to Members of the Australian Military and Naval Forces in Great Britain, France, and elsewhere; by the Authority of the High Commissioner for Australia.Framed copy of the April 26 1918 issue of the Anzac Bulletin. There is a large square picture of a machine gun post on the Western Front. Surrounding this picture is a thin black border with silhouetted kangaroos and emus and a banner with the stars from the Australian flag. A rising sun hat badge is located at the top centre of the light brown page.ww1, wark vc club, print media, anzac bulletin -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Reproduction, framed, The Menin Gate at Midnight
'Menin Gate at midnight' was painted by Will Longstaff to commemorate those soldiers with no marked graves on the Western Front during the First World War; also known as 'Ghosts of Menin Gate'. Longstaff attended a ceremony dedicating the Menin Gate memorial to the soldiers of the British empire forces, just outside the town of Ypres, Belgium, on 24 July 1927. The memorial was dedicated to the 350,000 men of the British and Empire forces who had died in battles around Ypres, and bears the names of 55,000 men with no known grave, over 6,000 of whom were Australians. Longstaff was profoundly moved by what he witnessed and that night, unable to sleep, Longstaff returned to Menin Road and later claimed to have had a vision of spirits of the dead rising out of the soil around him. On returning to his studio in London he painted 'Menin Gate at midnight' in a single session. Today 'Menin Gate at midnight' has achieved the status of a national icon. The painting retains its ability to provoke an emotional response and to communicate the scale of the loss of life and the devastation of war. However as people now have a very different understanding of war, the painting serves a slightly different function. Whereas in the past people responded to the painting as it related to the loss of a loved one and their own personal grief, now the painting communicates the loss experienced by a whole generation. The vast number of those who were killed, and the immensity of the damage wrought during the First World War, requires that those who sacrificed their lives should not be forgotten. Longstaff used well-known motifs to trigger emotion. His scarlet poppies are flowers that could be found in the Flanders fields, but they also carry the traditional connotations of shed blood and remembrance; they represent a floral blanket covering the bloodied bodies of unknown soldiers; at the same time, like the paper poppies worn on Remembrance Day, they are a tribute from the living to the dead. The portrayal of the steel-helmeted soldiers rising from the cornfields extends the range of visual emblems used by Longstaff: the plentiful harvest; the harvest of men; the steel-helmeted crosses covering the graves of many soldiers; and the helmeted bayonets raised in cheer and victory.ww1, menin gate, wark vc club -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Photograph - Photograph of soldiers of 2/6th Battalion on exercise in 1943
A photograph 2/6th Battalion soldiers on exercise. The explanation text stating "A Bren carrier from the 2/6th Battalion comes ashore during beach landing exercises at point Walter, Western Australia, 6th February 1943." -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - 28th battalion plaque
28th Battalion, the Royal Western Australian Regiment plaque. The unit symbol is fixed onto the centre of the wood plaque. The metal plate contains texts "In appreciation from Frank Taylor Present 28th (The Swan Regiment) Association"