Showing 2870 items matching "wire-cutters"
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Tatura Irrigation & Wartime Camps Museum
Booklet, Brennessel - No 7, 16 November 1941
Produced fortnightly by internees at camp 1, Tatura as a newspaper or periodical of camp 1 events. Contributions from internees. Title translates as "Stinging Nettle" with "Behind Barbed Wire" written below that title.No 7 16.Nov.41. Booklet of loose leaves with sketch on front cover of sketch of two men, seated, one operating printing machine in the editing room at the camp. Contains typed articles, advertisements, sketches, written in German. 12 pages.brennessel, stinging nettle, behind barbed wire, internment camp newspapers -
Tatura Irrigation & Wartime Camps Museum
Booklet, Brennessel - No 13, 19 March 1942
Produced fortnightly by internees at camp 1, Tatura as a newspaper or periodical of camp 1 events. Contributions from internees. Title translates as "Stinging Nettle" with "Behind Barbed Wire" written below that title.No 13 19.Marz.42. Booklet of loose leaves with sketch on front cover of sketch of man walking across a room with a bird in each hand, cuckoo clock on wall. Contains typed articles, advertisements, sketches, written in German. 12 pages.brennessel, stinging nettle, behind barbed wire, internment camp newspapers -
Tatura Irrigation & Wartime Camps Museum
Booklet, Brennessel - No 5, 2 November 1941
Produced fortnightly by internees at camp 1, Tatura as a newspaper or periodical of camp 1 events. Contributions from internees. Title translates as "Stinging Nettle" with "Behind Barbed Wire" written below that title.No 5 2.Nov.41. Booklet of loose leaves with sketch on front cover of highlights from camp 1 in caricature style. Contains typed articles, advertisements, sketches written in German. 12 pages.brennessel, stinging nettle, behind barbed wire, internment camp newspapers -
Tatura Irrigation & Wartime Camps Museum
Booklet, Brennessel - No 5, 24 December 1941
Produced fortnightly by internees at camp 1, Tatura as a newspaper or periodical of camp 1 events. Contributions from internees. Title translates as "Stinging Nettle" with "Behind Barbed Wire" written below that title.No 12 24 Dec.41. Booklet of loose leaves with sketch on front cover features black and white sketches of large gum tree and camp hut. Contains typed articles, advertisements, sketches written in German. 12 pages.brennessel, stinging nettle, behind barbed wire, internment camp newspapers -
Tatura Irrigation & Wartime Camps Museum
Photograph, Dhurringile, C. 1940
Imposing brick mansion with tower, built by James Winter 1877 .Photo shows enclosed barbed wire internment camp 1939/ POW camp for German officers and other ranks 1941 - 1945Brick two story mansion, with water tower on stand in foreground. -
Torquay and District Historical Society
Copy photo, Torquay History Exhibition 2016, Produced for exhibition 2016
Photo shows The Esplanade, Torquay circa 1920's before electricity poles and wires were erected to power the township but obstruct the uninterrupted view of the ocean now so prized by residents and visitors.An early record of the primitive township of Torquay.Black and white photo -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Tea cosy
The knitter was Vera Neale, 1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's jumper with cowl neck knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Cot cover
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Cream knitted cot cover made by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
Melbourne Tram Museum
Drawing - New Preston Depot layout - annotated, Yarra Trams, 2015
A drawing from Yarra Trams' in-house magazine, The Wire, No. 86, 4/6/2014, shows the layout of New Preston depot. Has been annotated by Norm Cross 1/1/2015.Yields information about the layout of the New Preston Depot and workshops.Drawing mounted onto a corrugated cardboard sheet with hand written annotations.trams, tramways, new preston depot, preston workshops, drawings -
University of Melbourne, Burnley Campus Archives
Plan, Site plan 48 Barnard Grove Kew, 1995-1998
(1) Set of drawings - Folio 1995 by Meghan Bate includes Preliminary Plan 48 Barnard Grove Kew dated 1.6.95. (2) Tracing paper Site Plan. Scale 1:100. Unnamed. (3) Photocopy of Preliminary Plan of 'Hill Residence 48 Barnard Grove Kew' by Joanna Cutter, p3 of 4, dated 01.06.1998. Scale 1:100.kew, joanna cutter, meghan bate -
Warrnambool and District Historical Society Inc.
Domestic object - Bean Slicer, Spong & Co, England, c.1920
This bean slicer was made about the 1920s by the British firm of Spong & Co. This firm was founded by James Osborn Spong in 1856 in London. James Spong invented over 100 labour-saving devices during his lifetime and his firm became well-known for its production of domestic labour-saving and safety devices, especially its grinding machine and its bean slicer. These domestic items were to be found in most households from the 1880s to the 1950s prior to the advent of electrical items that carried out similar labour-saving processes. This bean slicer is of interest as a reminder of the many labour -saving devices that were available to most women early in the 20th century, even those in the rural and more remote areas in AustraliaThis a heavy metal bean slicer with a circular piece with a rounded cut-out at the top for the insertion of the bean and an attached bolted handle with a wooden top. Attached to the circular top is a circular revolving piece with three cutters. Welded on to the top piece is a metal clamp with a large screw for attaching the slicer to a table or bench. The slicer is painted green and has the name of the manufacturer etched on the top piece.Spong & Co Ltd Made In England No 632 Bean Slicervintage bean slicers, spong & co london, vintage household items -
Whitehorse Historical Society Inc.
Clothing - Coat, 1967
Purchased by donor 1967Full length camel coloured suede coat. Trimmed with cream coloured lambs wool around sleeves, hem, neck and front edges. lined with taupe silk lining. Hand cut and craftsman made by Knight Taylors Ltd Invercargill New Zealand Knight Taylors Ltd Craftman guarantee individually craftsman cut from finest New Zealand pelts hand selected cutter Sylvia Johston crafted by Jean Doherty 2/4102 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Travis Jeffrey, late 1950's early 1960's
Black and white photograph of MMTB X2 675 at the Point Ormond terminus, late 1950's or early 1960's. Tram has destination of "Elsternwick Rly Stn". Driver/Conductor standing in doorway with cash bag. Pan in the trolley wire to assist drivers to locate the wire at night can be seen in the photograph. On Ilford paper. See Page 30 of Destination City, 5th Edition, advises that X2 675 withdrawn and stored in July 1961.Stamped on rear "Photo by C. Jeffrey Quote ....." in purple ink - words in triangular form.trams, tramways, point ormond, x2 class, mmtb, elsternwick, tram 675 -
Parks Victoria - Wilsons Promontory Lightstation
insulator & metal support
The ceramic insulators were used by the PMG to insulate telephone lines connecting to the lightstation accommodation. The installation of a single galvanised wire telegraph line in 1873 provided the lightstation with a vital link to the outside world via Morse code. In 1875, the Australasian Sketcher reported on the new facility, writing that ‘the lighthouse on the extreme point of the promontory is connected with Melbourne by a line of telegraph, and as a large number of vessels pass in sight of the lighthouse, useful information is gained respecting their movements’.The system was immobilised in 1885 when a thunderstorm caused some of the poles to explode and connection wires to fuse and turn into molten metal. During WWII the lighthouse line was upgraded to four copper wires, and in 1971 a radio link replaced the line. The lines required constant maintenance. Some poles remain along the length of the promontory’s Telegraph Track as reminders of this former communication link. Insulators can also be found in the collections at Cape Schanck; Cape Otway and Gabo Island. Comprises a white ceramic insulator attached to a rectangular metal plate. -
Halls Gap & Grampians Historical Society
Financial record - Invoice (B/W), 1933
Invoice for flex Wire and Pulley for school. Sent to Mrs. I. Warren, PO Box 30, Halls Gap. Paid on 22/5/33. Amount 2 12". See additional image for envelope.Invoice for work completed May 22, 1933 from Anthony & Co., Timber Merchants, Ironmongers, Grocers and Furniture Dealers sent to Halls Gap School Committee. original envelope.education, schools, halls gap -
Kiewa Valley Historical Society
Pendulum weight
The pendulum weight was used to define a vertical line. Being so large and heavy it was possibly used from a tower or a dam. It was held by one end of a wire and measured any tilt of the structure in any direction.Possibly used on the Kiewa Hydro Electric Scheme during the construction of the dam walls and Electric Powerline towers.Cone shiny brass pendulum weight with cylinder shape that i hollow at one end. The hollow is threaded inside. The part that fits the hollow end is missing.pendulum weight, measurement, kiewa hydro electric scheme -
Tatura Irrigation & Wartime Camps Museum
Booklet, Brennessel copy of No. 4, 26 October 1941
Original booklet produced fortnightly by internees at Camp 1, Tatura, as a newspaper or periodical of camp events. Contributions were from internees. Title translates as "Stinging Nettle" with "Barbed Wire" typed in German below.Copy of C7672, booklet, stapled. No 26 August 1941. Typed, in German, of articles, advertisements, sketches. Front cover features sketch of camp scene, two men seated, column of figures ascending to platform or stage. 11 pages stinging nettle, barbed wire, german internees, camp 1 -
National Wool Museum
Quilt
The creator was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Quilt crocheted by Vera Neale in the 1950s.crochet handicrafts, neale, mrs vera, crochet, handicrafts -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Gloves
The knitter was Vera Neale, 1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Gloves knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan with cables knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
Vision Australia
Equipment - Object, Cricket ball, black nylon, 2003
The black nylon blind cricket ball was in use since 1974 until the end of the 2002/2003 season. It was hand woven around a wire frame, with lead for weight and bottle tops for sound placed inside.1 black nylon cricket ball with metal bellsrecreation, victorian blind cricket association -
Vision Australia
Decorative object - Object, Beaded bag, 1920s
Tilly Aston was also a talented crafts person. This open-weave evening purse was made by her in the 1920s, and features delicate, milky-white beads threaded on wire with green and pink glass beaded flowers.Beaded bag with red flowers on green stemsassociation for the blind, tilly aston -
Ringwood and District Historical Society
Ceramic - Insulators, Insulator factory in East Ringwood, Three ceramic insulators made in East Ringwood from local clay - c.1900, c. 1900
The insulator factory and ovens were located on the SW corner of Velma Grove and Mount Dandenong Road approx. Quarrying for clay was done in the nearby area. Refer photographs of the factory.Two ceramic insulators made in East Ringwood from local clay. Colour grey. Conical with indentation in middle for wires. There is a second 'skirt' inside to enhance insulating performance. The inner hole is threaded. -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, C.1914 - 19
Edwin James Jones No 3511 AIF. Refer Cat N0 1367.5 for his service history. B/W photo of Pte E J Jones in uniform. Soldier is standing at ease in a studio holding a swagger stick with cartridge ends. Frame is wooden, hanging wire attached by eye hooks.photography-photographs, portrait, ww1, jones -
Flagstaff Hill Maritime Museum and Village
Fork
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Silver plated copper alloy table fork from the wreck of the Loch Ard. Some very little verdigriSSilver oxide present. Fork is bent. Evidence of fine wire wrapped around handle.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, fork