test unit for pulse monitor made by Dr Komesaroffs Medical Developments company.Source Ian Donaldson AHSV assistant curator and retired paramedic 5 October 2016black box with handle and two latches. Contains operating instructions in lid and green electrical box and wires.

Print notes the "Made in Australia" side posters on the side of tram 21. Taken opposite Ballarat East Post Office, Main St 15-9-1953.Yields information about celebrations the intersection of Main Road and Humffray St and Ballarat 21.Negative and Digital image of the Wal Jack Ballarat Negative file of No. 21 outbound in Main Road Ballarat East at the intersection with Humffray St. Tram has a large "Buy Australia" panel on the side and destination of Mt Pleasant. - See Reg Item 5333 for another photo of the tram. in the background is a motor body workshop and Robson's Glass shop. Print also held - see item 8992trams, tramways, humffray st, main road, mt pleasant, decorated trams, buy australian, tram 21

These WW1 binoculars were made in France. The Jockey Club is a famous gentlemen’s Club still in existence in Paris. These binoculars are believed to have been commandeered by the German army. These binoculars are believed to have possibly been taken from either a German POW or deceased soldier, and brought back to Australia at the end of WW1 as a war-souvenir.Small binoculars silver rim around eye pieces and larger end of lenses.There is a brown leather hand grip on the body of the lenses. Adjustable focus wheel in centre.Le Jockey Club Paris on rim of both eye pieces.binoculars, ww1 souvenir

Two examples of improvised surfboards made of solid timber planks, one possibly being an old ironingboard. These illustrate enthusiasm for surfing inspite of lack of ready cash. These hand made surfboards were possibly used by children or young teenagers who had enought ingenuity to enable them to go surfing when money was scarce.Two handmade wooden surfboards with carved and painted emblems at the front; one showing a cat and the other a frog.surfing, surfboards, surfing history

This chair was made by a sailor in the crew of S.S.Casino it was presented to Miss Claire Lydiard in the late 1800's. (She later met her death by drowning in the lake at Rosebrook)Child's folding chair with carpet seatlocal history, furniture, domestic-nursery, s.s.casino, miss. claire lydiard

Made by Esther Johnson (Mrs Cooper) for trousseau which was never worn as the groom died in action in WW1. Circa 1914. "Melrose" Queens Road no longer exists.Ladies white cotton with lace trim combination underwear with trapdoor. Blue ribbon threaded around the neckline. combinations, underwear

Marketing material for Falls Creek from the 1980s. The illustrations were made from photographs of Falls Creek. It was produced by S K Pierce who built Snowland. Fabric tea towel with illustrated snow scenes across the towel, showing the snow fields. These images were mostly taken from photos and include T children making a snow kangaroo and people skiing. One main image with smaller images framed in red. The image of a man looking down the summit is Limi Leitch who owned the Box Hill Ski Hire Shop. The towel was designed by S. K. Pierce who built Snowland.falls creek, souvenir, 1980s advertising, snow, snow fields, snowland

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

first issued in circa 1969, however looks like there were revisions made to in the late 70s and early-mid 80s. Created by the Royal Australian Air Force.spherical plug aero valve mrn110em51-ab, overhaul manual

Brian Millane's grandmother made gown and petticoat in 1881/1882. Used in 1967 at christening of Brian and Michelle's first child. Was worn by many generations of the Millane's family.Long cotton christening gown with handmade eyelet/broderie anglais on skirt and bodice. Four tucks on each side of broderie anglais on bodice. Sleeves and neckline edged with lace. Opening at back pearl button and tie at waist. Pin-tucks in skirt layered between broderie anglais lace. Petticoat is sleeveless with lace and tucks at hemline. Opening at back of bodice with ties.millane family, st john's church mitcham

Local women made this quilt and book in 2004 over a period of four months. Meg Viney fibre artist and then director of Meeniyan Art Gallery initiated the project. Handmade and machine embroidered quilt with 16pp handmade book. The quilt celebrates the lives of local women in our rural environment. The quilt features cyanotype printed images of the women surrounded by blue floral-patterned fabric and gold/brown patterned trim. The book features handmade paper pages with images and stories on each of the women who were involved in the making of the quilt.

Was located at the top of the driver's exit door in W class tramcars. If a person was leaning against door, made it very difficult for the driver to exit quickly from their cabin.Demonstrates MMTB signage in tramcars.Sign - engraved brass sheet, with black lettering and lining on the outside and screw holes in each corner and top and bottom edges in the centre with the words: "Do not lean against door" in capitals. trams, tramcars, drivers, emergencies, w class trams, signs

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

The badge features a MAN Melbourne bus in The Met colours. This type of bus was used by the MMTB and The Met from 1971 to 1993. Not known who made or produced the item.Demonstrates an item made for wearing on a jacket or cap.Badge - metal cut into the shape of a bus and painted. Has a pin clip on the rear with a retention or secure style clip.trams, tramways, the met, badges, man buses

Features the Prahran and Malvern Tramways Trust logo or monogram, with the organisation name and "Malvern Depot 1910 - 2010" on the base. Made to celebrate the centenary by the Committee that arranged the event.Demonstrates an item made to celebrate the centenary of the Malvern Tram depot and the commencement of PMTT operations.Badge on a brass backing with a retaining spring button around a pin. Lettered for the PMTT Malvern Depot Centenary in 2010.tramways, centenary, malvern depot, pmtt

Tram has route No. 96 and destination of City. No manufacturer details. Possibly made by the TMSV as a sales item. See item 4216 for the same item as a lapel badge. Demonstrates a key ring with a Z1 class tram badge.Key Ring - relief of Melbourne Z1 class tram No. 99, with gold and brown enamel painted areas, and fitted with a flexible lead and locking key ring. badges, z1 class, tram 99, key ring, route 96, souvenirs

Demetri Cah, a young Italian migrant, made this carving that was sent to Frank and Nancy Crea, proprietors of the Glenara Motel, in appreciation of their encouragement, following his employment with themColour postcard of sculptured carving on an internal wall of the Glenara Motel,Lakes Entrance, Victoria, showing Pontius Pilate symbolising washing his hands of taking any responsibility for the fate of Christ.Condemnation of Christ by Pontius Pilate (on back)motels, arts, rsl clubs

Pyjamas Army issue 1968. Made in Tasmania. Issued to Maurice Charles Betts at Recruit Training, Puckapunyal Vic. Refer Cat No 1198.2 for his service history. .1) Pyjama top, blue & white vertical stripes. Size M. .2) Pyjama pants, blue & white vertical stripes. Size M..1) Printed on label: “3795164, M BETTS”uniforms - army, costume - male nightwear, pyjamas

Items like this were made in Unit lines in the Australian Base Nui Dat Vietnam. A type of trench art. Peter Ball collection, refer cat No 4704Souvenir, 7.62 mm SLR round with a section of a safety pin embedded into the inner lead lining, green army cord attached to wear around the necksouvenir, trench art

Made by Transit Australia to record all the magazine issues between 1946 and 2018 when it ceased publication. No one wanted to take it over following the death of the editor.Provides a full set of the magazines published by the AETA later Transit Australia.Set of 3 CD's in clear plastic covers containing pdf copies: CD1 - Tram Tracks - 1946 to 1949 and Electric Traction 1949 to 1970 CD2 - Electric Traction - 1971 to 1986 and Transit Australia - 1987 to 1995 CD3 - Transit Australia - 1996 to 2018 transit australia, tramways, buses, public transport, cd, electric traction, tram tracks, australia, aeta