Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) black and white photograph of six men dressed in formal attire - one standing beside a double bass, one holding a violin, one holding a trumpet, one seated in front of a piano, one holding a clarinet, and one standing behind a xylophone. They are situated in the Ballarat Town Hall's A Hall. Frank Wright (cornet), Roy Ogilvey (piano), E.L. Bentley (violin), C. Mills (clarionet), William Morris (Bass), T. McManamny (drums). .2) sepia photograph of six men dressed in formal attire - one standing beside a double bass, one holding a violin, one holding a trumpet, one seated in front of a piano, one holding a clarinet, and one standing behind a xylophone. They are situated in the Ballarat Town Hall's A Hall. .3) sepia photograph of seven men dressed in formal attire - one holding a flute, two holding cornets, one holding a violin, one seated in front of a piano, one holding a clarinet and one holding drum sticks. They are situated in front of a backdrop of a large painting and curtains at the Coliseum, Ballarat. .4) black and white photograph of six men dressed in formal attire - one is steated holding a clarinet, with two banjos and other clarinets on the floor in front, another is seated holding a violin. Both have saxophones on their knees. Another man is standing holding a trombone, one is seated in front of a piano, one is holding a cornet, and one is standing behind a xylophone with drum kit beside. They are situated in the Ballarat Town Hall's A Hall. .1) on back - Richards & Co, Photo, Ballarat, Post Card, Kodak Australia; handwritten - "Frank Wright and his Coliseum Orchestra", Left to Right - W. Morris Bass, E. Bentley Violin, Frank Wright Trumpet - MD, Roy Ogilvie Piano, C. Mills Clarinet, T. McMannamy Drums, Taken City Hall Nov 25th 1926 .2) on front - City Hall-Ballarat,1926 .3) on front - Coliseum-Ballarat, October 1925, on back - Richards & Co, Photo, Ballarat .4) on back - Richards & Co., Photographers, Ballarat, Proofs not returned charged for; handwritten - Ballarat Town Hall, probably Coliseum Orchestra?frank wright, coliseum orchestra, city hall ballarat, cornet, piano, clarinet, banjo, violin, xylophone, trombone, drums, w. morris, e. bentley, roy ogilvie, c. mills, t. mcmannamy, ballarat town hall, ballarat town hall interior, "a" hall

The picture was possibly taken for the opening of the tennis court Saturday 18 September 1926. Lady Creswell was invited to officially open the court and about a 100 persons attended the ceremony.Photograph taken in 1926 on the tennis court of the Mission to Seafarers, 717 Flinders Street. First plan are unidentified men turning their back to the photographer. On the court are two ladies wearing white tennis attire are playing double. In the background the former Seamen's Institute, Siddeley Street, can be seen as well as the docks on Australian Wharf.tennis, mission to seafarers victoria, tennis court, lady creswell, reverend john reginald weller, 1926, lady adelaide elizabeth creswell nee stow, 1859-1945, william rooke creswell (1852-1933), mission to seamen, weller album

Peter Hoare standing at the lectern during the 1984 Synod of Victoria. Peter is in Vanuatu attire as he shared with Synod his experience of Vanuatu and its people, what Vanuatu as one of our neighbours has to say about faith. Peter asked the synod: "How vital and how living is our UCA faith?""Peter Hoare Vanuatu C&N 17/10/84 p. 18"hoare, peter, synod of victoria 1984, vanuatu

Photograph. Gertrude Perry Collection. Black and white group photograph of Finalists Advertiser Ballad Bendigo Competitions. G. E. Perry second from right. Seven figures in formal attire. The reverse of this photo indicates the name Gertrude Perry Behind first photo (in the packing) is a portrait of Gertrude Perry, head and shoulders.gertrude perry, gertrude perry collection, ballad finalists, bendigo competitions.

Two ladies hand brushes with porcelain 'doll' tops (handles). Figurines are different but both have lace (silk?) ribbon wound around 'hips' and 'dress' of fine brush material (hemp?). Both figurines are female in different poses with arms and head positions and varying coloured attire. Inscribed catalog number in ink - U2671 and U2672.domestic equipment, cleaning, brush

Copy of a black and white photo of the Long Gully Football Team, 1909. Photo taken in front of a brick Grandstand. All the men in the back row are wearing suits and various types of hats. The others are wearing football attire. Label pasted on the photo - Long Gully Football Team, 1909. This team played in the major Bendigo competition.bendigo, history, long gully history group, the long gully history group - long gully football team 1909

Local artist Graeme Drendel often depicts isolated individuals against stark Australian landscapes. Even when portrayed in group settings, Drendel’s figures exude solitude and introspection. Their expressions and attire hint at larger, obscured narratives, which the viewer is left to unravel or imagine. His paintings seamlessly blend the ordinary with the surreal, which creates a sense of uneasiness or forboding. Viewers grapple with the challenge of deciphering these compositions.

This book comes from the property of Lyndoch near the mouth of the Hopkins River. George Rolfe, a tea merchant from Melbourne, established Lyndoch in 1875 and Miss Florence Lake, daughter of Miss Annie Lake, later Mrs George Rolfe, inherited the property with her sister Annie. In 1920 Florence Lake built a large house called Lyndoch. She had a Rolls Royce car and a chauffeur and was a tireless worker for local charities. Florence Lake died in 1946 and the property became the site of an Aged Care Facility in Warrnambool. Florence Lake’s house now forms part of the hostel section of this facility. This book would have been in the Lyndoch library during Florence Lake’s time there. D K Broster ( Dorothy Kathleen) was a popular writer of historical novels in the early part of the 20th century. The Flight of the heron being her most acclaimed This book is of interest as it came from the historically-important property and house known as Lyndoch and so it is connected to Miss Florence Lake, a prominent person in Warrnambool in the first half of the 20th century. This is a hard cover book of 439 pages. It has a red cover with black lettering on the front and spine. It also has a dust cover which has a colour image of a man in late 18th century attire and a shield containing a yellow poppy. The dust cover is partly torn away. The book has 46 chapters. The inscription is handwritten in black ink. ‘Lyndoch Xmas 1937’lyndoch, florence lake, history of warrnambool

Photograph - Black and white photo copy of a photograph of Charles Deynes Barber, Melbourne, Australia, from the photo album of Fanny Elizabeth Whibley 1848-1930. Charles Barber, in riding attire,knee high boots. Whip in hand, sitting on a turned wooden chair, resting his left arm on a circular wooden hall table, with a sculpture of a horse on the table top.Charles Deynes Barber, Melbourne, Australia. From the photo album of Fanny Elizabeth Whibley 1848-1939.photograph, person, charles deynes barber

Black & white photograph, Bert Graham Collection, the two 'Ladies' pictured are Tom Norris and Alwyn Nelson, who are dressed in female attire and holding a potty with flowers.A lot people around them are liking the spectical. Their names are on the reverse as well as; Reorder No. A25/28, Kiwi Candid Photos, Town Hall Pharmacy, 226 Hargreaves Street, Bendigo, Phone 1467.bendigo, clubs, bendigo east swimming club

A stretch of the main Street of Cowes, looking towards Westernport Bay. A narrow strip of the Peninsula in the background. Left side of road depicts a group of buildings and Post Office. A Norfolk Pine in the background. On right side of road on footpath are three women and a child. The women are attired in long black dresses and large smart hats. Along side them is a picket fence, shrubby garden and a house. A small child and male figure popping out the gate.Thompson Avenue, CowesMain Street Coweslocal history, photographs, streetscape, cowes, black & white photograph, mary robb

Jet came into common usage in the 19th century when a small town in England, Whitby, began mining jet to make mourning jewellery. When Queen Victoria declared that her court wear mourning attire for the three years after the death of Albert,and that only jet jewelry was to be worn at court for the first year jet jewellery was widely worn. In the Victorian era, there was a wide variety of materials used to mimic Whitby Jet for mourning jewelry. This item is an example of typical mourning style jewelry which became popular as a universal form of adornmentA black jet bead choker with fasteners at the ends.jewellery choker jet

Black & white photograph, Bert Graham Collection, eleven men from the Bendigo East Progress Association at the Hall in crossdressing attire are from left to right; Stan Lone, Doug Pain,Bert Graham, Dick Schleiger, Bill Collicoat,Cec Burridge, Mick Molvahill, Tom Norrisat the back, and in front are; Pat Kilby, Alwyn Nelson, Allan Masters. All names are on the back.bendigo, clubs, bendigo east progress association

Tram line up at the depot with the same personnel (Item 9235), in formal poses in each photo. They are attired in the MESCo uniform that suggests that the photographs were taken before the State Electricity Commission of Victoria takeover on 1 September 1930. The ex-Melbourne Meadowbank cars 27 and 28 first ran in Geelong in 1928. Date of the photos would therefore be restricted to 1928-30, but it is possible that they were taken close to or on the handover date as a final record. See associated item 9235.Black and white print on paper12-10 and No. 1 written on the back in ink. GRS710/12/1/10 written on the back in pencil.geelong tram depot, geelong tramways tramcars, geelong tramways personnel, state electricity commission of victoria

Tram line up at the depot with the same personnel (Item 9234) in formal poses in each photo., They are attired in the MESCo uniform that suggests that the photographs were taken before the State Electricity Commission of Victoria takeover on 1 September, 1930. The ex-Melbourne Meadowbank cars 27 and 29 first ran in Geelong in 1928. Date of the photos would therefore be restricted to 1928-1930 but it is possible that they were taken close to or on the handover date as a final record. See Item 9234.Black and white print on paper.12-11 and No. 1 written on the reverse in ink. GRS710/12/1/11 written on the reverse in pencil.geelong tram depot, geelong tramways tramcars and personnel, mesco tramway uniform

Portrait of a man against a dark background (green-brown and black). He is wearing formal attire: a black suit, black waistcoat, a white shirt with small brass (?) buttons and a narrow black cravat. His hair is dark blond and parted on the left. His sideburns are of a more reddish shade and reach to his jawline. Only upper torso visible. Original frame: ornate gold-painted wooden frame.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead Collins St Melbourne) Conservation Centre, Melbourne label.

Black and White photograph of large group of men, women & children, 36 in total dressed in formal attire standing, seated or reclining with bowling balls in foreground. Possibly Eaglehawk Bowling Club, Photo mounted on Card under glass & framed with brown wooden frame moulded to resemble wood logs, markings on photo read 'A. Levy & Co', 'Man in foreground in striped jacket has emblem on breast pocket EBC'A.G.Levy Photographer Eaglehawkperson, group, mixed group, eaglehawk, eaglehawk bowling club, bowling, a.g. levy, a levy

All of these photographs were taken prior to 25th November, 1876, the official opening and crossing of the current Snowy River Bridge. Gary Downey, an Orbost Apeian, did a "De Groot" and crossed the bridge on horseback prior to the official cars crossing the bridge to signal the opening of the new structure. There was a closing ceremony for the old bridge with a group arriving in a 1927 Chrysler, owned by Apexian, Peter Dreverman. This was watched by groups of school students. Some of the Apex members, including Jim Duggan, Noel Smart and Pat Hall, dressed in formal attire to speak to the audience.This event was organised by the Apex Club of Orbost.The Apex Club of Orbost was a volunteer service club which contributed to the Orbost community. A declining population has led to the demise of many social groups in the area.Ten black / white photographs related to the unofficial opening of the Snowy River Bridge at Orbost. snowy-river-bridge-1976 apex-club-orbost ceremony

Black and white photograph of fourteen Ball Games girls from the Golden Square Primary School. They are photographed under a tree. Date Nov. 2nd 1970. They are wearing sports attire. Their names are: Sandra Whitlock, Debbie Stewart, Linley Richards, Karen Richter, Robyn Lewis, Carolyn Cairns, Heather Henderson, Susan Wade, Alison Miller, Lucy-Ann Hill, Cheryl Greer, Jenny Doyle, Jean Hargreaves, Elizabeth Hangar,education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph ball games, sandra whitlock, debbie stewart, linley richards, karen richter, robyn lewis, carolyn cairns, heather henderson, susan wade, alison miller, lucy-ann hill, cheryl greer, jenny doyle, jean hargreaves, elizabeth hangar

Four rows of male and female persons in formal attire photographed with brick building [probably church] in background. Biro caption Second Top Row Mum's Mother' and Top Row 'Auntie Carrie' not contemporary with photograph exposure. Probable WG Dahl connection. Stamped upon reverse, WH Dahl, 79 Lansdownie St, Blairgowrie, 3942, Phone 86641. W H Robinson, Photographer Mundy St Bendigo stamped upon reverse.W H Robinson Mundy St Bendigobendigo, history, w g dahl family

Bendigo Advertiser "The way we were" from Monday, October 6, 2003. World War 1 classes of 1916: White Hills Primary School grades one and two. the photo is 87 years old and shows a group of 56 students with 18 girls and 38 boys making up the two classes. The children's ages appear to be quite varied as this was 1916 and in the midst of World War 1. The two women teachers' attire reflects the austerity of the times.newspaper, bendigo advertiser, the way we were

Sir John Madden, Chief Justice of Victoria, opened the Auburn Heights Recreation Club in Barkers Road in December 1904. Two years later the greens were improved and a new croquet lawn established. In September 1906, a ceremony was held to open these and also the new pavilion designed by Harry Tompkins.Rare early image of an important sports club in Kew1/4 plate glass negative (and accompanying print) of a scene at the opening of the new greens and croquet lawn at the Auburn Heights Recreation Club in 1906. A player at the Auburn Heights Recreation Club, identified as a Mr Anderson in faint writing on the sleeve of the glass negative, considers his next bowl. His attire, and that of the players in the other photos would indicate that players were expected to wear a shirt, tie and jacket at the Club, but when bowling, waistcoats were acceptable.auburn heights recreation club, barkers road, kew

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew

Black and white photograph: 10 women standing in front of display of lamp shades. Photo taken in 1940's (? ) judged by attire of women. On back of photo written in blue: from left to right, Mrs. Carter, Mrs Hosking, Madge Mrs. W. Draper, Mrs. Grocott, Mrs. Wallace, Miss Stritch, Miss Lanyon, Mrs Theodore, Self - Mrs. N. McL. Young, Mrs Jennings. Photo given to 'Advertiser' by Audrey McKenzie for the 'as you were' section of paper.bendigo, clubs, mrs. carter, mrs hosking, madge mrs. w. draper, mrs. grocott, mrs. wallace, miss stritch, miss lanyon, mrs theodore, self - mrs. n. mcl. young, mrs jennings. women, lampshades

This copy of an original photograph created in the early 1900s details the "horse and cart" era when the normal transportation of the day was, in this rural setting, exclusively by horse and cart. The importance of this particular photograph to the subjects can be seen by the formal suits worn by both subjects.The natural bush and grassed backdrop have not been "touched up". The dray behind the horses is barely visible (fog like aperture). The lad , John Cooper was 14 years old when this photograph was taken. Both were in the process of harnessing four horses to "hook up" on the dray behind them. From their attire it looks like a trip to town or "the church".This photograph of life on a rural property in the early 1900 shows the rough and hard (physically) life in rural areas before great mechanical revolution/evolution post World War II. This was a time in the Kiewa Valley when most transportation was by horse drawn carriages and transportation routes where dirt roads with potholes. The significance of a local pioneer "family" encapsulated by this photograph cannot be reproduced as effectively in any other form. This digitised scanned copy of an original photograph of four work horses is on 200gms Fujicolor (Fujifilm) Crystal Archive paper has a silver side on which the image has been printed and a matt reverse side.The darker slightly "blurred" image has had a white frame placed over it at the time of encapsulation to provide the finished photo with a frame. This method highlights and focuses the view into the photograph. It is a clever way to permit the eyes to focus into the image to give it a greater third dimensional aspect. on the reverse side hand written(in pencil) "John Cooper & Paddy Cullen (itinerant worker) on grandfathers place (opposite Nesta Drews place) (orange Grove). "Grandfather emigrated from England with Ryders""orange grove " property, early tawonga life style, john cooper, paddy cullen, harnessing working horses

A person calling herself Jack Jorgenson died at Elmore near Ballarat, Victoria on Tuesday evening, turned out to be a woman and had for years concealed her sex. She was known in the district as "Jack Jorgenson". she went to the district as a farm labourer but did not show any great desire to obtrude on the notice of the residents. Though living a lonely life in a small hut, she did not act as one who had anything to conceal. She wore masculine attire in a natural manner, but thee was a tone of femininity in her voice that she could not conceal. In 1887 she joined the local mounted rifles, and attended almost every drill and every camp until 1891, when she resigned. Her face presented a remarkable appearance, it having been terribly injured by a fragment of shell during the course of the Schlewig-Holstein war between Prussia and Denmark. She stated that in her youth she had been a soldier in the german army, and had seen active service in the Franco-Prussian war of 1870. Jorgensen was a Dane and so far as is known had no relative here. Her sex was disclosed only after her death, the only person knowing of it being Dr H..se of Elmore, who attended her some time since. The woman is believed to be the sister of a Mrs Newman of South Melbourne. Deceased had been using male attire for 20 years, and did all sorts of heavy manual work, including grubbing trees and harvesting and she once ...Newspaper clippingjack jorgenson, elmore, dane, cross dressing

Black and white photograph mounted on cream board. Delegates to Farmers' Annual Convention 1909. In upper right corner shows Haymarket - part of market buildings. Note various attire worn by delegates. Also four young boys in bottom LHC with bike. Inscriptions: Printed on mount top 'Farmers; Annual Convention Bendigo 6th July 1909'. On top LHC in pencil 'received Nov. 1998 from Horsham Historical Society'. In pencil in centre 'M Gilhorn, c/- Mietrop', '2/- top'person, group, males

2 Copies of a black and white photo of a football team.Team are wearing football attire. A number of men are standing behind the team. They are dressed in suits and most of them are wearing a hat. Some have watch chains. One man is holding a football. Below the photo is a copy of the back of the photo which has writing on it. - Photo taken in the Lane 1906? team at side of Crusader House L Gully Checked out the Photo with the Building May 85. Was DWJ Campbell's House. Long Gully a Junior Team Goes with Page 3.bendigo, history, long gully history group, the long gully history group - football team 1906?, crusader house long gully, dwj campbell

The origin of this statue is unknown, but it may possibly be German.Carved wooden figurine of a doctor holding a baby. The doctor is male, and is wearing spectacles and full surgical attire, consisting of a green surgical gown and cap, with a white surgical mask. Brown trouser cuffs and black shoes are visible below the gown. The doctor is holding a baby by its ankles in his left hand, and is holding his right hand as if about to pat hit the baby on the bottom. The baby is facing the doctor, head pointing towards the ground. Sticker on base of figurine bears the handwritten initials 'MW'.obstetrics