Showing 273 items
matching commercial industry
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Port Melbourne Historical & Preservation SocietyDocument - Property valuation working papers, Rootes/Chrysler, Salmon Street, Port Melbourne, George Levey, 1950 - 1974
... Environment - Commercial Business and Traders Industry George LEVEY ...Sample of working papers relating to the valuation of 29 premises in Port Melbourne. These papers were maintained by Mr George LEVEY, who was the City Valuer for PMCC from around the mid 1950s to about 1974. Details are all in manilla folders. .20 - Rootes/Chrysler. Salmon Streetbuilt environment - commercial, business and traders, industry, george levey, rootes/chrysler -
Port Melbourne Historical & Preservation SocietyPhotograph - Administration Building roof, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848The roof series of colour photographs taken inside, and from, the J Kitchen & Sons Administration Building on Ingles St Port Melbourne. Details on the back of photographs. .01-.10 - views on and from the roof, including the water system shed.industry - manufacturing, built environment - industrial, built environment - commercial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Dumb waiter, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848The roof series of colour photographs taken inside, and from, the J Kitchen & Sons Administration Building on Ingles St Port Melbourne. Details on the back of photographs. .11 - .16 ; dumb waiterindustry - manufacturing, built environment - industrial, built environment - commercial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Inside roof cavity, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848The roof series of colour photographs taken inside, and from, the J Kitchen & Sons Administration Building on Ingles St Port Melbourne. Details on the back of photographs. .20 -.30 ; inside the roof cavity and second floorindustry - manufacturing, built environment - industrial, built environment - commercial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Outside rear buildings, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .01-.04 ; outside rear of buildingsindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Front of building, first floor, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .05 - .11 ; front of building first floorindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - West and rear wall balcony, first floor, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .12 -.16 West and rear wall balcony and windowsindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Office details, first floor, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .17 - .23 ; office detailsindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Ladies cloak room, first floor, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .24 - .36 ; Ladies cloak roomindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Gents cloak room, first floor, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .37 -.46 ; Gents cloak roomindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Entrance area, first floor, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .01 -.07 ; First floor entrance areaindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Power room, first floor, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .08 - .18 ; first floor power roomindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Pay room, first floor, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .19 -.25 first floor pay roomindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Back staircase, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848Stairs and toilets series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. ..01-.04 ; back staircaseindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Front staircase, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848Stairs and toilets series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .05-.06 ; front staircaseindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Port Melbourne Historical & Preservation SocietyPhotograph - Toilets, Administration Building, J Kitchen & Sons, Port Melbourne, Lionel Layfield, 2014 - 2015
... and 3848 industry - manufacturing built environment - commercial ...Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848Stairs and toilets series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .13 -.18 ;toiletsindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd -
Bendigo Historical Society Inc.Book - BENDIGO FOR SUNSHINE BUSINESS AND PLEASURE
Bendigo for Sunshine Business and Pleasure, under the seal of the Bendigo City Council. Published by Bolton Bros Pty Ltd, Centreway, Bendigo. The book has 56 pages of early Bendigo photos, depicting various tourist attraction, buildings,shops, industries. Some of the photes: Herbert Keck&Sons, Commercial House, Tomlins-Simmie&co. Flour Millers,The Beehive, W. Cowling, The School of Mines, Chemists of Bendigo, Bolton Bros, Prescott and Dawe, Churches of Bendigo, W.J. Lenten, Myer,Favaloro, Electric Light- Poer and Tramway, Bartlett Bros, Baker&Woods, William Wallace, Public Buildings, Lake Weeroona, Bendigo Business College, Leggo's of Bendigo, Rosalind Park, Stillwell, Bendigo Pottery, Warren's Emporium, Randall's, Chatfield, Frank Monaghan, Rickards Bros, Cocking's Bargain Centre, Whitelock & Carter, Bucknell & Jeffrey, The Bendigo Advertiser, Charing Cross, Hartley Bros, Cohn Bros, Bendigo Art Gallery, J.B. Wilson.bendigo, history, photographic history -
Bendigo Historical Society Inc.Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: WEST AUSTRALIAN MINING AND COMMERCIAL REVIEW, 1943
Documents: September 1943 issue of the West Australian Mining and Commercial Review Magazine - 32 Pages plus cover. It has a photo of the Australian Prime Minister, Hon John Curtin P.C. and the cost is 9d dated September, 1943. The back cover is advertising for Goodyear V-Belt Drivers. Articles on Municipal Finance, Port War Radio, W.A. Mining Industry, Ore Deposits, Rand Gold Producers. Advertising for Mobil Oil, Fibrolite, Bromet Alloy Tungsten Carbide, Steel Machinery Covers, Dept.., of Industrial Development, Hume Steel Ltd, State Saw Mills etc.MCCOLL RANKIN AND STANSISTREETorganization, business, gold mining magazine, mccoll rankin and stansistreet -
Bendigo Historical Society Inc.
Document - BROADCASTING STATION 3CV, MARYBOROUGH, 2 March, 1956
Broadcasting Station 3CV, Maryborough. A souvenir of the opening of the New Studios and Offices of Central Victoria Broadcasters Pty Ltd. March 2nd, 1956. Established 1956, offices in Burke Street, opening coincides with the stations 21st birthday, March 2 for the former celebration, October 26 for the latter. Coverage included Bendigo, Ballarat, Daylesford, Castlemaine and Maryborough. 3CV plays active part in assisting charities and hospitals at Maryborough, Daylesford, Maldon and Dunolly. Active Women's Radio Club with branches in country centres adds strength to station's charitable efforts. Opening 3CV's new premises will widen the scope of the station's charitable efforts, and stronger link with Australian Commercial Broadcasting stations. Writer Harold V Nunn writes history of district of Mayborough. Manager Ken J Parker, Central Victoria Broadcasters Pty. Ltd. The Souvenir brochure also covers topics such as: deep lead mining. WWI. Houses being pulled down. New settlements of Mildura. Secondary Industries. Bowenvale, Alma, Majorca, Craigie, Amherst, Adelaide Lead, Havelock, Bet Bet, Bently. Primary production and a railway staff of approximately 150. Maryborough a little town without a future. Coal fields at Wonthaggi. 1917 a public meeting was convened in an effort to stem the tide of adversity. Mayor George Frost, M.L.A., decision to form a Progress Association, a policy of secondary industry was decided upon and committees were appointed, James L Drew much credit is due. Maryborough's move for rejuvenation was revolutionary, because apart from Ballarat, Bendigo and Geelong, it was regarded as so much presumption that industry could be expected to function with success in a country town. Governments were unsympathetic. Maryborough & district people showed determination to succeed and their faith in their town. Employment and economic security provided by the industries outweighed the debt. Maryborough's general position is that it is no longer dependent upon one particular phase of activity. The first of the industries to be formed in 1918 was the Butter Factory. The nearer dairy companies did not take kindly to the prospect of another opposition company taking supplies from their districts, and in the first few years of establishment completion made the going hard for the management. But adopting a conservative policy and placing all profits to reserve I the first six years of operation headway was gradually made. Thus it was a red letter day for the company in 1925 when the first dividend of 5 percent was paid.1955 dividend of 10 per cent. Operating it's own trucks the dairy serviced local dairymen up to 40 miles. Maryborough Knitting mills est. 1923, having transferred from Clunes. Out bid Ballarat and Bendigo to the industry. The mill has what is probably the largest circular underwear plant in the Commonwealth, which is conservatively valued at 198,913 pounds. It produces between four and five million garments each year, worth over one million pounds. The company has established subsidiary mills at Dunolly, Talbot and Avoca. The company also assisted in the establishment of the Interknit Hosiery Co. Ltd., Clunes. The Maryborough Flour Mills is the second oldest of Mayborough's industries. It was built by Mr Cadwallader over 70 years ago. It was later sold to Mr. A Land and then to Jas. Minifie & Co. It had a somewhat 'in-and -out' existence until purchased in 1923 by Messrs. Willersdorf and Forbes, of Eddington. In 1939 the firm began to build silos for the storage of bulk wheat and the present storage capacity is 100,000 bushels. 1944 power was changed from steam to electricity. The mill has an out put of 20 sacks an hour. 1938 a chaff mill was built, and now is regarded as one of the best in Victoria. Its output in one year of approximately 6,800 tons is a State record for a single cutter. During this 30 year period Patience and Nicholson Limited has grown with Maryborough and is now one of the major key industries of Australia. The P&N brand covers precision tools - taps, dies and twist drills - indispensable to the country's economy, and quality is acknowledged equally by an air craft factory in Canada, a dockyard in Thailand, a railway workshop in New Zealand, no less than by our own Australian industries. Maryborough can be proud of the part played by P&N in war when, geared to the needs of the times, it poured countless millions of tools into defence factories and to the armed forces of the Allies, and now in peace when it is providing, hydro-electric undertakings and the manufacture of cars and tractors. From 1858, W Phelan & Sons Pty Ltd has made phenomenal and spectacular growth, becoming incorporated as a private company in 1929. It is without doubt the greatest private development in the history of Maryborough. 1940 joinery manufacture was commenced. The company entered the Ready Built Housing field in `950 - and in 1951 established a factory at Cairns, Northern Queensland to overcome the manufacturing difficulties being experienced due to the shortage of plywood in Victoria. Present activities include: Ready Built Housing Factory, on-site building, a modern joinery, timber yard, drying kilns, etc., and plumbing & electrical & engineering services, a door and panel factory at Cairns, retail hardware store, Melbourne Sales Depot. Hedges & Bell Pty Ltd were est 1945, with a staff of 40 employees are the largest printing firm outside the metropolitan area. The branch of Premier Wireworks is a contribution made by the decentralisation policy of the State.event, official, celebration, broadcasting station 3cv, maryborough. a souvenir of the opening of the new studios and offices of central victoria broadcasters pty ltd. march 2nd, 1956. established 1956, offices in burke street, 21st birthday. coverage bendigo, ballarat, daylesford, castlemaine maryborough. assisting charities and hospitals maldon and dunolly. women's radio club opening 3cv's new premises australian commercial broadcasting stations. writer harold v nunn writes history of district of mayborough. manager ken j parker, central victoria broadcasters pty. ltd. souvenir brochure: deep lead mining. wwi. houses pulled down. new settlements. primary production railway staff. coal fields wonthaggi. 1917 a public meeting was convened in an effort to stem the tide of adversity. mayor george frost, m.l.a., form a progress association, policy of secondary industry, james l drew rejuvenation was revolutionary, employment and economic security. the first of the industries to be formed in 1918 was the butter factory. thus it was a red letter day for the company in 1925 when the first dividend of 5 percent was paid.1955 dividend of 10 per cent. operating it's own trucks serviced local dairymen. maryborough knitting mills est. 1923 largest circular underwear plant in the commonwealth. established subsidiary mills at dunolly, talbot, avoca. interknit hosiery co. ltd., clunes. the maryborough flour mills it was built by mr cadwallader. mr. a land jas. minifie & co. messrs. willersdorf and forbes, build silos for wheat storage capacity is 100, 000 bushels. 1944 power was changed from steam to electricity. 20 sacks an hour. 1938 a chaff mill was built, best in victoria. patience and nicholson limited the p&n precision tools - taps, dies and twist drills. war, geared to the needs of the times, countless millions of tools into defence factories the armed forces of the allies, hydro-electric undertakings and the manufacture of cars and tractors. from 1858, w phelan & sons pty ltd, incorporated 1929. 1940 joinery manufacture. ready built housing field in 1950 - 1951 established a factory at cairns, northern queensland to overcome the manufacturing difficulties being experienced due to the shortage of plywood in victoria. present activities: ready built housing factory, on-site building, a modern joinery, timber yard, drying kilns, etc., and plumbing & electrical & engineering services, a door and panel factory at cairns, retail hardware store, melbourne sales depot. hedges & bell pty ltd were est. 1945, with a staff of 40 employees are the largest printing firm outside the metropolitan area. the branch of premier wireworks is a contribution made by the decentralisation policy of the state. -
Moorabbin Air Museum
Letter (item) - C.A.C. Correspondence - Public Relations, Commercial projects incl bulk Cement Tpt, , Housing, Yellow Copies, Industry Working Group & Defence Support
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Puffing Billy RailwayGreenbat Battery Loco, Greenwood & Batley ltd
Greenbat Battery Loco Built by Greenwood & Batley Ltd Builders No. 420363/2 This Greenbat Battery Loco has been loaned to the Museum by the Walhalla Goldfields Railway, who had acquired it in 2013 along with a large quantity of narrow gauge trollies and light rail from Orica’s now closed munitions factory in Melbourne’s western suburbs. The trolley on display was one of two in use from the 1970s. Orica - Deer Park Munitions factory Orica Deer Park in Melbourne’s west has been used since circa 1875 for various forms of manufacturing and storage of chemicals. Although the site is bounded by Ballarat Road, Station Street, Tilburn Road and the Western Ring Road, the current entry point for industrial operations is situated at Gate 6 off Tilburn Road. Operations include: • a specialty chemicals facility producing products for mining services operations • quarry services • other chemical manufacture activities. The Deer Park factory complex is of historical significance as the location of the first plant for the manufacture of high explosives in Australia and has been, for its entire history, the most important, if not only, commercial manufacturer of high explosives in Australia. It commenced operation under the importer Jones Scott and Co, and then the Australian Lithofracteur Company (Krebs Patent), a rival to Nobel's dynamite patent. The factory was producing nitro-glycerine based explosives in Australia only a couple of years after Nobel's Ardeer factory began operating in Scotland. The explosives factories complex is of historical significance for the association with the Australian Lithofracteur Company, Australian Explosives and Chemicals, the Nobel company and later ICIANZ, which grew to become one of the largest explosives, chemical and plastics manufacturers in Australia. It was the pioneer of the industry and retained its dominance through monopolistic practices, taking over most of its competitors in the Australasian region. Substantial parts of the pre-Second World War layout of the site remain which, with a number of significant buildings dating back to the 1920s and '30s, indicate past and present processes of manufacturing, the necessary safety measures required and the integrated nature of the explosives and chemical industry. The narrow gauge tramway, which ran through the explosives section, was a rare survivor of nineteenth century materials-handling methods into the 21st Century. Greenwood & Batley were a large engineering manufacturer with a wide range of products, including armaments, electrical engineering, and printing and milling machinery. They also produced a range of battery-electric railway locomotives under the brand name Greenbat. The works was in Armley, Leeds, UK. Greenbat was the trade name for the railway locomotives built by Greenwood & Batley. The company specialised in electric locomotives, particularly battery-powered types for use in mines and other hazardous environments. Historic - Industrial Narrow Gauge Railway - Battery Locomotive - Orica - Deer Park Munitions factory - Deep park, Victoria, Australia Battery Locomotive - made of iron puffing billy, greenbat battery loco, battery locomotive, industrial narrow gauge railway, orica - deer park munitions factory -
Robin Boyd FoundationDocument - Manuscript, Robin Boyd, The Rich (In Art) Get Richer – and the culturally poor get poorer, 1963
Boyd argues that the Australian cultural split between what he perceives to be cultured tastes and artistic achievements and the tastes of ordinary Australians is wider and more polarised than in other countries. He derides commercial radio, popular women's magazines, public commercial streets etc - elements of the Australian ugliness. He praises the growth of local contemporary art, literary magazines and architecture, whilst calling for the development of community pride amongst leaders of commerce and industry, and government control of the ugliness of popular culture. This may have been published in "Walkabout" magazine.Typewritten (c copy), quarto, 11 pagesart, egalitarianism, sidney nolan, australian painting, pop art, phil may, dyson, low, media, cartoons, australian literature, radio, california cultural heritage board, commercial advertising, robin boyd, manuscript -
Hume City Civic CollectionPhotograph, c1950s
The Yakka factory was formerly situated in Barkly Street, Sunbury. Written information supplied on back of original photograph.This is a copy of a b/w photograph of a woman, Marjorie Dunn, sitting at a commercial sewing machine at the Yakka factory. Unmounted.yakka overalls, yakka, factories, dunn, marjorie, clothing industry, george evans collection -
Duldig Studio museum + sculpture gardenCeramic, Karl Duldig, Gumnut Bowl by Karl Duldig c.1948, c. 1948
Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under. -
National Wool MuseumAnimal specimen - Taxidermy Merino Sheep
... . The resultant merino became the foundation of Australias sheep industry.... The resultant merino became the foundation of Australias sheep industry ...A 45kg Spanish Merino from Mt Bute at Linton, Victoria. It is a descendant of the original Spanish Merino brought to Australia by John MacArthur in 1797. John and Elizabeth MacArthur undertook breeding experiments at Camden Park, Parramatta, crossing the Spanish Merino with Bengal and Irish sheep already in the Colony. The resultant merino became the foundation of Australias sheep industry. Although of little commercial value, the Mt Bute station has ensured the survival of the Camden bloodline.Taxidermy figure of a Spanish merino ram on display in Gallery 1. Ram has curved horns and is mounted with crooked front legs.sheep, taxidermy, spanish merino, irish sheep, camden, mt bute station -
National Wool MuseumScrapbook, Royal blanket presentation, Godfrey Hirst and Company Pty Ltd
Scrapbook, contains newspaper clippings,1950, extract from the Wool and Textile Newsletter, Sept 1950, radio results and script for recording. All associated with the presentation of a baby blanket from the staff of Godfrey Hirst & Co Pty Ltd on the occasion of the birth of Princess Anne.Scrapbook, contains newspaper clippings,1950, extract from the Wool and Textile Newsletter, Sept 1950, radio results and script for recording.Royal blanket presentation/ Godfrey Hirst and Company Pty Ltd BRITISH COMMERCIAL NEWS...textile industry textile mills - staff, godfrey hirst and co. pty ltd excelsior woollen and worsted mills, blankets, textile industry, textile mills - staff -
Latrobe Regional GalleryPrint, UTAMARO, Kitagawa, No. 10 from the series Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa), 1798-1800
Edo PeriodColoured woodblock printsilk, manufacturing -
Latrobe Regional GalleryPainting, MARTIN, Mandy b. 1952, Adelaide, South Australia, Briquette Factory Site, 1989
Oil on canvasSigned, titled and dated versofactory, industry, power, landscape, industrial -
National Wool MuseumClothing - 1984 Los Angeles Olympics Men's Opening Ceremony Shirt, c. 1984
On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes -
Koorie Heritage Trust
Journal - Serials, Britton, Stephanie, Art Link : Contemporary Australian Aboriginal Art, 1990
Includes: Traditions in Evolution Legal and Lobby Appropriation: a fine line. Lin Onus. Aboriginal Copyright Cases. Martin Hardie. What is Comalco up to? Report from Arukun. Peter Sutton At Last!! The arts & crafts industry review! And what did it achieve? Tim Rowse. Working in Isolation Performing Arts Media Visual Arts Projects / Opinions Artist Profiles Lin Onus Michael Eather Mural at Port Lincoln. Kerry Giles, Melanie Howard talk to Felicity Wright. Kurwingie. (Kerry Giles) Peter Dabah Vincent Megaw Robert Campbell Jnr. Milton Budge Leone Stanford Bluey Roberts Noris Ioannou Tatipai Barsa and Zane Saunders Anna Eglitis. Les Griggs Megan Griggs Judy Watson Margariet Bonnin Shane Pickett Alta Winmar Wanjidari Libby Morgan Ellen Jose Donna Leslie Natalie Greenwood Gordon Bennett Anne Kirker Maree Clarke Natalie Greenwood Seminar series at Power Institute Bronwyn Bancroft Gayle Maddigan Natalile Greenwood Narragunawali in Canberra Sylvia Kleinert Sally Morgan Design in the Commercial Area Organisations120 p.; ill.; 28 cm.Includes: Traditions in Evolution Legal and Lobby Appropriation: a fine line. Lin Onus. Aboriginal Copyright Cases. Martin Hardie. What is Comalco up to? Report from Arukun. Peter Sutton At Last!! The arts & crafts industry review! And what did it achieve? Tim Rowse. Working in Isolation Performing Arts Media Visual Arts Projects / Opinions Artist Profiles Lin Onus Michael Eather Mural at Port Lincoln. Kerry Giles, Melanie Howard talk to Felicity Wright. Kurwingie. (Kerry Giles) Peter Dabah Vincent Megaw Robert Campbell Jnr. Milton Budge Leone Stanford Bluey Roberts Noris Ioannou Tatipai Barsa and Zane Saunders Anna Eglitis. Les Griggs Megan Griggs Judy Watson Margariet Bonnin Shane Pickett Alta Winmar Wanjidari Libby Morgan Ellen Jose Donna Leslie Natalie Greenwood Gordon Bennett Anne Kirker Maree Clarke Natalie Greenwood Seminar series at Power Institute Bronwyn Bancroft Gayle Maddigan Natalile Greenwood Narragunawali in Canberra Sylvia Kleinert Sally Morgan Design in the Commercial Area Organisations art-aborignal, australian-contemporary
