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Eltham District Historical Society Inc
Photograph, John Serle House and Studio (1971)
Image 27 John Serle House and Studio 1971 Designed by Alistair Knox Built by owner The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcaistair knox collection, houses, john serle, john serle house, mud brick construction -
Eltham District Historical Society Inc
Photograph, Tools of the trade
Image 28 Tools of the trade The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcaistair knox collection, mud brick construction, tools -
Eltham District Historical Society Inc
Photograph, Possibly Deborah Halpen / Macgregor Knox House
No image number Possibly Deborah Halpen / Macgregor Knox House The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcaistair knox collection, deborah halpen, houses, macgregor knox house, mud brick construction -
Churchill Island Heritage Farm
Clothing - Lace Collar
A five petal machine made lace collar, this item would be attached to the neckline of a garment and appears to be designed to lay flat although a little starch applied could make it stand up like petals around the neck. The Folk Art style rose between two rosebuds design is simple and outlined in fine black thread as are the scalloped edges of each collar petal The design being embroidered on to net leads one to believe that this was made on a Cornely machine. The Cornely machine had a great impact on the embroidery industry. It developed from hand tambouring and contemporary inventions in the field of sewing machines and was the first single-needle embroidery machine. It was easy to use, could be used in the home or a small workroom and as the mechanism developed it became difficult to distinguish machine from hand sewn. Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries.Cream lace collar with black edging. Rosette pattern and some scalloping around selvage edge. Machine made lacelace, churchill island, janet amess lace collection, amess, collar, garment, clothing, machine -
Women's Art Register
Book - Monograph, Wakefield Press, Annette Bezor. A Passionate Gaze, 2000
Monograph on contemporary South Australian artist Annette Bezor.Booknon-fictionMonograph on contemporary South Australian artist Annette Bezor.gender, oil painting, essay, sexuality, identity, digital art, portraiture, laser prints -
Women's Art Register
Book - Catalogue, National Gallery of Australia, Joy Hester and Friends, 2001
... Motte '03' Joy Hester was a founding member of the Contemporary ...Catalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.Booknon-fictionCatalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.contemporary art society, angry penguins, painting, watercolour, gouache -
Women's Art Register
Book, Lucy R. Lippard, From the Centre. Feminist essays on women's art, 1976
Following an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance -
Women's Art Register
Book, Perth Institute of Contemporary Arts, In the Company of Women. 100 Years of Australian Women's Art from the Cruthers Collection, 1995
Book -
Women's Art Register
Book, Fiona Foley et al, The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art, 2006
A collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists.non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture -
Churchill Island Heritage Farm
Photograph - Photograph of man churning butter
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day.Colour photograph of man in contemporary costume churning butter in the kitchen of Amess House [catalogue number written on reverse in pencil]churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Colour photograph of seated group
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This photograph shows the extensive involvement and assistance of volunteers at Churchill Island throughout the decades.Colour photograph of group of two women in period costume seated opposite a man in contemporary clothing. The group is gathered in front of a fireplace in Rogers Cottage [catalogue number on reverse in pencil]churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of women in a garden
Churchill Island has a large photograph collection dating from the late nineteenth century. This series shows the previous owner of the Island - Sister Campbell - with two other women and was probably taken in the 1950s. This is a contemporary reprint.Photograph of three women wearing red cardigans standing in a garden with a smaller blonde boy in the background.EASTER 1957/SISTER CAMPBELL/JOAN EVAN/ALMA TIMBLER(?)[written on reverse in pen] [catalogue number on reverse in pencil]churchill island, photograph, sister campbell -
Churchill Island Heritage Farm
Photograph - Photograph of women in garden
Churchill Island has a large photograph collection dating from the late nineteenth century. This series shows the previous owner of the Island - Sister Campbell - with another woman and was probably taken in the 1950s. This is a contemporary reprint.Photograph of two women wearing red cardigans standing in a garden in front of Amess HouseEASTER 1957[written on reverse in blue pen] EASTER 1957[written on reverse in red pen] [catalogue number on reverse in pencil]churchill island, photograph, sister campbell -
Churchill Island Heritage Farm
Photograph - Photograph of market stalls and hay bales
Churchill Island Heritage Farm has a large photograph collection.Colour photograph of a small line of market stalls with green marquee roof, with a group of people in a blend of contemporary and historic dress assembled to the left of the frame and a small tree surrounded by four hay bales in the foreground.KODAK PROCESSING/JAN.82 [stamped in middle on reverse] Catalogue number written on reverse in pencil churchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of group
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a group of people in a mix of historical and contemporary dress. Some are standing, some seated on chairs, and some seated on haybales. In the background, a green, white, and blue marquee is set up, and is emblazoned with the Victorian Farmers Insurance Agency logo and the Victorian Farmers Federation.catalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of two children and group
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a group of people wearing a mix of contemporary and historical dress, gathered to the right side of the frame. In the centre, two small girls stand in historical dress in front of Amess Cellar.catalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of children and group
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a group of people wearing a mix of contemporary and historical dress, gathered to the right side of the frame. In the centre, a girl in a purple dress chases a boy wearing contemporary clothing in front of two people in red. They stand in front of Amess Cellar.catalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of a crowd of onlookers
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a group of people in a mix of historical and contemporary dress, some standing and some sitting. They are gathered together, looking to the left of the frame, with a partially visible marquee on the right.catalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of an exhibition display
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around the Phillip Island area.Photograph of an exhibition display inside a corrugated steel shed showing four large black and white photographs of working horses and farm machinery. The corkboard has been mounted on wooden beams in front of farm machinery.catalogue number written on reverse in pencilphotograph, exhibition display -
Churchill Island Heritage Farm
Photograph - Photograph of Amess Barn machine display
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of Amess Barn machine display taken from the inside. Photograph shows machinery and information plaques.catalogue number written on reverse in pencilphotograph, exhibition display -
Churchill Island Heritage Farm
Photograph - Photograph of Churchill Island Shop
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of section of the Churchill Island Souvenir Shop showing a number of displayscatalogue number written on reverse in pencilphotograph, churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of Souvenir Plate
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of a souvenir plate with a monochromatic painted scene of Lieutenant Grant on the Lady Nelson naming Portland Bay. catalogue number written on reverse in pencilphotograph, churchill island, grant, lady nelson, souvenir -
Churchill Island Heritage Farm
Photograph - Photograph of Phillip Island & District Historical Society Display
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of an exhibition display of items involving the exploration of Phillip Island and Churchill Island established by the Phillip Island & District Historical Society Displaycatalogue number written on reverse in pencilphotograph, churchill island, grant, lady nelson, souvenir -
Churchill Island Heritage Farm
Photograph - Photograph of Tibetan monk folding clothes into a trunk
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of a kneeling Tibetan monk folding clothes into a trunk surrounded by items. Taken in front of Amess Barn with prayer flags in the background.catalogue number written on reverse in pencilphotograph, churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of Tibetan monk sitting in front of a trunk
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of a kneeling Tibetan monk sitting in front of a trunk with stalls and other monks and visitors in the background.catalogue number written on reverse in pencilphotograph, churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of Tibetan monk and a teenage boy
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of a Tibetan monk and a teenage boy posing for the camera. The monk is holding a white camellia and they stand in front of a canvas display mount.catalogue number written on reverse in pencilphotograph, churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of Tibetan monk and a woman
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of a Tibetan monk holding a white camellia and posing with a woman. They are standing in front of a canvas mounting board. catalogue number written on reverse in pencilphotograph, churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of a Tibetan monk
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of a Tibetan monk wrapping a yellow piece of fabric around a large wooden tent-polecatalogue number written on reverse in pencilphotograph, churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of a Tibetan monk unwrapping items
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island.Photograph of a Tibetan monk standing at a table, unwrapping a wooden item covered in bubble wrap. catalogue number written on reverse in pencilphotograph, churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of a Tibetan monk posing with a man
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around Churchill Island. Former employee, Scott Campbell has been photographed alongside a visiting Tibetan Monk.Blurry photograph of a man playfully posing with a Tibetan monk who wears a cattleman hatcatalogue number written on reverse in pencilphotograph, churchill island, scott campbell