DECORATE FLOAT IN BACK TO CLUNES 1982. CELEBRATION PHOTOGRAPH TAKEN IN SERVICE AND FRASER STREET, CLUNES.BLACK AND WHITE PHOTOGRAPH MALE AND FEMALE PERSONS IN COSTUME ON DECORATED FLOAT IN PROCESSION. BACK TO CLUNES 1982.DUTCH WINDMILL, KANGAROO, WHITE PARROT.photographs, events and celebrations, back to clunes

Philips light globe with opaque glass and metal socket end (baton-type), fibre cord coming from both sides of the metal socket (on-off switch)Philips Made in Holland ( printed on glass)light globe, in-built switch,

Bendigo Advertiser "The way we were" from 1999. Winding Winch: a steam driven winding winch for a mine, circa 1920. This particular model was made by Hollands Foundry of whom W.J. Holland was a consulting engineer.newspaper, bendigo advertiser, the way we were

The VOC sent its trading ships to the (then) Dutch East Indies to collect spices and other goods. In the 17th century accurate navigation was not always possible and ships might end up on the wild, unchartered West Australian coastline. Item recalls the fact that the WA coast was unintentionally visited by Dutch ships during the 17th and 18th centuries. Because the coast was so unattractive the Dutch did not try to settle the country.Large rectangular timber plaque with scalloped edges depicting historic shipwrecks of Western Australia.An insert reads: "Historic Shipwrecks of Western Australia (Protected as of 1983). Coastal cities are marked with their names and dots along the coastline indicate wreck sites. Most are named and dated; others marked as unidentified. An inset map deals with the area around Fremantle and shows a large number of wrecks. A separate typed notice attached to the map identifies the five known Dutch wrecks - all ships of the VOC - Vereennigde East Indian Compagnie (Dutch East India Company). Further than that there are a distance scale and a compass.

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Boswell in Holland Edited by Frederick A Pottle Publisher: William Heinemann Date: 1952Label on spine cover with typed text PAT 828.6 BOS Pastedown front endpaper has sticker from Warrnambool Public Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, boswell in holland, frederick a pottle

These white clogs were worn by women in the Dutch dance group De Tukkers.

Limoges porcelain is hard-paste porcelain produced by factories in and around the city of Limoges, France beginning in the late 18th century. Limoges had strong antecedents in the production of decorative objects. The city was the most famous European centre of vitreous enamel production in the 12th century. These shoes were bought by Mr. & Mrs. H. N. Lord in Paris in 1966.Pair of miniature porcelain Dutch shoes. White with floral design and gold trim.china, ornaments, clogs, footwear

Adrian ChampCream porcelain chamber pot, featuring a Dutch scene with windmill in brown and cream.chamber pots

.1) India, Volunteer Service Medal 1939-45 .2) Dutch (DHK 1940-45)Military, army, Navy, Air Force, Merchant Marine .3) India, 1947-48 General Service Jammu & Kashmir 25048 Separation. .4) Dutch, 1945-49 Issued to Dutch Army. War against Indon. Rebels. .5) India, 1965 Rausha Medalfor Bravery 1965numismatics - medals, india, dutch

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - nest and two young of New Holland Honeyeater. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, new holland honeyeater, birds eggs

Part of the small collection of uniforms in DAHC's possession. Like most of these uniform this one stems from the 1950's.Many of the 1950's period uniforms came from people that had been discharged after having served in the Dutch East Indies (now Indonesia) during the Indonesian War of Independence.Dutch miitary long coat with lion emblem brass buttons - of heavy greenish material

Hard cover book. Illustration on front cover, native of former Dutch East Indies.Front cover:Indie. Back cover een Dieben's boek. K1964colonial history, dutch east indies

Two matching drinking glasses produced to commemorate the Dutch European Cup victory of 1988.All inscriptions and illustrations are in orange. One side of the glass depicts an heraldic lion with the inscription: "Nederland Kampioen E.K. '88" The other side shows a soccer ball in full flight with below it the results of the various matches played on the way to victory.

3 copper 1 cent coins with holes in the centre issued for The Dutch East IndiesOn one side: Nederlandsch Indie 1945; on the other the same information in Sanskrit.

Small blue pocket dictionary Italian -Dutch. Navy blue with red page facesdictionary

Two Children in trailer wear dutch costumes with a windwmill. trailer decorated with paper Tulips.concongella school parade

These light bulbs were in a house at 37 Gladstone Street Orbost which was built around 1928 for Oliver and Edith Hanrahan. The globes were still working when the house was bought in 1983 by Paul Dawson.Two clear glass elongated electric light globes. .1 - 230-40WT Philips Made in Hollandlighting philips & co. light-bulb

black and white photo on cream board. Adolescent females dressed in dutch costumes 'Gretchen' painted on fan shape on laps of two girls in front row. Group of 48 all wearing Dutch caps and 2 plaits with a ribbon each.unknownperson, group, gretchen group

The New Holland Honeyeater can be found throughout southern Australia, from about Brisbane, Queensland to just north of Perth, Western Australia. They are native to Australia and are named after Australia's first name (new Holland). This specimen is mounted correctly but looks different to the typical images of this bird because it is a younger New Holland Honeyeater and is; therefore, brown in colour instead of the typical black. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Young New Holland Honeyeater is brown in colouring and has grey glass eyes (like this one) while adults are black and white with white eyes. Both have a large yellow wing patch and yellow sides on the tail. It has a small white ear patch, a thin white whisker at the base of the bill. This honeyeater is an active bird, and rarely sits still long enough to give an extended view. Sexes are similar in looks, but females are slightly smaller in size.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, new holland honeyeater, brown, black, yellow, australia, new holland

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows different events and the community engagement fostered over the last few decadesColour photograph of a man seated in front of an outdoor fire rimmed with bricks, and a colonial dutch oven and water tank placed among the flames. People are seen walking in the background, along with another firepit with two dutch ovens partially covered by coals.catalogue number written on reverse in pen churchill island, photograph

Maastricht, Holland, was the city where Petrus Regout established the De Sphinx pottery in 1836. De Sphinx operated under the name Petrus Regout & Co. until 1899. The firm was noted for its transfer-printed earthenware. Many factories in Maastricht are still making ceramics. The plate was created to celebrate the silver jubilee of Queen Wilhelmina in 1923.A ceramic plate decorated in blue with pictures and words. Central to the image is a coat of arms featuring a central lion and 4 identical hunting horns. The whole is surmounted by a crown. The rim is decorated with orange blossoms.The words read: "Mijn schilt en de betrouwen Syt Ghy O God myn Heer. Op U soo wil ick bouwen Verlaat my nimmermeer." These are words from the second verse of the National Anthem recorded in Old Dutch. The dates 1898-1923 also feature on the front of the plate. The back bears the maker's stamp, an imprint of a small arrow, an imprint of ¾ and the words "Made in Holland". The maker's stamp reads: "Petrus Regout & Co Maastricht". It is surmounted by a sphinx. There are also two holes in the rim to enable hanging of the plate.