Mr Perkins joined the police force in his early twenties and apart from an 18-month posting in Melbourne, spent the rest of his career serving communities in country Victoria. He was a keen fisherman and hunter- his first love was sitting on the banks of the Murray River with a fishing rod in his hand. Family camping trips were spent by the river where everyone slept on stretchers with several army blankets underneath and a wheat bag wagga on top. This wagga is made from two standard sized jute wheat bags split and hand bound along the seams. It is typical of a basic wagga made by shearers, farmers and swagmen. The paint stains on this wagga display signs of later use as a painting drop sheet by descendants who inherited the quilt. Quilt made of two standard size jute wheat bags (a bushel = 150lbs) split and hand bound along seams. It is an example of the basic type of wagga made by shearers, farmers or swagmen. Another use for the wagga was as a 'drop sheet' when doing house painting- possibly explaining the paint stains on the wagga.quilting history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), perkins, mr percy, quilting - history

Civilian Registration Identity Card issued to Douglas Frederick Orford of Irvines Road, Eltham, a student of Eltham Higher Elementary School, signed by subject and witnessed by E.T. Orford, farmer of Eltham. This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.civilian registration (british subjects), eltham, ernest thomas orford, identity card, irvines road, second world war, ww2, douglas frederick orford, eltham higher elementary school, 1943

Interment Receipt from the Bendigo Cemetery for the Interment of Charles George Lea. Received from W. Farmer. G. Redpath Sexton.person, individual, interment certificate, lea family documents, bendigo cemetry interment receipt no 24333, h w farmer, charles george lea, g redpath

Two Bendigo Advertiser stories of local longtime Strathfieldsaye farmer Doug Somerville and his family experience of growing up in the area.

Sepia toned photograph of steamer PS Tanjil picking up produce from farmers landing along the Tambo River Victoriaboats and boating, waterways

This photograph was taken from the balcony of the Star of the West Hotel. There are three Orbost men in the photograph, front right. They are Frank Nixon, John Johnston and Keith Lynn.This item is associated with agriculture which has always been a significant part of Orbost's history. The men in the photograph are prominent early settlers of the Orbost district.A large sepia photograph on a cream buff card. It is of a large group of men standing in a street.on front - "Farmers' Convention at Port Fairy. Frank Nixon, John Johnston, Keith Lynn"events farmers-convention nixon-frank johnston-john lynn-keith

Silver cup on black baseTrafalgar Young Farmers Bike A. Canna 1974. Best Girl Rider. M. Adams.

Documents. Connelly, Tatchell & Dunlop. 1 - 1902 - Letter in blue envelope addressed to Green, Samuel, Retired Farmer, Lily Street, Bendigo containing account re Walters to you. 2 - 1902 - Account in blue envelope addressed to Dixon Mr Jacob, Farmer, Woodstock West. 3 - 1903 - Account to Collins Mrs in blue envelope.cottage, miners, connelly, tatchell & dunlop, green samuel, walters, dixon mr jacob, collins mrs

Collection of newspaper clippins from a Scrap book 1960 - 1973Article on the laying of 12 miles of pipe to tap the main line from the Candowie Reservoir to farmers, a quarry and Len Lukey's Racing Circuit.drought relief on phillip island, pipe line on phillip island, newspaper clipping, jean jamieson

Collection of Newspaper clippings from Scrap Book 1960 - 1973Photo and article on Phillip Island senior young Farmers Club film "Pirates on Phillip Island", made to be shown at the Newhaven Boys' Home.phillip island senior young farmers club, "pirates on phillip island" film, jean jamieson, gimi stoppa, rodney patten

The objects relates to a period when old-fashioned objects were reproduced in brass (often in miniature) and bought for collections.A brass replica of the the milk measures used in the days the dairy farmer delivered milk out of large cans brought from the dairy farms.2 DL

Various South Vietnamese Postage Stamps. Twenty two colourful stamps depicting scenes, soldiers, farmers, tradtional figures, flowers and buildings.stamp, south vietnam, postage

Colour photograph of teachers D Henshaw Julie Farmer in green cardigan clerical assistant Leonie Stribley primary school Johnsonville Victoriaschools, school teachers

Childrens names printed as part of photograph.Colour photograph of thirty three named children with teachers D Henshaw and Julie Farmer of Johnsonville Primary School, incudes two teachers.schools, students, school teachers

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Miss Elaine Jones (daughter of farmer Les Jones), standing in the library and holding three boomerangs. Books and other museum exhibits in the background.local history, photographs, miss elaine jones in the library, black & white photograph, miss elaine jones, library, boomerangs, john jenner, bryant west

When early settlers began to arrive on the Snowy River somewhere in the 1880s, the land was mostly swamps and heavily timbered jungle on the river frontages. The swamps were drained bit by bit using hand tools. The frontages were cleared by axe and shovel and fire. Several kinds of crops were experimented with such as hops, hemp and maize. Maize grew particularly well and became the main crop of the district. (info. from October 2006 ODHS Newsletter) The Argus was a morning daily newspaper in Melbourne, Australia that was established in 1846 and closed in 1957. It was considered to be the general Australian newspaper of record for this period.Maize-growing has been an important agricultural industry in the Orbost district since early settlement. This item is associated with that history.A typed letter sent to a local maize farmer requesting information on maize growing. The letter has the "Argus" letter head. The name of the recipient is unknown.maize agriculture-orbost correspondence-argus

BHS CollectionBendigo Advertiser ''The way we were'' from 2003. Hard work: farmers cut chaff hay under the hot sun. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white photograph of farmer with two horse team pulling reaper and binder driven by Thorpe Burne Snr at Collemondah Kalimna West Victoriaagriculture, farming

In the early 1980s the firm of Watson, James & Rogers merged with the partnership of Every & Every and became the iconic “Rogers & Every” as known today. The firm is still located on Bull Street. https://rogersevery.com.au/about/* Indenture between William Emmett of Mologa, Farmer, and John Roberts Hoskins of Sandhurst, Timber merchant. Dated August 1886. * Assignment between William Emmett of Mologa, Farmer, and John Roberts Hoskins of Sandhurst, Timber merchant. Dated August 1886 * Account of Sales of horses, cattle, Farm implements etc. sold at auction on account of William Emmett by R O'Neil, Auctioneer.Signaturesr o'neill, j r hoskins, timber merchant

This piece of music, ‘First Love’, dates from the 1850s and was composed by Henry Farmer (1819-1891). Born in Nottingham, Farmer was an organist and composer and conductor of the Nottingham Harmonic Society from 1866 to 1880. He dedicated this music to Miss Hal Chaworth Musters. It is not known who ‘Miss Hal’ was but the Chaworth name was an ancient one in Nottingham and marriage with a member of the Musters family brought into being the name ‘Chaworth Musters’ and the estates included Annesley, Edwalton and Wiverton. The signatures on the front cover indicate that this music is connected to two early families in the district. Stephen Henty owned Cadnook (Kadnook), near Harrow, in the 1850s and sold it to Mordaunt Smalpage (or Smalpaige) in July 1859. Stephen Henty, who came to Victoria in 1836, was the brother-in-law of Captain Helpman, the Warrnambool Harbour Master from 1861 to 1869. They were co-owners of the ‘Champion’ which plied between Portland and Melbourne until it was wrecked off Cape Otway in 1857 when it collided with the ‘Lady Bird’.This is a most significant item because of the signatures on the front cover. Stephen Henty was important, not only in the history of Victoria, but also in the history of Warrnambool because of his connection with coastal shipping and his relationship with Captain Helpman. As far as we know the Hentys never lived in Warrnambool but it is possible that this music was played on the ‘Henty’ piano that was donated to the old Warrnambool Museum in 1889 and is now in the Warrnambool Art Gallery. The Hentys brought six pianos to Victoria in 1837. The music is also important in social history as an example of the music that was played in mid-Victorian drawing rooms. This is a piece of music of seven pages printed back to back (cover and 11 pages of musical notation) The pages have black printing on white with a multi-coloured front cover. The cover has a stylized portrait of a man and woman in period costume. The woman is holding an urn of flowers. Some of the pages are loose and the page folds and corners are tattered and torn. The name ‘Smalpaige ‘is written in ink and the name ‘Henty’ is written in pencil. Front Cover: ‘Mrs Smalpaige, Cadnook, 8th Aug/59’ ‘S.Henty, 8 August 1859’ ‘First Love’, ‘Valse dedicated to Miss Hal Chaworth Musters by Henry Farmer, London, Published by Joseph Williams, 123, Cheapside, Solo, 4, Duet, 4, Septett, 3/6, Full Orchestra, 5/-, Ent. Sta. Hall.’ stephen henty, mrs smalpaige, warrnambool, first love sheet music, history of warrnambool, henry farmer

Victorian Farmers' Union - 23 page Constitution and Rule Book; adopted by Third Annual Conference, September 1918. Printer: J. F. Bracken, Melbourne.organization, business, farming

Account for Income Tax Return for Mrs. J. Weymes, Farmer, Laanecoorie from Tatchell, Dunlop, Smalley & Balmer, Solicitors, Bendigo. Dated Feby. 1910.business, legal, connelly & tatchell, connelly & tatchell collection - document, mrs j weymes, tatchell dunlop smalley & balmer

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola and fellow artist John Farmer, admiring what may be Max Meldrum's painting 'Chair'. The photograph is from the Alma Figuerola photograph album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Farmer on Ferguson tractor (tractor appears to have a carrier behind it). Markings: Using Buck rake to push grass into ensilage pit. Used as a teaching aid.Kodakfarming, wimmera, buck rake, mouat crawford collection

These Victorian Almanacs were published from 1859 to 1916. They contained information of interest to all Victorians, especially historians, businessmen, farmers and gardeners and must have sold many copies in Warrnambool, particularly before the local Warrnambool Standard Almanacs began publication in 1875. These booklets are of interest as examples of 19th century almanacs published in Victoria. They are also somewhat similar to the Almanacs published annually by the Warrnambool Standard newspaper from 1875 to 1930. The 1869 Almanac is of particular interest as it has on the front cover the printed name of James Hider, stationer and bookseller of Warrnambool. James Hider had been a carpenter, a land agent and a rate collector before opening a shop in Timor Street, selling books and stationery and operating a Circulating Library. In 1865 Hider set up as a photographer and was still operating this business in 1878. He was active in community organizations, including the Mechanics Institute, the Fire Brigade, the National School, the Musical Group and the Benevolent Society. He was also a Councillor and a Mayor in the 1860s. It is interesting to note that his name does not appear to have been been added to the 1869 Almanac cover but is part of the original printing. These are two soft cover booklets of 60 pages each. The back covers of both are missing and the 1868 booklet has some back pages missing. The 1868 Almanac has a black and white cover with ornamental scrolls and the 1869 booklet has a red, green black and cream cover with an ornamental border and images of flora and fauna. The 1869 Almanac cover has a Coat of Arms with Advance Australia printed at the bottom of it. The 1869 Almanac also has a map of Victoria as an insert. Both almanacs contain an historical calendar, Victorian Parliamentary information, data on Victorian cities, postal regulations, farmers’ and gardeners’ guides etc. Both contain advertisements relevant to Melbourne. Both have been bound with string. victorian almanacs, annual journals, james hider, bookseller and stationer,, warrnambool.