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Bendigo Historical Society Inc.
Document - 1992 NOSTALGIA MYER'S CALENDAR
1992 Nostalgia Calendar Myer's Bendigo on glossy paper held together by metal binding. Front cover shows two adverts dated 1917-1918, Myers Bendigo and 1920 - Sydney / the inside pages show various black and white photographs, and painted period advert fashion posters. Enclosed in a cream Myer folder.Printsec Cambec / Myer Stores Ltd Archivesbooks, fashion, myer -
Whitehorse Historical Society Inc.
Clothing - Stockings
Collected by Dora SommersNylon fully fashioned stockings , top in cotton.costume, female, female underwear -
Tennis Australia
Book, 1998
Book: AFTER A FASHION Materials: Ink, Papertennis -
Tennis Australia
Book, 1998
Book: THE VOICE OF FASHION Materials: Ink, Papertennis -
Federation University Art Collection
Artwork - Bookplate, Ex Libris Prue Acton
Framed Bookplate for fashion designer Prue Acton.bookplate, framed bookplate, available, available bookplate, prue acton, available framed bookplate -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO PEOPLE
Gas and Fuel Fashion,Food,Fitness. Group on stage - 2 males 6 females in what looks like a fashion parade. Date and location unknownevent, social, gas & fuel fashion, food, fitness -
Kilmore Historical Society
Ensemble, c1970
Clothing belonging to Joyce Knight, Kilmore family.20th C. ladies ensemble. Rear buttoned blouse and turquoise jacket with blouse fabric trim."Styled & made by Young Fashions" "Melbourne" "Double knit jersey/100% acron/ The new fashion synthetic"knight -
National Wool Museum
Book, Knitting, Vogue Knitting Book Fall-Winter 1961
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by American Vogue and contains knitting patterns for womens garments and mens jumpers.VOGUE / KNITTING / FALL-WINTER 1961 / 50c / 50 FASHIONS / FOR YOU / TO KNIT / new shapes / new textures / new colours / THE LITHE LOOK / IN KNITTED DRESSES / BOUTIQUE / OF SWEATERS / FOR MENknitting fashion, vogue - america, knitting, fashion -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: HIGH FASHION
Bendigo Advertiser ''The way we were'' from 1999. High fashion: Melba frocks and exclusive fashions at the corner of Pall Mall and Mitchell street, circa 1950s.newspaper, bendigo advertiser, the way we were -
National Wool Museum
Book, Knitting, Vogue Knitting no. 3
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue and contains knitting and crochet patterns for womens garments.VOGUE KNITTING / No. THREE / 3/- / THE KNITTED / LIFE IN / AUTUMN / FASHION / DRESSES WITH EASE / AND ELEGANCE / FOR ALL AGES / SIMPLE LINES IN / TOWN AND / COUNTRY / SWEATERS / COAT-DRESSES / AND COATSknitting crochet fashion, vogue - english, knitting, crochet, fashion -
Kiewa Valley Historical Society
Hook Button, late 1800's to mid 1900's
This item and its use and design spans the 1800's to early 1900's both in its fashion and application requirements. The genteel factor must be made when applying it to the Kiewa Valley. The evolution of general clothing and apparel has moved from solid(long lasting) and sometimes expensive material and fasteners to a cheaper and more "throw away" fashion of sometimes monthly change in the later 1900's to 2000's.The significance of this item to a rural setting such as the Kiewa Valley not only points to an integration of "modern" fashion in semi remote rural Australian environments but also the limited connections to "high" fashion through magazines and audible (radio) and visual (cinema) advertising. It also "spotlights" the differences between the European and British social networking and lack of interaction between towns and counties to the "Australian" levels of interactions between rural and city environments. Although physical distances in Australia, during this period (1800's to early 1900's) was a retarding factor in the diffusion of the latest fashion apparel it was not as noticeable as when the global communication and the physical travel abilities were "exploded" in the latter 1900's. This shift towards "the smaller" globe scenario has overcome the physical distances that were so apparent in the previous century.This silver button/glove hook was based on late 1800's designs when buttons became more integrated and fashionable than "tie up" laces. This was more so in genteel fashion. The main hook extension from the "pronged" hand piece has been constructed in a way that allows for easy replacement by either longer or shorter hooks.costume accessories, footwear, shoes and boots with buttons, gloves, costume -
Clunes Museum
Photograph - SEPIA PHOTOGRAPH, BAWDEN - PHOTOGRAPH - CLUNES
UNKNOWN PEOPLE, THE PHOTOGRAPH CAME IN COLLECTION OF BARKELL'S PHOTOGRAPHSSEPIA PHOTOGRAPH OF THREE LADIES WEARING IN THE FASHION OF THE DAYNILlocal history, photography, photographs -
Kew Historical Society Inc
Clothing - Turquoise Raw Silk Coat Dress, Renny, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This item was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Turquoise coloured raw silk coat dress. The dress includes a belt of the same fabric and colour. Renny Pty Ltd was a major fashion house in Melbourne in the 1960s winning awards for innovation in design, particularly those awarded by the wool industry.Label: Rennyrenny, women's clothing, australian fashion - 1960s, mcintyre collection -
Brighton Historical Society
Dress and vest, Dress and tunic vest, circa late 1960s
This dress belonged to Nola Jennings, a long-time Brighton resident. Bindi of Melbourne was the youth label of Australian commercial fashion house Len Vogue.Long-sleeved crimplene dress (.1) with white bodice and short purple skirt. High collar, cuffs and waist have a purple and yellow checkerboard-patterned trim. Four self-covered buttons down the centre front of skirt. Zip at back. Long purple tunic vest (.2) worn over the top.Label in both dress and vest, white with black text: "Fashioned for / Bindi / of MELBOURNE" Two smaller labels at bottom: "SIZE 10 / TO FIT / BUST 32" / HIP 34"" and "CRIMP TERY. / C 145 4".nola jennings, 1960s, bindi of melbourne, len vogue -
National Wool Museum
Booklet - Albany Fashion Suitings, Albany Woollen Mills
Folded card brochure with printed blue text on the back and front. Fabric samples attached with hand written text on the inside.front: [printed] ALBANY / FASHION SUITINGSsamples, fabric, brochure, albany woollen mills, school uniforms -
National Wool Museum
Booklet - Albany Fashion Suitings, Albany Woollen Mills
Folded card brochure with printed blue text on the back and front. Fabric samples attached with hand written text on the inside.front: [printed] ALBANY / FASHION SUITINGSsamples, fabric, brochure, albany woollen mills, school uniforms -
National Wool Museum
Booklet - Albany Fashion Suitings, Albany Woollen Mills
Folded card brochure with printed blue text on the back and front. Fabric samples attached with hand written text on the inside.front: [printed] ALBANY / FASHION SUITINGSsamples, fabric, brochure, albany woollen mills, school uniforms -
Whitehorse Historical Society Inc.
Clothing - Fur Jacket, 1970s
Worn by donor's daughter during the 1970s.Fake fur jacket with cream to brown VanDyke stripe pattern of fur. Wide raglan sleeves. Slit front pockets, fully lined in brown rayon material.Sabena Fashions of Melbourne 30% Polyacrylcostume, female, fur jacket -
National Wool Museum
Book - Pattern Book, Patons Knitting Book, No. 696, Patons and Baldwins, 1960s
Twenty four page knitting pattern book featuring black and white text and images. The colour cover shows a woman wearing a green knitted cardigan.front: [printed] PATONS / MAYFAIR / FASHION CREPE / PATONS BOOK / No. 696 / Patons / KNITTING BOOK 696 / WITH T.V. DESIGNS / Page 18 / 2'6fashion, design, knitwear, home made, wool, pattern book, patons -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920c
Also enlargement copy 16 x 25 cm|The house to the left was purchased by Mrs Hehir as extension to boarding house. On back - left Drapery? Mitchelson (Alvene's parents) and later double storeyBlack and white photograph of Kiaora House, showing a weatherboard building with iron roof. House to left. Balcony over the veranda four men standing on balcony, accessed via external narrow stairway. Twelve people in front of Kiora House, women in 1920 fashion. Sandy shore and lake in foreground. Lakes Entrance Victoria guesthouses, tourism, waterfront, fashion -
Greensborough Historical Society
Article - Article, Journal, Ann Dixon, Crinolines and bustles: collecting historical women's dresses 1820-1940, by Ann Dixon, 2016_06
Guide to collecting women's apparel, including descriptions of changing styles and fashions during the period 1820-18407 p. text and colour photographsFrom the magazine "The Genealogist" published by AIGSwomens costume, women's clothing, fashion, ann dixon -
Whitehorse Historical Society Inc.
Clothing - Stockings, 1960's pre
Ladies brown stockings, seamed, with fully fashioned heel and toe.costume accessories, female -
Whitehorse Historical Society Inc.
Photograph, Water hydrant, Mitcham, 1998
Coloured photograph of an old fashioned hydrant in Benares Street, Mitcham.water hydrant, water -
Kew Historical Society Inc
Print - Framed Fashion Plate, E Harrison, The Young Ladies' Journal, 1865
The Young Ladies Journal was first published by E. Harrison. It was issued from 1864 to 1920Framed fashion plate from 'The Young Ladies' Journal'. No.2. 'Robes de la Mon. Gagelin - Fleurs de la Mmme L. Loudre - Passementeries de la Ville de Lyon - Lingeries et Coiffures du Lys de La Vallee - Foulards pour robes de la Malle Les Judes - Modes de Mme Lecoute - Corsets de Lupons de la Mon. Simon - Parfumeries de la Mon. Legrand. London E. Harrison and all Booksellers.young ladies journal, e. harrison, fashion print -
Canterbury History Group
Ephemera - Realisation Auction 205 Canterbury Road, Canterbury, 2002
Real estate advertisement for the sale of 205 Canterbury Road, Canterbury( [previously Pixie Fashions) by auction on Wednesday 20 November [2002]. Includes coloured photographs of the exterior and interior of Pixie Fashionscanterbury, canterbury road, canterbury buildings, victorian style, pixie fashions, clothing shops, shops -
8th/13th Victorian Mounted Rifles Regimental Collection
Tie bar and cuff links
In August 1940, 13th Light Horse (Gippsland) converted from horse to mechanised initially as 13th Motor Regiment then 13th Armoured Regiment. Trained in Victoria and as the Japanese threat to the mainland declined the regiment was disbanded in October 1943. It is likely these fashion items were made after the war and worn by a member of the regimental association.A fine example and in excellent condition of regimental memorabilia intended to identify a former member of a World War II armoured regiment.Gilt tie bar and pair of matching cuff links with enamel colour patch of the 13th Armoured Regiment AIF. 13th armoured regiment, fashion -
National Wool Museum
Book, Wool: eminently suitable
"Wool: the fashion fibre" - Australian Wool Corporation, c.1985. Examines the use of wool for mens garments and includes descriptions of processes and styles.fashion textile production, australian wool corporation, fashion, textile production -
Whitehorse Historical Society Inc.
Craft - Apron pattern
Calico sheet with stencil for making apron. Shape of apron in broken line with stencil pattern for embroidery of mexican donkey pulling flower cart. Attached is a sheet with colour references for embroidery.Semco Fashion Pattern Semco Design K912handcrafts, needlework -
Whitehorse Historical Society Inc.
Craft - Apron Pattern
Calico sheet with stencil for apron indicated by broken line. Stencil pattern for embroidery of door and two windows, shutters steps and two dogs.Semco Fashion apron Semco design K897handcrafts, needlework -
Coal Creek Community Park & Museum
Equipment - Display
Fan shaped cardboard display for cigarette holders containing two cigarette holders. Sits upright on surface because of cardboard back support.Marked on front: LATEST FASHION 60c, CZECHOSLOVAKIA