Rectangular Union Jack flagGR 'V'

Photo of the body of ESCo No. 3 in Cobden St, Mt Pleasant 12-1-1946. Has the details on the rear of the photograph. This tram began its life as a Sydney C class electric tram, possibly No. 14. It was scrapped in 1935. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeYields information the condition in 1946 of an old ESCo Tram body that was sold.Digital image from the Wal Jack Ballarat Album.on rear in ink "SEC / Ballarat / Old No. 3 original electric (body) Mount Pleasant / 12-1-46" and the Wal Jack stamp with "T102"trams, tramways, esco, scrapped trams, tram 3

During his service, Jack McIntyre sent this letter of well wishes to Lola Robinson, who resided in Fitzroy, Victoria.Piece of white paper with three objects taped/glued to it: a small bunch of heather, an envelope, and a letter. There is also a separate piece of paper taped to the top that has typed words. Letter: With Best Wishes for / A Happy Birthday / Jack / 1917 Envelope: In Active Service / To Miss Lola Robinson / Highbury / 184 Holden Street / Nth Fitzroy / Victoria / Australia (side): BATTALION PAPER Piece of paper at top: Heather from Scotland / WW 1.ww1, world war one, war correspondence

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 49, “B & H Jack” and was made at the Edison Laboratory USA. C. 1905On lid “Edison Record No. 49”, written in pencil “B & H Jack” (it looks like this) On cylinder “EDISON GOLD MOULDED RECORDS ECHO ALL OVER THE WORLD” Patents listed for 1904 & 1905warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

Cable/rope-drum Jack, wooden stand with metal parts painted greyflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Cable/Rope-drum Jack wooden stand with metal parts painted greyflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Photo of ESCo cross bench tram No. 20 and ESCo 2 at the intersection of Sturt and Lydiard Streets, with the post office in the background, Summerscales offices, Robbie Burns statue, Vita Studio, and George Payne Jewellers in the background. The conductor on the rear of No. 2 is holding the trolley rope, while the driver of No. 20 is watching the road closely. The conductor of the tram is reboarding or about to alight. No. 20 has the destination of Gardens via Convent. Other trams are in the background. Wal has dated the photograph about 1909. Note the point frog or pan in the overhead above No. 20. See image i2 for the rear of the photograph and image i3 for a hi-res scan of the photograph. See image i4 for a hi-res scan of the copy negative, with a drawing pin mark in the top left-hand corner,Yields information about the use of ESCo trams c1910 and the overhead.Digital image from the Wal Jack Ballarat Album.On rear of photograph in ink: "T161, Ballarat Tramways No. 20 Summer Car & No. 2 old Type, Sturt St. Ballarat 1909 / W. Jack Collection."trams, tramways, esco, cross bench tram, sturt st, post office, lydiard st, tram 20, tram 2

Coloured photo of Mary Jack (Jackowsky)jackschowsky, mary elizabeth, schwerkolt, johann august, maria catherina wilhelmine

Union Jack flag in original shape

Cooper served as Captain of the Bacchus Marsh Country Fire Authority. Dates unknownPortrait photo of Captain Jack Cooperlocal identities, emergency services

Yields information the construction of the depot fan by the BTPS and the various stages of the work and the trams at the time.Black and white photograph of the depot fan from extension of three road, March - April 1973 - track work complete for crossover, 3 road extension, but the poles and troughing yet to be started. Photographed on an open day. Jack Chadwick photograph. See - 1972-73 Annual Report - list of dates."Jack Chadwick" in ink on the rear.trams, tramways, depot construction, btps, trackwork

Rectangular Shaped white paper with black type.Looking back - Jack Black .looking back, poem, lara r.s.l.

2 young men in 3 piece suits with walking sticks. 1 Standing, 1 sittingBob Grey and Jack Dalziel

Official opening of the Karralyka Centre - Cr. Jack McRae, Chairman Civic Centre Committee addressing the gathering. +Additional Keywords: McRae, Jack (Cr)

Ink on paper technical drawing for screw jack technical drawing, screw jack

Monument to Jack Donaldson at Central park Stawellmonuments, jack donaldson

Four colour portrait photographs of Jack Barker, the inaugural Director of the Ballarat Institute of Advanced Education and the Ballarat College of Advanced Education. .1) - .4) Jack Barkercolour photograph, jack barker, e.j. barker

Framed colour photographic portrait of E.J. (Jack) Barker.jack barker, portrait photograph, available, e.j. barker, ballarat institite of advanced education, ballarat college of advanced education, director

Framed colour photographic portrait of E.J. (Jack) Barker.Edward John Barker, O.A.M. Principal, SMB 1964-1976 President, SMB Council 1991-jack barker, portrait photograph, available, e.j. barker, ballarat institite of advanced education, ballarat college of advanced education, director, principal, council

MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.These images are significant because they depict aspects of the life of a pioneering family of Falls Creek and the founders of "Skyline", the first lodge at Falls Creek.Images of some of the founders of Skyline Lodge. 1. Jack Minogue, Ray Meyer, Skippy St. Elmo and Tony Beveridge 2. Ray Meyer at Quartz Ridge Mt Bogongfalls creek, victorian snowfields, ray meyer, jack minogue, skippy st elmo, tony beveridge

Yields information about Victoria St and Ballarat trams during the mid 1940's.Digital image from the Wal Jack Ballarat Album of Ballarat No. 18 outbound to Victoria St, at Rodier St intersection. Photo by Wal Jack 6-1-1944. See image i2 for rear of photograph.In ink on rear "SEC Ballarat Tramways No. 18 in Victoria St at Rodier St intersection 6-1-1944" and "W. Jack" in bottom right hand corner.trams, tramways, victoria st, tram 18

An iconic image of a soldier, eyes raised to the sky, taken by photographer Jack Cato in 1932. He used the artist/entertainer Pat Hanna as a model in the photoshoot. Pat wrote down his experience in a moving two page document 'The Story Behind the Picture', it tells how he was moved to imagine the action in France when posing. The image is described as the portrait of a soldier, eyes raised to the sky. This portrait is a study which is called 'The spirit of Anzac' or 'The Digger'. Pat Hanna, said he tried to recreate the "look something between fear and defiance which we have all seen so often, and which will always remain in my memory as typical of our gallant old cobbers 'the Diggers'". A colour image is held in the AWM collection. The photo was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed just after the armistice in France. His popular stage show was 'Diggers' that performed in many towns in Australia post-war and adapted into a film in 1931. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Black and white photo of Pat Hanna as a 'Digger' and a two page recollection of the photoshoot with Jack Cato.Handwritten on photo 'Digger' in black ink in Pat Hanna's handwriting. Handwritten on reverse " 'The Digger', sometimes called 'The spirit of Anzac' / photo Jack Cato / model -Pat Hanna" in black ink. Typed on a paper note 'Spirit of Anzac / Pat Hanna'. Stamped with copyright of The Age in blue ink.hanna, solider, portrait

Photo of the Geelong scrubber on a wide road, single track in Moorabool St at McKillop St - Note the pole with the single track bracket arm. See item 9049 for Wal Jack's notes which dates the photo as July 1950.Yields information about the use of the Geelong Scrubber or water tram.Negative and Digital images of the Wal Jack Geelong Negative file. trams, tramways, geelong, scrubber tram, tram scrubber