Primary School 502 - Grade 1E 1957 Stawell State School No 502 Grade 1E, 1975 Back Row, Trevor Ralph, Ivan Elliot, Dennis Nicholson, Robert Sparrow, Peter Cahill, Larry Redman, Kevin Wilson, Stephen Kent. Second Row, Teddy Hall, John Pauling, Roger Hinde, Greg Court, Craig Canning, James Evans, Clifford Hay, Robyn Elliot, Stephen Clifford, Neil Pickering. Third Row, Doreen Bennett, Moray Faith, Yvonne Howlett, Janine Chester, Judy Cooper, Linda Hemley, Maree Coxon, Marlene Watson, Carolyn Air. Front Row, Gail Earle, Pam Cashin, Robyn Dowsett, Bernice Smith, Beverly Jackson. Group of Primary School Students assembled for class photograph with slate board Stawell School No 502 Grade 1(E) 1957stawell education students

Linda Begg nee Clarke was the 4th daughter of Alfred Edward Clarke (1843-1913) and his wife Caroline Long (1844-1884), and sister of Alfred Rutter Clarke. Her father married Margaret Helen Gowan in 1886. Margaret was the daughter of John Denovan Gowan and the niece of Reverend Kerr Johnston and his wife Eliza Denovan Gowan. The family property, Heatherbrae, Neerim Road, Caulfield, held a picnic on Easter Monday 1909 (12 April). In August 1916 she was honorary secretary of the East Malvern Branch and organised a concert in aid of the St Peter Chapel funds: "A Grand Concert is being arranged by the East Malvern Branch of the Ladies' Harbour Lights Guild, in aid of the Building Fund of the new Seaman's Chapel on the Australian Wharf. The concert will take place in the St. John's Parish Hall, Finch-street, East Malvern, on Monday even in, 4th September. Admission will be 1/. and tickets can be obtained from the hon. sec., Miss Linda Clarke, Heather-Brae, Caulfield." (see Punch article) She was responsible for the Needlework: knitting was a way to support seafarers (see pattern books). Linda, aged 49, married John William Begg in April 1928. He died in 1935.Linda Begg was a longstanding member of the Guild.Rectangular memorial plaque dedicated to Linda Begg who died in 1954 after many years of service. Her husband was J.W. Begg.In loving memory of Linda Begg a member of the Harbour Lights Guild from 1909, secretary for East Malvern 1919-1920, and first secretary for Gardenvale. Died 17th October 1954. I know that my redeemer liveth. plaque, memorial, east malvern, secretary, gardenvale, lhlg, alfred edward clarke, caroline clarke nee long 1844-1884, john william begg, linda begg nee clarke 1877-1954, heatherbrae, caulfield, eliza johnston nee denovan gowan, john denovan gowan, needlework, knitting

These labels come from the Warrnambool chemist business of John Sambell/Sambell and Son/Sambell, Son and Granddaughter. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890. He was a chemist and dentist with previous business experience in Great Britain and Victoria. By 1919 John Sambell’s son, Herbert had joined the business, trading as Sambell and Son (though John Sambell died in 1906) and the shop was located at 151 Fairy Street. In the late 1930s Sambells moved to 90 Fairy Street and was known as Sambell, Son and Granddaughter. Herbert Sambell died in 1943. These labels show some of the many products sold by the Warrnambool chemist business of John Sambell/Sambell & Son/Sambell, Son and Granddaughter, a prominent 20th century Warrnambool business. The labels also remind us that this business was unusual in that in the 20th century it acknowledged a female proprietor along with the male proprietors (Sambell, Son and Granddaughter).1A sheet of paper pasted on to a thicker card. It has a red border and a red cross and blue printing .2 A sheet of paper pasted onto another sheet with red and blue printing and a red and blue border .3 A sheet of paper with a red border, a red cross and blue printing .4 A sheet of paper with red lines, a red cross and blue and red printing .5 A sheet of paper with a red decorative border and blue and red printing .6 A sheet of pink paper with a black border and black printing .7 A sheet of paper with a gold border and blue and gold printing .8 A sheet of paper with blue printing and a red cross .1 Sambell’s Chest and Lung Mixture .2 Sarsparilla Blood Purifier .3. Sambell’s Restorative Tonic 4. Sambell’s Balsamic Salve 5. Sambell’s Emulsion of Cod Liver Oil 6. Sambell’s White Diarrhoea Mixture 7. Sambell’s Elixir Strengthening Tonic 8. Sambell’s Red Cross Dairy Ointment sambell, chemist,, warrnambool, labels

These photographs were taken on November 25, 1976 at the official opening of the current Snowy River road bridge. Included in the photographs are: John Duggan; Pat Hall, C.R.B. chairman, R.E.V. Donaldson (3240.7) and J.A.Rafferty, the state minister for Transport, who cut the ribbon (3240.8). Di Young and Cheryl Dusting (3240.9) distributed souvenir information pamphlets to official guests. The Snowy River road bridge is one of four built as part of the 8.4 km project spanning the Orbost flood plains. The Snowy River bridge and another over the nearby Ashbys Gulch are among the 10 longest bridges in Victoria, being the eighth and fifth longest respectively. The new bridge removed through traffic from Orbost township crossing the Snowy River 45 m downstream of the old bridge.This bridge is the fourth to provide a crossing to the township of Orbost. (info from CRB NEWS No. 34. DECEMBER, 1976) These photographs are pictorial records of a significant event in Orbost's history.Eleven black / white photographs all related to the official opening of the current Snowy River Bridge. Details are in catalogue folder.snowy-river-bridge

Yields information about the alterations made to service trams during a visit of a Governor to Ballarat.Digital image from the Wal Jack Ballarat Album of a photograph of No. 24 ex Mt Pleasant on old curve into Lydiard St North from Sturt St, during period, Sturt St south side was closed between Lydiard and Dawson Sts to all traffic during visit of NSW Governor - Sir John Northcote to City Hall Reception - 15-8-1951. Has a number of pedestrians bicycle and one motor cycle in the view. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC Ballarat No. No. 24 ex Mt Pleasant on old curve into Lydiard St North from Sturt St, during period, Sturt St south side was closed between Lydiard and Dawson Sts to all traffic during visit of NSW Governor - Sir John Northcote to City Hall Reception - 15-8-1951. 11AM". Has W. Jack stamp in top right hand corner and the number T18/PC written in.trams, tramways, sturt st, lydiard st, governors, tram 24

This bottle was used in the pharmacy of Sambell and Son of Warrnambool. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890, taking over the business previously managed by Edward Griffiths. Sambell was a chemist and dentist with previous business experience in England and Victoria. By 1919 John Sambell’s son, Herbert had joined the business, trading as Sambell and Son (though John Sambell had died in 1906) and the shop was located at 151 Fairy Street. The Sambells then built new shops on the north eastern corner of Koroit and Fairy Streets and occupied the corner position. In the late 1930s Sambells moved to 90 Fairy Street and the business became known as Sambell, Son and Granddaughter, with Herbert, the son, dying in 1943. This bottle is of considerable interest as one of the few items we have associated with the important Sambell family pharmacy business in Warrnambool. This is a glass bottle with a rectangular-shaped body with curved edges, a circular-shaped neck and a moulded circular top. The top is chipped and the inside of the bottle is a little discoloured. The name of the chemist is embossed on the front of the bottle. On base: ‘M’ On front of bottle: Sambell & Son, Dispensing Chemists, Warrnambool’ sambell,, warrnambool chemist, chemists in warrnambool, history of warrnambool

This clock was over the door of the shop of Sambell’s pharmacy at 90 Fairy Street. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890. He was a chemist and dentist with previous experience in Great Britain and Victoria. His shop had been conducted by Edward Griffiths in the 1880s. By 1919 John Sambell’s son, Herbert, had joined the business, trading as Sambell and Son, though John Sambell had died in 1906. This shop was located at 151 Fairy Street. The Sambells then built new shops on the north eastern corner of Koroit and Fairy Streets and occupied the corner position. In the late 1930s the Sambell business moved to 90 Fairy Street and the business was known as Sambell, Son and Granddaughter. Herbert Sambell died in 1943. This Sambell clock had previously been at the shops of Brocks and Mainlands, both jewellers. This clock is of considerable importance as it was connected to the pharmacy business of the Sambell family, a business that was prominent in Warrnambool for many years. It is an example of the 19th and early 20th centuries practice of placing a large clock outside a business. This is a large oval clock with a gilded wooden frame and a metal face. The hour and second hands and the Roman figures are made of metal. The clock is designed to be placed on a wall or frame of some sort and to be used outside on a shop or other commercial building. The outside frame is somewhat dented.sambell pharmacy, warrnambool

"MR JOHN WHYKES AT THE ODD FELLOWS’ HALL. Mr John Whykes addressed an enthusi astic meeting of the ratepayers of the South Ward last evening, at the Oddfellows’ Hall, Albert street. Mr C. A. Welch was voted to the chair. The candidate, who was well received, explained his views on municipal matters. His remarks were received with favor, and were frequently applauded. Several questions were put and answered to the satisfaction of the meeting. A vote of cofidencc was passed, on the motion of Mr A. Reynolds, seconded by Mr Bromley. The meeting terminated with a vote of thanks to the chair. To-night Mr Whykes will not address any meeting, being desirous of meeting the central committee, but tomorrow evening will address the ratepayers at half-past 8, at All Saints’ schoolroom, Drummond street.(Ballarat Star, 04 August 1887) The hall was demolished 2004-5.Six colour photographs of a weatherboard hall at 125 Albert Street, Ballarat. The hall was demolished soon after the photographs were taken.albert street ballarat, oddfellows hall, oddfellows' hall

The Installation of the Benalla Court Officers was held on Saturday 29 May, 1937 in the John Cooper Methodist Hall, Benalla. The ceremony was followed by supper. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Cream folded card with green print. The card has the Order of Knights symbol at the top with the text following. The invitation lists the High Officers, the date, the venue, the Officers for 1937-1938 and Toasts.methodist order of knights benalla court

List of names for apologies written on folded paper with printed letterhead and emblem. Names are: W H Nicholas, John James Rosewall, J F Wilcock, George Dixon, William Hosking, Jer Dillon, Daniel Herbert, Patrick O'Connor, J Carter, Robert Rosewall, W Wilson Senr, James Stevens, Wm Hollow, A Skeates, Geo Blackler, Patrick Gleeson, C Trevarton, Patrick Cunneen, W T Sohlan, Jno Charles, James Little, Chas Marquand, John Trotter, Thos Connell, Aug T Petrie, William Thomas, John Wallis, C W Boegel, J ?ogy, J Brocklesby, Richd Maker, John Cain, J Neal, Jas Henry Gribble, S Pearce, William R Gill, Jno T Hiller, Louis Miller, M Colledge, Con Masdyke, William Hall, William Williams, G Wiesmann, W Wilson Senr, Chas Donnelly, Jeremiah Dillon, Caleb Lewis, John Butler, Jas Thos Hall, Henry Newton, Matthew H Long, Jos Hertz, Adolph Witt, Fred Detmering, Fred Lohman, R Scott, W H Howard, Franz Hoffman, Jas Hooper, Jos Harry, Hos Harry Senr, Carl Mueller, Robert Right?, Samuel Fernby and William Cowling.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, w h nicholas, john james rosewall, j f wilcock, george dixon, william hosking, jer dillon, daniel herbert, patrick o'connor, j carter, robert rosewall, w wilson senr, james stevens, wm hollow, a skeates, geo blackler, patrick gleeson, c trevarton, patrick cunneen, w t sohlan, jno charles, james little, chas marquand, john trotter, thos connell, aug t petrie, william thomas, john wallis, c w boegel, j ?ogy, j brocklesby, richd maker, john cain, j neal, jas henry gribble, s pearce, william r gill, jno t hiller, louis miller, m colledge, con masdyke, william hall, william williams, g wiesmann, w wilson senr, chas donnelly, jeremiah dillon, caleb lewis, john butler, jas thos hall, henry newton, matthew h long, jos hertz, adolph witt, fred detmering, fred lohman, r scott, w h howard, franz hoffman, jas hooper, jos harry, hos harry senr, carl mueller, robert right?, samuel fernby, william cowling

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.Ballarat, Information re De Lacy Evans/Ellen Tremaye - various printed accounts of male impersonator, De Lacy Evans and his marriages and life in Bendigo and elsewhere. Filed under 'De Lacy Evans': a.Typescript - 'The strange story of Ellen Tremaye' (2 pp,); b.Newspaper cuttings (newspaper unknown): September 4, 1879 and 23rd July 1879. names mentioned on this report are; Evans, Stewart, The Trumpeter Clock, Mr. J. W. Moody, Edward De Lacy Evans, Samuels, Holdsworth, Dr. Cruikshank, Dr J. Boyd, Mr. Sterry J.P. (mayor), Mr. Osborn J.P. Elizabeth Marchment, Cornish United Company Long Gully, Constable Hayes, Mr. F. J. Duffy, Mr. J. Quick. C.Bendigo Advertiser 4th Sept 1879 (12 pages) - pp, 1-9 ''Extraordinary case of the concealment of sex'' (pp. 10-12) ''Interview with Mrs Evans''. Names on these sheets are; Edward De Lacy Evans, Sandhurst (Bendigo), Mr. Samuels, Mr. Holdsworth, Dr. Cruikshank, Dr. J. Boyd, Bendigo Hospital, Mr. Gundry (Warder), Irish, France, Dr. Poland, Mr. Bayne, Mr. Strickland, Kew Lunatic Asylum, Argus (newspaper), Sandhurst Hospital, Bendigo Hospital, County Kilkenny Ireland, Mrs Holt (Matron), Ellen Tremayne, Treneage, Eaglehawk, Sarah Moore, Mr. John J. Hall, Mr. George Willan, Buick Henderson and Co,. Pall Mall, Miss Julia Marquahand, Ballarat, Presbyterian Church, Rev. W. Henderson, Paris, Ellen McCormick, , Duncan Uquhart, Anne Dora (Welshman), Pleasant Creek, New Chum Extended Company, Julia Mary, Quarry Hill, Constable Bradley, General Sir Charles De Lacy Evans, Francis Bros Drapers of Pall Mall, Stawell, Allingham Drapers, View Grove Cottage Quarry Hill, Mrs Lofts Denmark Cottage Hargreaves Street, Jersey Cottage off Russell Street Quarry Hill, Great Southern Company, Sea Company, d.Single column entry, Bendigo Advertiser Dec 15th 1879: ''De Lacy Evans''. Names in the article; Ellen Tremayne, Sandhurst, Stawell, The Herald, Mr. F. Hilton, Diorama and Mirror of Australia, Horsham, The Horsham Times, Ireland. e. Newspaper article, by David Horsfall, Bendigo Advertiser Jan 10th 1990 (Title??) with photo of De Lacy Evans (standing); f.Newspaper article (poor legibility) Bendigo Advertiser Aug 27th 1901 ''Death of De Lacey Evans''; g.Newspaper article (undated) by Frank Cusack: ''Forgotten Bendigonians - Bendigo Goldfields und…??'' h.Journal article(3 pp.), The Medical Journal of Australia, Aug 26, 1978 by J R B Ball & R Emmerson: ''A case of personation'';i. copy of page #210 from unknown book (heading:'' Mount Royal Hospital'' j.27 pp.headed ''The Man-Woman Mystery'' (from bound book - binding visible - and copy in the Mitchell Library, publisher; W. Marshall, Royal Lane, Melbourne and Record Office, Emerald Hill with page (no page number) referring to two relevant documents ''The originals of these documents can be seen in the Hall'';Bendigo Advertiserjohn baptiste loridan, ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy evans, de lacy, edward de lacy evans, edmund de lacy, bendigo

Manila folder with reports on the development of Met Ticket between 1990 and 1995. .1 - "Met Ticketing Taskforce – final Report" - May 1991 - A4 - 20 pages + card cover with letter dated 23 August 1991, providing the report along with 3 page press statement from the Transport Minister Peter Spyker. .2 - Pamphlet – The Met – Fact Sheet – “Automated Ticketing” - four page A4 printed document providing facts about the forthcoming Metcard system - c1994, .3 - Letter from John Prideaux AMWU Rep 16/3/1991 - To John Andrews Met Ticket steering committee - A4 photocopy - regarding the submission to the Met Ticketing Task Force. .4 - 60 page double side document printed on grey paper - Submission to Met Ticketing Task Force 26/10/1990 - Report on the Met Ticketing Union Working Party. Could be missing some sheets. .5 - Memo – John Andrews Trades Hall Liaison Office – to Secretaries – Public Transport Unions with a draft submission (20 pages) dated 12/2/1991. .6 - Met Ticketing Taskforce - Options for a new ticketing system for public transport in Melbourne Dec. 1990 – full detail - 45 pages. .7 - ditto - A summary - 11 pages - Dec. 1990. .8 - Met Ticketing Taskforce - Principles and Introduction to Ticketing Systems – Sept. 1990 - September 1990 - 10 pages. .9 - Letter from Trades Hall – 1/8/1990 - photocopy from John Andrews - Met Ticketing Review = Union Co-ordinating Committee - cc John Prideaux - has John's notes on rear, about the process and who was involved. .10 - Submission to Met Ticketing Task Force 26/10/1990 - Report of the Met Ticketing Union Working Party - combined public transport unions - 26/10/1990 - 60 pages - has notes on rear sheet. .11 - Report of the Met Ticketing Union Working Party - 8 pages. .12 - Working Paper No. 15 prepared for Met Ticketing Taskforce - Met ticketing costings - 24/10/1990 - 4 pages. .13 - Notes on Ticket system discussions - hand written notes, including a diagram of a ticket. .14 - Fax from Martin Gray to Union working party members - meeting times - lists members of the committee. .15 - Pamphlet – The Met – Fact Sheet – “Automated Ticketing” - single page A4 printed document providing facts about the equipment to be fitted to trams - has a drawing showing the equipment location on a tram.Folder with title in black felt pen.trams, tramways, the met, ptc, metcard, tickets, unions

A light blue document titled "Bendigo Teachers' College 1954". Also on the front cover is a list of the staff working at the college at that time. On the inside cover is the "Significance of the Graduation Ceremony" and "Order of the Ceremony". Mr. F. M. Courtis gave a welcome to visitors whilst the Principal gave the college charge to the graduands. The 'Graduation Book' was presented to Mr. E. C. Krieger Inspector of Schools by Miss J. C. Burnett. The final call for 1954 of the graduands was called by Mr. F. G. East. Finally the Occasional Address was given by Mr. O. C. Phillips Chief Inspector of Primary Schools. The following page contains a list of the graduands and on the back cover is the "Principal's Charge to the Graduands". There is also a white typewritten insertion within the booklet which contains words to the hymns and a plan of the physical arrangement of the school hall for the graduation. Bolton Print Bendigo. The names of the Bendigo Teachers' College staff are- Miss J. C. Burnett, Miss D. I. Hollyock, Mrs. F. M. Petri, Miss J. Coad, Mrs C. I. Skehan, Miss B. H. Cowling, Mr. C. C. Archibald, Mr. F. M. Courtis, Mr. L. J. Pryor (Principal), Mr. C. L. Barker, Mr. F. G. East, Mr. M. Brown, Mr. A. H. Fry, Mr. H. T. Pattenden, Mr. R. Macdonald, Mr. M. Pratt and Mr. R. L. Strauch. The 1954 Graduands - Graham Robert Allinson, Marie Therese Andison, Mary Ruth Baker, Norma Jean Baker, Beryl Joan Barbour, Marie Therese Barry, Edith Gwenda Black, Robert Graham Boyce, Keith John Brereton, William Harry Brittain, Mary Ruth Burrows, Noreen Ellen Byrne, Kevin Frederick Carr, Doreen Beverly Cole? Rita Beverley Cook, Barrie McKenzie Cruickshank, Eril Davey, Veronica Anne Donohue, Laurence Raymond Douglass, Roberta Ann Ewing, Kenneth Leslie Fowler, William Ernest Gartside, Avis Greenway, James Lindsay Hahnel, Mervyn Denis Hall, John William Hammer, Monica Patricia Harrop, Patricia May Humphries, Peter Laurence Hynes, Norma Marian Ireland, Colin Charles Jackson, Judith Elaine Keating, Joyce Isabel Kellett, Ronald Alan Kneebone, Francis Veronica Laughlin, Frederick David Le Deux, Ann Nicholson Leslie, Maureen Catherine McGrath, Shirley June Mason, John O'Hara Medwell, Helen Elizabeth Menzies, Kathleen Valerie Mullan, Lindsay Ray Nicholls, Alan Brose Norman, Ian O'Halloran, Vincent Stanley Pannell, Joan Mary Pilcher, Wendy Anne Purches, Elizabeth Anne Pywell, Valerie Mary Reid, Claude Rogers, John William Rogerson, Adele Winifred Scheffer, Robin Ann Seage, Judith Patricia Smith, Maureen Caroline Spencer, Edwin Alfred Stevenson, Elizabeth Mary Stewart, Jeanette Mary Stewart, Alison Mary Stone, Una May Swanton, John Joseph Toll, Janet Emily Voss, Ellen Julia Waldron, Bernard Vincent Walsh, Valma Lesley, Raymond Charles Reginald Wearne, Valerie Joyce Williams and Lenore Estelle Woodward.bendigo, education, bendigo teachers' college, latrobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, bendigo teachers' college students, bendigo teachers' college staff, tertiary education, teacher training, graduation, graduands, graduation ceremony, history

Photocopies and original of 'Back to Mandurang' Souvenir. Celebration 1938. Contains the history of Mandurang and many of the local residents, the industries and agricultural pursuits. Names mentioned are: Mrs Thomas, Les Nankervis, Geo McGuire, Pinche, Mr Coghill, Mr Fenton, Atkinson's Station, John T Deravin, Wine Hall, Church, Kerr's Hotel, Tannery, Mr Panton, John Billman, Sheepwash Creek, Emu Creek, Port Phillip District (Victoria), Mr Charlesworth, Sam Snowden, Mr Grant, Grant's Land Act, Mr Montgomery, Mr McEncroe, Mr Wyeland, John Smith, Mr Adams, Geo Kofoed, Monti, Mr Ewing, Wm Ewing, Geo Green, Jim Green, Green Bros, Wm Keating, Mandurang Hotel, J B Loridan, Mr Lansell, 'General Grant', August Heine, Mr Myers, Mr Barth, Phylloxeria, Mr Jones, Mr McGuire, James Hargreaves, Mr Bounty, E Huillier, Sam Martin, Mr Oldworth, Dr Backhaus, Andrew Monti, W Wenwright, Mr Munroe, Mr Eldridge, Wm Wright, W Thomas Lowe, Taylor, Sam Lowe, George Lowe, Wm Hargreaves, Albert E Pearce, Piccaninny Creek, G Sherriff, Mr Stein, Albert Stein, John Theodore Deravin, Robins, Phylloxera vastrix, Mr Grosse, Board of Health, Chateau Dore, House of Assembly, Dr Hugh Deravin, Mrs Deravin, John Adolphus Deravin, Education Department, Bendigo High School, St Andrew's College, Stock Exchange, Relief Funds, L Dungey, Mr Crawford, A W McCauley, Schillerio, Cleghorn, Goudge and Sibley, Sibley and Lambert, R H S Abbott, Protestant Church, Miss E Wright, W Stephenson, Geo Lowe, J Hargreaves, Theo Deravin, Wm Pearce, Mrs A Deravin, St John's Roman Catholic Church, Father O'Connell, Father McKnab, Post Office, I Witworth, W Casey, Franz Steilow, Geo Billman, R Brennan, F Osborne, Mr Webster, Wm Hughes, Mr Raymond, One Tree Hill, Jerry Ryan, Bendigo City, Shire of Strathfieldsaye. Original copies are very dilapidated and pages 6, 7, and 8 are missing. (In 5 pockets).ephemera, mementoes, back to mandurang, john jones collection - back to mandurang souvenir 1938, mrs thomas, les nankervis, geo mcguire, pinche, mr coghill, mr fenton, atkinson's station, john t deravin, wine hall, church, kerr's hotel, tannery, mr panton, john billman, sheepwash creek, emu creek, port phillip district (victoria), mr charlesworth, sam snowden, mr grant, grant's land act, mr montgomery, mr mcencroe, mr wyeland, john smith, mr adams, geo kofoed, monti, mr ewing, wm ewing, geo green, jim green, green bros, wm keating, mandurang hotel, j b loridan, mr lansell, 'general grant', august heine, mr myers, mr barth, phylloxeria, mr jones, mr mcguire, james hargreaves, mr bounty, e huillier, sam martin, mr oldworth, dr backhaus, andrew monti, w wenwright, mr munroe, mr eldridge, wm wright, w thomas lowe, taylor, sam lowe, george lowe, wm hargreaves, albert e pearce, piccaninny creek, g sherriff, mr stein, albert stein, john theodore deravin, robins, phtlloxera vastrix, mr grosse, board of health, chateau dore, house of assembly, dr hugh deravin, mrs deravin, john adolphus deravin, education department, bendigo high school, st andrew's college, stock exchange, relief funds, l dungey, mr crawford, a w mccauley, schillerio, cleghorn, goudge and sibley, sibley and lambert, r h s abbott, protestant church, miss e wright, w stephenson, geo lowe, j hargreaves, theo deravin, wm peatce, mrs a deravin, st john's roman catholic church, father o'connell, father mcknab, post office, i witworth, w casey, franz steilow, geo billman, r brennan, f osborne, mr webster, wm hughes, mr raymond, one tree hill, jerry ryan, bendigo city, shire of strathfieldsaye

William Crozier was born 1823 in County Armagh, Ireland. Mary Jane Vance was born 1829 in Desecrete, County Tyrone, Ireland. They were married in 1848. On New Year's Eve, 1849, together with their baby daughter Sarah, William and Mary embarked from Plymouth aboard the Eliza Caroline, as assisted immigrants, for Port Phillip, arriving 31 March 1850 from where they journeyed out to Eltham on a bullock wagon. The Croziers were Episcopalians and soon after arriving in Eltham the Wesleyans of Little Eltham were holding services in the Crozier's home, among other locations. It was not until January 1856 that the Wesleyan church first acquired land in Henry Street for a chapel, which later became the home of the Eltham Hall. The Crozier home, known as ‘Belmont’ was weatherboard with a rammed earth floor. It was situated on twenty-four acres along the track at its rise, about half-a-mile east of Maria Street (Main Road) bounded by Mt Pleasant Road on the south and Pitt Street northwards. William Crozier used the land for cultivation and grazing. The track the Eltham Wesleyans took, by foot or horse, was along the Mt Pleasant Road, and like most roads of the time, a dusty trail in summer and a hoof and cart rutted quagmire in winter. William and Mary Crozier had seven children: Sarah, (1848 Ireland), John McClelland (1851 Eltham), Eliza (1855 Eltham), William (1857 Eltham), Jane(1859 Yarraville), Charlotte Amelia (1861 Yarraville), and Thomas Vance (1864 Eltham). The Crozier farm prospered and in 1870, William applied for, and was granted a leasehold on an additional sixty-three-acre selection, half-a-mile east of his twenty-four-acre Mt Pleasant Road property. Upon this property he built a two-roomed dwelling of slats and bark and a storeroom of log and bark, ten feet square. In 1880 he applied for a Crown grant of the property. Tragedy struck the family in 1882 when the youngest, Thomas Vance at age 17 accompanied by John Anderson, went into "Hall's Dam" to bathe, neither of them being able to swim. On wading out together, Crozier suddenly slipped into a part about 10ft. deep, and sank, after rising only once. Anderson pluckily tried to save him, nearly losing his own life in the attempt, saving himself when sinking for the last time by seizing hold of a projecting root. The body was not recovered until two hours after, when Mr. Thomas Bell, a farmer in the locality, who was attracted to the spot, on hearing of the occurrence, although unable to swim, plunged in with a rope around his waist, and succeeded with some difficulty in bringing it to the surface. Their eldest son, John also died prematurely at age 42 when he was killed by a falling tree branch whilst engaged in ring-barking trees at Eltham. A still cold wind was blowing and John, and others who were working with him, sheltered themselves at lunch time by sitting on the side of a large tree. When thus seated, the wind detached a limb of the tree which sheltered them, and though they heard the cracking, they had not time to get clear before the limb fell. It struck John on the head, and felled him to the ground, He appeared to be suffering severe pain, and two of his companions conveyed him to the Melbourne Hospital, where during the night he was operated upon for a fracture of the skull. Despite the operation being successful, John ultimately succumbed to his injuries the following afternoon. In good times William was known for his wealth of reminiscences of the early days of the district however his health failed him for several years until his death in March 1909. He was a man of very industrious habits, of a retiring disposition and much esteemed by those who knew him best. Mary died in January 1915 after a long illness. They are buried together along with their sons John and Thomas in the Eltham Cemetery. In Loving Remembrance William Beloved husband of Mary Jane Crozier Who departed this life March 31st 1909, aged 85 years Also Mary Jane Beloved wife of the above Who departed this life January 3rd 1915, aged 86 years Also John McCelland Son of the above Who departed this life May 20th 1894, aged 42 years also Sacred Memory of Thomas Vance Dearly beloved son of William J. Crozier Who departed this life at Eltham, February 3rd 1882 Aged 17 yearsBorn Digitaleltham cemetery, gravestones, john mccelland crozier, mary jane crozier (nee vance), thomas vance crozier, william j crozier

William Crozier was born 1823 in County Armagh, Ireland. Mary Jane Vance was born 1829 in Desecrete, County Tyrone, Ireland. They were married in 1848. On New Year's Eve, 1849, together with their baby daughter Sarah, William and Mary embarked from Plymouth aboard the Eliza Caroline, as assisted immigrants, for Port Phillip, arriving 31 March 1850 from where they journeyed out to Eltham on a bullock wagon. The Croziers were Episcopalians and soon after arriving in Eltham the Wesleyans of Little Eltham were holding services in the Crozier's home, among other locations. It was not until January 1856 that the Wesleyan church first acquired land in Henry Street for a chapel, which later became the home of the Eltham Hall. The Crozier home, known as ‘Belmont’ was weatherboard with a rammed earth floor. It was situated on twenty-four acres along the track at its rise, about half-a-mile east of Maria Street (Main Road) bounded by Mt Pleasant Road on the south and Pitt Street northwards. William Crozier used the land for cultivation and grazing. The track the Eltham Wesleyans took, by foot or horse, was along the Mt Pleasant Road, and like most roads of the time, a dusty trail in summer and a hoof and cart rutted quagmire in winter. William and Mary Crozier had seven children: Sarah, (1848 Ireland), John McClelland (1851 Eltham), Eliza (1855 Eltham), William (1857 Eltham), Jane(1859 Yarraville), Charlotte Amelia (1861 Yarraville), and Thomas Vance (1864 Eltham). The Crozier farm prospered and in 1870, William applied for, and was granted a leasehold on an additional sixty-three-acre selection, half-a-mile east of his twenty-four-acre Mt Pleasant Road property. Upon this property he built a two-roomed dwelling of slats and bark and a storeroom of log and bark, ten feet square. In 1880 he applied for a Crown grant of the property. Tragedy struck the family in 1882 when the youngest, Thomas Vance at age 17 accompanied by John Anderson, went into "Hall's Dam" to bathe, neither of them being able to swim. On wading out together, Crozier suddenly slipped into a part about 10ft. deep, and sank, after rising only once. Anderson pluckily tried to save him, nearly losing his own life in the attempt, saving himself when sinking for the last time by seizing hold of a projecting root. The body was not recovered until two hours after, when Mr. Thomas Bell, a farmer in the locality, who was attracted to the spot, on hearing of the occurrence, although unable to swim, plunged in with a rope around his waist, and succeeded with some difficulty in bringing it to the surface. Their eldest son, John also died prematurely at age 42 when he was killed by a falling tree branch whilst engaged in ring-barking trees at Eltham. A still cold wind was blowing and John, and others who were working with him, sheltered themselves at lunch time by sitting on the side of a large tree. When thus seated, the wind detached a limb of the tree which sheltered them, and though they heard the cracking, they had not time to get clear before the limb fell. It struck John on the head, and felled him to the ground, He appeared to be suffering severe pain, and two of his companions conveyed him to the Melbourne Hospital, where during the night he was operated upon for a fracture of the skull. Despite the operation being successful, John ultimately succumbed to his injuries the following afternoon. In good times William was known for his wealth of reminiscences of the early days of the district however his health failed him for several years until his death in March 1909. He was a man of very industrious habits, of a retiring disposition and much esteemed by those who knew him best. Mary died in January 1915 after a long illness. They are buried together along with their sons John and Thomas in the Eltham Cemetery. In Loving Remembrance William Beloved husband of Mary Jane Crozier Who departed this life March 31st 1909, aged 85 years Also Mary Jane Beloved wife of the above Who departed this life January 3rd 1915, aged 86 years Also John McCelland Son of the above Who departed this life May 20th 1894, aged 42 years also Sacred Memory of Thomas Vance Dearly beloved son of William J. Crozier Who departed this life at Eltham, February 3rd 1882 Aged 17 yearseltham cemetery, gravestones, memorials, film - kodak gold gc 400-9, john mccelland crozier, mary jane crozier (nee vance), scan - 35mm negative, thomas vance crozier, william crozier, william j crozier

Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters 31 March 1994 To: Victorian Arts Council Members From Grant Finck Project Coordinator Content: Introduces himself as the coordinator for 12 months; to members looking for expression of interest, includes Information Sheet 1994 on what the Creative Village is. 27 October 1995 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Granting access to the Victoria Hill site for small quantities of geological material. 10 January 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Endorsement of the project by the Council and confirmation that the Council will provide preliminary site work to allow the project to be enabled. Also advised the Arts Bendigo Mosaic Project makes contact with the Salvation Army (New Work Opportunity Project) 27 February 1996 To: Mrs. Mearle Hall From: Ken Beasley Manager Project Development The Smith Read Training Group. Content: LEAP Project Proposal - Mining Heritage Mosaic outlining the benefits of using LEAP Trainees to undertake the project. Proposed Scope of work outlining responsibilities of each participant. Bendigo Mining NL Environmental Trust Fund (Perseverance Exploration and Department of Energy and Minerals Victoria representatives) 27 June 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Advising that the Council will match dollar for dollar funding for the engagement of an artist to supervise the construction of the Mosaic in Upper Rosalind Park up to $3,500. 22 July 1996 To: Anne Buzza From Geof Brown Camp Hill Primary School Content: Thanks for using and managing the school students to help create tiles. 9 October 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Enclosed cheque for matching grant of $3500 15 October 1996 To: Mrs. Mearle Hall From: City of Greater Bendigo, Bernard Smith (Director Environmental Services) Content: Agreement to relocate the project facilities to the car park and to maintain a close liaison between the Council and Arts Bendigo. 13 November 1996 To: Mrs. Mearle Hall From: The Sidney Myer Fund Helen Morris Research Officer Content: Remittance advice for $1000 22 April 1997 To: Mrs. Mearle Hall From: John Little Administrator Victorian Arts Council Content: Remittance advice for $500 towards the project and enclosing 12 VAC Annual reports. 20 October 1998 To: Mrs. Mearle Hall From: City of Greater Bendigo, Andrew Hall (Director Community Development) Content: Advising that the Council will make a grant of $1090 for the purpose of printing of Brochures for Bendigo Heritage Mosaic. A service agreement to be signed before the issue of the grant, 21 March 2001 To: Mrs. Mearle Hall From: City of Greater Bendigo, Justin Hanney (Director Community Services) Content: A reference from Council supporting the project application to Vic Health for the development of a series of small mosaic pieces along the linear pathway asjacent to the Bendigo Creek. 12 November 1996 To: Mrs. Mearle Hall From: Arts Bendigo Inc. Content: Cheque for $2000 being first payment as under contract two for mosaic project. 4 December 1996 To: Mrs. Mearle Hall From: Arts Bendigo Inc. Content: Cheque for $2000 being second payment as under contract two for mosaic project. 27 July 1997 To: Maery Gabriel Mosaic Artist From: Arts Bendigo Inc. Content: Cheque for $2000 being final payment as under contract two for mosaic project. 12 June 1997 - Two copies To: Maery Gabriel Mosaic Artist From: Arts Bendigo Inc. Content: Agreement between Maery Gabriel (The artist) and Arts Bendigo Inc. to complete the final two sections of the Bendigo Heritage Mosaic at the base of the Rosalin Park Poppet Head, Bendigo with a design of approximately two square meters within each section. The work to be completed by the endo of July 1997, unless severe weather conditions make the laying impossible. Agreement for two lots of $2000. 14 June 1996 From: Maery Gabriel Mosaic Artist To: Arts Bendigo Inc. Content: receipt for 50% payment for two weeks and $60 Travelling expenses. 21 May 1996 Agreement between Arts Bendigo of P.O Box 563, Bendigo in the State of Victoria (hereinafter referred to as the ‘AB’ of the first part AND Meary Hall of Morningswood, Petersons Road, Ellinbank, 3821 in the State of Victoria (hereinafter referred to as ‘the artist’) of the second part. ENGAGEMENT: (a) AB engages the Artist to provide her services as Mosaic Artist for the design and creation of a Mosaic pavement surround to the poppet head lookout in Rosalind Park, Bendigo and matters incidental thereto at such schools, halls and any other places as required from time to time by AB and the Artist accepts the engagement upon the term and conditions hereinafter appearing. (b) Services to be provided by the artist include community consultation and design work in association with AB Co-Ordinator and Arts Bendigo, a minimum of six weeks of the artist’s time within the six months of the project. Completion of section one of the whole design with further work on the other sections to depend on available funding. The agreed fee was $5400 and $60 per visit to Bendigo with living away to be provided by Arts Bendigo 1 November 1996 Agreement between Arts Bendigo of P.O Box 563, Bendigo in the State of Victoria (hereinafter referred to as the ‘AB’ of the first part AND Meary Hall of Morningswood, Petersons Road, Ellinbank, 3821 in the State of Victoria (hereinafter referred to as ‘the artist’) of the second part. ENGAGEMENT: (a) AB engages the Artist to provide her services as Mosaic Artist for the design and creation of a Mosaic pavement surround to the poppet head lookout in Rosalind Park, Bendigo and matters incidental thereto at such schools, halls and any other places as required from time to time by AB and the Artist accepts the engagement upon the term and conditions hereinafter appearing. (b) Services to be provided by the artist include community consultation and design work in association with AB Co-Ordinator and Arts Bendigo, a minimum of six weeks of the artist’s time within the six months of the project. Completion of section one of the whole design with further work on the other sections to depend on available funding. The agreed fee was $5000 and $60 per visit to Bendigo with living away to be provided by Arts Bendigo, plus transfer of the diamond saw purchased by AB 28 August 1996 Memorial to Bendigo’s Mining Heritage and Traditions financial and other support as at August 128th Arts Bendigo Financial contribution: $7000 Local Busine Sponsors: $2800 City of Greater Bendigo Matching Above: $2800 City of Greater Bendigo Site works: Equiv, $12000 Local Businesses and institutions supplying goods and services to total value of: Equiv: $7600 Expenditure: Purchase of equipment, including diamond saw: $2000 Purchase of materials: $800 Artists design fees: $3000 Artists on site work, travel and accommodation: $12000 insurance, administration etc.: $700 31 May 1996 List of possible donors' checklist Undated Budget Sheet 21 September 1995 From: The Victorian Arts Council To: City of Greater Bendigo Content: Invoice for $5000 10 December 1995 From: Maery Gabriel artist To: Arts Bendigo Content: Invoice $1575 for design of Rosalind Park Lookout. 45 hours @ $35/hour 1 October 1996 Historic mining Mosaic Pavement, Rosalind Park Poppet Head Financial Statement as a October 1st, 1996 28 October 1996 From: Maery Gabriel To: Ann Buzza (representing Arts Bendigo) Report on project of Rosalind Park Mosaic as at October 1996. The report lists the difficulties faced with the weather, unsuitable facilities on site and problems with the LEAP team labour.victorian arts council, city of greater bendigo

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The male Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. The female is similar, but not as bright, with a whitish facial mask, no red on the wing, and a pale wing stripe. Old birds of both sexes may have orange underparts. Once common throughout many parts of eastern Australia, the Turquoise Parrot was formerly recorded from near Mackay in Queensland south to Melbourne until the 1880s, when its population suddenly crashed. It was even considered to be extinct by 1915, but populations recovered spectacularly over the next 20 years or so, and by the 1930s they were again recorded through much of their former range. Now the species can once more be seen in many parts of eastern and south-eastern Australia, though not quite as extensively as before. These birds are vulnerable in NSWThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. Old birds of both sexes may have orange underparts. This particular specimen is faded with some missing feathers. It is mounted on a wooden stand with a tag wrapped around its leg.Label: 80a. / Chesnutt-shouldered Grass Parakeet / See Catalogue, page 22.taxidermy, parrot, turquoise parrot, taxidermy bird, australian bird, burke museum, trustees of australia

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The red-and green Australian King-Parrot is seldom seen flying above the tree tops of the dense forests which it inhabits — it prefers to fly below tree level, weaving in and out through the tree trunks instead. When they are disturbed by a person, they usually fly off with a harsh screech, and often do not land until they are lost to view. Their flight is swift and strong, characterised by deep, rhythmic wing-beats and regularly punctuated with rapid twists and turns.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Male Australian King-Parrots are the only Australian parrots with a completely red head. Females are similar to males except that they have a completely green head and breast. Both sexes have a red belly and a green back, with green wings and a long green tail. King parrots are normally encountered in pairs or family groups. This particular specimen has duller colour and appears more orange with a misshapen head Label: National Museum Victoria / King Parrot / Aprosmietus W5435 / Gris (recht) Mount: APPOSMICTUS / SCAPULARIS / King Parrottaxidermy, parrot, bird, king parrot

Eastern Rosellas are multi-coloured medium-sized Australian parrots with distinctive white cheek patches. The Eastern Rosella is found throughout south-eastern Australia, from Queensland to Victoria, south-eastern South Australia, and eastern Tasmania. Despite their vibrant colours, Rosellas camouflage well into their surroundings when perching or when on the ground. The Eastern Rosella is found in open woodlands, grasslands, farmlands and remnant bushland. These birds are often found in urban habitats such as parks, gardens and golf courses. Early European settlers encountered the Eastern Rosella at Rose Hill, New South Wales, now Parramatta, and so they called it the Rosehill parakeet which became "Rosehiller", and eventually shortened to "rosella". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This mature Eastern Rosella has a red head and breast, with a light green belly and distinctive white cheeks. The back is yellow-green with black mottling, the yellow-green turning green then to blue across the wings. The tail feathers are blue/black, with a red base on the underside. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 79/ Rose-hill Parakeet / See catalogue, page 22 taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, rosella, eastern rosella, rosehill parakeet, rose-hill parakeet

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Crimson Rosella is relatively easy to see as it forages on the ground or among the leaves of eucalypts, with its spectacular combination of deep-crimson, royal-blue and black plumage. However, not all Crimson Rosellas look the same. Along the Murray River, Crimson Rosellas aren’t crimson at all — they are yellow, black and blue, with the yellow feathering replacing the crimson plumage. In southern South Australia they differ again, being roughly intermediate between crimson and yellow, with varying amounts of red and yellow in their plumage. Research featured in the 'State of Australia's Birds 2015' headline and regional reports suggest that the Crimson Rosella may be declining in the East Coast. There are several populations of the Crimson Rosella. Red (crimson) birds occur in northern Queensland, in southern Queensland to south-eastern South Australia and on Kangaroo Island. Orange birds are restricted to the Flinders Ranges region of South Australia, while yellow ones are found along the Murray, Murrumbidgee and neighbouring rivers (where yellow birds meet red birds they hybridise, producing orange offspring). Red birds have been introduced to Norfolk Island and New Zealand.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are several colour forms of the Crimson Rosella. The form it is named for has mostly crimson (red) plumage and bright blue cheeks. The feathers of the back and wing coverts are black broadly edged with red. The flight feathers of the wings have broad blue edges and the tail is blue above and pale blue below and on the outer feathers. This particular specimen has lost some feathers in its plumage and its colour is not as bright as that of a live specimen.Label: 77a / Pennant's Parakeet / See catalogue, page 22taxidermy, crimson rosella, bird, australian bird, rosella, crimson

The white-throated Needletail is a migratory bird, breeding in Central Asia and southern Siberia, and wintering south in the Indian Subcontinent, Southeast Asia and Australia. This large swift is often mistaken in flight for a small predatory bird, but its long curved wings and white markings help to identify it. Needle-tailed Swifts get their name from the spined end of their tail, which is not forked as it is in the more common Swifts of the genus Apus. They build their nests in rock crevices in cliffs or hollow trees. These birds do not like to sit on the ground, spending spend most of their time in the air. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This white-throated Needletail is predominantly grey-brown in colour. The throat and under tail of he bird are dusky-white. This specimen has a white spot on the lower rim of each of its wings. The eyes are made from glass and the specimen has been styalised standing on a wooden mount.Label: 3a/ Spine-tailed Swift / See catalogue page 7.stormbird, taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, quail, migratory bird, white-throated needletail, needle-tailed swift, spine-tailed swift, hirundapus caudacutus

The Little Friarbird is a migrational bird, moving between northern Australia and the New South Wales/Victoria border in the spring and autumn times. It is primarily found near in forests and near water: rivers, wetlands. They eat nectar, bugs, fruit and seeds. They form monogamous pairs and nest close to water. They are not a threatened species. The Little Friarbird has a brown head, back, wings and tail. Its chest is light brown. Its legs, beak and face are dark grey. It has bright blue patches on its cheeks under the eyes. This specimen does not accurately match how the Little Friarbird looks because the specimen has lost clumps of feathers on its chest, neck and face. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century This Little Friarbird has blue patches on its cheeks, brown head, back and tail. The front and neck are a light brown. Its back is grey. It has serious pest damage to the back of its neck, which has no feathers. Above its eyes shows early signs of pest damage. The front of the bird has ruffled patches of feathers. It stands on a dark wooden stand. It has an identification tag hanging from its left leg. Label: 61a/ Blue faced Honey Eater / See catalogue page 19 taxidermy mount, taxidermy, burke museum, beechworth, little friarbird, australian bird

The Golden Whistler is native to coastal areas of Australia, from Queensland around to Southern Western Australia, including Tasmania. It usually lives in dense forested areas. The males have bright yellow plumage, whilst the females have only pale yellow plumage. The males and females work together to build the nest and raise chicks. They eat spiders and insects. The taxidermy specimen is not a good example of a Golden Whistler. Its feathers are very faded and ruffled. There looks to be some damage on the throat of the specimen. The Golden Whistler has usually vibrant colours, whilst this one is almost white. The colour markings on the bird indicate that it is male; the specimen should be a bright yellow. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Golden Whistler has a black head and stripe on chest, brown-grey wings and tail and white patches on throat and neck. The belly is a white-yellow, though significantly faded. Its feathers are quite ruffled and there is sign of damage to the throat. The specimen stands on a wooden stand and has an identification tag attached to its leg. Label: 24a / white throated Thickhead / See catalogue, page 11taxidermy mount, taxidermy, golden whistler, beechworth, burke museum, australian bird

The Rufous-bellied Kookaburra is a large member of the Kingfisher family. It commonly resides in the dense rainforests of lowland New Guinea, Saibai Island, Indonesia, Biak, Maluku/Moluccas Islands, Papua New Guinea, Melanesia and Queensland in Australia. This is unlike other species of Kookaburra which commonly prefer to reside in locations of open country. Another aspect which makes this bird unique to other Kookaburra is its tendency to live in pairs and not in family groups which is typical of other Kookaburras. In the case of the Rufous-bellied Kookaburra, both parents incubate and care for the eggs/chicks. This Kookaburra feeds on small mammals, birds, reptiles and insects. The Rufous-bellied Kookaburra was originally named the Gaudichaud's Kookaburra after the French botanist Charles Gaudichaud-Beaupré. This species of Kookaburra is among the most colorful varieties of the Kookaburra alongside the Spangled Kookaburra. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rufous-bellied Kookaburra is a large Kingfisher with a black coloured cap on the head, white collar around the neck, blue feathers on the wings and rump and a rufous belly. The female Kookaburra has a brown/rufous coloured tail, as is the case for this particular specimen which identifies it as female. This bird has a large white bill and pale coloured legs. The head is a large square shape and the body is stocky.Label: National Museum Victoria / 159a /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, kookaburra, rufous-bellied kookaburra

The Rainbow Bee-Eater is native to Australia, living across the mainland, except in desert areas. Male and female birds are both brightly coloured, the primary difference being the length of their tail streamers. Male Bee-Eaters have longer streamers than the females. They are insectivores and use techniques to remove threats to themselves; eg. they will remove wasp's stingers to avoid the poison. They nest in sand and dig a long tunnel, at the end is a 'chamber' where they lay the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rainbow Bee-Eater is a uniquely beautiful species of bird with strikingly bright colouring. The plumage is green, blue, chestnut and yellow. The build of this specimen is small and graceful and the bill is slender and curved. This Bee-Eater has two distinct streamers that extend from the base of the tail. The glass eyes provided to this specimen are dark black in colour; however, in life, this specimen has red eyes which contrast with the black stripe of colour that is located from the base of the bill to the ears. Below the black stripe, is a smaller pale blue colour. The throat is orange-yellow and the breast is green. The tail is black with a blue tinge to the plumage closer to the rear of the torso. The colouring on this particular specimen has faded significantly, but it provides a good example of what this specimen looked like while alive.Label: 5a / Australian Bee-Eater / See catalogue page 7 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, rainbow bee-eater

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. Like many species of quail, the Brown Quail is often difficult to see, as it inhabits rank, overgrown grassy areas, often in damp, low-lying patches beside wetlands. They are difficult to flush from this cover, preferring to squat among the grass or run quickly off through the vegetation rather than fly off. As is the case with many species that inhabit dense habitats, the Brown Quail may be heard more often than it is seen, with its characteristically mournful two-note call whistle often heard at dawn and dusk. The Brown Quail is found across northern and eastern Australia, from the Kimberley region in Western Australia to Victoria and Tasmania, as well as in south-western Australia. It is also found in Papua New Guinea and Indonesia, and has been introduced to New Zealand. The Brown Quail feeds in the early morning or evening, on the ground, mainly on seeds and green shoots, but also on insects. In some area, quails will readily cross roads and may be seen feeding along roadsides.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Brown Quail is a small, plump ground-dwelling bird. It is variable in colour, ranging from red brown to grey brown with fine white streaks and black barring above, and chestnut brown below. The eye is red to yellow, the bill black and the legs and feet orange-yellow. In Tasmania, this species is called the Swamp Quail and tends to be larger and darker than mainland birds, with a pale yellow eye. Female Brown Quails are larger and may be more heavily marked with black and paler below than males. Young birds are like adult females, with less distinct markings and a dark brown eye.Label: 33. / Swamp Quail / See Catalogue, page 30 / Mount: 09/taxidermy, quail, brown quail, taxidermy bird, burke museum taxidermy

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail