This stereoscope was used to view a pair of separate and overlapping aerial photos as a single three-dimensional image. Smaller units and could be easily used in the field but this larger, mirror stereoscope was used in offices. The aerial images were used to map forest types, timber stands, new roads and tracks, firebreaks, boundaries of timber harvesting, plantations, bushfires, insect and disease attack and so on In 1928, the Forests Commission undertook its first major aerial photography project over 15,000 acres of forest which is said to be the first of its kind in Australia. During the Second World War, large areas of Victoria were photographed by RAAF and used to produce orthophoto maps. By 1945 aerial photography of 13,000 square miles (3.4 M ha) was completed, including much of the inaccessible eastern forests. The Forests Commission started developing its own small format photography in the early 1970s. Simple, cheap and rapid methods of obtaining photographs using 70mm and 35mm cameras were developedFoldable metal stereoscope in wooden box with mirror covers Ex Dept of Defenceforests commission victoria (fcv), surveying, forest measurement

The Heliograph MkV is a fascinating piece of historical surveying and communications equipment. It was primarily used for visual signaling by reflecting sunlight with a mirror to send coded messages over long distances. This method was primarily useful in remote areas where other forms of communication were not available. The MkV model, specifically, was widely used by the British Army and other military forces from around 1906 until the mid 1960s. It remained in use with the Australian Army Survey Corps until the mid 1980s. The device typically included a 5 - inch mirror and was often mounted on a tripod for stability. Initially the instrument was used to communicate between survey stations using Morse code to coordinate their activities. Later when better forms of communication were available, they were used for precise angle alignment where the sunlight reflection from the mirror was targeted between the survey stations to give very accurate results. The MkV was relatively light weight and portable, making it ideal for use in the field. It could be setup and adjusted quickly. The heliograph had an adjustable mirror that could be tilted to reflect sunlight towards a distant receiver. Surveyors could align the mirror using a sighting device. Whilst it was primarily used by the Military it was also used in civil surveying particularly in the remote areas of Australia. The British Army Mark V version uses a flat round mirror with a small unsilvered spot in the centre. The sender aligned the heliograph to the target by looking at the reflected target in the mirror and moving their head until the target was hidden by the unsilvered spot. Keeping their head still, they then adjusted the aiming rod so its cross wires bisected the target, they then turned up the sighting vane, which covered the cross wires with a diagram of a cross, and aligned the mirror with the tangent and elevation screws, so the small shadow that was a reflection of the unsilvered spot hole was on the cross target. This indicated that the sunbeam was pointing at the target. If the sun was in front of the sender, its rays were reflected directly from this mirror to the receiving station. If the sun was behind the sender, the sighting rod was replaced by a second mirror, to capture the sunlight and direct it onto the main mirror to reflect it to the receiving station.. 1 Brish Army "Mance" Mk V A253 Heliograph has two 125mm diameter mirrors on a brass arm with targeting attachments. The Instrument is mounted on a three-legged tripod of brass and mahogany with spiked feet, approximately 1.2 metres high. The instrument was made by LUCO Art Metal Co Ltd, London in 1940. .2 A military green metal carrying safety storage case with khaki shoulder strap.A253 stamped on instrumentroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Photos from "Frederick James Baxter MC & Bar". Refer Cat No. 4219 for details.Series of small black and white photos stuck to cards relating to WW1 France Battlefield. 1. Picture of 3 ANZAC soldiers in field with 9.2 and 5.9 German shell casing. 2A. Picture of two ANZAC Soldiers in field with 9.2 shell casings and equipment. 2B. Picture of soldier on a road with ruins on either side in France. 3A. Picture of a Hall of Mirrors Versailles. 3B. Picture of unidentified ruins of a building with bomb damage. 4A. Image of bombed out battlefield with 9.2 Suzi Equip destroyed. 4B. Image of Hall of Mirrors Versailles. 4C. Image of bombed out village in France.Words unclear. 1P 9.2 and S9. 2A 9.2 Misc Ballen B. Aillea. 3A Versailles 4A. 9.2 Suzi Ballere 4B. Hall of Mirrors, Versailles.photographs, frederick james baxter, ww1, france

Dagging shears belonged to donor's father Maurice Dalton who was foreman of the show floor of the Dennys Lascekkes building until his retirement after 34 years with the company. Maurice used the shears in his work as a wool classer in rural Victoria and New South Wales. The shears are SUCCESS 11" Ball Bros. & Co. Dagging Shear, made in Sheffield, England.A pair of metal blade shears. The blade is engraved with 'SUCCESS / BALL BROS & CO / SHEFFIELD ENGLAND'. The ends of the two symmetrical grips loop around on themselves where they are riveted together to form a spring action.Mirrored. Image: Sword Mirrored. Lettering: SUCCESS / BALL BROS & CO / SHEFFIELD ENGLAND

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of Mr Wayne N. Kratzmann, 2005Oil painting on canvas depicting figure in a red dress, looking at her face in a mirror held by cherubs. Gold brushed, carved timber frame with decorative corners and edges.Recto: Not signed, not dated, not titledpainting, woman, figure, angels, cherubs, clouds, glove, mirror, face, flowers

Magazine with woman in head scarf on front.The Wartime Australian Women's Mirror.books, magazines

Presented to men and maybe women who enlisted in the Australian Armed Forces in WW2. It is unknown if this was a one of to soldiers from the 2nd AIF who were leaving for service overseas.Chrome plated mirrorFrom the Mayor and Councillor's of Richmond presented to members of the 2nd AIF on 20th February 1940.

Black and white photograph of part of SEC tram 41 reflected in the one of the mirrors of J. Reid and Sons Ballarat Coffee Palace in Lydiard St. North Ballarat. Photo taken 23-12-1967. Three copies of print on file - copies 1 and 2 127H x 177W and copy 3 - 89h x 140W.In red ink on rear of photograph in three of the four corners "41 Reid's 23-12-67", "Keystone Ballarat" and "Neg 1467-11".trams, tramways, reid's coffee palace, mirror, lydiard st. north, tram 41

Purchased and donated by Valda ArrowsmithSquare, amber, marble like mirror compact with rose design on lid. A square and a round mirror insidepersonal effects-toilet requisites, cosmetics

Belonged to Mr. William Sebire, son of Henry Sebire. Used at 'Lyndhurst' 1897-1950's. Donated by William's daughter - Annette Sebire. Large wooded sideboard/buffet with mirror. Carved oak leaf design on doors and mirror surround. Two carved pillars, one each side of mirror. Ornate metal handles on drawers and cupboards.buffet, sideboard, furniture

Small cream Document dated 8.5.1936 , W.D.Mason Collection, Gold Bath for Gilding Mirrors - instructions for gilding mirrors.business, retail, w d mason

Doll's mirror encased in tortoiseshelltoys, dolls' accessories

Mirror in khaki canvas bagCHP

Belonged to Keith David Livingston VX136969 2nd AIF. Refer 1911P for service history.Shaving mirror in leather wallet. .1) Wallet made of brown leather stamped in gold. .2) Polished metal mirrorOn wallet in gold, “Good luck”shaving mirror, wallet, accessory

Founder of Montsalvat Reproduced Page 106 of Pioneers & Painters, edited by Alan Marshall (1971) Note: print in book and print copy are mirror imaged There was probably little earth building done in the district in this century until 1934, when Justus Jorgensen, architect and artist, bought land in Eltham and with his students and followers commenced to build the fascinating complex of buildings now know as ‘Montsalvat’. These buildings and his use of materials, both local stone and earth, and reclaimed materials, were to have a remarkable influence on the Eltham district-particularly in the period following World War II. The first building at ‘Montsalvat’ was a picturesque house of or rammed earth with a high-pitched roof. Jorgensen has used a variety of building materials but it is possibly his use of earth, both pise-de-terre and mud brick, which has had the most influence on the environmental building in Eltham in the post war years. By the end of the 1940s, an impressive array of adobe and pise buildings had been completed. – Alan Marshall, 1971, “Pioneers & Painters”This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch Clr Reversal (3) Print 21 x 16.5 cm (printed in mirror image)justus jorgensen, montsalvat, pioneers and painters, shire of eltham pioneers photograph collection

Richard Liebreich of Germany invented his design of ophthalmoscope in 1855. This example is complete in its case with Coccius lenses and condensing lenses. Early ophthalmoscopes required an external source of illumination, eg lamp or candle, and light was reflected into the eye to be examined by the mirror on the ophthalmoscope. The earliest versions of the Liebreich ophthalmoscope used a polished metal surface to reflect light; glass mirrors were introduced in 1870. A condensing lens was held in front of the patient to view the image. A Coccius lens could be clipped into the holder to counter ametropia of user or subject.This Liebreich ophthalmoscope is significant for the collection as it is the only complete example of the three held in the collection.Cased Liebreich ophthalmoscope with 5 small coccius glass lenses and 2 glass condensing lenses. Non-illuminated ophthalmoscope has concave mirror in round head with central sight hole.Hinged coccius clip attached to hold lenses. Black metal head, silver coloured mount and black turned timber handle. Case has black leather outer lining and purple velvet and satin inner linings. Case hinged with snap closure. On front of case:"LIEBREICH'S OPHTHALMOSCOPE" 4 of 5 Coccius lenses engraved with powers: "8-", "12-", "-01", "+01"ophthalmoscope, optometry, ophthalmology, liebreich, coccius, lenses, eye examination, fundus, funduscopy, non illuminated, instrument, eye doctor, liebreich ophthalmoscope

Belonged to Victor Henry Evans No 418655 RAAF. Refer Cat No 1760.4..1) Emergency Signalling Mirror (ESM/1). Metal, rectangular shape with rounded corners. One side is the mirror, the other side has instruction points 1-3. .2) plaited cord attached to mirror frame. "SPEC 40653" " General Electric Company"signalling, mirrors, emergency, raaf

The bale hooks were used on the Dennys Lascelles building's show floor by the donor's father Maurice Dalton. Maurice was the foreman of the show floor of the Dennys Lacscelles building until his retirement after 34 years with the company and also worked as a wool classer in rural Victoria and New South Wales.Wood handle with curved rusted metal hock ending in a sharp point. One Hook is plain but longer. One hook is shorter and has inscription M.DALTON. on each side of handle. Third hook is much shorter, has dual hooks and a shaped handle.Handle of bale hook. Mirrored. Wording: M.Dalton.

1. This is a rectangular, polished steel mirror on the back has some black print. There is a round hole to hold the mirror onto a nail or hook.shaving mirror, passchendaele barracks trust

Brown plastic anchor with a mirror situated the middle.On the verso: sticker with handwritten note in blue stating, ‘VLADIVOSTOK/ USSR/JUNE 1992.’ 45p 50k & manufacture symbol PMA0315

This item belonged to Dr Lorna Lloyd-Green.Aural reflecting mirror with headband and socket joint.

Instructions for signalling in plastic sleeve with signalling mirror.

Enamel, vinyl, mirror and polymer clay on canvas

polished Metal Chrome mirror in leather sheath.

A 1980s photograph taken of the shops on Camp Street from the corner of Ford Street in Beechworth. The photograph shows the Camp Street Butcher which was opened by E Spencer in 1940 to supply locals with the primest quality meat at the lowest possible cash prices.This photograph is part of Burke Museum's collection of streetscape images, capturing the historical essence of Beechworth's streets and township. It serves as a significant visual record, offering valuable insights into the architectural and social fabric of the area during a pivotal period in its history.Black and white rectangular photograph, unmounted.Reverse: 2568/ GWYN MIRRORS CHEMIST BEECHWORTH/ F558camp street, ford street, beechworth, streetscape, shops, butcher