Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Collection of photographs probably taken around the same time depicting Sherbourne Road, Para Road and Simms Road at Briar Hill/Montmorency prior to the upgrade of Sherbourne Road Railway bridge, c.1970. Photo 01648_ 19 This home owned by Mrs Cameron. Her daughter married a Mr Davey, for whom Davey Road was named - email from M. Jones 20/07/2015 Photographer unknownThese photos are very significant in the documentation of the development of the Briar Hill and Montmorency areas and the changes in the physical landscape along the railway line area.20 black and white prints 9 cm x 13 cm.1970, briar hill, davey road, montmorency, para road, cameron, davey, sherbourne road, simms road, railway line, roadworks

Top photo: The property 'Golden Glen', home of photographer, Albert Jones. At the right of the photo is an apple orchard over the other side of Watery Gully creek. The middle building in the photo is still standing, located on Wattle Glen - Kangaroo Ground Road between Pretty Hill Lane and Millers Road (Melway 271 A6) but on the opposite side of the road. Bottom photo: The Wattle Glen General Store in this photo was located at the same intersection as the present Wattle Glen General Store (cnr of Reynolds Road and Kangaroo Ground Road) but on the diagonally opposite corner. [Comment from Valda via Victorian Collections June 11, 2018] "The addition to the store on the left, and the building at the back, were not part of the store/post office owned by the Keenan's. They were added by Mr and Mrs Alan (Janet) Frencham's in the ?mid-1950s." See also EDHS_03112: See Ref: EDHS_03112 A WINDOW ON THE PAST by Roger Sanders, The Sun, Wednesday, Auguist 11, 1976, pp 38-39 A fascinating window has been opened on the early life of the Eltham district. It is a rare collection of 3,000 perfectly preserved glass plate photograph negatives. The collection is the work of the late Albert Jones, a Diamond Creek orchardist and amateur photographer. About 500 of the negatives have been printed and 100 are on display at Gallery 4, Eltham, as part of the Eltham Festival," which started on Friday. They capture in fine detail rural and village life around Eltham, Hurstbridge, Kangaroo Ground, Yarra Glen and Diamond Valley from 1900 to 1930. While the natural beauty of the district was painted in this period by Arthur Streeton (later Sir Arthur), Tom Roberts and Charles Conder, among others, photography was relatively new. Yet Albert Jones used the new medium to compile a weighty album of pioneers at work, at home, at sport and on holidays. He was at the first Yarra Glen race meeting, early Diamond Valley football matches and photographed soldiers from the district leaving for war. He photographed early gold mines, men with horses laying the Diamond Creek-Hurstbridge rail track and the arrival of the first steam train at Hurstbridge. He took his cameras on holiday around Victoria and the collection includes scenes from St. Kilda and Portsea and many country towns. The Jones collection of negatives was found by Mr A. J. "Ned" Spark, of Balwyn, under a house he bought from Mr Jones' widow. The plates almost went to the tip with a pile of rubbish before Mr Spark realised their potential value. Mr Spark, who is retired, will continue the identification and recording of the photographs when he returns from holidays. The exhibition of the Jones' photographs is open each afternoon until August 21 at Gallery 4, 1016 Main Rd., Eltham. Photographs included in article: • The priceless collection of glass plate negatives were found under this house in Eltham [actually Wattle Glen], home of Albert Jones and his wife. • A quiet country pub - Panton Hills Hotel. • Teams of draught horses were used in the building of the Diamond Creek-Hursbridge railway in 1910. • Chinaman Jimmy using a gold cradle in Wattle Glen Gully. • The photographer and orchardist Albert Jones. His work is on show as part of the Eltham Festival • St Kilda Pier – several of the houses are still standing, but the waterfront has changed dramatically since this was taken before 1920. • A picnic was a dressy affair at the start of the century – the women in this family group are decked in lace and pearls.Roll of 35mm colour negative film, 4 stripsKodak Safety 5035albert jones, golden glen, shops, wattle glen

Black and white photograph - Grade 4B, 1952"Attached to photograph" Back Row- L to R: Ivan Jones, ?, ?, Graham Johnson, Douglas Ashton, Les McKeon, Tony (?), Allan Robb, Ray Mondking, Bruce Spence. 2nd Row - L to R: Faye Thompson, Rosemary McDonald, Pam Deuter, Pam Wilton, Judith Isherwood, Shirley Spence, Joan Ritch, Wendy Hall, Gaye Beverage, Judith Webb. 3rd Row - L to R: Lorna Harkensee, Beth Uren, Sandra Boyle, Helen Penny, Beth Mathews, Helen Whitney, Helen Goodluck, Jennifer Rayment, Barbara Chipps, Barbara Beattie, Helen (?). Front Row- L to R: ?, Ronnie Sumpter, Bruce Baxter, Rodney Cobbledick, ?, Bill Longmire, Graham Scott. Teacher: Mrs Davis

Black and white photograph - Grade 6B 1974."Attached to photograph" Back Row- L to R: Shane Clark, Sergio Signor, Rodney Simpson, Russell Zantuck, David Healy, Wayne Kempton, John Matheras, Willy Pouw. 2nd Row- L to R: Linda Parker, Christine Murray, Roseanne Glarimans, Michelle Hogarth, Heather Jones, Eileen Hurley, Jenny Kortland, Kim Edwards, Elizabeth Cuzens. 3rd Row- L to R: Colin Smith, Robert Brown, Keith Pritchard, Jeff Wilke, Martin Lynd, Martin Hamilton, Robert Elliot, Stephen Walton, Stuart Hutchison. Front Row- L to R: Cathy Baker, Heather Butterworth, Karen Chapman, Fairley Marsh, Sharon Venn, Susanne Gempton, Christine Kozel, Karen Rolf, Elizabeth Bailey. Seated On ground: Chris Broadley, ?. Teacher: Mrs Parkes

This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea

24 photographs relating to Carnegie plus 1 slide: 1/Two photographs, one of Koornang Road c.1920’s and one of flower shop rear of library, date unknown. 2/One photograph of Carnegie Post Office c. undated. 3/Two photographs Koornang Road, Carnegie and phone boxes, Carnegie, dated 1914. 4/Two photographs (the same) of an RSL Ball dated 15/08/1937. 5/17 black and white negative photos – reprinted, date unknown, of Carnegie Library, shop front opening Koornang Road. 6/Slide showing Koornang Road, Carnegie looking South. 7/6 photocopied postcards from Valentines Real Photo Series, in album owned by Mrs. Zoe Mason, collected and returned to Pam Speedy (daughter) 12 Wattle Grove, East Malvern, 15/03/1999. Photocopied pages from 1923 Sands and McDougalls included with some prints to give an idea of architecture and other retail trade. 8/Two photocopied prints of Carnegie Flood. 1946 – Koornang Road, shows shopkeepers in street at that time. 9/Two photographs of brick wall advertising the "Argus" newpaper, which closed in 1957. Photos taken in 2011 when building was exposed prior to rebuilding on site.koornang road, rosstown road, carnegie, shepparson street, carnegie library, carnegie post office, mcallister b., glen huntly, glenhuntly, phone boxes, memorial hall, bamfield m., tranmere avenue, carnegie railway station, stations, libraries, post offices, memorial hall carnegie, progress hall, carnegie community singing, social clubs, chadstone progress, newspapers, temminghoff robert, carnegie chamber of commerce, caulfield city council, rob’s chocolate box, rosstown, ross william murray, rosstown railway, elsternwick, oakleigh, city of caulfield, glen huntly road, glenhuntly road, grange road, carnegie primary school, primary schools, murrumbeena, neerim road, dandenong road, koornang park, lord reserve, rosanna street reserve, packer oval reserve, caulfield swim centre, holywood grove, mile end road, mcpherson avenue, munster avenue, rosstown hotel, leila road, methodist church, toolambool street, carnegie theatre, carnegie estate agency – sims and broadbent, woorayl street, estate agents, cowie j. mrs., confectioner, woodhouse e., stationer, mckay jno. a., mckay jonathon, small goods, perry w. b., chemists, kinsman e. h., newsagents, jones a. w., mckee wm., furniture stores, neil geo. m., grocer, truganini road, brick

This file contains 10 items about the history of Glen Huntly: 1/6 photocopied pages from ‘The History of St Kilda’ which relates to the place name Glen Huntly, and the Quarantine graves, date unknown. 2/2 photocopied pages from the ‘Sun Pictorial’ dated 13/4/1928 and 12/4/1928; relating to the state of the graves at Point Ormond and their re-internment to St Kilda Cemetery. 3/1 pen and ink sketch of graves at Point Ormond from the State Library Victoria. 4/3 pages taken from a website on the re-internment of graves and some social history as to the reason that the new emigrants were coming to Australia. The Article also has 7 photographs. 5/2 newspaper articles on the ‘Glen Huntly’ descendants forthcoming reunion being held on 21&22/4/1990. 6/1 article reprinted from newsletter no. 22 October 1983 on the barque ‘Glen Huntly’. Also details of passengers who died and the burial of 3 at Point Ormond. 7/1 handwritten document (unattributed) taken from ‘Migrant ships for South Australia 1836-1850’ by Ronald Parsons. 8/1 pamphlet commemorating the 150th anniversary of the ‘Glen Huntly’ arriving in Melbourne. It gives information about the ship, passengers, memorial in St Kilda Cemetery and upcoming descendants’ reunion. 9/1 program of commemoration events 21&22/4/1990. 10/1 piece of art work for a ‘Welcome to Glen Huntly’ sign, featuring a ship. Undated, unattributed and source unknown.‘glen huntly’, buchanan captain, fever ship, emigrants, cummins ann, st kilda cemetery, bowman mrs, caulfield, craig john, cameron miss, mcgonagle mrs, elsternwick, armstrong george, mathers james, the glen huntly pioneers memorial, jones alfred ramsey, st david’s uniting church (grange road), glen huntly, glen huntly road, lake street, glen huntly state school, glen huntly presbyterian church, south caulfield, mernda avenue, garden avenue, grange road, jenkin (boss) william, wattle avenue, chinese joss-house, smith a.w, glen huntly post office, foundation stones, king f.l, methodist church, trinity congregational church, greek orthodox church, salvation army temple, wanalta road, st anthony’s roman catholic church, st agnes’ anglican church, booran road, st david’s uniting church, el nido grove, manses, royal avenue, munster avenue, james street, rothschild street, neerim road, organs, peace memorial organ, railways, marara road, curraweena road, booran road, bambra road, rosstown railway, murray-ross william, leila road, murray-ross leila, ‘the grange’, north road, wild cherry road, ‘rosstown’, picture theatres, manchester grove, aerodrome, lord reserve, neville street, lyons street, morgan street, rosedale avenue, rifle clubs, glen huntly infant welfare centre, watson grove, rowlands drapery, drapers, bones plant nursery, nurseries, elsternwick railway station, railway stations, kooyong road, glen eira road, truganini road, rosstown sugar works, ross murray, street names, typhoid, diseases, death and dying