Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

Used as table ornament and fruit bowl in home at Blackburn. Glass pedestal dish, scalloped edge; pattern, circle within triangle. Triangle pattern on a pedestal.domestic items, ornaments / decorative, table setting

In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

Discussion of contemporary church architecture. Boyd disapproves of inappropriate and unnecessary ornament.Original manuscript of an article published as "Churches get Curiouser" in The Australian on 26.06,1965.Typewritten, quarto, 5 pages. (Two copies)Minor hand edits on second copychurches, laminex, mareeba, auckland, robin boyd, manuscript

Brides are given the ornaments after the marriage ceremony by friends and relatives as a keepsakeIt brings luck and happiness to the newly wedsWhite crochet shoe decorated with satin flowers and pearls and a little crochet bellbridal ornament, crochet, shoe, bell

These small Chinese-influenced ornaments were popular in Australia in the early 1900s.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. 2 small metal containers with with embossed designs. The rectangular container has a leaf design whilst the rectangular container has dragon-like creatures on each side.decorative items, jewellery, lacquerware

Box of assorted items, costume jewellery, buttons, belt buckle, hat ornaments. Box covered with pink floral fabric with padded lid and pink bow.costume accessories, jewellery, assorted

Photograph of an ornamental adornment on top of a box. The ornament is an emu with a piece of timber across its back acting as a balance beam for two pans supported by chains. "No 3" written below the photograph. A small plaque on t e front reads "Napoli Prescott. Jeweller and Optician. Bendigo"jewellery, feather

Frank Wright was a renown resident of Smeaton, where he was born in 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Faded colour photograph of a man sitting at a table with a tea cup and saucer and plate of biscuits. On the wall behind is a shadow box with ornaments and a clock. The man is Frank Wright.frank wright, composer, conductor, brass bands

Very likely a souvenir brought back from the former Dutch East-Indies.Small brass-coloured ornament from the former Dutch East Indies. It depicts a team of two bullocks drawing a plough. The farmer is seated on the plough and swinging a whip.

1986 Grand Parade, 8 November. The Society's entry in the Eltham Community Festival parade included Ben Hall's Cobb and Co. coach and was awarded the major prize for the parade. This involves a perpetual trophy which the Society holds for one year. Individual shields attached to trophy inscribed with annual Grand Parade winners: 1979 - Cubs of the Eltham District 1980 - Montmorency South Primary School 1981 - Co Winner, Eltham Primary School Dalton Street 1981 - Co Winner, Our Lady Help of Christians 1982 - Cubs of the Eltham District 1983 - Research Primary School 1984 - Montmorency South Primary School 1985 - Montmorency Garden Club 1986 - Shire of Eltham Historical Society and one blank shield It appears the trophy was replaced in 1987 with a Best Display award which again was won by the Society, and again in 1988 Polished wooden trophy with gold plastic wreath, inscribed metal plaques and ten inscribed metal shields. Gold plastic ornament sitting on top (broken off)The Rotary Club of Eltham Perpetual Trophy Awarded to the Best Display In the Grand Parade Eltham Community Festivalaward, eltham community festival, eltham festival, trophy, shire of eltham historical society, eltham district historical society, victorian folk music club, rotary club of eltham, perpetual trophy, 1986, grand parade, 1979, 1980, 1981, 1982, 1983, 1984, 1985, cubs of the eltham district, eltham primary school, montmorency garden club, montmorency south primary school, our lady help of christians primary school, research primary school

These 2 clear glass swan ornaments were very common decorative items mid 20thC2 clear glass swansmoorabin, bentleigh, cheltenham, ormond, ornaments, glassware, homewares.

Thought to be used by Rich in his grocers shop, Main St. Rutherglen. Later known as Bamber's Hit or Miss store. Found in small upstairs room by Mr. R. Hill of Kelly & Hill, Hardware shop.An advertisement for raspberry and lime juice chips. Ornamented with pictures of lime fruit & branches & raspberries. Printing in red gold and black on pale blue background. Mounted on contact plastic"Goulay & Morrison / Wholesale confectioners / Manufacturers of the celebrated Raspberry & Lime Juice Chips / Melbourne"confectionery, advertising, gourlay & morrison

The EK was the first model Holden that had the option of automatic transmission. This was the 3 speed hydra-matic that offered performance and economy that was not far short of the manual. This vehicle still used the tried and true 138 cubic inch power plant.This was a local Trafalgar vehicle formerly owned by Graham Cook and family. The interior of this vehicle is totally original while the exterior has undergone a substantial repaint and re-chrome, This was required because the previous owner kept the external spotlessly clean and wore the paint out.Blue body sedan with white roof ,sun visor, upright rear vision mirrors added on .Hub caps featured lion emblem. Chrome arrow shape ornament on bonnet.Holden Special Registered number 63453-Hvehicle, holden, 1961, car

The Tesselated Tile Company of Mitcham was responsible for providing many decorative tiles, terracotta ornaments and roofing tiles for the building.Coloured photograph of the front and left side of Bundoora Park Homestead, Bundoorabundoora park homestead, australian tesselated tile co. pty ltd, tiles

A minature, ornamental Samurai helmet made of cast iron and brass, gifted to the Port of Melbourne Authority. The helmet has wing-like projections on the front, known as Fukigaeshi, and a prominent gold plated crest, mounted on the front centre. Red and gold embellishments can also be seen around the bottom edge of the piece and on the dragons adorning the Fukigaeshi. There are six small holes around the centre of the helmet. Research shows that there may have originally been decorative fabric and tassels embellishing the piece which would have been threaded through these holes and then looped around the crest.ornament, samurai, japan

.1 PAINTING OF ORIGINAL CRESWICK HOSPITAL ON CERAMIC PLATE, THEN GLAZED. .2 PAINTING OF MOUNTAINS, RIVER AND COTTAGE.1 CREAM COLOURED CERAMIC CIRCULAR PLATE, PAINTING OF ORIGINAL CRESWICK HOSPITAL. .2 CREAM COLOURED CIRCULAR PLATE OF MOUNTAIN AND RIVER SCENE.local history, ornament, ceramic

Black and white photograph of group of forty three men outside a building. Men are dressed in suits, and many wear overcoats. Building is brick with ornamented arches. Inscriptions: Studio Hornby's, Ballarat.Hornby's (?) Ballaratperson, group, males

Six sided box made for keeping collar studs etc. Yellow with light green opaque base and trim on lid which has a yellow stud ornament. Include a number of studs.costume accessories, male, personal effects, containers

Iron bed from home of Wandin Sebire, with ticking mattress and pillows and frilled hemstitched pillowslips. Patchwork Quilt mad by Local CWA for Mont De Lancey.White painted single iron bed with silver ornaments on bed head and end. Has wheels on the legs of the bed. Some paint scratched off. Has a colourful patchwork quilt and pillows on it. bedding, beds, quilts

Early settlers were very skilled craft workers and made and decorated ornaments, photo frames, cards etc to brighten their homesA small, hand made glass picture frame, hand decorated with chips of mother of pearl shell, a paper mache backing and a metal stand with clips. Enclosing a circular photo of an unnamed lady moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, jewellery, craftwork, photographs

Small white china ornament souvenir of Whitchurch with a loop for hanging, decorated with a blue shield with 3 lions faces and a gold banner with wording Floreat Salopia banded with gold.Date in gold on reverse 1836.Stoke On Trent Arcadian Chinadomestic equipment, ornaments, souvenir

Long Gully History Group Collection: Interchurch Athletics League Cricket Trophy A metal cricket trophy in the form of a cup with two handles. The cup has a fitted lid topped with an ornament that has been broken off and damaged. The ornament is in the form of a classical figure. The figure is missing its feet and one hand. Inscription on the front reads 'Interchurch Athletic League, Long Gully Methodist Cricket Club, Outright Winners, Seasons 1923-24, 24-25, 25-26,26-27.bendigo cricket, cricket trophy, long gully methodist cricket club

Music book, Frühlingsrauschen by Sinding, (Gazouillement du printemps - Rustle of Spring), Opus 32, No.3. Edition Peters No. 2870 (German) Cover is pink with "Sinding" in bold red print; the "S" is large and ornamented.Olive M. Walter

Worn by Dorothy Williams approx. 1950'sBelongs to Dorothy Williams CollectionBrimless hat using blue/mauve nylon material lined with 'whitish stained' white material.Elastic hat. elastic - black. Label - Stella Long (maker). Two ornamental ornaments, diamonte, in shades of blue/mauve.Stella Long 14 The Block Melbourne.costume, female headwear

Set of two decorated Chinese doll ornaments. Male and female Chinese characters featuring painted ceramic faces with rounded bodies. Dressed in cotton satin clothes and trimmed in coloured fabric and white cord with tassel.