Debbie LLOYD Debbie Lloyd returned to study in 2005 completing a Bachelor of Fine Arts (Visual Arts) degree at the University of Ballarat (now Federation University) in 2007, with honours the following year. She returned to the university as Artist in Residence in 2009. During her time at the University Debbie exhibited in many group exhibitions and her work was selected for the National Graduates Show at PICA in Western Australia. Debbie’s first solo exhibition was held at Space22 in Ballarat, towards the end of 2010. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two artworks featuring a third dimension created with folded paper. Artist's Statement: "My artwork explores the visual experience that can be achieved using black and white, lineal patterns or by creating illusion and surface movement through the simple manipulation and repetition of forms. In these works I have used everyday objects, and shapes, repeated, reconfigured and recontextualised to provide the viewer with visual challenges that slow down and complicate the reading of the work. In the words of a former lecturer of mine, who kindly delivered the opening speech at one of my exhibitions – There is in Debbie’s work a belief in the transcendental power of repetition, a tribute in many respects to the fact that human kind is defined by nothing more noble and uplifting than its ability and obligation to persist." (http://100thgallery.com/gallery/debbie-lloyd/, accessed 08 May 2018) art, artwork, debbie lloyd, available, recycling, envelopes

The Universal Stereoscope was used to view overlapping stereo aerial photography in three dimensions (3D). It consists of magnifying lenses, an optical train including glass prisms and mirrors that are protected by sliding metal covers all suspended on a pair of fold out adjustable legs. The stereoscope is coloured military olive drab green. This Universal Stereoscope was produced in Australia in 1940 for Military use. It was originally produced with a timber protecting carry box that is missing. It was used extensively by members of the Australian Survey Corps during WWII in many theatres of War for viewing and annotating aerial photography. Item 6205.6P, photograph 6205.1P shows the Universal Stereoscope in use by the Australian Survey Corps annotating aerial photography.The Universal Stereoscope was used to view overlapping stereo aerial photography in three dimensions (3D). It consists of magnifying lenses, an optical train including glass prisms and mirrors that are protected by sliding metal covers all suspended on a pair of fold out adjustable legs. The stereoscope is coloured military olive drab green."DC-1940 Serial No 550", "D V D", "Made in Australia" Plate on the underside reads " This stereoscope was donated to the Ex Fortuna Survey Association by the Eaglehawk Recycle Shop February 2015"royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

In the days before recycling on rubbish collection days, community groups could raise money through a 'bottle drive'. These photographs show on bottle drive in Watsonia to raise money for the Watsonia Scout Hall. The location is A. K. Lines Reserve - in the background is St Mary's Church, with few houses and no freeway.Digital copy of colour photographwatsonia scouts, bottle drives, a k lines reserve

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

Used in the late 19th or early 20th century.A large triangular shaped metal blade tin cutter for manually opening kerosene and petrol tin lids which were often recycled for use on farms in the 19th and early 20th century. It has a rectangular shaped tubular steel handle attached to the top side by two rivets. On one of the triangular points of the blade is the manufacturer's brand ' Chapman and Co, Enfield S.A'. It was Australian made.'Chapman and Co, Enfield S..A'. tin openers, tools, tin cutter, farming equipment

Postcard - full colour - of tram SW5 781 turning from Brunswick St into Victoria Parade, 26/11/1990 going to St Kilda Beach. Has adverts for been (its going to be a long hot summer) and Christmas Cards on recycled paper. Has details of the tram type on the rear. Photo by Steve McNicol. Divided back, published by Railmac number S059 RMtrams, tramways, sw5 class, victoria parade, tram 781

Pamphlet or small booklet, 12 pages on recycled paper, centre stapled titled "A walk along the Upfield railway line", outlining the history of the line, dates, hand operated gates, Royal Park to Brunswick, cable trams and the Sarah sands, sketches, The Jewell, map, Brunswick Station, grain stores, substation, Brunswick tram depot, sidings and railway signals. Published by the Brunswick Community History Group in 1993In ink page 3 "KS 8-7-94"trams, tramways, upfield, brunswick, railways, level crossings

Full colour 24 page newspaper, centre stapled recycled paper, titled "Out and About - Spring 2017", published by the Ballarat Courier, with ads and items about the Ballarat and surrounding villages events, but with a lot of adverts outside the district for example Bendigo trams and Castlemaine and Maldon Railway. Features a photo of Len Millar and Neville Britton in front of tram 26 on the front cover and Springfest on the page 4 with the Tram Pull event.ballarat, tourism, bendigo trust, btm, springfest, tram pull

Advertising Poster for use in Tramcars printed on heavy cardboard advertising the use of Australian Recycled Carton board with the headline caption "This is the Sign of a True Green Aussie". Has the logos of Defiance, Kleenex, Uncle Tobys, Arnotts, Neranda Tea, Lanes, Kellogs, White Wings, Aeroplane jelly and Peters. Sponsored by channel 7 Melbourne nightly news. Image file is a small version of the large pdf file, on file as hte5568i.pdftrams, tramways, posters, advertisements, melbourne

In this article, requested by Architecture in Australia, Boyd condemns the lack of development in the shaping the identity of Australian architecture, similar to the contents of Texas Quarterly 'Architecture in Australia' Vol.5 (see D092), Boyd writes about the need for designers and architects to create a new design language rather than recycling and reminiscing on old British aesthetics despite wanting to gain international recognition.Original manuscript of an article published in Architecture in Australia, Vol.56, No.3, June 1967 pp.454-465.Typewritten (c copy), pencil edits, quarto, 26 pagesPencil corrections and edits in textaustralian architecture, sydney school, architecture in australia, robin boyd, manuscript

Photograph shows decorated tram No. 23, eastbound between Dawson and Doveton Streets. The tram was decorated for the 100 years of European settlement (1938) in the Ballarat district. The Queen Alexandra bandstand and buildings in the background have been decorated as well. The street decoration just in front of the tram, was recycled from an earlier Melbourne celebration event. A young man is riding a bicycle alongside the tram.Yields information about the decoration of Sturt St and tram 23 for the 100 years of European settlement (1938).Black and white print of decorated tram 23 in Sturt St, east bound passing the Queen Alexandra Bandstand.ballarat, sturt st, trams, tram 23, decorated trams, queen alexandra bandstand, celebrations.

MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.These images are significant because they depict aspects of the life of a pioneering family of Falls Creek and the founders of "Skyline", the first lodge at Falls Creek.Images of Joan Meyer near Fitzgerald's Hut on the Bogong High Plains. The original Fitzgerald Hut was built in 1903 by George Silas Fitzgerald. Destroyed by fire in 1991, it was rebuilt using salvaged and recycled timber. It is located in a large clearing, three to four hours hike from the Bogong High Plains Road These images document Joan's first trip on skis carrying a pack on her back.The trip took about two weeks to complete.falls creek, victorian snowfields, joan meyer, fitzgerald hut

The iconic Eltham Barrel restaurant operated in Eltham from the late 1960s to its demise in a fire in 1989. This piece of timber - itself recycled from elsewhere (possibly the Clivedon mansion) in the construction of the Barrel had the words "Eltham Barrel" burned into the timber. It formed part of the welcome to visitors on the high external covered portico entrance. This large timber beam was saved and used in the construction of a house in Eltham.Three colour photographstimber beam, eltham barrel

The iconic Eltham Barrel restaurant operated in Eltham from the late 1960s to its demise in a fire in 1989. This piece of timber - itself recycled from elsewhere (possibly the Clivedon mansion) in the construction of the Barrel had the words "Eltham Barrel" burned into the timber. It formed part of the welcome to visitors on the high external covered portico entrance. This large timber beam was saved and used in the construction of a house in Eltham.Three colour photographstimber beam, eltham barrel

The iconic Eltham Barrel restaurant operated in Eltham from the late 1960s to its demise in a fire in 1989. This piece of timber - itself recycled from elsewhere (possibly the Clivedon mansion) in the construction of the Barrel had the words "Eltham Barrel" burned into the timber. It formed part of the welcome to visitors on the high external covered portico entrance. This large timber beam was saved and used in the construction of a house in Eltham.Three colour photographstimber beam, eltham barrel

Winner of "Expressions 2006: The Wool Quilt Prize". Artist statement: 'Dressed in Memories IV is my continued exploration into contemporary quilting by looking back to the history of women, the quilts they made and the memories their work holds. Layered on the wagga of recycled materials is embroidered a dress that my mother made when she was in her teens. This contemporary quilt celebrates women's domestic work through the generations in Australia.'W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. Article 'What is a Contemporary Art Quilt?' from "Popular Patchwork, April 2002, England. Article 'Quilt winner dressed for success' from "The Weekly Times", January 3, 2007 Article 'Expressions 2006: The Wool Quilt Prize' from "Textile Fibre Forum" no 85, 2007 Catalogue worksheet page 1 Catalogueworksheet page 2Dressed in Memories IVquilting textile art wagga, eastwood, ms michele, quilting, textile art, wagga

These bottles may have been in use in the 1940's or earlier. Cordial drinks came in bottles bought at a local grocery store. The shape of the bottles changed as did the stopper or seal. Bottles were recycled remaining the property of the manufacturer - 1. O.T. Ltd., Australia and 2. Lemos Australia in these samples. It appears these bottles may have the remains of a soft drink or cordial which is now dark in colour. Two vintage glass bottles: 1. A clear glass bottle with an embossed decorative leaf pattern around the neck. It has a rusted metal cap. 2. An embossed diagonal square patterned clear glass bottle with a rusted screw top lid. It has an oval shape on the front where the paper label was glued; there are the remains of a label.1. 'This bottle is the property of O.T. Ltd.' 2. 'Design No. 9072 Australia No. 8449 India 6888661 Great Britain. No. 1826 United Union of South Africa........ Only contents sold'. 2. 'Lemos. Registered trade mark.'bottles, beverage bottles, glass, cordial

Bus Route Guides, 12 section fold out guide, printed on recycled paper titled "Bus Route Guide - Your local guide to bus services in Port Phillip", detailing the bus services within the City of Port Phillip. Published by the PTV 2016. Has a detailed map of the various routes, and a list of the bus routes and their various stops. Collected as it relates today to the former MMTB Bus routes in the area. Has the logos of PTV, Transdev and CDC Melbourne on the front.trams, tramways, timetables, maps, port melbourne, city of port phillip, buses, south melbourne, st kilda

Pamphlet, printed on cream recycled paper, A3 + and A4 tear off titled "Bridge Road tram stop improvements". giving details of the Punt Road to Church St section of Bridge Road tram line. Installation of two level access tram stops to replace the existing three - Vienna style. Has details on the proposal, the background reasons, inviting people to have their say, information sessions, maps, diagrams and contact details and survey form. 2 copies held.trams, tramways, bridge rd, tram stops, vienna style stops, vicroads, disability services

Photograph of stables at Montsalvat, Eltham. Montsalvat is an artist colony, established by Justus Jorgensen in 1934. It is home to over a dozen buildings, houses and halls set amongst richly established gardens on 48,562 m2 (12 acres) of land (Wikpedia). "Many of the buildings (including.. the stable near the animal yard) were designed by Justus Jorgensen in Gothic and/or vernacular styles using mud brick and recycled materials" - Victorian Heritage Database Photo possibly taken by Peter Bassett-Smith. No date. Montsalvat is historically, technically, architecturally, aesthetically, socially and spiritually significant to the State of Victoria.The Montsalvat complex is historically significant because it was established in 1934 by the noted artist and architect Justus Jorgensen. (Victorian Heritage Register)1 photographeltham, montsalvat, stables

Document: Central Napoleon NL Minute Book No 2, minutes of half yearly general meeting, only 2 meetings recorded, 10/6 written on top of spine and upside down on the bottom left corner of back cover, cover may be recycled paper note the random letters found over front and back cover, entries within the book are dated between the 27th of February 1953 to 5th of February 1954, markings upon front cover cover read 'Central Napoleon N.L Minute Book No 2'.organization, business, industry - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

Pamphlet - three fold A5 size, printed on green paper, titled "Conductor to Public Bulletin Number One" with a sub-title "produced to aid Commuters hungry for information, by Trammies from the South Melbourne Depot" Gives a part history of the W class Melbourne and why they fit Melbourne, notes on Melbourne's, gives a map of other Australian tramway systems, comparison with the San Francisco and Los Angeles. Has a note on the side of the rear page "Printed on Recycled scratch tickets". Printed early 1990's?trams, tramways, south melbourne depot, conductors, melbourne, public transport, w class

An information brochure regarding Barree Cottages in Marysville. The cottages were built of 110 year old recycled Jarrah from the Fremantle Wool Stores. They had 90 year old Mountain Ash (native to the area) posts and beams from the South Melbourne Wool Stores. Old red bricks were used to create feature walls within the cottages which were two bedroom and fully self contained. These cottages, along with the majority of the buildings in Marysville, were destroyed in the 2009 Black Saturday bushfires.An information brochure regarding Barree Cottages in Marysville.marysville, victoria, australia, information brochure, barree mud brick holiday cottages, accommodation, 2009 black saturday bushfires

Morrison Kleeman Real Estate sales information material for the Alistair Knox designed house known as the Zull House. "Nestled into a private hill of more than an acre of established gardens, shady ornamental gardens, shady ornamental grapesvines and gumtrees, sounds of bellbirds engulf this Alistair Knox home of special ambience. This home features the textures and colours of nature, home made Hawthorn bricks, flooirng slate from the old St Kilda baths and recycled timbers..." The property was sold Feb 26, 2004 (Source: realestateview.com.au) Knox was a pioneer in the use of mudbricks and recycled materials and is significant to his contribution of this style of architecture in Eltham and the wider Shire of Nillumbik.1 documents, 2 pages A4 gayle blackwood collection, houses, morrison kleeman real estate, metery road, eltham south, alistair knox, zull, st kilda baths

Poster advertising "Music for the People" Sunday, March 5 (1953?) featuring images of Margaret Nisbett, Soprano, Hector Crawford Conductor of the Australian Symphony Orchestra and Gordon Boyd Baritone. Part of the Music for the People event during the Begonia Festival. Would have been displayed in an internal tramcar advert rack. Has been recycled by the SEC Ballarat depot to display a dyeline print of a1969 tram fare schedule glued to the rear with possibly another earlier version underneath. See Reg Item 7471 for a 1955? version. Demonstrates how posters to advertise Begonia Festival events were printed and then recycled by the SEC depot Ballarat for other purposes.Poster printed on cardboard "Music for the People" during a Ballarat Begonia Festival. The poster has been trimmed on the right hand side and a 1969 tram fare schedule glued to the rear. Cut to fit in a tramcar internal advertisement rack.fares, trams, tramways, secv, ballarat, begonia festival, hector crawford, gordon boyd, margaret nisbett, music for the people

Set of three different styles of letterhead or headed paper used by the Public Transport Corporation (PTC) 1 - printed with the name of K (Keith) M Fitzmaurice, Chief Executive - address 60 Market St Melbourne with the logos of V/Liine and The Met underneath. Used during 1989 2 - printed with PTC logo and address (only a PO Box) on the left hand side - used during the 1990s 3 - printed with the PTC logo on the top, notes printed on recycled paper - possibly used for forms or noticesA stationery that is associated with a now-evolved department which existed in the 1990s. Three x White paper pre-printed letterhead, printed in green and black ink. Two copies of each held.public transport, letters, stationery, transport, ptc